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It's here at last... the final episode of Season 1! This time around, we go in-depth with a full beat-by-beat breakdown of Chapter 13: The Sweet Hereafter, in which we answer some burning questions such as:
Music: "Faded War Instrumental Version" by Josh Woodward
Oh, shit, folks. It's like they realized there were only 2 episodes left in the show and suddenly needed to complete, you know, the story. The weird thing is that they completed it... too much? Character nonsense takes a back seat to break-neck, desperate wrapping up of season-long plotlines, to the extent that we're not entirely sure what's left for episode 13?
Music: "Faded War Instrumental Version" by Josh Woodward
Oh, shit, folks. It's like they realized there were only 2 episodes left in the show and suddenly needed to complete, you know, the story. The weird thing is that they completed it... too much? Character nonsense takes a back seat to break-neck, desperate wrapping up of season-long plotlines, to the extent that we're not entirely sure what's left for episode 13?
MAAAAAPLE SYYYYYRUP!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Please bother us at #RDARD on the tweeter.
Music: "Faded War Instrumental Version" by Josh Woodward
I mean, look... after last episode, this was going to feel like a great episode no matter how bad it was. Fortunately, it's not bad. We sort of do a lesser reflection of earlier episodes' mingling of parent and child plots, move the ball further down the field on the Jason Blossom murder, and get to watch Alice get fucking dunked on.
Please bother us at #RDARD on the tweeter.
Music: "Faded War Instrumental Version" by Josh Woodward
A runner-up title for this episode was "I Fucking Hate This Episode. This Episode is Garbo," and it wastes no time in showing us many reasons why.
Music: "Faded War Instrumental Version" by Josh Woodward
A runner-up title for this episode was "I Fucking Hate This Episode. This Episode is Garbo," and it wastes no time in showing us many reasons why.
The good news is, the show is almost certain to recover after this, because Riverdale is increasingly uninterested in exploring long term consequences of terrible decisions made by characters, instead magically making everything sort of more alright than it should be to start each episode.
Why are we doing this? Perhaps because it's too late to turn back? I'm not bitter. I'm just sad.
Please bother us at #RDARD on the tweeter.
Music: "Faded War Instrumental Version" by Josh Woodward
The weirdness scale is again reset in Episode 9, where pretty much the whole A-plot of the episode is nothing short of baffling; in terms of motivation, timing, theme, logistics, and basically all the other ways a story can make no sense.
Music: "Faded War Instrumental Version" by Josh Woodward
After the nearly vertiginous up-tick in storytelling quality seen in episode 7, we keep things more or less solid in this workhorse of an episode. This doesn't stop the show from doing absoultely baffling things with Veronica's character to achieve... let's say, dubious ends.
Music: "Faded War Instrumental Version" by Josh Woodward
After the nearly vertiginous up-tick in storytelling quality seen in episode 7, we keep things more or less solid in this workhorse of an episode. This doesn't stop the show from doing absoultely baffling things with Veronica's character to achieve... let's say, dubious ends.
Please bother us at #RDARD on the tweeter.
Music: "Faded War Instrumental Version" by Josh Woodward
Episodes 4-7 of Riverdale form a beautiful narrative arc of their own, in a metatextual sense. The Necessary Evil. The Surreal Palate Cleanser. The Return to Form. And now, The Really God Damned Good Episode.
Music: "Faded War Instrumental Version" by Josh Woodward
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