Welcome to Conversation Corner. Come in, take a seat (on the bed, we don't have chairs here), and get comfortable (unless you want back support because, again, this is actually just a bed). This is a place where everything can be discussed, and anything could happen. Maybe you have a conversation with your vampire boyfriend. Maybe you have a conversation with your werewolf boyfriend. Maybe you accidentally touch your podcast co-host's knee and you don't know how to feel about it. Anything goes! Except for intimate relations outside of the bonds of marriage, obviously.

Plus, Stacey thanks Grandmother Moon, Harry does not want to live forever, and Bella Swan runs for public office.

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What pleasures await Harry and Stacey this week, as they continue their journey into the rich world of the Twilight Saga (and it is a saga, never forget that!)? If the online synopsis is to be believed, this entire two hour film is just Bella Swan having a birthday party, which sounds really nice! Surely, this 18 year old who is dating a vampire literally 100 years older than her won't enter a full existential spiral about the fact that she has grown one single solitary year older? Right? Right?

Plus, Harry and Stacey try to work out what Bella is missing her life (hint: it's therapy and/or female friendship), get into multiple arguments about what does or does not constitute a metaphor, and after a certain point just keep talking, well after they could have already ended the episode.

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Salvador Dalí was a lot of things: he was an artist, a writer, an eccentric, a philanderer. He was also apparently (possibly) involved in a love triangle with Federico García Lorca (does it count as a love triangle if there are two men in love and one of them just has a beard?). Why, that sounds like it could be the makings of a fascinating film! Emphasis on "could"...

Plus, Harry and Stacey continue their campaign for an EGOT.

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The Twilight Original Soundtrack is an indelible cultural artefact second in importance only to the film itself. In this bonus episode, we conduct a thorough (and academically rigorous!) analysis of this landmark album. We compare the relative loads shouldered by Hayley Williams and Matt Bellamy, think fondly on our memories of Linkin Park, and talk about all the Truffaut films we have seen (which is none).

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Great cinema references great cinema. Great art draws on great art. As we embark on the final half of the cinema classic Twilight a realisation dawns on us... the lines between worlds are very thin... and there is little difference between the sensual vampire that is Edward Cullen, the black void of personality that is Bella Swan, and the groovin' and dancin' duo that is Ryan and Chad, most notably of High School Musical 2.

Plus, Stacey is incredibly underwhelmed by cinema's most iconic sports scene, Harry simps for Rosalie, and we spice things up with a bit of roleplay.

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It's here. The day has finally come... Stacey, the last person on Stephanie Meyer's green earth to have never seen Robert Pattinson's star turn as Edward Cullen in the 2008 motion picture Twilight, has now begun the journey that every young woman must. And let me tell you, she is... whelmed.

Plus, Stacey fixates on a Golden Onion, Harry tries out a new character voice (he has the range!), and we yet again find ourselves surrounded by bad wigs.

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In this special bonus episode, Harry and Stacey look back on the journey so far and workshop some ideas on how to rebrand the podcast if things go south.

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We come into How To Be expecting so many different things. It's Robert Pattinson first true leading role! What will we learn how to be? How to be a better person? How to be a worse person? It's unclear!

Plus, Stacey decides what her own gravestone will say, and Harry feels his soul drain out of his body over the course of two hours.

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Motherhood is a wonderful thing, but it can be so thankless sometimes, so it's understandable that hardworking Karen, the "pillar of her family" (of three people) wants to take a well-deserved holiday to Paris. But first she has to get a passport, tell her family she's going, find out that her mum has dementia, find out that she's adopted, find out that her teen daughter is pregnant, drink too much, get asked if she has an eating disorder, hook up with her boss, hook up with her ex, and let everyone know how much she resents them. Will she ever make it to Paris? It's inconclusive.

Plus, Harry and Stacey are entranced by Robert Pattinson's series of thin scarves, compare being a parent to hosting a podcast, and try to work out why Catherine Tate agreed to do this film.

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The 1940s were a simpler time (particularly if you ignored the war that was going on). It was a time when a man could be a man, when you could chain-smoke in hospitals, and when wounded RAF pilots were allowed (nay, encouraged!) to send wildly horny letters to their aunts. All in all, Robert Pattinson's first leading role is definitely one that he is incredibly proud of and fondly thinks about all the time.

Plus, Harry and Stacey drink moscato, debate the merits of the Scary Movie franchise, and keep accidentally coming up with ideas for films that are better than the one they are actively watching.

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