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L&rsquo;Histoire des Juifs de Russie et de Pologne raconté par Gérard Unger un feuilleton RCJ, diffusé sur la bande FM chaque dimanche, de 11h35 à 11h45.
Gérard Unger, ancien élève à Sciences-Pô, D.E.S de droit public,
Ancien Président de Métrobus (régie publicitaire de la RATP et de la SNCF)
Ancien 1er vice-Président de la LICRA
Vice-Président du CRIF depuis 2011

L’Histoire des Juifs de Russie et de Pologne raconté par Gérard Unger un feuilleton RCJ, diffusé sur la bande FM chaque dimanche, de 11h35 à 11h45. Gérard Unger, ancien élève à Sciences-Pô, D.E.S de droit public, Ancien Président de Métrobus (régie publicitaire de la RATP et de la SNCF) Ancien 1er vice-Président de la LICRA Vice-Président du CRIF depuis 2011

L’Histoire des Juifs de Russie et de Pologne raconté par Gérard Unger un feuilleton RCJ, diffusé sur la bande FM chaque dimanche, de 11h35 à 11h45.
Gérard Unger, ancien élève à Sciences-Pô, D.E.S de droit public,
Ancien Président de Métrobus (régie publicitaire de la RATP et de la SNCF)
Ancien 1er vice-Président de la LICRA
Vice-Président du CRIF depuis 2011

L’Histoire des Juifs de Russie et de Pologne – Gérard Unger

המכללה לפיקוד טקטי (המלט"ק), הידועה גם כאקדמיה לפיקוד, היא מכללה צבאית, העוסקת בהכשרת קצינים לתפקידי פיקוד במערך הטקטי. זוהי המכללה הישראלית המקבילה למכללת ווסט פוינט האמריקנית והיא מכשירה את מיטב הקצינים הצעירים בצה"ל לקראת שירות במערך הקרבי.ייעוד המלט"ק הוא להקנות לקצונת הליבה הצעירה ביבשה תשתית רחבה של תחומי ידע, הנדרשים לתפקידי הפיקוד במערך הטקטי, ולשמש בסיס להמשך ההתפתחות האישית והמקצועית, תוך הדגשת השירות בצה"ל כשליחות וכמקצוע.הפודקאסט מופק על ידי תמיר דורטל עבור המכללה

המכללה לפיקוד טקטי (המלט"ק), הידועה גם כאקדמיה לפיקוד, היא מכללה צבאית, העוסקת בהכשרת קצינים לתפקידי פיקוד במערך הטקטי. זוהי המכללה הישראלית המקבילה למכללת ווסט פוינט האמריקנית והיא מכשירה את מיטב הקצינים הצעירים בצה"ל לקראת שירות במערך הקרבי.ייעוד המלט"ק הוא להקנות לקצונת הליבה הצעירה ביבשה תשתית רחבה של תחומי ידע, הנדרשים לתפקידי הפיקוד במערך הטקטי, ולשמש בסיס להמשך ההתפתחות האישית והמקצועית, תוך הדגשת השירות בצה"ל כשליחות וכמקצוע.הפודקאסט מופק על ידי תמיר דורטל עבור המכללה

המכללה לפיקוד טקטי (המלט"ק), הידועה גם כאקדמיה לפיקוד, היא מכללה צבאית, העוסקת בהכשרת קצינים לתפקידי פיקוד במערך הטקטי. זוהי המכללה הישראלית המקבילה למכללת ווסט פוינט האמריקנית והיא מכשירה את מיטב הקצינים הצעירים בצה"ל לקראת שירות במערך הקרבי.ייעוד המלט"ק הוא להקנות לקצונת הליבה הצעירה ביבשה תשתית רחבה של תחומי ידע, הנדרשים לתפקידי הפיקוד במערך הטקטי, ולשמש בסיס להמשך ההתפתחות האישית והמקצועית, תוך הדגשת השירות בצה"ל כשליחות וכמקצוע.הפודקאסט מופק על ידי תמיר דורטל עבור המכללה

על המלחמה

In diesem Podcast interviewe ich meinen Vater, den wahrscheinlich letzten Professor für Namenforschung Jürgen Udolph, zu seiner Lebensgeschichte. Wie langweilig, könnte man meinen. Doch alleine der Fakt, dass mein Vater im Februar 1943 kurz vor Kriegsende in Berlin geboren ist und dann mit seiner Familie fliehen musste, lässt erahnen, dass da die eine oder andere spannend Geschichte wartet. Und natürlich, wie soll es bei einem Namenforscher anders sein, wird der eine oder andere Name auch erklärt 😉

Prof. Udolph ohne Namen?

