Relevant Tones

Relevant Tones

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Relevant Tones episodes

  • Foster the Music: Darmstadt

    One of the world’s most famous new music festivals has been held in   Darmstadt since 1946. We’ll trace the festival from its beginnings   through modern times and feature some of the seminal works that were   premiered there.

    Hosted by Seth Boustead

    Produced by Jesse McQuarters


    PLAYLIST

    Stockhausen: Kreuzspiel (excerpt)
    Alfred Schweinfurter, oboe; Wolfgang Marx, bass clarinet; David Tudor, piano;
    Christoph Caskel, Heinz Haedler, & Manfred Wehner, percussion/Stockhausen

    Pierre Boulez: Doubles

    Het Residentie Orkest/Boulez

    Luciano Berio: Sequenza No. 1 for Flute

    Severino Gazzelloni, flute
    Darmstadt archives

    Beat Furrer: à un moment de terre perdue

    Klangforum Wien/Furrer

    Enno Poppe: Salz

    Ensemble Mosaik

    59 min
  • Kathleen Supové

    One of America’s most acclaimed and versatile contemporary music   pianists, performance artist and keyboardist Kathleen Supové is known  for breaking boundaries between audience and performer and for her   multimedia performances as the “Exploding Piano.”

    Hosted by Seth Boustead

    Produced by Jesse McQuarters

    Randall Woolf: Adrenalin Revival, III & II

    Kathleen Supové, piano
    Koch 7572
    1:16, 3:05

    Corey Dargel: Hooked for Life & Hands fr. Removable Parts

    Dargel, voc.; Supové, p.
    New Amsterdam 021
    2:38, 4:37

    Missy Mazzoli: Isabelle Eberhardt Dreams of pianos

    Supové, p.
    8:41

    Lukas Ligeti: Delta Space (excerpt)

    Supové, p.
    Tzadik 7099
    5:50

    Carolyn Yarnell:  The Same Sky (excerpt)

    Supové, p.
    Koch 7572
    14:37

    59 min
  • Bridge Records

    John Adams: 5 Pages from John’s Book of Alleged Dances

    I- Judah to Ocean
    Yousif Sheronick, percussion; Lark Quartet, strings (Deborah Buck, Violin 1; Basia Danilow, Violin 2; Kathryn Lockwood, Viola; Caroline Stinson, Cello)

    Ronald Roxbury: Goodbye My Fancy

    Patrick Mason, baritone; Susan Palma, flute; David Starobin, guitar

    Shulamit Ran: Mirage

    The Da Capo Chamber Players: Patricia Spencer, flute; Laura Flax, Clarinet; Eric Wyrick, Violin; Andre Emelianoff, cello; Sarah Rothenberg, piano

    Dan Visconti: Ramble and Groove

    Scharoun Ensemble, Markus Weidmann; bassoon

    Mario Davidovsky: Synchronisms #10 for Guitar and Electronic Sounds

    David Starobin, guitar

    Jennifer Higdon: Scenes from the Poet’s Dreams

    III- 3:49
    V- 3:42
    Lark Quartet (Deborah Buck, Violin 1; Basia Danilow, Violin 2; Kathryn  Lockwood, Viola; Caroline Stinson, Cello), Gary Graffman, piano

    Paul Lansky: Horizons

    I- Up Close 5:11
    II- Rough Edged 4:51
    III- Vanishing 5:59
    Real Quiet (Andrew Russo, Piano; Felix Van, Violoncello; David Cossin, percussion); Mihae Lee, pianist

    59 min
  • Thirsty Ear Broadcast 2014

    Relevant Tones’ annual live broadcast returns with a 2-hour   broadcast from City Winery.  Performers include Fonema Consort, Gaudete  Brass, and Graham Reynolds.

