Relevant Tones

Relevant Tones

By Access Contemporary MusicMusicMusic Interviews
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Relevant Tones episodes

  • Del Sol Quartet Plays Peter Sculthorpe

    This new release by the Del Sol Quartet marks the first time that all   of the string quartets by Australian composer Peter Sculthorpe have   appeared on one recording.  We’ll play several selections from this   remarkable new album.

    Hosted by Seth Boustead

    Produced by Jesse McQuarters

    Peter Sculthorpe: String Quartet No. 16, I (excerpt)

    Del Sol Quartet; Peter Kent, didjeridu

    Peter Sculthorpe: String Quartet No. 12, From Ubirr

    Del Sol Quartet; Peter Kent, didjeridu

    Peter Sculthorpe: String Quartet No. 14, Quamby, IV

    Del Sol Quartet; Peter Kent, didjeridu

    Peter Sculthorpe: String Quartet No. 16

    Del Sol Quartet; Peter Kent, didjeridu

    59 min
  • Terry Riley at 80

    One of the key pioneers in the incredibly influential minimalist   movement, Terry Riley is a restless artist who has constantly sought to   reinvent himself over his long career.  We’ll start with the landmark   piece In C and work our way through the numerous highlights of his musical output.

    Hosted by Seth Boustead

    Produced by Jesse McQuarters

    Terry Riley: Emily and Alice fr. The Cusp of Magic (excerpt)

    Kronos Quartet; Wu Man, pipa

    Riley: Music for The Gift (excerpt)

    Chet Baker Quartet

    Riley: In C (excerpt)

    Member of the CCPA at the State University of New York and Buffalo/Riley

    Riley: In C (excerpt)

    Ensemble/Riley (In C 25th anniversary concert

    Riley: A Rainbow in Curved Air (except)

    Terry Riley, organ

    Raga Shuddh Sarang (excerpt)

    Pandit Pran Nath, voice

    Riley: Anthem of the Trinity fr. Shri Camel

    Terry Riley, org.

    Riley: Salome Dances for Peace (excerpts)

    Kronos Quartet

    Riley: Requiem for Adam, III (excerpt)

    Kronos Quartet

    Riley: Havana Man (excerpt)

    Riley, p.

    59 min
  • Assad Brothers

    Legendary Brazilian guitar duo Sérgio and Odair Assad have been   performing and recording together for 50 years, reinventing guitar   technique along the way.  We’ll talk with Sérgio about their remarkable   career and feature music by a wide variety of composers who have  written  for them.

    Hosted by Seth Boustead

    Produced by Jesse McQuarters

    Altamir Penha: Nós e o rio (excerpt)

    Sérgio & Odair Assad, guitars

    Ástor Piazzolla: Tango Suite

    Sérgio & Odair Assad, guitars

    Egberto Gismonti, arr. Sérgio Assad: Baião Malandro

    Sérgio & Odair Assad, guitars

    Sérgio Assad: Divertimento fr. Aquarelle

    David Russell, guitar

    Sérgio Assad: Sephardic Passage fr. Interchange for Guitar Quartet and Orchestra

    Delaware Symphony Orchestra/David Amado; Los Angeles Guitar Quartet

    Sérgio Assad: Uarekena

    Fandango Guitar Quartet

    Ástor Piazzolla: Libertango

    Yo-Yo Ma, vc.; Paquito D’Rivera, cl.; Odair Assad, gtr.; Kathryn Stott,  p.; Sérgio Assad, g.; Nilson Matta, db.; Cyro Baptista, perc.

    59 min
  • In Memoriam

    From Stravinsky’s famous In Memoriam: Dylan Thomas to Hindemith’s Trauermusik,   composers have long written their most personal and moving music as a   tribute to a friend or great figure they admired.  We’ll remember   several great personalities with musical tributes by modern day   composers.

    Hosted by Seth Boustead

    Produced by Jesse McQuarters

    William Mayer: Brass Quintet, II

    Iowa Brass Quintet

    Ross Harris: Symphony No. 4 “To the Memory of Mahinarangi Tocker” (excerpt)

    Auckland Philharmonia/Brett Dean

    David Maslanka: Concerto for Trombone and Wind Ensemble

      III. Be Content, Be Calm
    Illinois State University Wind Symphony/Stephen K. Steele

    Fred Lerdahl: First String Quartet (excerpt)

    Julliard String Quartet

    David Lang: Memory Pieces for Solo Instruments: Cage

    Andrew Zolinsky, p.

    Robert Paterson: Elegy (for Two Bassoons and Piano)

    Charles McCracken & Gilbert Dejean, bassoons, Elizabeth DiFelice, p.

    Alex Shapiro: Perpetual Spark

    Fifth House Ensemble

    59 min
  • Composer Alive: Poland

    Access Contemporary Music has begun an innovative collaboration with Warsaw composer Agnieszka Stulgińska   in which a piece of music is publicly performed in installments as  work  on it progresses.

    We’ll hear Agnieszka’s thought process, play each  installment, and  sit alongside the composer as she hears the world  premiere of the  completed work.

    Hosted by Seth Boustead

    Produced by Jesse McQuarters

    Agnieszka Stulginska: Dance with My Breath (installments + complete piece)

    Palomar Ensemble/Francesco Milioto

    Marta Ptaszynska: Moon Flowers

    Palomar Ensemble/Francesco Milioto

    59 min
  • Cold Mountain

    Relevant Tones partners with the Santa Fe Opera to feature a sneak preview of Jennifer Higdon’s soon-to-be-premiered first opera, Cold Mountain, based on Charles Frazier’s best-selling novel.

