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Maggie's journey as a gamer stretches from Baldur's Gate 3 on the PS5 all the way back to clicking away at 'homework games' on the family computer. In this retrospective episode, she's taking us through the top ten titles that define her as a gamer — fascinatingly presented in chronological order. Come for the Barbie shoutouts, stay for the evolution into an ARPG sicko.

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In an act of pure self-loathing, Cam attempted to create a list of the ten games that define him as a lifelong gamer. The first draft of that list had a hundred entries. In this episode, we're discussing his final, winnowed-down top ten. Somehow, none of the Halo games made the list, but don't worry, he found a way to fit in almost a dozen honorable mentions. Come for the obligatory Destiny 2 hand-wringing, stay for the wistful memories of Kirby Squeak Squad.

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Man Finds Tape is a delightful, dread-inducing puzzlebox that deftly combines the found footage and faux-documentary subgenres of indie horror. In this episode, we explore the film's equally impressive high concepts and lo-fi effects by making enthusiastic comparisons to Hell House, LLC., Smile, and The Poughkeepsie Tapes.

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Sisu: Road to Revenge is more than the sum of its parts — and those parts are pretty incredible. This episode is a celebration of what is at once the best John Wick, Mad Max, and Die Hard descendant we've ever seen. Topics include: impossible origin stories, the importance of runtimes, and the marriage of slapstick comedy and deeply sincere drama.

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Forget Diablo, forget Path of Exile — Last Epoch might just be the best ARPG on the market. In this episode, we're diving into this nine (!) act campaign to discuss difficulty, art direction, skill trees, quest structure, class variety, fun factor, meta progression, and endgame activities.

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Besides being a perfect movie in its own right, Hamnet is also almost a one-to-one restaging of Robert Eggers' The Witch — one of our favorite movies of all time. In this episode, we're running through all the similarities and echoes we noticed, from a shared interest in female folk horror to pivotal exorcisms of oldest sons and impossible, undead finales.

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This one's a real head scratcher. Keeper evokes so many of our favorite horror movies — The Witch, Barbarian, The Invitation, The Black Phone — and we love the creative team behind it, but the film just didn't work for us at all. In this episode, we're taking a closer look at the plot, performances, direction, and editing to figure out why.

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In this episode, we make the case that Stranger Things is the American Harry Potter — and more specifically, that Stranger Things 5 Volume 1 is strikingly similar to Deathly Hallows Part 1. Echoes include: victorious villains, dramatic camping, the death of innocence, hive mind lieutenants, and pirate radio broadcasts.

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Popcorn movies. Fun movies. Entertaining movies. These are the types of films that we take for granted. They're not the types of films that we usually give awards to, but that doesn't mean that they're easy to make. Predator: Badlands is masterfully engaging and relentlessly creative. In this episode, we're exploring the concept of a "fun factor" to find out what made this experience such a hooting, hollering good time.

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Does biting satire have to have a nihilistic ending? Do heroic victories undercut commentary about fascism? In this episode, we're taking a look at Edgar Wright's The Running Man, through the lenses of the following films: The Hunger Games, The Long Walk, One Battle After Another, Eddington, Gladiator II, and Mission Impossible: The Final Reckoning.

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