"Modern gaming" has been a thing, more or less, for close to 20 years now, and in that time we've seen a lot of hot new features, ideas, and trends become wildly popular and then fade out of fashion — some more quickly than others. With the Resident Evil 4 Remake excising one such feature from its re-imagining of the original, now seems like a good time to revisit an old topic and update it with five more dead modern-gaming trends,, after which we'll get into Dredge, Meet Your Maker, The Murder of Sonic the Hedgehog, a mini-review of the Super Mario Bros. movie, and your favorite memories of the 3DS.

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Videogame-industry veterans Mikel Reparaz and Anne Lewis rally their colleagues for weekly discussions about games, the industry, and the circus of egos and information that surrounds it all.

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 The incredible Godzilla Minus One is now on Netflix, so Anthony Abatte joins us to talk... not about Godzilla games (which range from "pretty good" to "abysmal"), but about Godzilla and other cultural icons who have videogames, but not ones that really capture their essence the way, say, Arkham does for Batman. Then we'll touch on Killer Klowns from Outer Space, the Yakuza live-action series news, announcements from last week's State of Play, and your favorite videogame-trope-inspiring movies. Question of the Week: What’s a pop culture icon that hasn’t managed to get a definitive game yet?  Break song is The Ultimate Showdown of Ultimate Destiny by Lemon Demon. Vidjagame Apocalypse theme by Matthew Joseph Payne.

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 The release of Furiosa over the weekend got us all fixated on Mad Max again, so we're starting off this week's show with a look at five desert-drivin', raider-fightin', wasteland-survivin' games that owe their existence to George Miller's legendary film franchise. Then we'll get into The Rogue Prince of Persia, MultiVersus' official launch, the Just Cause movie announcement, and the digital games you wish you'd bought physically (or vice versa). Question of the Week: What is your favorite movie that has inspired videogame tropes?  Break song is Bitchin' Camaro by The Dead Milkmen. Vidjagame Apocalypse theme by Matthew Joseph Payne.

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 Senua's Saga: Hellblade II is out this week, and new guest Trone L. Dowd reviewed it for Inverse — but first, we'll talk about five other games where you're hounded (and often guided) by voices in your head. We'll also get into XDefiant, Lorelei and the Laser Eyes, Arctic Eggs, Ghost of Tsushima on PC, Jason Voorhees coming back in multiple ways, and your favorite underutilized and too-often-ignored game features. Question of the Week: Have you ever bought a game physically that you wished you had bought digitally (or vice versa)? Break song is Voices in My Head by Denis Leary. Vidjagame Apocalypse theme by Matthew Joseph Payne.

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 There's a whole bunch of new releases to talk about this week, including surprise hits Animal Well and Crow Country, but first we've got a Top 5 debate about features that - despite being inarguably awesome - don't seem find their way into very many games. Then we'll get into Little Kitty, Big City, Dread Delusion, Mullet Mad Jack, and the Assassin's Creed Shadows reveal, as well as some of your feelings about playing games early vs. waiting for launch.  Question of the Week: What's a gameplay feature or mechanic you love, but that doesn't appear in nearly enough games? Break song is Instruments of Destruction by N.R.G. Vidjagame Apocalypse theme by Matthew Joseph Payne.

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 Hades II's surprise Early Access launch this week got us thinking about other games that found success with unfinished builds and community enthusiasm, so we invited TL Foster of Welcome to the Thing on to talk about five of them. Then it's on to first impressions of Hades II, as well as Puppet Master: The Game, Microsoft shuttering studios, Helldivers 2 drama, and your favorite beautiful flops. Question of the Week: Do you like playing games early (whether in Early Access or demos), or do you prefer to wait and play after launch? Break song is Incomplete by Bad Religion. Vidjagame Apocalypse theme by Matthew Joseph Payne.

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