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Connor & Jon get spooked out by Tim Burton's claymation adaptation of his short film: Frankenweenie. Jon gets freaked out by the teeth, Connor is frustrated by the Laika-esque animation, and the two just can't seem to agree on whether this film is a rip-off or a remake.
WARNING: Major spoilers for Frankenweenie and Frankenstein
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Connor & Jon are reluctantly dragged to space as they try to decipher James Gray's opaque space road movie. The boys try to figure out how much it is inspired by Apocalypse, Now or by Heart of Darkness. Connor is amazed by the visuals, but disappointed by the outcome and Jon rags on the film the whole time.
WARNING: Major spoilers for Ad Astra and Apocalypse, Now
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Connor & Jon are joined by Thatcher Radler to discuss Joker and why it pulled so much from King of Comedy and Taxi Driver. Jon is bothered by the messiness of the Batman and DC universe. Connor can't stand the film's tone of uber-serious. Thatcher progressively realizes how much of a rip-off this film is.
WARNING: Major spoilers for Joker, minor spoilers for Taxi Driver & King of Comedy
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Connor & Jon are joined by Dillon Worthington to figure out how well The Last Duel harnesses Rashomon's storytelling technique. Jon wonders if Scott was the right choice of director. Connor tries to figure out why they didn't let Nicole write the entire script. And Dillon ponders who this movie is for.
WARNING: Major spoilers for The Last Duel and Rashomon
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Connor & Jon start off the new series by analyzing Super 8 and its predecessor E.T. Is it purely an homage, and does it count as one since Spielberg worked on it? Is it to be blamed for the boom in 80's nostalgia? Is it an effective piece of storytelling? Listen in to find out!
WARNING: Major spoilers for Super 8, minor spoilers for E.T.
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Connor & Jon set up the stage for their new series: Retelling or Rip-Off. They make the distinction on what films are eligible, and that this is not dedicated to official remakes or adaptions, but to films that walk the line of inspiration and stealing.
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Connor and Jon bring on too many guests to discuss Tommy Wiseau's labor of love: The Room. Connor Gooderl tries to piece together Tommy's mysterious past, Tim goes on about the non-stop moaning, Daniel secretly watches YouTube videos, and Zach weaves a poetic tapestry of the true meaning and intent of The Room.
WARNING: Major spoilers for The Room
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Connor & Jon grab a milkshake with musician and filmmaker Erick Frost and talk about the subversive oil epic: There Will Be Blood. Connor is happy because the film is a non-traditional slow western. Jon is happy because the film is based on an obscure part of history. And Erick is happy because the film is innovative in its use of lenses and practical effects.
WARNING: Major spoilers for There Will Be Blood, minor spoilers for No Country for Old Men
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Link to Switchfoot's music video: https://www.youtube.com/watch?v=_RHGp1Ugigo
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Connor & Jon dive into the big blue with Michael Kelley to discuss the aquatic cinematic masterpiece: Finding Nemo. Of course there is a fair amount of discussion on the state of animation, Michael tells how the film affected his relationship with his family, Connor just wants to talk about the score, and Jon can't remember all of Dory's misremembered names for Nemo.
WARNING: Major spoilers for Finding Nemo
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Connor & Jon are joined by Alan Sisto and Shawn Marchese of The Prancing Pony Podcast to talk about the Middle Earth Masterpiece: The Return of the King. The four ponder the strange filmic history of The Lord of the Rings. Shawn and Alan use Tolkien's letter to Ackerman to evaluate whether Jackson did a good job of adapting the books. Connor gushes over the sound design and Jon's mind is changed on the ending of the film.
WARNING: Major spoilers for The Lord of the Rings, minor spoilers for Star Wars: Episodes 6 & 9,
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Link to Anything You Can Imagine: https://www.barnesandnoble.com/w/anything-you-can-imagine-ian-nathan/1126335643
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