The boys pressure themselves to cram as many egos in one room as possible, unsuccessfully blend a space oddity with mercurial Mercury, and use the scientific method to conduct an autopsy on one of rock’s most iconic collaborations, “Under Pressure.”

The boys celebrate American excess with maximum cheese, turn flag-waving bravado into four minutes of post-Van Halen freedom, and use the scientific method to conduct an autopsy on the corpse of David Lee Roth’s 1986 star-spangled solo spectacle, “Yankee Rose.”

The boys exit the 80s with mid-career anxiety, chase relevancy with hit making royalty, and use the scientific method to conduct an autopsy on the corpse of KISS’ 1989 tale of questionable romantic decision-making, “Hide Your Heart.”

The boys hang up the lab coats, put down the scalpels, and trade scientific inquiry for a Rush road trip, abandoned White Castle cravings, and a 50 Something tour for two fifty somethings in Detroit.

The boys (minus one) hang up the lab coats, put down the scalpels, and welcome back YouTube veteran and newly prolific author, Tim Durling into the lab to discuss his latest book, On Record: The April Wine Album Review.

The boys (minus one) hang up the lab coats, put down the scalpels, and trade scientific inquiry for dogged determination, stage-ready self-immolation, and the pursuit of authentic artistic expression with Kissing Lilith frontman Gavin Kerr.

The boys (minus one) hang up the lab coats, put down the scalpels, and trade scientific inquiry for DIY determination, keytar struggles, and the divisive challenges of male itch relief with Toby Danger frontman Ryan Wednesday.

The boys (minus one) hang up the lab coats, put down the scalpels, and trade scientific inquiry for stand-up stories, metal nerdery, Megadeth fandom, and panel condescension with comedian and Disturbing the Priest host, Brandon Battick.

The boys (minus one) trade scientific inquiry for personal confession, revisiting first-time, day-one album buys — records that just happened to catch their favorite bands at some of their strangest moments.

The boys pomade their pompadours, confuse rockabilly nostalgia with spectacularly bad judgment, and use the scientific method to conduct an autopsy on the corpse of Stray Cats’ 1983 retro-revival misfire, “(She’s) Sexy + 17.”