    Hosted by Seth Boustead

    Produced  by Jesse McQuarters

    Fonema Consort

    Pablo Chin, Artistic Director; Nina Dante, voice; Kathryn Schulmeister, voice; Emily Beisel, clarinet; Ryan Packard, percussion

    Mort d’Antigone by Hèctor Parra

    Como la leyenda de Tlön, I by Pablo Santiago Chin

    Tandem by Chris Fisher-Lochhead

    Como la leyenda de Tlön, II by Pablo Santiago Chin

    Les sept crimes de l’amour by Georges Aperghis

    Gaudete Brass

    Ryan Berndt, trumpet; Julia Filson, horn; Bill Baxtresser, trumpet; Scott Tegge, tuba; Paul von Hoff, trombone

    Bright and Fast from Frost Fire by Eric Ewazen

    Record of a Lost Tribe by Conrad Winslow

    Artifacts
    History
    Ceremonies

    Still by David Sampson

    Gazebo Dances Overture by John Corigliano (setting by Cliff Colnot)

    Graham Reynolds

    Jeff Yang and Madeline Capistran, violins; Becca Wilcox, viola; Nicholas Photinos, cello

    Cult of Color: The Miracle Machine

    Back to the Cell (O Sacred Head, Now Wounded)

    String Abstraction No. 3 (Cottontail)

    The Difference Engine

    The Cogwheel Brain
    Ada
    Cam Stack and Crank Handle
    Late at Night – The Astronomer
    The Difference Engine

    Before Midnight/Creatures

    2 hr 1 min
  • Joseph Schwantner

    A master of orchestral timbre and an ardent individualist, Pulitzer  Prize-winning composer Joseph Schwantner has been one of the most  prolific composers in the 20th and 21st centuries. He visits our studios  to talk about his life and music.

    Hosted by Seth Boustead

    Produced by Jesse McQuarters

    Joseph Schwantner: Aftertones of Infinity

    Juilliard Orchestra/Slatkin

    Schwantner: September Canticle (excerpt)

    Dallas Symphony/Litton; Diaz, org.

    Schwantner: …And the Mountains Rising Nowhere

    Northwestern University Symphonic Wind Ensemble/Thompson

    Schwantner: Concerto for Percussion & Orchestra, III

    Nashville Symphony Orchestra/Guerrero

    59 min
  • Spotlight Double Bass

    Thanks to virtuoso performers like Gary Karr, François Rabbath and  Edgar Meyer, the double bass is leaping to the front of the concert   stage and composers are taking note. This week we’ll listen to some of  the music written in the last few decades for this sonorous and  incredibly versatile instrument.

    Hosted by Seth Boustead

    Produced by Jesse McQuarter

    Adam Ben Ezra: Can’t Stop Running (excerpt)

    Adam Ben Ezra, bass

    Frank Proto: Four Rogues, No. 1, Calm

    John Ebinger, bass; Roy Hakes, piano

    Dave Anderson: Duets

    II- Parade of the Pigs
    V- Lament
    Dave Anderson & Hal Robinson, double basses

    Gunther Schuller: Quartet for Double Basses, II

    Robert Gladstone, Frederick Zimmerman, Orin O’Brien & Alvin Brehm, basses

    Patrick Neher: Grig’s Dance

    Patrick Neher, bass; Mark Rush, violin

    Tom Johnson: Failing: A Very Difficult Piece for String Bass

    Robert Black, bass & narrator

    George Pearle: Monody II

    Robert Black, bass

    Edgar Meyer: Concerto for Double Bass and Orchestra, I

    St. Paul Chamber Orchestra/Wolff; Meyer, bass

    Manuel Enriquez: Mobil II

    Bertram Turetzky, bass

    Thelonious Monk: Blue Monk (excerpt)

    Superbass (Ray Brown, John Clayton, Christian McBride, basses)

    59 min
  • Louis Andriessen

    Just as influenced by the blazing energy of Count Basie’s big band as   Steve Reich’s minimalism, Dutch composer Louis Andriessen was a true   trailblazer in the 20th century. We celebrate his 75th birthday by   looking back at his illustrious career.

