The Strange Harbors Podcast

This week, we review Aaron Schimberg's under-the-radar indie darling, A Different Man, an unlikely companion piece to this year's The Substance and may even overtake it as the essential 2024 text on self-hatred and the self-wounding blade of wish fulfillment. Effortlessly smart without an ounce of ostentatious force, this is a movie with a million layers underneath its cruel, nasty joke of getting exactly what you want. Tune in to our review!

This week we review Pascal Plante's Red Rooms, an under-the-radar indie that's taken the horrorsphere by storm. A serial killer thriller that finds power in its restraint and shocking prescience, Red Rooms is an evil — yet vital — film to understand the stranglehold of postmodern, screen-abetted detachment. We discuss our culture of macabre obsessions, parasocial madness, and growing numbness, as well as Juliette Gariépy’s incredible performance at the center of this film.

This week we review the new Max series continuing Matt Reeves' The Batman saga: The Penguin. Starring Colin Farrell, Cristin Milioti, Rhenzy Feliz, and Clancy Brown, the eight-episode miniseries details Oz Cobb's rise from Gotham nobody to connected crime boss. We review the first five episodes.

This week, we review Todd Phillips' highly anticipated sequel, Joker: Folie à Deux. Is it a misbegotten misfire? Or is it a movie with a strange set of balls? Is it both? We discuss its interesting metatext, spiteful movies, and the odd throughline between Joker 2 and Megalopolis.

Self-financed and over 40 years in the making, Francis Ford Coppola's Megalopolis is the most divisive movie of the year. Is it an unmitigated disaster or an old master's magnum opus? Or is it somewhere in between? We're all divided on this one, but we can all agree on one thing: you've never seen anything like this before, and you might not ever again.

Once again transmogrifying old-school exploitation into her own feminist styling of New French Extremity, Coralie Fargeat trades in the empowered bloodletting of 2018’s Revenge for body horror. Your mileage may vary with The Substance, but whether you wince, cackle, or simply abandon the theater out of disgust, one thing is quite clear: it's quite unforgettable.

Director Jeremy Saulnier follows up his brutal downers of Green Room and Hold the Dark with a politically angry new action thriller. With a star-making turn from actor Aaron Pierre, Rebel Ridge rides into the pantheon of contemporary suspense in ways that might be surprising, especially if you're expecting more sanguine violence from Saulnier. We discuss all the ways Rebel Ridge subverts your typical action tropes to deliver something fresh.

It's a deeper cut this week as we dive straight into a smaller, VOD action gem with Bren Foster's kinetic martial arts actioner, Life After Fighting. We review this by-your-bootstraps indie gem that puts big budget blockbusters to shame with its brutal confidence and unbelievable choreography. We're giving away what we thought about it right here, but that's because we want all of you action fans to see this immediately.

Fede Álvarez takes over the reins of Xenomorph terror with Alien: Romulus. In this episode, we review the first Alien movie in seven years, and the first in over a decade to depart from series godfather Ridley Scott. Does Álvarez chart his own path with his tense, gorehound pedigree from Evil Dead and Don't Breathe? Or is it just a rehash of better movies before it? Listen and find out.

It's not an M. Night Shyamalan film without some divisiveness. We discuss his new Josh Hartnett vehicle, Trap, his late career stylings, and the pros and cons of his heightened realities. Is Trap one of Shyamalan's best? Or is it another dud?