Scottish Poetry Library Podcast

In 2013, Edinburgh-born Ross Sutherland was described as one of the most interesting young poets working in Britain. Inspired by cut-ups and technology, his collection Emergency Window (Penned in the Margins) featured a sequence of classic poems fed through Google Translate many times until they become something else entirely. He wrote a sequence of sonnets about the characters in the video game Street Fighter 2, and yet his work is never gimmicky or unemotional.

Ross talked to the SPL about the hairstyles of millionaires, how John Cooper Clarke inspired him, and about taking part in one of the more unusual poetry readings of the time.

Photo by James Lyndsay.

In this episode of Nothing But The Poem podcast, our usual host Samuel Tongue goes in deep on two weel kent poems by Norman MacCaig, one of Scotland's most loved and influential poets.

Norman MacCaig famously, and self-deprecatingly, described writing his poems as "one fag" poems or "two fag" poems. Nothing could be further from the truth for readers, who can spend hours returning again and again to his best work. The two poems featured here are generally considered among Maccaig's finest.

Rich in observation with similes to die for Aunt Julia is often rated as MacCaig's most popular poem, with it's famous opening lines:

Aunt Julia spoke Gaelic

very loud and very fast.

Stars and Planets is the other poem featured in this podcast. A short cosmic stunner of a poem with more of MacCaig's surprising similes and deft observations. Samuel Tongue and the Friends of the SPL group had fun discussing these two poems as they looked beneath the bonnets of both.

Iain Sinclair is one of the UK’s greatest living writers. Famed for his novels, such as Downriver, and documentary prose, of which London Orbital is perhaps the best known, Sinclair began his career self-publishing his own poetry on his Albion Village Press in the 1970s. 2013 saw the publication of three books – two poetry collections and a longer book on his relationship with the Beats, American Smoke.

Colin Waters travelled to Sinclair’s home in Hackney, where he asked Sinclair about his Scottish roots, John Clare and his lost 1970s collection Red Eye, which was being published by Test Centre.

Picture of Iain Sinclair by Luca Del Baldo.

We have all heard the arguments in favour of Scotland’s best poet or favourite poem, but what about its greatest collection?

In this recording from 2012, the SPL invited two guests – James Robertson, poet, publisher and author of the novels And the Land Lay Still and The Testament of Gideon Mack, and Dorothy McMillan, editor of Modern Scottish Women Poets and former Senior Lecturer in English Literature at the University of Glasgow – to join then SPL director Robyn Marsack to discuss what might be Scotland’s best collections of poetry in an extended podcast.

Image: Seaweed by Lucy Burnett

Anita Govan has been involved in performance poetry for many years, long before it became as widespread as it is today, both as a performer and an organiser of events. Sceptical of the competitive aspects of slams, she still takes part in them and organises them for young people as she recognises their part in giving people a forum in which to share their experiences. In this podcast Jennifer Williams talks to Govan about her time as the Stirling Makar, coping with dyslexia, and standing up for young people.

The Written World was the Scottish Poetry Library’s London 2012 project. To mark the Olympics, we launched a scheme to find a poem for each of the 204 countries taking part, which were then broadcast on BBC Radio. In October 2012, with the project over, we took the chance to look back on The Written World with its project manager Sarah Stewart.

We also talked to Richard Price, whose poem ‘Hedge Sparrows’ was chosen to represent Team GB, and William Letford, who the SPL asked to write a poem marking the end of the tournament. A trio of poets is rounded out by Mariama Khan, a poet representing Gambia at Poetry Parnassus, another international event linked to the Olympics.

Aonghas MacNeacail (1942-2022) was a leading voice in Gaelic poetry for decades, as poet, and as a regular literary commentator in print and on Gaelic radio. To celebrate his seventieth birthday in 2012 he published a new selected poems, Laughing at the Clock / Déanamh Gáire Ris A’ Chloc. MacNeacail came into the SPL in 2013 to talk about his life and career, from his childhood in Uig on the Isle of Skye to his membership of Philip Hobsbaum’s legendary writing group. He also talked about his struggles as a Gaelic speaker in an English language-dominated culture, including an oddly strenuous struggle with the telephone directory people.

Bob Dylan has played many roles in his life: voice of a generation, rock ‘n’ roll Judas, Christian convert, even Victoria’s Secret salesman. The one that concerned the SPL podcast in 2013 was ‘poet’.

Across two biographies – Once Upon A Time and Time Out of Mind (both Mainstream) – Ian Bell (1956-2015) considered Dylan in a more literary context than any other biographer of His Bobness. Over the course of this podcast, we discussed whether Dylan can really be considered a poet, the writers who influenced him, his Scottish connection, and his encounters with poets such as Carl Sandburg, Archibald McLeish and Allen Ginsberg.

Image: Bob Dylan, Paris, France 1966 by Paul Townsend, under a Creative Commons licence.

Lorna French and Anna Gray lead small groups of (mostly) women to let loose their wild side, to dive in to their unconscious and find their buried treasure. Wild Writers are creatives, public sector workers, teenagers, or any other type of human who is boldly, and often messily, transforming on their hero’s or heroine’s journey.

Ahead of their workshops at the SPL in April and May 2025, Kevin Williamson chats to Lorna and Anna about what they mean by 'wild writing', and how this can help stimulate a different, more unconscious or free way in to workshop writing.

Tickets for the SPL Wild Writing workshops are available here.

Other Wild Writing courses can be found here.

Best Scottish Poems is the Scottish Poetry Library’s annual online anthology of the 20 Best Scottish Poems, edited each year by a different editor. Bookshops and libraries – with honourable exceptions – often provide a very narrow range of poetry, and Scottish poetry in particular. Best Scottish Poems offers readers in Scotland and abroad a way of sampling the range and achievement of our poets, their languages, forms, concerns.

It is in no sense a competition but a personal choice, and this year’s editors, the novelists Louise Welsh and Zoë Strachan, checked and balanced each other’s predilections. Their introduction demonstrates how widely they read, and how intensely. All the Best Scottish Poems selections are available on the SPL website.

This special podcast features readings by established voices and emerging talent. With readings by Kathleen Jamie, Liz Lochhead, Robin Robertson, John Burnside, and many more. 

Photo by Jen Hadfield.