Pulitzer prize-winning poet Forrest Gander discusses the Academy of American Poets Laureate Fellowships. An initiative which awards $50,000 to poets of literary merit appointed to serve in civic positions to enable them to create projects that enrich the lives of their neighbours, through responsive and interactive poetry activities.

In awarding Laurie Bolger The Moth Poetry prize, Nobel Laureate Louise Glück said, "I respond to poems that surprise me". Laurie reflects on the impact of this assessment of her poetry, and explains why her first full poetry collection, Lady, is like a romcom blockbuster.

Marking the arrival of this year's European Poetry Festival, its founder and director, SJ Fowler, joins The Verb to share his approach to bringing poets together to create new work. With a little help from Ian, he performs one of the poems - Levels of Care - that he co-wrote for the festival with Latvian poet Krišjānis Zeļģis.

Writer and editor Rachel Segal Hamilton who specialises in photography, assesses the marriage of photography and poetry with two new examples of the form - A Difficulty Is A Light by Rebecca Norris Webb, and The Dereliction by Liz Berry and Tom Hicks.

Presented by Ian McMillan

Ian McMillan is joined by actor and writer Harriet Walter, sound artist Jason Singh, poet Gillian Allnutt - and hears ritual language for glaciers - from writers Andri Snaer Magnason and Manjushree Thapa.

Dame Harriet Walter is one of our best loved actresses. She's absorbed the rhythms of Shakespeare's writing over decades of her award-winning work on the stage. For 'The Verb' Harriet performs new poems she's written for her book 'She Speaks', an anthology which gives the women characters from Shakespeare's plays a chance to explore their experiences and their relationships with each other.

Jason Singh is a sound artist, and nature beatboxer. He shares an evocative soundscape recorded at a Shinto Ceremony in Japan for a scientist who's been called 'The Mother of the Sea'. Leigh-born biologist Kathleen Mary Drew Baker made important discoveries about a type of seaweed, discoveries that have had a huge impact on Japanese Nori production. You can hear Jason's whole piece on 6th July at Pennington Flash in Leigh ( Greater Manchester). https://www.visitmanchester.com/event/flashes-festival-of-nature-2025/99390101/

Poet Gillian Allnutt was awarded the Queen's Gold Medal in 2016 - and her new collection 'Lode' has been celebrated for its 'indelible images' . Gillian reads a poem about meeting the Queen, in which the word 'plimsoll' plays a surprising part, and another poem in which she invents the word 'ditheridoo'.

Icelandic writer Andri Snaer Magnason, and Canadian-Nepali writer Manjushree Thapa have both written inscriptions to mark the dying of a glacier called Yala in the Hindu Kush Himalaya. They join Ian to talk about finding the right words for the ceremony, and what impact they hope their language will have.

Ian McMillan welcomes poetry about fathers, songs celebrating the things that fall out of books, and a poetic investigation into the women who were labelled witches, with guests Alison Binney, Boo Hewerdine, Yvonne Lyon, and Fiona Benson. Ian also presents a new Eartoon (our cartoon for the ear ) which celebrates the quirks of phrasal Verbs written by Stagedoor Johnny (aka Richard Poynton).

Alison Binney explores what it means to have a parent with dementia in a new collection called 'The Opposite of Swedish Death Cleaning' (Seren). Alison is an English teacher and PGCE course tutor - her debut pamphlet is 'Other Women's Kitchens'.

Boo Hewerdine and Yvonne Lyons' new album is called 'Things that Fall out of Books' - they're performing their new songs in multiple venues across the UK in July and August - https://www.yvonnelyonmusic.com/events/

'Middenwitch' is Fiona Benson's new poetry collection and is a Poetry Book Society Summer Choice. Her poems illuminate the lives of the women who were the victims of superstitions about witches, and examines the societies who deal with fear of illness and other misfortunes by blaming outsiders.

Our Eartoon (a cartoon for the ear) this week delights in the seemingly arbitrary and confusing nature of phrasal Verbs. This is the latest episode in our series by Stagedoor Johnny 'Richard Poynton' in which he offers an origin myth for the English Language.

