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In this REWIND episode Gary Mansfield speaks to Simon Callery (@Simon.Callery)
Simon Callery is known for his innovative approach to painting, which bridges the gap between two-dimensional surfaces and three-dimensional space. Born in London in 1960, Callery studied at Campion School and later at Cardiff College of Art. His work challenges traditional definitions of painting by incorporating sculptural elements—his canvases are often cut, pierced, folded, and stained with intense, earthy pigments. These works possess a physicality that invites viewers to engage not only visually but also spatially.
Callery’s artistic process is deeply connected to the landscape and archaeology, particularly the British countryside. Collaborations with archaeologists have influenced his method of working directly on site, allowing his paintings to absorb the environment both physically and conceptually. His paintings are often large in scale, with surfaces that appear worn, layered, and tactile—echoing the processes of erosion and excavation.
By rejecting the illusionistic space of traditional painting, Callery creates works that are both objects and experiences. He has exhibited widely across the UK and Europe, with works held in public collections such as the Tate and Arts Council England.
To Support this podcast from as little as £3 per month: www.patreon/ministryofarts
For full line up of confirmed artists go to https://www.ministryofarts.co.uk
Email: [email protected]
Social Media: @ministryofartsorg
Hosted on Acast. See acast.com/privacy for more information.
By Gary Mansfield4.6
99 ratings
In this REWIND episode Gary Mansfield speaks to Simon Callery (@Simon.Callery)
Simon Callery is known for his innovative approach to painting, which bridges the gap between two-dimensional surfaces and three-dimensional space. Born in London in 1960, Callery studied at Campion School and later at Cardiff College of Art. His work challenges traditional definitions of painting by incorporating sculptural elements—his canvases are often cut, pierced, folded, and stained with intense, earthy pigments. These works possess a physicality that invites viewers to engage not only visually but also spatially.
Callery’s artistic process is deeply connected to the landscape and archaeology, particularly the British countryside. Collaborations with archaeologists have influenced his method of working directly on site, allowing his paintings to absorb the environment both physically and conceptually. His paintings are often large in scale, with surfaces that appear worn, layered, and tactile—echoing the processes of erosion and excavation.
By rejecting the illusionistic space of traditional painting, Callery creates works that are both objects and experiences. He has exhibited widely across the UK and Europe, with works held in public collections such as the Tate and Arts Council England.
To Support this podcast from as little as £3 per month: www.patreon/ministryofarts
For full line up of confirmed artists go to https://www.ministryofarts.co.uk
Email: [email protected]
Social Media: @ministryofartsorg
Hosted on Acast. See acast.com/privacy for more information.

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