Ark of History

Ностальгический подкаст о детстве и взрослении «поколения Y». Здесь мы говорим о том, как родились в 90х и взрослели в нулевых.

Тамагочи

BLメディアを紹介するPodcastです。

Spit Sand Radio　砂を吐くラジオ[BL]

《警世恒言》 共40卷，录宋、元以来话本、拟话本40篇。所收宋、元旧作比前"二言"少一些，只占六分之一左右，绝大部分是明人话本和拟话本，可能大部分是冯梦龙自己的原创。其题材或来自民间传说，或来自史传和唐、宋小说。因此，直接反映明代社会生活及其思想道德观念的作品，就占了大部分，其认识价值自然相应地提高了。它最为显著的特点，是表现了明代中后期城乡工商业的繁荣给传统社会的生活方式以及思想道德观念的冲击，同时塑造了一批商人的形象，给人印象很深。其中有反映封建社会司法制度黑暗的《十五贯戏言成巧祸》，有反映爱情生活...

《警世恒言》共40卷，录宋、元以来话本、拟话本40篇。所收宋、元旧作比前"二言"少一些，只占六分之一左右，绝大部分是明人话本和拟话本，可能大部分是冯梦龙自己的原创。其题材或来自民间传说，或来自史传和唐、宋小说。因此，直接反映明代社会生活及其思想道德观念的作品，就占了大部分，其认识价值自然相应地提高了。它最为显著的特点，是表现了明代中后期城乡工商业的繁荣给传统社会的生活方式以及思想道德观念的冲击，同时塑造了一批商人的形象，给人印象很深。其中有反映封建社会司法制度黑暗的《十五贯戏言成巧祸》，有反映爱情生活...

《警世恒言》 共40卷，录宋、元以来话本、拟话本40篇。所收宋、元旧作比前"二言"少一些，只占六分之一左右，绝大部分是明人话本和拟话本，可能大部分是冯梦龙自己的原创。其题材或来自民间传说，或来自史传和唐、宋小说。因此，直接反映明代社会生活及其思想道德观念的作品，就占了大部分，其认识价值自然相应地提高了。它最为显著的特点，是表现了明代中后期城乡工商业的繁荣给传统社会的生活方式以及思想道德观念的冲击，同时塑造了一批商人的形象，给人印象很深。其中有反映封建社会司法制度黑暗的《十五贯戏言成巧祸》，有反映爱情生活...

警世恒言 儒林外传

Bem-vindo ao DAVI CAST o podcast que desperta sua curiosidade com fatos interessantes sobre cultura, história e curiosidades do mundo. Apresentado por Davi Energia, é um espaço relaxado para explorar mistérios do passado, influências culturais e histórias que surpreendem de forma leve e envolvente. Nossa missão é conectar o que aconteceu no tempo com o que vivemos hoje, incentivando você a refletir e descobrir mais, com uma abordagem tranquila e acessível que torna o aprendizado prazeroso. Acompanhe todo dia, às 9h da manhã, com 2 episódios nos principais players de áudio como Apple Podcasts.

DAVI CAST

Jangan lupa pakai 🎧 
Hai semuanya! di sini ada Porsi Makan Kita!!!
disitu ada siapa? ooo okei..salam kenal ya!
yuk dengerin episode menarik dari porsi makan kita yang lainya, yuk dengerin yuk! oiya jangan lupa minum air putih, see u 🦸

Jangan lupa pakai 🎧 Hai semuanya! di sini ada Porsi Makan Kita!!! disitu ada siapa? ooo okei..salam kenal ya! yuk dengerin episode menarik dari porsi makan kita yang lainya, yuk dengerin yuk! oiya jangan lupa minum air putih, see u 🦸

Porsi Makan Kita

This Podcast talks about a family of two going to Persia because of the Peloponnesian war.

Greek Podcast

It's Witchy with DMC is a podcast that discusses spiritual concepts in an approachable manner.