On this week’s edition of The Verb: Ian McMillan basks in the glow of a Neon Line explained by the celebrated Faroese poet and novelist Carl Jóhan Jensen; Karen Downs-Barton shares poems from her debut collection, Minx, which reflects on her Romani childhood; Cristóbal Bianchi, cofounder of the Casagrande Collective, on their Bombing Of Poems project; and Naz Knight, poet-in-residence at Luton Town FC, on drawing poetic inspiration from the terraces.

Presenter Ian McMillan

Ian McMillan's guests celebrate hedges, with poetry from Alison Brackenbury and Testament, singing from Sam Lee, Michael Symmons Roberts explores a poem with a nightingale at its centre, and hedgelayer Paul Lamb records himself walking a hedgerow that's rich in wildlife.

This hedge-themed special features a haunted hedge from poet Alison Brackenbury, part of the anthology 'Lincolnshire Folk Tales Reimagined' (ed, Anna Milon and Rory Waterman). Alison's hedge started off life as a talking hedge in her non-fiction book 'Village' which is all about her childhood home in Lincolnshire (to be published online in July)

Testament, a world record-breaking beatboxer, rapper and poet, performs a poem called 'The Lig', based on his experiences observing three generations of farmer hedge-layers in Cumbria. Testament is a member of the Hot Poets Collective which explores climate change through spoken word poetry.

Sam Lee's most recent album is 'Songdreaming' - and he sings, not only in front of human audiences, but also with and alongside nightingales. Sam takes musicians and small groups of people into woodland for annual 'Singing With Nightingales' events - events which celebrate this vulnerable bird and our creative connection with it. Sam sings 'Bushes and Briars' on the show and explores the poetry of 19th century poet John Clare.

Poet and professor Michael Symmons Roberts chooses a 'neon line' for The Verb's ongoing series about stand-out lines in poems . His choice is from a poem that features a 'deconstructed hedge' and a singing blackbird. Michael listened carefully to the blackbirds in his garden whilst writing his new book 'Quartet for the End of Time: On Music, Grief and Birdsong', - inspired by his relationship with the music of the composer Olivier Messaien.

Ian also dips in and out of a very long hedge with the help of Paul Lamb, a hedge-layer who walks the Gower Peninsula to bring us hedge language. Paul's new memoir is called 'Of Thorn and Briar - A Year with the West Country Hedgelayer'

Ian McMillan's guests are the Scottish Makar Peter Mackay, Jamaican poet Lorna Goodison, as well as Indian dancer and poet Tishani Doshi, and the musician Scanner.

Scanner lets us into the baffling and mysterious 'poetry' of album titles by Autechre, Aphex Twin and other electronic music artists. Scanner has worked with Laurie Anderson, and Pauline Oliveros amongst other artists, as well as creating sound design for installations at museums, at an airport and for dancers at the London Olympics. For this week's Verb Scanner has created sound design for poems by Peter Mackay, inflected with uncertainty and nostalgia

We hear new poetry by Peter Mackay, in Gaelic and English, written in response to 'O Wert Thou in the Cauld Blast' by Robert Burns. Peter explains why Burns is a great poet for uncertain times, and why the Gaelic word 'ta' is so useful. His poems can be also heard at the Poetry Jukebox, at the Linenhall Library in Belfast (part of a set of curated poems by ten different writers responding to work in the 'Fragments of Scottish Poetry Project').

Queen's Gold Medal winning poet, and former Poetry Laureate of Jamaica Lorna Goodison explains why Miss Lou, (the ground-breaking champion of nation language in Jamaica, and a good friend to Lorna) is a key character in her new version of Dante's Inferno (Carcanet).

Indian Poet and dancer Tishani Doshi presents the next in our recurring series 'The Neon Line' - where we celebrate a stand-out line from a poem, and work out why it's powerful, beautiful, or memorable. Tishani also shares new poetry that explores the connection between human emotions and the natural world.

https://scannerdot.com/

Rebecca Watts has just published her third poetry collection - The Face In The Well. She discusses writing poems that engage with the work of an earlier generation of poets, turning a cherished childhood memory into poetry, and Emily Brontë's love of ironing.

Cristina Rivera Garza is a Pulitzer Prize-winning Mexican writer, poet and professor. Her new book, Death Takes Me, fuses crime fiction, literary theory, and the poems of Argentinian poet Alejandra Pizarnik. She discusses the power of language to reflect, proscribe, and change society.

