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People resist reading about climate change because it seems less immediate than other pressing issues. Add to that the fact that the climate crisis doesn’t lend itself to narrative. So, then, how do you tell an ‘untellable story’ in a way that draws readers in and effectively reorients the way they see the world?
Henry Finder and David Remnick are the coeditors of The Fragile Earth: Writing from The New Yorker on Climate Change. On this episode of the Reversing Climate Change podcast, Henry and David join Ross to explain what inspired the creation of this new anthology, discussing how they made decisions regarding what pieces to include and what makes writing about climate change such a distinct challenge.
Henry and David weigh in on their work as editorial director and editor at The New Yorker, sharing the process they use to conceive of and manage new projects and describing the magazine’s ongoing commitment to long-form writing. Listen in to understand how optimistic Henry and David are about our ability to address the climate crisis and learn how The Fragile Earth tells the story of climate change through pieces by Bill McKibben, Elizabeth Kolbert, and Jonathan Franzen, among many others.
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Resources
The Fragile Earth: Writing from The New Yorker on Climate Change edited by David Remnick and Henry Finder
The New Yorker
David Remnick at The New Yorker
Lenin’s Tomb: The Last Days of the Soviet Empire by David Remnick
The Bridge: The Life and Rise of Barack Obama by David Remnick
The New Yorker Radio Hour
The End of Nature by Bill McKibben
Elizabeth Kolbert
Elizabeth Kolbert at The New Yorker
Bill McKibben on Reversing Climate Change EP095
Field Notes from a Catastrophe: Man, Nature, and Climate Change by Elizabeth Kolbert
The Sixth Extinction: An Unnatural History by Elizabeth Kolbert
‘Lake Chad: The World’s Most Complex Humanitarian Disaster’ in The New Yorker
Jonathan Franzen’s Piece on Antarctica
By Carbon Removal Strategies LLC4.8
274274 ratings
People resist reading about climate change because it seems less immediate than other pressing issues. Add to that the fact that the climate crisis doesn’t lend itself to narrative. So, then, how do you tell an ‘untellable story’ in a way that draws readers in and effectively reorients the way they see the world?
Henry Finder and David Remnick are the coeditors of The Fragile Earth: Writing from The New Yorker on Climate Change. On this episode of the Reversing Climate Change podcast, Henry and David join Ross to explain what inspired the creation of this new anthology, discussing how they made decisions regarding what pieces to include and what makes writing about climate change such a distinct challenge.
Henry and David weigh in on their work as editorial director and editor at The New Yorker, sharing the process they use to conceive of and manage new projects and describing the magazine’s ongoing commitment to long-form writing. Listen in to understand how optimistic Henry and David are about our ability to address the climate crisis and learn how The Fragile Earth tells the story of climate change through pieces by Bill McKibben, Elizabeth Kolbert, and Jonathan Franzen, among many others.
Connect with Nori
Purchase Nori Carbon Removals
Nori
Nori on Facebook
Nori on Twitter
Nori on Patreon
Nori Newsletter
Resources
The Fragile Earth: Writing from The New Yorker on Climate Change edited by David Remnick and Henry Finder
The New Yorker
David Remnick at The New Yorker
Lenin’s Tomb: The Last Days of the Soviet Empire by David Remnick
The Bridge: The Life and Rise of Barack Obama by David Remnick
The New Yorker Radio Hour
The End of Nature by Bill McKibben
Elizabeth Kolbert
Elizabeth Kolbert at The New Yorker
Bill McKibben on Reversing Climate Change EP095
Field Notes from a Catastrophe: Man, Nature, and Climate Change by Elizabeth Kolbert
The Sixth Extinction: An Unnatural History by Elizabeth Kolbert
‘Lake Chad: The World’s Most Complex Humanitarian Disaster’ in The New Yorker
Jonathan Franzen’s Piece on Antarctica

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