If you watch the psychological drama Childhood of a Leader, you will apparently "witness the birth of a terrifying ego". Unfortunately for us (yet again!!) you will not get to witness Robert Pattinson on screen because his character spends most of his time in Germany when the film is set in France, which you can tell due to the sheer amount of un-subtitled French that the characters speak. Thankfully, Harry has a French degree. Unfortunately, he does not like having to use it. But at least Stacey now has a dog to keep us occupied when Robert isn't on screen.

Plus, Harry has been going through a lot of ebb, Stacey shares her love of the plague and the trenches, and Lee won't stop interrupting us.

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On this week's bonus episode, the topics of discussion deemed too salacious to be included on main episodes include: Stacey discovering niche arthouse actor Paul Giamatti, Harry wondering where all the bilbies have gone, and we discover James Dean's tip for a longer (or shorter) life.

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According to the book of Exodus, Moses led the Israelites through the desert for 40 long and difficult years, and we have experienced something similar after watching a two hour film that seems to mostly be about Nicole Kidman riding a camel through the desert for about 2 hours. Robert Pattinson is barely in the film, and when he does show up he is for some reason talking like a 1920s radio announcer.

Plus, Stacey wants to find out if Rico from Penguins of Madagascar is autistic, Harry starts singing Phantom of the Opera for whatever reason, and, basically, what we're gonna do is dance.

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On today's bonus episode attempt to name every member of the wolf pack that we spent so much time with over the course of five films. How hard could it be? Surely they all have names that are recognisable as names? Right?

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Life is a film about famously attractive and charismatic Hollywood icon James Dean, and also some guy called Dennis Stock. Unfortunately for us all, James Dean is played by Dane DeHaan who, it turns out, looks nothing like James Dean, and our dear Robert is left playing Dennis, whoever that is. It says a lot about the film that the most lively part of the whole thing was Stacey when she saw a spider.

Plus, James Dean pulls focus from Harry on his birthday, Stacey gets very fixated on a pig, and we are both just sick of having to cook dinner

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On this week's bonus episode, listen on such antics and delights as Harry being antsy around teens and the mischief they may be causing and Stacey finding out about the Twilight/50 Shades of Grey connection.

Plus, a then-ignorant Stacey hypothesises about what Renesmee could mean (it was a simpler time...)

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The Rover is a lot like Lady Gaga's ARTPOP, in that it could mean anything. Some of our guesses: it's about the Mars Rover; it's about a dog; it's about both the Mars Rover and a dog. But it turns out that The Rover is actually about Guy Pearce and Robert Pattinson both refusing to enunciate their lines while shooting their way through post-apocalyptic Australia on what IMDB very charitably refers to as a "road trip".

Plus, Harry questions why admin still exists in the post-apocalypse, Stacey wonders if we're going be doing the podcast for the rest of our lives, and we both kind of just turn on each other.

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It's finally happened: we're living in a post-Twilight world! Hopefully, we're also starting to live in a post-mediocre films starting Robert Pattinson world. Unfortunately, we are watching another film directed by David Cronenberg, which does not bode well, and Robert Pattinson is once again in a car, but this time it's not even a limo, it's just a regular car. And his character isn't even rich! What's even the point? This film also contains an alarming amount of what we might call... intra-family romance. Also ghosts. Also Julianne Moore.

Plus, we debrief about Laneway Festival, Stacey gets very upset about a dog, and Harry won't stop talking about films that are not the film we are currently watching.

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Well, it's finally happened. Not only have we reached the conclusion of the Twilight Saga (and what a saga it's been!) but we have also reached the exact halfway point of Robert Pattinson's filmography. Or we will have, once we get through this film, which seems to mostly consist of a creepy little girl touching people's faces.

There's also a fight scene that lasts for maybe 40 minutes and you will simply not believe how little of that 40 minutes is actually relevant to the plot.

Plus, Harry is baffled by how the Volturi functions, Stacey gets genuinely quite angry at Stephenie Meyer, and we just can't work out what Jacob is still doing in these films.

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Robert Pattinson stars in a "horror/thriller/fantasy/mystery" from acclaimed body horror auteur David Cronenberg! You'd be right to think that this is a riveting, no-holds-barred, wall-to-wall splatterfest! Except you'd actually be wrong to think that. Harry thought that, and he ended up issuing an apology. Luckily for us, we have an eerily accurate (maybe? we wouldn't know) impression of David Cronenberg on hand to explain what went wrong.

Plus, Stacey has no interest in money, Harry begs for some violence, and we both try to work out what the spectre haunting society is (the spectre might be capitalism, but that feels too obvious...)

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