Katie Menzies and Abel Reverter founded Cabeza Patata in Barcelona, Spain in 2018. There, they consider themselves artists first and motion designers second, with a focus on inclusiveness, positivity, and having a hands-on approach to motion design. Cabeza Patata just opened up their new studio where not only do they work for big clients such as Spotify and Google, but their studio is also a gallery—a place they open up to the community, teaching workshops for kids and adults alike, showing them how they can get their hands dirty creating art.

Mike Winkelmann is well known in the digital art world. His work is often provocative, sometimes downright shocking, but always has a style that is uniquely his. Better known as Beeple, Mike has demonstrated an incredible focus on his craft, releasing a brand new piece every day for over 5,000 consecutive days. Now he's revolutionizing the art world as a pioneer of crypto artwork...and we've hogtied him to a chair until he spills the beans on what any of that means. 

Our mission at School of Motion is to break down the barriers to the Motion Design industry so that everyone can share their voice. That is a journey more than a destination, and we have a long way to go. Macaela VanderMost is a titanic talent, but she has faced some—unfortunately—all-too-common barriers to entry along the way. Listen to Macaela VanderMost's journey as a driven creative director. 

2020 was...well, it was certainly a year. Not just for the MoGraph industry and for School of Motion, but for everyone. We know you don't need a recap of all the challenges and craziness that made this year what it was. Instead, we want to focus on the positive. While 2020 certainly presented a difficult road, we have seen our community emerge stronger and better than ever. On the 2020 End of Year Podcast episode, our founder Joey Korenman is joined by Creative Directors EJ Hassenfratz and Ryan Summers—along with a special guest—to talk about the artists, studios, tools, trends, and events that made MoGraph news in 2020…plus all the exciting plans (and bold predictions) for the coming year. This is a long one—but worth it—so grab a comfy seat and join us.

When we talk about motion graphics, we refer to motion and design. Our guest today, Cartoon Saloon, takes that approach to the next level with their animated feature films. From Secret of Kells to Song of the Sea to their new film, Wolfwalkers, their unique style stands out even in an incredibly saturated market. Join directors Tomm Moore and Ross Stewart as they discuss the new film and the art of motion.

What is the future of advertising agencies? As the world modernizes and the old methods give way to native, targeted, and subversive advertising, how is a studio meant to keep up? Strange as it may seem, the issues facing independent ad agencies are very similar to the evolution of the motion design industry. We're chatting with Creative Director Roger Baldacci of Strange Animal!

We've mentioned it a few times, but one of the most important steps in any project is the storyboard, and specialized artists work tirelessly to bring the story to life. Alex Quintas' career path took a few turns before she wound up creating artwork for some of the biggest animated shows on TV and streaming today, from BoJack Horseman to Paradise PD. Grab a snack and check this out!

Animated movies are a part of the fabric of our creative culture, and as motion designers, we share the same principles and design foundations.  Our guest today helped shape the animation industry, creating iconic characters and unique worlds. He is an Academy Award-winning director, and he just released an amazing new animated movie on Netflix, Over the Moon. Strap in tight, because we're blasting off with Glen Keane.

Adobe MAX 2020 is on, and they just announced a slew of improvements to their After Effects 3D Workflow. We had a chance to sit down with Victoria Nece, Senior Product Manager for Motion Graphics and Visual Effects at Adobe, to discuss how this new workflow will affect the Motion Design community. More than that, we had a chance to discuss Adobe MAX, building a MoGraph career, and staying ahead of the competition.