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In my last episode of this text, I focus on the stories and films that Ahmed analyzes as being fundamentally "postmodern," but that rely on classical constructions of women and (not so) subtly maintain oppressive imagery against women.
By David Guignion4.6
369369 ratings
Patreon: https://www.patreon.com/theoryandphilosophy
In my last episode of this text, I focus on the stories and films that Ahmed analyzes as being fundamentally "postmodern," but that rely on classical constructions of women and (not so) subtly maintain oppressive imagery against women.

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