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This new release by the Del Sol Quartet marks the first time that all of the string quartets by Australian composer Peter Sculthorpe have appeared on one recording. We’ll play several selections from this remarkable new album.
Hosted by Seth Boustead
Peter Sculthorpe: String Quartet No. 16, I (excerpt)
Peter Sculthorpe: String Quartet No. 12, From Ubirr
Peter Sculthorpe: String Quartet No. 14, Quamby, IV
Peter Sculthorpe: String Quartet No. 16
One of the key pioneers in the incredibly influential minimalist movement, Terry Riley is a restless artist who has constantly sought to reinvent himself over his long career. We’ll start with the landmark piece In C and work our way through the numerous highlights of his musical output.
Hosted by Seth Boustead
Terry Riley: Emily and Alice fr. The Cusp of Magic (excerpt)
Riley: Music for The Gift (excerpt)
Riley: In C (excerpt)
Riley: In C (excerpt)
Riley: A Rainbow in Curved Air (except)
Raga Shuddh Sarang (excerpt)
Riley: Anthem of the Trinity fr. Shri Camel
Riley: Salome Dances for Peace (excerpts)
Riley: Requiem for Adam, III (excerpt)
Riley: Havana Man (excerpt)
Legendary Brazilian guitar duo Sérgio and Odair Assad have been performing and recording together for 50 years, reinventing guitar technique along the way. We’ll talk with Sérgio about their remarkable career and feature music by a wide variety of composers who have written for them.
Hosted by Seth Boustead
Altamir Penha: Nós e o rio (excerpt)
Ástor Piazzolla: Tango Suite
Egberto Gismonti, arr. Sérgio Assad: Baião Malandro
Sérgio Assad: Divertimento fr. Aquarelle
Sérgio Assad: Sephardic Passage fr. Interchange for Guitar Quartet and Orchestra
Sérgio Assad: Uarekena
Ástor Piazzolla: Libertango
From Stravinsky’s famous In Memoriam: Dylan Thomas to Hindemith’s Trauermusik, composers have long written their most personal and moving music as a tribute to a friend or great figure they admired. We’ll remember several great personalities with musical tributes by modern day composers.
Hosted by Seth Boustead
William Mayer: Brass Quintet, II
Ross Harris: Symphony No. 4 “To the Memory of Mahinarangi Tocker” (excerpt)
David Maslanka: Concerto for Trombone and Wind Ensemble
Fred Lerdahl: First String Quartet (excerpt)
David Lang: Memory Pieces for Solo Instruments: Cage
Robert Paterson: Elegy (for Two Bassoons and Piano)
Alex Shapiro: Perpetual Spark
Access Contemporary Music has begun an innovative collaboration with Warsaw composer Agnieszka Stulgińska in which a piece of music is publicly performed in installments as work on it progresses.
We’ll hear Agnieszka’s thought process, play each installment, and sit alongside the composer as she hears the world premiere of the completed work.
Hosted by Seth Boustead
Agnieszka Stulginska: Dance with My Breath (installments + complete piece)
Marta Ptaszynska: Moon Flowers
Relevant Tones partners with the Santa Fe Opera to feature a sneak preview of Jennifer Higdon’s soon-to-be-premiered first opera, Cold Mountain, based on Charles Frazier’s best-selling novel.
Hosted by Seth Boustead
Jennifer Higdon: String Poetic, III (excerpt)
Jennifer Higdon: Cold Mountain (excerpts)
Jennifer Higdon: Cold Mountain (excerpts)
Relevant Tones has been carrying on a correspondence with several musicians in this war-torn region, where making music has recently been a challenge. We’ll share their stories and feature chamber and orchestral works by composers determined to carry on.
Julia Gomelskaya: Planet “The Life” for String Orchestra and Piano (excerpt)
Valentin Silvestrov: “World of Peace” fr. Songs for Vespers
Igor Shcherbakov: Sonata for Violin and Violoncello, I
Vladimir Runchak: Hosanna, to musicians who are no longer or not yet with us (excerpt)
Yevhen Stankovich: Concerto for Violin and Piano (excerpt)
Gabriela Ortíz: Denibee, Para Flauta, Percusión Y Contrabajo- Siempre Ritmico (excerpt)
Gabriela Ortíz: Concierto Candela, I (Marimba Candela)
Mario Lavista: String Quartet No. 6, Suite in cinco partes
Javier Álvarez: Metal de Corazones
Arturo Márquez: Danzón No. 2
Samuel Zyman: Música para Cinco- Con anima
It gives technicians fits, but composers and performers are always experimenting with new “wrong” ways to play their instrument.
From Bartok pizz to prepared piano, multiphonics to slap tongue, many of these techniques have made it into the standard repertoire. What new extended techniques are being pioneered today?
Hosted by Seth Boustead
Stephen Scott: Four Note Aria fr. Baltic Sketches
George Crumb: Black Angels, III (excerpt)
Frances-Marie Uitti: Britsum 2 Bow Chorale
Junghae Lee: Sonorence (excerpt)
Helmut Lachenmann: Pression (excerpt)
Eric Mandat: Sub(T)Rains O’ Strata’s Fears
Meredith Monk: Dolmen Music (excerpt)
Dai Fujikura: Calling, for solo bassoon (excerpt)
One of the leading composers of our time and an ardent promoter of new music throughout the world, Augusta Read Thomas is an artistic force to be reckoned with.
Championed by Pierre Boulez in her early years and later named composer-in-residence with the Chicago Symphony Orchestra, Thomas rose early to the top of her profession and has remained there ever since.
Hosted by Seth Boustead
Augusta Read Thomas: Words of the Sea, III
Thomas: Aureole (excerpt)
Thomas: In My Sky at Twilight, I. Deeper than all Roses
Thomas: Terpsichore’s Dream
Thomas: Caprice fr. Traces
Thomas: (kiss me) fr. Two E.E. Cummings Songs
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