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Today marks the birthday of British composer Ruth Gipps, who lived from 1921 to 1999. She wrote five symphonies, dozens of concertos, chamber works, and vocal scores.
Gipps said she found it “difficult to understand young people who don’t know what they want to be when they grow up.” She published her first music at 8, and by her twenties had also become a professional oboist and pianist. Her triple career peaked in 1945, when in Birmingham, she performed the Glazunov Piano Concerto on the first half of a concert, then, on the second, played the English horn part in the premiere performance of her own Symphony No. 1.
Vaughan Williams was one of her composition teachers, and her music was, like his, firmly based in melody and traditional harmony. Ironically, this counted against her in the years following World War II when music that wasn’t atonal and avant-garde was deemed old-fashioned.
Even so, in 1981, Gipps was included in the Queen’s Honors List, but Dame Ruth probably derived as much pleasure from her MG as her MBE: an avid sports car enthusiast, her obituary noted that, heavily swathed, Gipps enjoyed driving her roadster though whatever the British climate threw at her.
Ruth Gipps (1921-1999): Symphony No. 2; Munich Symphony Orchestra; Douglas Bostock, conductor; Cameo Classics 9046 (also Classico 274)
By American Public Media4.7
176176 ratings
Today marks the birthday of British composer Ruth Gipps, who lived from 1921 to 1999. She wrote five symphonies, dozens of concertos, chamber works, and vocal scores.
Gipps said she found it “difficult to understand young people who don’t know what they want to be when they grow up.” She published her first music at 8, and by her twenties had also become a professional oboist and pianist. Her triple career peaked in 1945, when in Birmingham, she performed the Glazunov Piano Concerto on the first half of a concert, then, on the second, played the English horn part in the premiere performance of her own Symphony No. 1.
Vaughan Williams was one of her composition teachers, and her music was, like his, firmly based in melody and traditional harmony. Ironically, this counted against her in the years following World War II when music that wasn’t atonal and avant-garde was deemed old-fashioned.
Even so, in 1981, Gipps was included in the Queen’s Honors List, but Dame Ruth probably derived as much pleasure from her MG as her MBE: an avid sports car enthusiast, her obituary noted that, heavily swathed, Gipps enjoyed driving her roadster though whatever the British climate threw at her.
Ruth Gipps (1921-1999): Symphony No. 2; Munich Symphony Orchestra; Douglas Bostock, conductor; Cameo Classics 9046 (also Classico 274)

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