This week we review Highest 2 Lowest, Spike Lee's brazen remake of the 1963 black and white Akira Kurosawa classic, High and Low. A divisive movie with its own modern mind apart from its predecessor, Highest 2 Lowest split audiences at Cannes this year and has now split us on the podcast as well. Akira Kurosawa at the height of his power or Spike Lee's late style curio? We talk about aging masters, baffling scores, and Lee's storied oeuvre as a whole.

It's that time of year again where we reveal the winner of our annual summer box office wager. Amir has taken the crown since the 2023 inception of this standing contest among hosts. Will he do it again this year? Or can Derek or Jeff finally win one? We discuss the movies of the summer: surprise hits, dark horse picks, and the biggest disappointments. Plus, a brief recap of the Emmys.

Darren Aronofsky follows up his divisive Oscar-winner, The Whale, with a throwback to 90s capers. Caught Stealing is an After Hours pastiche without any ego and a studio potboiler aimed right down the middle of the road, it just happens to star one of the most charismatic casts assembled in 2025. Jeff and Derek discuss the star power of Austin Butler, the few surprises the film has in store, and this strange departure from Aronofsky's typical auteurism. Tune in!

Xenomorphs get the prestige television treatment with Noah Hawley's Alien: Earth. Mashing up extraterrestrial horror with corpo-palace intrigue, the eight-episode first season looks to expand the world of the Ridley Scott classic. Does Hawley's acclaimed pedigree with Legion and Fargo hold promise for his new series? We review the first five episodes.

Zach Cregger follows up his 2022 surprise hit Barbarian with another bout of sneaky horror with Weapons. Centered around a town grappling with a singular classroom of missing children, Cregger's sophomore feature-length film turns a microscope into a Fresnel lens to heat up the rot of an empathy-starved community: safety, routine, and comfort crumbling into dust amidst hidden dangers and inexplicable tragedy. The question is, does it stick the landing? Tune in to our review to find out.

Leaving Cannes critics perplexed and polarized this spring, Ari Aster's Eddington takes aim at the fabric of the American zeitgeist. Is it the defining finger on the pulse of COVID-abetted brain rot? Or is it as groan-worthy as an "Ari Aster COVID movie" sounds? We discuss the film, Aster's filmography, and the prospect of assembling a political perspective through a fractured, dogshit Internet.

New Earth. Fresh start. The MCU's latest brings Marvel's First Family to the big screen in a retro-futuristic, sci-fi epic. Will a red-hot, A-list cast and a heavy-hitting, non-cloud Galactus finally give The Fantastic Four the movie it deserves? Or will a flagging franchise's recent pain points once again prove that Marvel is running out of steam? Tune in as we review The Fantastic Four: First Steps.

As Jeff calls it on his Letterboxd review: "A movie of surprisingly gentle compassion but also dudes getting their entire spinal columns hauled out of their neck holes." This week we review the reunion of Danny Boyle, Alex Garland, and Anthony Dod Mantle for 28 Years Later, over two decades after 28 Days Later changed the zombie genre forever. We talk about the film's emotional surprises, its misleading trailer, and its franchise future. Tune in!

James Gunn stewards a new DC Cinematic Universe with the hotly anticipated Superman. Starring David Corenswet, Rachel Brosnahan, Nicholas Hoult, Nathan Fillion, and Edi Gathegi, this new version of the Big Blue Boy Scout attempts to turn over a new leaf for a floundering franchise by taking pages from a rich tapestry of comics. Is it successful? We review the film, rank the silver screen Supermen, and talk about the future of DC at the movies.

Jeff is on vacation this week, so it's up to Derek and Amir to pull off the rare double feature episode. In a week of dueling popcorn blockbusters, which crowdpleaser — John Wick spinoff Ballerina or racing drama F1 — will reign supreme? We talk Ana De Armas, Brad Pitt, and the highs and lows of both movies.