This week on RulaskaThoughts, Joe and Robert unpack RuPaul’s Drag Race Season 18, Episode 3 — an installment that inspires far more commentary about the state of the franchise than about the challenge itself. Along the way, they detour through internet discourse, celebrity behavior, and why Drag Race increasingly feels like a legacy show coasting on goodwill rather than innovation.

Joe opens by apologizing — not for the episode, but for how little the episode itself deserves attention.

Both agree RDR Live wasn’t actively painful, but also wasn’t good — merely another in a long line of mediocre acting challenges.

Juicy Love Dion wins for fully disappearing into character, even if she wasn’t the funniest.

Athena Love Dion’s hosting performance sparks disagreement: Joe finds it serviceable and thankless, while Robert reads visible nervousness and lack of authority.

Mandy Mango’s critiques reignite the recurring Drag Race issue: queens being punished for doing exactly what’s written in the script.

The lip-sync song choice is widely panned as fundamentally ill-suited for a “lip-sync for your life,” regardless of who technically won.

Joe lays out what he sees as a pattern of soft bullying toward Athena across multiple episodes.

Evidence cited:

Repeated exclusion from team selection

Roles being denied without discussion or competition

Other queens weaponizing “you should want this” logic against her

Age-based digs becoming an easy, recurring punchline

Joe questions why Athena is treated as the default host when other queens (notably Jane Doe) have equivalent hosting credentials.

Briar Blush is positioned as a key instigator, particularly in steering Athena toward roles designed to undermine her.

Robert counters that Athena may unintentionally fuel the dynamic through visible frustration and exaggerated reactions, making herself an easy target.

Both acknowledge the possibility that off-camera behavior may be influencing how the cast responds — but stress that the edit has not justified the treatment so far.

Joe argues the problem is not the cast, but entrenched production leadership.

Drag Race is compared to Saturday Night Live:

Long-running, culturally important

Run by aging leadership increasingly out of sync with audience taste

Resistant to structural change

Discussion of why Drag Race scripts remain weak despite access to:

UCB

Groundlings

Queer comedy writers who could elevate the material with minimal investment

The absence of meme culture is flagged as a major warning sign — Drag Race no longer drives online conversation the way it once did.

Alaska’s recent comments about drag queens no longer releasing music are cited as another indicator that the franchise has lost its grip on the “gay dollar.”

Joe dismantles the argument that Drag Race is “too hard to find,” noting it has always lived on basic cable.

The real issue, both agree, is diminishing reward — viewers don’t feel like they’re missing a cultural moment anymore.

Unlike earlier eras, skipping an episode now carries no social consequence.

Next week’s runway mash-up challenge is previewed with skepticism — familiar concepts repackaged yet again.

The upcoming talent show inspires preemptive dread over self-serious spoken-word tracks and faux-quirky personas.

Joe predicts certain queens are currently protected by “filler eliminations” — but their time is coming.

This episode of RulaskaThoughts becomes less about RDR Live and more about Drag Race’s identity crisis: a once-vital franchise struggling under the weight of its own longevity. While Joe and Robert still clearly care — and still watch — the conversation makes clear that love has shifted from excitement to obligation, and from celebration to critique.

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