This week Drew McKevitt and I talk about Clint Eastwood's vigilante cop, Dirty Harry Callahan. We get into the rise of gun culture in the United States, Dirty Harry as a response to the counter culture revolution of the 1960s, and ultimately recast Dirty Harry for our current age. I haven't laughed this hard in a long time.

About our guest:
Drew McKevitt is an associate professor of history at Louisiana Tech University. He recently published a book called Consuming Japan: Popular Culture and the Globalizing of 1980s America. Currently he is working on two new book projects. The first explores the role of gun violence in U.S. foreign relations in the postwar era. The second examines U.S. workers in foreign-owned manufacturing facilities in the United States since the 1970s. You can find him on twitter at @drewmckevitt or his website, https://andrewcmckevitt.com/

Tons of news coming out of Star Wars Celebration in London today and I'm going to attempt to give some quick thoughts on where I see the Star Wars and Indiana Jones franchises going. We're talking Ahsohka, Dawn of the Jedi, the new film starring Daisy Ridley, Grand Admiral Thrawn, and Indiana Jones and the Dial of Destiny.

Did Rocky Balboa end the Cold War? More importantly, who won the war for 1980s hearts and minds between Arnold Schwarzenegger and Sylvester Stallone? We get into all of that with HATM Podcast veterans Craig Bruce Smith and Robert Greene II.

About our guests:
Craig Bruce Smith is an associate professor of history at National Defense University in the Joint Advanced Warfighting School (JAWS) in Norfolk, VA. He authored American Honor: The Creation of the Nation’s Ideals during the Revolutionary Era and co-authored George Washington’s Lessons in Ethical Leadership.

Robert Greene II Robert Greene II is an assistant professor of history at Claflin University and publications chair for the Society of US Intellectual Historians and lead associate editor for Black Perspectives.

This week, HATM Podcast tackles the Acadian Diaspora, the Great Depression, the Odyssey, the Old South, the West, and the greatest Coen Brothers films of all time. Seriously, is there anything we don't cover in this episode?

About our guest:
Christopher Hodson (PhD., Northwestern University, 2004) is a historian of early America and the early modern Atlantic world. He is the author of The Acadian Diaspora: An Eighteenth-Century History (Oxford, 2012) and essays in the William and Mary Quarterly, French Historical Studies, Early American Studies, and numerous edited volumes. With Brett Rushforth of the University of Oregon, he has recently completed a book manuscript, also to be published by Oxford, on the intertwined histories of France, West Africa, and the Americas from the medieval period through the age of revolutions. With Manuel Covo of the University of California, Santa Barbara, he is currently producing a translated critical edition of a long-lost first-person account of the Haitian Revolution to be published by the Omohundro Institute of Early American History and Culture/University of North Carolina Press. He has received fellowships from the McNeil Center for Early American Studies, the American Council of Learned Societies, and the American Philosophical Society, and has taught as a visiting lecturer at the École des hautes études en sciences sociales in Paris. He has served on numerous editorial boards, conference planning committees, and awards committees, and has recently accepted a position on the College Board’s AP U.S. History Exam Development Committee. He is also a volunteer instructor at the Utah State Prison via the Utah Prison Education Project, and serves as an appointed member of Utah’s Higher Education and Corrections Council.

This is our first film review here at Historians At The Movies Podcast. I just got back from seeing John Wick Chapter 4 and give you my first impressions. Spoilers within the pod, so be warned. If you guys like this we’ll do more of them.

This week Historians At The Movies Podcast takes on 1955's Guys and Dolls. Special guest Sara Georgini jumps in to talk about the film at the pinnacle of the American musical scene, the tension between Frank Sinatra and Marlon Brando, and yes, gets me to list my favorite musicals of all time.

About our guest:
Sara Georgini earned her Ph.D. in History from Boston University in 2016. She is the Series Editor for The Papers of John Adams, part of The Adams Papers project at the Massachusetts Historical Society, and author of Household Gods: The Religious Lives of the Adams Family (Oxford University Press, 2018). Committed to the preservation of and access to rare primary sources, she has worked on the selection, annotation, indexing, and book production of a dozen scholarly editions drawn from the Adams Papers (Harvard University Press, 2009— ), covering the history of American political life in the era ranging from the Declaration to disunion. Her research focuses on early American thought, culture, and religion. She is a co-founder and contributor to The Junto and the Society for U.S. Intellectual History blogs. She writes about American history, thought, and culture for Smithsonian and CNN.

This week Mary Hicks and I dig into life at sea with Master and Commander (2003). This is one of my favorite films and a movie I love to teach with. Mary is a scholar of the Black Atlantic and knows far more about the slave trade and life onboard these ships than I could ever hope to learn. We're talking about the Napoleonic Wars, Crowe and Bettany, and Mary's work focusing in on the experiences of enslaved and freed Africans in the Portuguese part of the transatlantic slave trade.

