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On this episode, we discuss the fifth album by Queen, 1976’s A Day at the Races. The band blended elements of hard rock, prog rock, power pop, glam rock, and even opera into their own unique rock-n-roll stew. While this often makes Queen’s music difficult to categorize, there is little doubt that what they created was a sound that was completely and uniquely their own.

A Day at the Races was the follow-up to their previous and most well-known LP, 1975’s A Night at the Opera.  With its grandiose use of multi-tracked vocals, especially on the ambitious “Bohemian Rhapsody,” Queen A Night at the Opera stretched studio production to the limit. It became at the time the most expensive rock album ever recorded. It's easy to dismiss A Day at the Races as more of the same; a sequel with nothing new to offer. To do so does a disservice to both the album and the band. Instated of treading the same ground, the band tones down the pomp a couple of degrees  (for Queen a least).  As such,  the album really showcases the band. Several tunes feature Brian May's layering technique (dubbed "guitar orchestra" in the credits) and singer Freddy Mercury uses his amazing four-octave range to full effect and contains some of his most beautiful vocals. All band members contribute songs and stray from their usual instruments (drummer Roger Taylor, in fact, plays most of the guitars on one song). A Day at the Races  has some of the band's most enduring tunes. It has hard rockers, gorgeous ballads, playful odes to the 1920s, and even an amazingly soulful nod to Aretha Franklin. 

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