    Hosted by Seth Boustead

    Produced by Jesse McQuarters

    Louis Andriessen: Life, Part I- Wind

    Bang on a Can All-Stars
    CA 21074
    5:02

    Andriessen: De Staat (excerpt)

    Schoenberg Ensemble/Reinbert de Leeuw
    Nonesuch 79251
    11:45

    Andriessen: Materie, Part I

    Schoenberg Ensemble/de Leeuw
    Nonesuch 79367
    6:19

    Andriessen: Lucifer & The Garden of Earthly Delights fr. La Commedia (excerpts)

    Dutch Nat’l Opera, ASKO Ensemble/Reinbert de Leeuw
    Nonesuch 534877
    7:25, 6:45

    Andriessen: Worker’s Union (excerpt)

    Bang On a Can All-Stars
    Cantaloupe 21012
    2:20

    59 min
  • New York Philharmonic Live at MOMA

    Matthias Pintscher leads a concert of US premieres with members of the New York Philharmonic at the Museum of Modern Art in New York City. All of  works were  commissions and were based on public sculptures from Salzburg. Relevant  Tones was on the scene to broadcast the event live.

    Musicians of the NY Philharmonic/Matthias Pintscher

    Jennifer Zetlan, soprano
    Evan Hughes, bass-baritone

    Hosted by Seth Boustead and produced by Jesse McQuarters.

    Nina Šenk: In the Absence

    based on Erwin Wurm’s Gurken

    Michael Jarrell: Adtende, ubi albescit veritas

    based on Christian Boltanski’s Vanitas

    Jay Schwartz: M

    based on Markus Lüpertz’s Mozart- Eine Hommage

    Vito Žuraj: Insideout

    based on Manfred Wakolbinger’s Connection

    59 min
  • Ambient Environments

    Composers like Beethoven, Mendelssohn and Bartók and have sought to   musically depict their environs for centuries. How are landscapes, both   urban and pastoral, being represented musically today?

    Hosted by Seth Boustead

    Produced by Jesse McQuarters

    David Sampson: Grant Park from Chicago Moves

    Gaudete Brass

    Toshio Hosokawa: Landscape V (excerpt)

    Munich Chamber Orchestra/Alexander Liebreich; Mayumi Miyata, sho

    Peter Sculthorpe: From Oceania

    New Zealand SO/James Judd

    Michael Daugherty: George Washington fr. Mount Rushmore

    Pacific Symphony/Carl St. Clair

    Joan Tower: Big Sky

    Chee-Yun, v.; André Emelianoff, vc.; Joan Tower, p.;

    John Luther Adams: The Far Country of Sleep (excerpt)

    Cabrillo Music Festival Orchestra/JoAnn Falletta

    Christopher Tin: Haf Gengr Hriðum (The Storm-Driven Sea)

    Royal Philharmonic & Schola Cantorum/Christopher Tin

    Pierre Jalbert: Glass is a Place fr. Icefield Sonnets

    Ying Quartet

    59 min
  • Errolyn Wallen

    Versatile singer, pianist and composer Errollyn Wallen is creating a unique body of work and making an international name for  herself along the way. We talk with her and play as much of her music as  we possibly can.

    Hosted by Seth Boustead

    Produced by Jesse McQuarters

    Wallen: Dervish

    Dominic Harlan, p.; Matthew Sharp, vc.

    Wallen: “Beehive” and “White Christine” from Are You Worried About the Rising Cost of Funerals?

    Patricia Rozario, s.; David le Page, v.; Kirsty Staines, v.; David Aspin, vla.; Joseph Spooner, vc.

    Wallen: “Dark and Mysterious” fr. Horseplay

    Continuum Ensemble/Hedlem

    Wallen: Daedalus (excerpt)

    Wallen, voc. & piano

    Wallen: Daedalus

    Brodsky Quartet; Wallen, voc.

    Wallen: In Our Lifetime

    Mike Henry, baritone

    Wallen: My Feet May Take a Little While

    Wallen, voc. & piano

    59 min

About Relevant Tones

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A podcast about the most fascinating time in classical music history: right now.

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