This week we review Pascal Plante's Red Rooms, an under-the-radar indie that's taken the horrorsphere by storm. A serial killer thriller that finds power in its restraint and shocking prescience, Red Rooms is an evil — yet vital — film to understand the stranglehold of postmodern, screen-abetted detachment. We discuss our culture of macabre obsessions, parasocial madness, and growing numbness, as well as Juliette Gariépy’s incredible performance at the center of this film.