It's Witchy with DMC

Podcast da EE Hermenegildo Chaves - Belo Horizonte - MG

Fica a dica do HC!

La población de Piura, Tumbes y parte Sur del Golfo de Guayaquil (Ecuador), son una población heredera de una gran cultura ancestral, tal vez la primera en poblar el territorio peruano. Estos primeros pobladores encontraron una agreste región con una ecología bastante primitiva, pero supieron dar valor a esta zona de tierra caliente, más conocido como la yunka pacha. Una vez asentados los hombres en la región Tallán como se conoce hoy, desarrollaron una cultura propia, que es la cultura Tallán. Aquí hablaremos acerca de esta cultura: Contexto económico, social, político y cultural.

Conversando con Los Tallanes

Georgia O'Keeffe, one of the most influential and iconic artists of the 20th century, left an indelible mark on the world of art with her unique vision and style. Born on November 15, 1887, in Sun Prairie, Wisconsin, O'Keeffe's journey as an artist was marked by a deep connection to nature, a bold approach to form and color, and a fearless commitment to her artistic vision. Her paintings, which ranged from intimate flower studies to sweeping landscapes of the American Southwest, challenged traditional notions of art and paved the way for generations of artists to come. Early Life and Education Growing up on a farm in Wisconsin, Georgia O'Keeffe developed a deep appreciation for nature at a young age. She was encouraged by her parents to pursue her artistic inclinations and took private art lessons as a child. In 1905, she enrolled at the School of the Art Institute of Chicago, where she studied under John Vanderpoel and learned the techniques of traditional realist painting. After a year in Chicago, O'Keeffe moved to New York City to continue her education at the Art Students League. There, she studied under William Merritt Chase, a renowned impressionist painter, and was introduced to the latest developments in European modernism. However, O'Keeffe found herself increasingly dissatisfied with the traditional approach to art education and began to seek out new ways of expressing her artistic vision. In 1912, O'Keeffe attended a summer art school in Virginia, where she was introduced to the ideas of Arthur Wesley Dow, a influential art educator who emphasized the importance of personal expression and design in art. Dow's teachings had a profound impact on O'Keeffe, and she began to experiment with abstraction and simplification in her work. Breakthrough and Recognition O'Keeffe's artistic breakthrough came in 1915 when she created a series of abstract charcoal drawings that caught the attention of Alfred Stieglitz, a prominent photographer and art dealer in New York City. Stieglitz was impressed by the originality and power of O'Keeffe's work and offered to exhibit her drawings at his gallery, 291. The exhibition, which opened in 1916, was a critical and commercial success and established O'Keeffe as a rising star in the art world. Stieglitz became O'Keeffe's champion and mentor, and the two developed a close personal and professional relationship that would last for decades. In the years that followed, O'Keeffe continued to develop her unique style, which combined elements of abstraction, symbolism, and realism. She became known for her paintings of flowers, which she often depicted in close-ups, filling the canvas with their sensuous forms and colors. These paintings, which included works like "Black Iris" (1926) and "Oriental Poppies" (1928), were seen as bold and daring and challenged traditional notions of femininity and sexuality in art. The New Mexico Years In 1929, O'Keeffe made her first trip to New Mexico, a place that would become a major source of inspiration for her work. She was immediately drawn to the stark, rugged beauty of the landscape, with its vast expanses of desert, towering mesas, and endless sky. Over the next two decades, O'Keeffe would spend increasing amounts of time in New Mexico, eventually making it her permanent home in 1949. During this period, O'Keeffe's art underwent a significant transformation. She began to focus more on the landscape, capturing the essence of the Southwest in her paintings. Works like "Red Hills and Bones" (1941) and "Pelvis with Blue" (1944) depicted the stark, sun-bleached bones and rocks of the desert, while paintings like "Black Place III" (1944) and "Sky Above Clouds IV" (1965) captured the vastness and mystery of the New Mexico sky. O'Keeffe's New Mexico paintings were a revelation and established her as one of the most important artists of her generation. They were seen as a powerful expression of the American spirit and helped to define the