
Sign up to save your podcasts
Or


A fiery horse with the speed of light, a cloud of dust, and a hearty “Hi-yo, Silver!”
Generations of American baby boomers first heard Rossini’s William Tell Overture as the opening credits of the old Lone Ranger TV western, but we suspect only a few of them ever realized the overture by an Italian composer was written for a French opera about a Swiss archer, which was adapted from a German play by Friedrich Schiller. Like a Facebook relationship, “It’s complicated.”
Anyway, Rossini’s William Tell was first heard in Paris on today’s date in 1829. Rossini hoped William Tell would be considered his masterpiece. Ironically, the complete opera is only rarely staged these days, but the William Tell overture became a familiar concert hall showpiece — so familiar, in fact, as to become something of a musical cliché.
Russian composer Dimitri Shostakovich gave a dark 20th-century spin to Rossini’s overly familiar theme, when he quoted the William Tell Overture in the opening movement of his Symphony No. 15. In the context of Shostakovich’s enigmatic final symphony, Rossini’s jaunty little theme comes off like a forced smile, and audiences are free to read whatever political subtext they wish into its rather sinister context.
Gioacchino Rossini (1792-1868): William Tell Overture; Philharmonia Orchestra; Carlo Maria Giulini, conductor; EMI 69042
Dimitri Shostakovich (1906-1975): Symphony No. 15; London Philharmonic; Mariss Jansons, conductor; EMI 56591
By American Public Media4.7
176176 ratings
A fiery horse with the speed of light, a cloud of dust, and a hearty “Hi-yo, Silver!”
Generations of American baby boomers first heard Rossini’s William Tell Overture as the opening credits of the old Lone Ranger TV western, but we suspect only a few of them ever realized the overture by an Italian composer was written for a French opera about a Swiss archer, which was adapted from a German play by Friedrich Schiller. Like a Facebook relationship, “It’s complicated.”
Anyway, Rossini’s William Tell was first heard in Paris on today’s date in 1829. Rossini hoped William Tell would be considered his masterpiece. Ironically, the complete opera is only rarely staged these days, but the William Tell overture became a familiar concert hall showpiece — so familiar, in fact, as to become something of a musical cliché.
Russian composer Dimitri Shostakovich gave a dark 20th-century spin to Rossini’s overly familiar theme, when he quoted the William Tell Overture in the opening movement of his Symphony No. 15. In the context of Shostakovich’s enigmatic final symphony, Rossini’s jaunty little theme comes off like a forced smile, and audiences are free to read whatever political subtext they wish into its rather sinister context.
Gioacchino Rossini (1792-1868): William Tell Overture; Philharmonia Orchestra; Carlo Maria Giulini, conductor; EMI 69042
Dimitri Shostakovich (1906-1975): Symphony No. 15; London Philharmonic; Mariss Jansons, conductor; EMI 56591

6,881 Listeners

38,950 Listeners

8,801 Listeners

9,238 Listeners

5,825 Listeners

941 Listeners

1,390 Listeners

1,290 Listeners

3,152 Listeners

1,973 Listeners

526 Listeners

182 Listeners

13,784 Listeners

3,091 Listeners

246 Listeners

28,143 Listeners

433 Listeners

5,480 Listeners

2,191 Listeners

14,152 Listeners

6,432 Listeners

2,525 Listeners

4,832 Listeners

574 Listeners

246 Listeners