
Sign up to save your podcasts
Or


A fiery horse with the speed of light, a cloud of dust, and a hearty “Hi-yo, Silver!”
Generations of American baby boomers first heard Rossini’s William Tell Overture as the opening credits of the old Lone Ranger TV western, but we suspect only a few of them ever realized the overture by an Italian composer was written for a French opera about a Swiss archer, which was adapted from a German play by Friedrich Schiller. Like a Facebook relationship, “It’s complicated.”
Anyway, Rossini’s William Tell was first heard in Paris on today’s date in 1829. Rossini hoped William Tell would be considered his masterpiece. Ironically, the complete opera is only rarely staged these days, but the William Tell overture became a familiar concert hall showpiece — so familiar, in fact, as to become something of a musical cliché.
Russian composer Dimitri Shostakovich gave a dark 20th-century spin to Rossini’s overly familiar theme, when he quoted the William Tell Overture in the opening movement of his Symphony No. 15. In the context of Shostakovich’s enigmatic final symphony, Rossini’s jaunty little theme comes off like a forced smile, and audiences are free to read whatever political subtext they wish into its rather sinister context.
Gioacchino Rossini (1792-1868): William Tell Overture; Philharmonia Orchestra; Carlo Maria Giulini, conductor; EMI 69042
Dimitri Shostakovich (1906-1975): Symphony No. 15; London Philharmonic; Mariss Jansons, conductor; EMI 56591
By American Public Media4.7
176176 ratings
A fiery horse with the speed of light, a cloud of dust, and a hearty “Hi-yo, Silver!”
Generations of American baby boomers first heard Rossini’s William Tell Overture as the opening credits of the old Lone Ranger TV western, but we suspect only a few of them ever realized the overture by an Italian composer was written for a French opera about a Swiss archer, which was adapted from a German play by Friedrich Schiller. Like a Facebook relationship, “It’s complicated.”
Anyway, Rossini’s William Tell was first heard in Paris on today’s date in 1829. Rossini hoped William Tell would be considered his masterpiece. Ironically, the complete opera is only rarely staged these days, but the William Tell overture became a familiar concert hall showpiece — so familiar, in fact, as to become something of a musical cliché.
Russian composer Dimitri Shostakovich gave a dark 20th-century spin to Rossini’s overly familiar theme, when he quoted the William Tell Overture in the opening movement of his Symphony No. 15. In the context of Shostakovich’s enigmatic final symphony, Rossini’s jaunty little theme comes off like a forced smile, and audiences are free to read whatever political subtext they wish into its rather sinister context.
Gioacchino Rossini (1792-1868): William Tell Overture; Philharmonia Orchestra; Carlo Maria Giulini, conductor; EMI 69042
Dimitri Shostakovich (1906-1975): Symphony No. 15; London Philharmonic; Mariss Jansons, conductor; EMI 56591

6,815 Listeners

38,814 Listeners

8,789 Listeners

9,241 Listeners

5,807 Listeners

930 Listeners

1,389 Listeners

1,290 Listeners

3,150 Listeners

1,977 Listeners

528 Listeners

182 Listeners

13,747 Listeners

3,073 Listeners

246 Listeners

28,187 Listeners

434 Listeners

5,493 Listeners

2,187 Listeners

14,130 Listeners

6,425 Listeners

2,514 Listeners

4,838 Listeners

579 Listeners

255 Listeners