cultural identity of the Southwest. Legacy and Influence Throughout her long and prolific career, Georgia O'Keeffe remained committed to her artistic vision, never compromising her integrity or bowing to the demands of the art market. She was a trailblazer and a rebel, who challenged the status quo and paved the way for generations of women artists to come. O'Keeffe's influence can be seen in the work of countless artists who followed in her footsteps, from the abstract expressionists of the 1950s to the feminist artists of the 1970s and beyond. Her paintings continue to inspire and captivate audiences around the world, and her legacy as one of the greatest American artists of the 20th century is secure. In addition to her artistic achievements, O'Keeffe was also a cultural icon and a symbol of independence and individuality. She lived life on her own terms, defying conventions and expectations at every turn. Her personal style, which often included black and white clothing and a distinctive hat, became as famous as her art and helped to establish her as a fashion icon as well. O'Keeffe's legacy extends beyond the art world as well. She was a passionate advocate for the environment and a lover of the natural world, and her paintings helped to raise awareness about the beauty and fragility of the American landscape. Today, her former home and studio in Abiquiu, New Mexico, is a national historic landmark and a popular destination for art lovers and nature enthusiasts alike. Exhibitions and Collections Throughout her career, Georgia O'Keeffe's work was exhibited widely in the United States and abroad. Her first solo exhibition was held at Alfred Stieglitz's Gallery, 291, in 1917, and she continued to exhibit regularly at major museums and galleries throughout her life. In 1946, the Museum of Modern Art in New York City held a retrospective exhibition of O'Keeffe's work, which was the first retrospective of a woman artist ever held at the museum. The exhibition was a critical and popular success and helped to cement O'Keeffe's reputation as one of the most important artists of her generation. Today, O'Keeffe's work is held in major collections around the world, including the Metropolitan Museum of Art in New York, the Art Institute of Chicago, and the Georgia O'Keeffe Museum in Santa Fe, New Mexico. The Georgia O'Keeffe Museum, which opened in 1997, is the largest single repository of O'Keeffe's work in the world and is dedicated to preserving and promoting her legacy. Quotes and Insights Throughout her life, Georgia O'Keeffe was known for her wit, intelligence, and sharp insights into the nature of art and creativity. Here are a few of her most famous quotes: "I found I could say things with color and shapes that I couldn't say any other way - things I had no words for." "I've been absolutely terrified every moment of my life - and I've never let it keep me from doing a single thing I wanted to do." "I hate flowers - I paint them because they're cheaper than models and they don't move." "Nobody sees a flower really; it is so small. We haven't time, and to see takes time - like to have a friend takes time." "I decided that if I could paint that flower in a huge scale, you could not ignore its beauty." These quotes offer a glimpse into O'Keeffe's unique perspective on art and life and reveal the depth of her commitment to her artistic vision. Conclusion Georgia O'Keeffe was a true visionary, whose art and life continue to inspire and influence people around the world. Her paintings, with their bold colors, sensuous forms, and powerful symbolism, capture the essence of the American spirit and the beauty of the natural world. O'Keeffe's legacy extends far beyond her artistic achievements, however. She was a trailblazer and a rebel, who challenged the status quo and paved the way for generations of women artists to come. She lived life on her own terms, defying conventions and expectations at every turn, and became a cultural icon and a symbol of independence and individuality. Today, more than three decades after her death in 1986, Georgia O'Keeffe remains one of the most beloved and influential artists in American history. Her work continues to be exhibited and celebrated around the world, and her legacy as a pioneer and a visionary is secure. As we look to the future, it is clear that O'Keeffe's impact on the world of art and culture will continue to be felt for generations to come. Her paintings will always be a source of inspiration and wonder, and her life will always be a testament to the power of creativity, individuality, and the human spirit. Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcasts.