About our guest:
Mary Hicks is a historian of the Black Atlantic, with a focus on transnational histories of race, slavery, capitalism, migration and the making of the early modern world. Her first book, Captive Cosmopolitans: Black Mariners and the World of South Atlantic Slavery, 1721-1835, reimagines the history of Portuguese exploration, colonization and oceanic commerce from the perspective of enslaved and freed black seamen laboring in the transatlantic slave trade. As the Atlantic world’s first subaltern cosmopolitans, black mariners, she argues, were integral in forging a unique commercial culture that linked the politics, economies and people of Salvador da Bahia with those of the Bight of Benin.

More broadly, she seeks to interrogate the multiplicity of connections between West Africa and Brazil through the lens of mutual cultural, technological, commercial, intellectual and environmental influences and redefine how historians understand experiences of enslavement and the middle passage. In addition to investigating the lives of African sailors, she also explores the cultural and religious sensibilities of enslaved and freed African women in living in 19th century Salvador da Bahia. Along these lines, her second book will detail the emergence and elaboration of new gendered and racialized subjectivities in the wake of Portugal’s initiation of trade with West Africa in the fifteenth century.

This week Jacob Lee joins Historians At The Movies to talk about the myth of the mountain man on film via 1972's Jeremiah Johnson and 2015's The Revenant. Basically, these films are beautifully shot and largely full of shit. But that doesn't mean we can't enjoy them. Jacob and I talk a lot about the borderlands, sexual representation on film, and the role movies like these have in shaping the ways people think about American history. And of course, THE GIF.

About our guest:
Dr. Jacob Lee is  historian of early America and the American West, focusing on colonialism and borderlands and assistant professor of history at Penn State University.  His first book, Masters of the Middle Waters: Indian Nations and Colonial Ambitions Along the Mississippi embedded intertwined Native and imperial histories in the physical landscape of Middle America, a vast region encompassing much of the central Mississippi River valley. His second project returns to the region, which is a history of the Louisiana Purchase, tentatively titled An Empire Without Bounds: How the United States Conquered the Louisiana Purchase. In 1803, when the U.S. purchased claim to more than 800,000 square miles of land west of the Mississippi River, it possessed only the most tenuous hold on the region. This project explores the decades of negotiation and compromise, conquest and violence that followed, the processes by which the U.S. established and maintained authority over its western claims, and the ways that Native peoples and colonists limited imperial power in the American West.

Here it is folks, the one that started them all: 1987's Predator starring Arnold Schwarzenegger, Carl Weathers, Sonny Landham, Jesse Ventura, and more catchphrases than any other film in history. This is actually the very first podcast we ever taped and it's still my favorite. In it, Craig, Rob, and I dig into this movie, talking about what Predator has to say about masculinity, geopolitics, and ultimately, which version of Arnold is the most powerful of them all.

About our guests:
Craig Bruce Smith  is an associate professor of history at National Defense University in the Joint Advanced Warfighting School (JAWS) in Norfolk, VA. He authored American Honor: The Creation of the Nation’s Ideals during the Revolutionary Era and co-authored George Washington’s Lessons in Ethical Leadership.

Robert Greene II is an assistant professor of history at Claflin University and publications chair for the Society of US Intellectual Historians and lead associate editor for Black Perspectives.

This week Historians At The Movies goes Down Under to talk about 1986's Crocodile Dundee and we are doing it with the founders of Historians At The Movies: Australia: Chelsea Barnett and Joel Barnes. This movie is everything HATM was designed for: taking something fun and then pointing out everything we can take from it. This was a blast to record.

About our guests:
Dr Chelsea Barnett is a gender and cultural historian whose work explores the representation of masculinities in Australian popular culture, in order to understand the complex and varied ways in which masculinity has made sense in particular historical contexts. Under this broad research aim she engages with feminist and queer theory, the history of sex and sexuality, twentieth-century Australian history, and the history in and of popular culture.

Chelsea is a Chancellor's Postdoctoral Research Fellow at UTS, and is located in the Australian Centre for Public History. In her current project, she is exploring the cultural history of single men, focusing on how Australian film and magazines in the postwar world have represented and made sense of the relationship between men and the expectation of marriage. She is also the author of "Reel Men: Australian Masculinity at the Movies, 1949-1962" (Melbourne University Press, 2019). She has authored academic articles in leading journals including History Australia, Australian Historical Studies, and the Historical Journal of Film, Radio and Television. Chelsea is currently the ECR co-representative for the Australian Historical Association, and is the co-convenor of Historians at the Movies Australia (#HATMAus).

Dr. Joel Barnes is a historian of the humanities, science, religion and universities. His present research examines the history of relations between evolutionary science and religious belief within Australian higher education, as part of the Science and Religion: Exploring the Spectrum project run by the International Research Network for the Study of Science and Belief in Society. Before joining the University of Queensland, Joel was a Research Associate in the Australian Centre for Public History at the University of Technology Sydney. His work at UTS was on an Australian Research Council-funded project on the history of humanities institutions in Australia since 1945, for which he is finalising a monograph on the humanities disciplines and the idea of the national interest.