Programa O Lado B do Lado B (Campanas)

Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, United States, in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music, linked by the common bonds of African-American and European-American musical parentage. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in West African cultural and musical expression, and in African-American music traditions.

Dance-pop is a subgenre of pop and dance that originated in the early 1980s. It is generally beat music aimed at Scenes, clubs intended to be danceable, but also suitable for radio. Developing from a combination of electronic dance music and pop music, with influences from disco, post-disco, new wave, synth-pop, house and electropop music, it is often characterized by strong beats in easy, uncomplicated songs that are generally more similar to pop music than the freer dance genre, with an emphasis on melody.

O blues is a genre and musical form originated by African Americans in the far south of the United States around the end of the 19th century. The genre grew out of roots in African musical traditions, African American work songs, spirituals and traditional music. The blues incorporated spirituals, work songs, field singing, ring shout, and simple narrative ballads and rhymes.

Primeiro Bloco

Robin Thicke - Lost Without U

Kings Of Convenience - Know how

Beck - Eternal Sunshine Of The Spotless Mind

Cocteau Twins - Pandora

Segundo Bloco

Suede - Everything Will Flow

Swing Out Sister - Now You're Not Here

Basia - Baby You're mine

Cranberries - When You're Gone

Terceiro Bloco

Rod Stewart - Strangers Again

Prefab Sprout - Bonny

Big Country - Girl With Grey Eyes

Blur - Beetlebum

O tango is a musical style and a dance alongside. It has a binary musical form and a two by four time signature. The choreography is complex and the dancers' skills are celebrated by fans. According to Discépolo, "the tango is a sad thought that can be danced".

Special Suffering Episode (Sad Songs)

We emphasize that suffering is a neologism.

Vaneirão Special Episode (National Insane Interpreters) 

According to the press office of "Rolling Stone", the magazine asked journalists to nominate 25 names, with the top five being in descending order. The magazine reported that it would consider "artist" any "performer", "composer", "lyricist", "musician" or "arranger" connected to Brazilian music. For the selection of the "biggest", those of greatest relevance within an "evolutionary scale" of our music would be considered.

Akuanduba is a deity from the mythology of the Araras Indians, who inhabit the state of Pará. According to legend, if someone committed an excess, contrary to the rules, the deity would play a small flute, restoring order. The Federal Police started this morning (5/19/2021) Operation Akuanduba, aimed at investigating crimes against the Public Administration (corruption, administrative law, malfeasance and, especially, facilitation of smuggling) committed by public agents and businessmen in the timber industry.

O Talibã condenou à morte o irmão de um tradutor afegão, segundo cartas obtidas pela CNN, acusando-o de ajudar os Estados Unidos e fornecer segurança a seu irmão, que serviu como intérprete para as tropas americanas. Um ex-militar que trabalhou com o tradutor confirmou seu serviço e a situação de seu irmão.

As cartas são apenas um exemplo de como o Talibã está ameaçando diretamente os afegãos que trabalharam com os EUA ou são parentes daqueles que trabalharam, deixando-os lutando para fugir do país após a tomada do Afeganistão pelo grupo.

“Você foi acusado de ajudar os americanos”, escreveu o Talibã na primeira das três cartas ao afegão, acrescentando: “Você também é acusado de fornecer segurança a seu irmão, que era intérprete”.

Reggae  is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, "Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term reggae more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument.

Reggae is deeply linked to Rastafari, an Afrocentric religion which developed in Jamaica in the 1930s, aiming at promoting Pan Africanism. Soon after the Rastafarian movement appeared, the international popularity of reggae music became associated with and increased the visibility of Rastafari and spread its gospel throughout the world. Reggae music is an important means of transporting vital messages of Rastafari. The musician becomes the messenger, and as Rastafari see it, "the soldier and the musician are tools for change.

First Block

The Pioneers – Long Shot

The Beltones – No More Heartaches

Bob Marley & The Wailers – Wisdom

Dom Carlos – Young Girl

Second Block

Dawn Penn – You Don’t Love Me

Israel Vibration – Cool And Calm

Jacob Miller – Tenement Yard

Third Block

The Gladiators – Soul Rebel

Bunny Wailer – The Opressed Song

Peter Tosh – I Am That I Am

Toots & The Maytals – 54-46 Was My Number

Johnny Clarke – None Shall Escape The Judgement

Ljjahman Levi – Are We A Warrior