    Hosted by Seth Boustead

    Produced by Jesse McQuarters

    Jennifer Higdon: String Poetic, III (excerpt)

    Jennifer Koh, v.; Reiko Uchida, p.

    Jennifer Higdon: Cold Mountain (excerpts)

    “The Metal Age has Come”
    “Listen”
    “A Fence is a Good Thing”
    “I Don’t Know Why”
    “Come Back to Cold Mountain”
    Recorded live at the Guggenheim Museum, NYC, 3/30/2015
    Jarrett Ott, baritone; Emily Fons, ms.; Isabel Leonard, ms.; Jay Hunter  Morris, ten.; Kevin Burdette, bass; Roger Honeywell, ten.; Lisa Keller,  p.

    Jennifer Higdon: Cold Mountain (excerpts)

    “Why Can’t We?”
    “What Was His Name?”
    “Ada’s Aria”
    “Orion Duet”
    Recorded live at the Curtis Institute of Music

    59 min
  • Letters From Ukraine

    Relevant Tones has been carrying on a correspondence with  several  musicians in this war-torn region, where making music has  recently been  a challenge.  We’ll share their stories and feature  chamber and  orchestral works by composers determined to carry on.

    Julia Gomelskaya: Planet “The Life” for String Orchestra and Piano (excerpt)

    Kiev Camerata/Valeriy Matiukhin; Dmitry Tavanets, p.

    Valentin Silvestrov: “World of Peace” fr. Songs for Vespers

    “Our Father” fr. Psalms and Prayers
    Kiev Chamber Chorus/Mykola Hobdych

    Igor Shcherbakov: Sonata for Violin and Violoncello, I

    Olga Akolishnova, v.; Zoltan Almashi, vc.

    Vladimir Runchak: Hosanna, to musicians who are no longer or not yet with us (excerpt)

    Yevhen Kalyuzhny, saxophones; Christian Orosko, perc.; Nataliya Chuprina, p.

    Yevhen Stankovich: Concerto for Violin and Piano (excerpt)

    Lemberg/Lviv Youth Orchestra/Volodymyr Sirenko; Valeriy Sokolov, v.

    59 min
  • In the Field: Mexico City Part 2

    Gabriela Ortíz: Denibee, Para Flauta, Percusión Y Contrabajo- Siempre Ritmico (excerpt)

    Onix Ensemble

    Gabriela Ortíz: Concierto Candela, I (Marimba Candela)

    UNAM Philharmonic Orchestra/Zollman; Gallardo, perc.

    Mario Lavista: String Quartet No. 6, Suite in cinco partes

    I. Danza
    II. Motete
    III. Canon
    Cuarteto Latinamericano
    Toccata 106 (Purchase)

    Javier Álvarez: Metal de Corazones

    TM+ Ensemble Orchestral de musique d’aujourd’hui and Tambuco Percussion

    Arturo Márquez: Danzón No. 2

    Simón Bolívar Youth Orchestra of Venezuela

    Samuel Zyman: Música para Cinco- Con anima

    Onix Ensemble

    59 min
  • Playing it Wrong

    It gives technicians fits, but composers and performers are always   experimenting with new “wrong” ways to play their instrument.

    From  Bartok pizz to prepared piano, multiphonics to slap tongue,  many of  these techniques have made it into the standard repertoire.   What new  extended techniques are being pioneered today?

    Hosted by Seth Boustead

    Produced by Jesse McQuarters

    Stephen Scott: Four Note Aria fr. Baltic Sketches

    The Bowed Piano Ensemble

    George Crumb: Black Angels, III (excerpt)

    Kronos Quartet

    Frances-Marie Uitti: Britsum 2 Bow Chorale

    Frances-Marie Uitti, vc.

    Junghae Lee: Sonorence (excerpt)

    Barbara Lieurance, p.; Chelsea Czuchra, flutes; Nora Krahl, vc.

    Helmut Lachenmann: Pression (excerpt)

    Walter Grimmer, vc.

    Eric Mandat: Sub(T)Rains O’ Strata’s Fears

    Robert Spring, cl.

    Meredith Monk: Dolmen Music (excerpt)

    Paul Langland, voice; Julius Eastman, voice and percussion; Robert Een,  voice & vc.; Monica Solem, voice; Andrea Goodman, voice; Meredith  Monk, voice; Julius Eastman, voice

    Dai Fujikura: Calling, for solo bassoon (excerpt)

    Rebekah Heller, bassoon

    59 min
  • Augusta Read Thomas

    One of the leading composers of our time and an ardent promoter of   new music throughout the world, Augusta Read Thomas is an artistic force   to be reckoned with.

    Championed by Pierre Boulez in her early years  and later named  composer-in-residence with the Chicago Symphony  Orchestra, Thomas rose  early to the top of her profession and has  remained there ever since.

    Hosted by Seth Boustead

    Produced by Jesse McQuarters

    Augusta Read Thomas: Words of the Sea, III

    CSO/Boulez

    Thomas: Aureole (excerpt)

    DePaul University Symphony Orchestra/Colnot

    Thomas: In My Sky at Twilight, I. Deeper than all Roses

    CSO MusicNOW Ensemblep/Boulez; Brandes, s.

    Thomas: Terpsichore’s Dream

    Chamber Orchestra/Colnot

    Thomas: Caprice fr. Traces

    Makiko Hirata, p,

    Thomas: (kiss me) fr. Two E.E. Cummings Songs

    The Elm City Girls’ Choir

    59 min

About Relevant Tones

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A podcast about the most fascinating time in classical music history: right now.

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