
Sign up to save your podcasts
Or


The Cell was a film that divided the RM crew, sowing seeds of discontent and argument about the merits of its production design, writing, direction, and use of J-Lo. Some said the amount of J-Lo was too little. Some said too much. Do you think it was just right?
Amongst all of this confusion, some things are true: the sun rises in the east, Brussels sprouts taste better when roasted, and Vincent D’Onofrio is great at playing disturbing characters.
Welcome to our nightmare dreamscape, the prison of our mind, our remake of 2000’s The Cell. We take many (well, five) different paths to recreating this film and its direction. See if we can be redeemed or if we’re too far gone.
This is like Great British Baking Show…if the stakes were death…
– JerWe conclude our What’s Up Docs? series with a light-hearted romp through the world’s most stressful and high-stakes pastry contest. If you enjoy The Great British Baking Show, Iron Chef, or any other culinary contest, may we recommend Kings of Pastry, a documentary about the quadrennial contest to achieve France’s highest honor in the field of pastry chef-dom. Ne’er e’er has there been such drama around abstract sugar sculptures and such scrutiny over the flavor of a beautiful wedding cake. Bon appetit.
You take the good (Pryor, Wilder, Poitier), you take the bad (the plot, the writing, the directing), you take ’em both and there you have…Stir Crazy. This movie underwhelmed us. And not in the Supergirl or KISS Meets the Phantom of the Park sort of way, but in an “I’m so disappointed in you” sort of way that your parents used on you when you did something unworthy of their years of tireless devotion to your well-being, you ungrateful child. Wait, what was I talking about? Oh yeah, this movie sets the record for lowest average rating in Remakers Mark history.
Another year, another legion of talented performers and creators that have shrugged off this mortal coil and moved into the Great Beyond, and another chance for Andy to have his Grim Reaper robe dry-cleaned. We spend some time eulogizing just a few of the many wonderful talents that passed away in 2020.
Sometimes a recipe looks better on paper than in practice. We take on 1980’s Stir Crazy, starring Gene Wilder and Richard Pryor, and directed by Sidney Poitier, and see how we can make this tale about mistaken identity, prison rodeos, song-and-dance clown mascots, and using pliers as a negotiating tool while talking about your feelings, just a little bit better.
In a classic tale of good versus evil, light versus dark, David versus Goliath, the Rebel Alliance versus the Galactic Empire, we hear the epic saga of Steve versus Billy. Get ready for King of Kong: A Fistful of Quarters, a documentary that tells the surprisingly sordid tale of the fight to claim the world record in…Donkey Kong. You mess with the alpha nerd? You get the alpha nerd horns.
How do you solve a problem like a pretty decent movie that came out at a time of some really great movies and got overshadowed? How do you keep a wave upon the sand? Sorry, I digress.
We conclude our discussion of The Book of Eli and talk about how this film got the short straw in some ways, shot itself in the foot in other ways, and could have been different/better in other other ways.
And how we all decided that Eli definitely wasn’t blind. We all agreed 100% on that. [Narrator: They didn’t.]
Continuing our series on films by directors who are minorities, we take on 2010’s Book of Eli, a post-apocalyptic neo-Western film where literacy is king and cat oil is a form of sun protection. Join us as we fill the monstrous shoes of Denzel Washington and Gary Oldman, and hear how Andy totally nails his minor character picks. Like, out of the park nailed it. So good.
Is your child in pre-school? Is your child an abstract expressionist prodigy? Do you have a knack for exploitation? Then perhaps you shouldn’t watch My Kid Could Paint That. If you answered “no” to any of those questions, however, may we recommend you watch that documentary and then take a listen to our discussion of what could be a 1) tragic tale of a girl’s childhood stolen, 2) the eerie parallels between modern art and The Emperor’s New Clothes, or 3) how the value of a piece of art is so much more (or less) than the paint on the canvas.
From the publisher's feed

1 Listeners

15 Listeners

3 Listeners

1 Listeners

3 Listeners

1 Listeners

4 Listeners