Deryn Rees-Jones is a poet, a professor, and editor at Pavilion Poetry. She talk to Ian about the art of creating a poetry collection and how deciding on the order of the poems in a new collection can be a surprisingly physical activity.

Presenter: Ian McMillan

Ian McMillan's guests are George Szirtes, Cecilia Knapp, Lisa Knapp, Gerry Diver and Rishi Dastidar.

The beauty of a swimming pool seen from the air, banks that fly up and out of small towns never to return, the poetry of single objects seen from a train window, and the miniature brilliance of poetry pamphlets - all in this week's edition of The Verb.

It can be a shock when banks leave our high streets - poet George Szirtes presents a brand new commission for The Verb inspired by that experience, and reads work from his 2004 collection 'Reel' which won the TS Eliot Prize. George has just been awarded the 'King's Gold Medal' for excellence in poetry.

Cecilia Knapp finds surprising images for memories of being a teenager in new poetry on this week's show. Cecilia's first collection is 'Peach Pig' - she has published a novel called 'Little Boxes', and is Poet-in-Residence for London’s City Bridge Foundation.

We look out of train windows, in a new song by Lisa Knapp and Gerry Diver ( from a new album called 'Hinterland'). Gerry has arranged music for films – and in his ground-breaking album 'The Speech Project' he created scores for the remarkable speakers including Christy Moore, the boxer Barry McGuigan and the singer Charlotte Church. Lisa Knapp has been nominated for the BBC folk awards multiple times - her recent performances on the 'Hack Poets Guild' album 'Blackletter Garland' were described as 'expert' and 'ethereal'. Gerry, Lisa and their daughter Bonnie Diver perform live in the studio.

Rishi Dastidar shares the joy of small collections - as he celebrates poetry pamphlets with Ian - exploring their appeal and their potential. Rishi is a poet, critic and copywriter. His latest collection is 'Neptune's Projects' described by one reviewer as 'add(ing) wit, postmodern panache and mythic irony to the tradition of the open sea'

The beauty of flower names, time-thieving hedgehogs, the poetry of fertile earth, and the absurdity of English spelling - all appear in The Verb this week.

Don Paterson shares a brand new poem in which the speaker is a hedgehog who knows 'one big thing' - a big thing that challenges the way we might think about time. Don is also a musician, and a memoirist - his most recent book is 'Toy Fights' - described by the writer Geoff Dyer as 'devastatingly funny'. His award winning collections include 'Rain', 'Landing Light' and 'God's Gift to Women'.

Zena Edwards is a poet and theatre maker who has collaborated with many different artists. Her passion for the natural world shines out in her poem 'Tincture' which she shares on the show, and which came about because of a project called We Feed the UK – which brings together spoken word poets from the climate science and poetry organisation Hotpoets, and regenerative farmers – coordinated by the Gaia Foundation.

John McAuliffe is poet, and a director of the Centre for New Writing at the University of Manchester. He has published six poetry collections - and his latest - 'National Theatre' (Gallery) is out now. John celebrates the 'miniature but not minor' poem 'Thaw' by the Belfast born poet Michael Longley who died in January.

And we hear another installment of a satirical history of the English language by Stagedoor Johnny - in which the letter 'U' has a crisis of confidence.

Flames and poetry - what poetry tell us about the Los Angeles fires, the pleasure the poet John Keats took in reading - a poem-letter to an imaginary estate agent, and magical language. To explore all this McMillan is joined by poetry writers and poetry lovers.

Ian's guests:

Fred D'Aguiar is a British-Guyanese poet who lives and teaches in Los Angeles - he shares a powerful new commission which bears witness to the Los Angeles fires, and asks how we might depict and talk about fire in an age of rising temperatures.

What does it mean to be a tenant, or an artist in residence in someone else's house - at a time when it is harder to buy houses than in the past?

Edward Wilson-Lee's new book 'The Grammar of Angels - A Search for the Magical Powers of Language' explores the attraction (and the rejection) of language that has a powerful effect, or casts a spell on us - including the speech of angels and inscriptions on amulets. The book invites us to consider when sound is more powerful than sense, and why that might have concerned our ancestors.