Hear Chad and Marc tackle the monolithic drones of metal duo Sunn O))). They discuss witchery and ritual, gear and sculpture, fandom and influence, and (as usual) capitalism and art.

Nick "The Tooth" Gullo is a 2x IBJJF Jiu Jitsu Black Belt world champion, co-host of the Infinite Worlds podcast, a writer, lawyer, world traveler, TV Star—and most importantly for this NYE resolution conversation, is absolutely shredded in his 50s.

He joins us for the second time to discuss discipline, keto dieting, being kind to yourself, internet hucksters (Liver King, etc.), toxic masculinity, toxic acceptance, male energy, self-help cults, goal setting, and a lot more.

This episode doesn't have any horror movie content, but you'll like it if you enjoyed the previous Self Help for Nihilists episodes.

Halloween Ends (2022) is Blumhouse's last shot at making that Michael Meyers money. But rather than do more of what sort of works, they introduce us to the saddest sack character ever and focus the film on his dating life, which is sort of an interesting choice for this insufferable franchise.

We don't love it. But Marc doesn't hate it as much, which makes for some high-value conversation. We also talk about A Star is Born, Dirty Harry, Tarantino's new book, and what our Halloween sequels might look like (they're bangers).

Our first DOUBLE FEATURE episode covers Jack Hill's Spider Baby (1967) and Rob Zombie's The Munsters (2022). Why these films together? Well, the straightforward answer is that we watched them the same week—and Sid Haig. But we do weave some viable thematic and cultural webs between the two. We cover incest, cannibalism, Kanye, why secondary writing is terrible, what we've been doing wrong, the DSM-5, first deaths, and quite a bit more. This is a sprawling, classic Scary Thoughts episode and one of our best in months. It turns out weed actually does enhance some performances.

Drag legend and horror icon Peaches Christ (Joshua Grannell) is back for a fourth episode. This time we're exploring the spooky secrets of Terror Vault, a fully immersive haunted theatrical experience that takes audiences on a terrifying journey within the dank, rat-infested walls of the old San Francisco Mint.

If you're into haunts, you're going to love this episode. We talk about the origins of Peaches' interest in horror performance, the technical details of running the show, how the piece is written and designed, unethical vampires, and about a million other details that will appeal to the dark nerds who listen to us.

Dan Trachtenberg's 2022 Predator offering, Prey, is one of the better films in the franchise. If you're a truly misguided soul, (like Marc) it might even be your favorite. We talked about what it did well and what could've been better. Before getting to the choppa, we start with a little bit about where Marc's academic journey is taking him.

Karyn Kusama's 2009 film Jennifer's Body, is finding an audience thanks to a mix of #metoo reckoning, queer analysis, oughts nostalgia, and public fascination with Megan Fox's hematophagic pairing with male scream queen Machine Gun Kelly. This film hasn't aged well, but our age is treating it well. We discuss whether that old-time patriarchy or a messy script with boring kills led to the initial cold reception of the film.

The second half of Stranger Things 4 was fun. Even Argyle and Lucas managed to have great moments. In this episode we talk about why this season won us over, how drugs help with the enjoyment of art, whether or not there are epochs (and if music in the 80s was one), and whether or not it makes sense to have naked heavy metal girls on a character's wall if it upsets modern sensibilities.

We started our show talking about the first season of Stranger Things, so we are compelled to continue. Thankfully for everyone, the end is nigh. But as Marc is fond of saying, "Don't let our yuck interfere with your yum." There's still a lot to like about the show, even if it is circling the drain of mediocrity on its way to the septic tank of nostalgia. Our next episode covers the finale.

The Evil Dead (1981) and Evil Dead 2 (1987) are both unimpeachable classics of horror comedy. After our longest hiatus, we delve into the cult lore of these films and their influence on horror. This episode isn't exactly philosophical, but it's a fun one, especially if you grew up with Sam Raimi's madcap brand of cabin-based mayhem. And for the first time–no major spoilers!