Georgia O'Keeffe, one of the most influential and iconic artists of the 20th century, left an indelible mark on the world of art with her unique vision and style. Born on November 15, 1887, in Sun Prairie, Wisconsin, O'Keeffe's journey as an artist was marked by a deep connection to nature, a bold approach to form and color, and a fearless commitment to her artistic vision. Her paintings, which ranged from intimate flower studies to sweeping landscapes of the American Southwest, challenged traditional notions of art and paved the way for generations of artists to come. Early Life and Education Growing up on a farm in Wisconsin, Georgia O'Keeffe developed a deep appreciation for nature at a young age. She was encouraged by her parents to pursue her artistic inclinations and took private art lessons as a child. In 1905, she enrolled at the School of the Art Institute of Chicago, where she studied under John Vanderpoel and learned the techniques of traditional realist painting. After a year in Chicago, O'Keeffe moved to New York City to continue her education at the Art Students League. There, she studied under William Merritt Chase, a renowned impressionist painter, and was introduced to the latest developments in European modernism. However, O'Keeffe found herself increasingly dissatisfied with the traditional approach to art education and began to seek out new ways of expressing her artistic vision. In 1912, O'Keeffe attended a summer art school in Virginia, where she was introduced to the ideas of Arthur Wesley Dow, a influential art educator who emphasized the importance of personal expression and design in art. Dow's teachings had a profound impact on O'Keeffe, and she began to experiment with abstraction and simplification in her work. Breakthrough and Recognition O'Keeffe's artistic breakthrough came in 1915 when she created a series of abstract charcoal drawings that caught the attention of Alfred Stieglitz, a prominent photographer and art dealer in New York City. Stieglitz was impressed by the originality and power of O'Keeffe's work and offered to exhibit her drawings at his gallery, 291. The exhibition, which opened in 1916, was a critical and commercial success and established O'Keeffe as a rising star in the art world. Stieglitz became O'Keeffe's champion and mentor, and the two developed a close personal and professional relationship that would last for decades. In the years that followed, O'Keeffe continued to develop her unique style, which combined elements of abstraction, symbolism, and realism. She became known for her paintings of flowers, which she often depicted in close-ups, filling the canvas with their sensuous forms and colors. These paintings, which included works like "Black Iris" (1926) and "Oriental Poppies" (1928), were seen as bold and daring and challenged traditional notions of femininity and sexuality in art. The New Mexico Years In 1929, O'Keeffe made her first trip to New Mexico, a place that would become a major source of inspiration for her work. She was immediately drawn to the stark, rugged beauty of the landscape, with its vast expanses of desert, towering mesas, and endless sky. Over the next two decades, O'Keeffe would spend increasing amounts of time in New Mexico, eventually making it her permanent home in 1949. During this period, O'Keeffe's art underwent a significant transformation. She began to focus more on the landscape, capturing the essence of the Southwest in her paintings. Works like "Red Hills and Bones" (1941) and "Pelvis with Blue" (1944) depicted the stark, sun-bleached bones and rocks of the desert, while paintings like "Black Place III" (1944) and "Sky Above Clouds IV" (1965) captured the vastness and mystery of the New Mexico sky. O'Keeffe's New Mexico paintings were a revelation and established her as one of the most important artists of her generation. They were seen as a powerful expression of the American spirit and helped to define the cultural identity of the Southwest. Legacy and Influence Throughout her long and prolific career, Georgia O'Keeffe remained committed to her artistic vision, never compromising her integrity or bowing to the demands of the art market. She was a trailblazer and a rebel, who challenged the status quo and paved the way for generations of women artists to come. O'Keeffe's influence can be seen in the work of countless artists who followed in her footsteps, from the abstract expressionists of the 1950s to the feminist artists of the 1970s and beyond. Her paintings continue to inspire and captivate audiences around the world, and her legacy as one of the greatest American artists of the 20th century is secure. In addition to her artistic achievements, O'Keeffe was also a cultural icon and a symbol of independence and individuality. She lived life on her own terms, defying conventions and expectations at every turn. Her personal style, which often included black and white clothing and a distinctive hat, became as famous as her art and helped to establish her as a fashion icon as well. O'Keeffe's legacy extends beyond the art world as well. She was a passionate advocate for the environment and a lover of the natural world, and her paintings helped to raise awareness about the beauty and fragility of the American landscape. Today, her former home and studio in Abiquiu, New Mexico, is a national historic landmark and a popular destination for art lovers and nature enthusiasts alike. Exhibitions and Collections Throughout her career, Georgia O'Keeffe's work was exhibited widely in the United States and abroad. Her first solo exhibition was held at Alfred Stieglitz's Gallery, 291, in 1917, and she continued to exhibit regularly at major museums and galleries throughout her life. In 1946, the Museum of Modern Art in New York City held a retrospective exhibition of O'Keeffe's work, which was the first retrospective of a woman artist ever held at the museum. The exhibition was a critical and popular success and helped to cement O'Keeffe's reputation as one of the most important artists of her generation. Today, O'Keeffe's work is held in major collections around the world, including the Metropolitan Museum of Art in New York, the Art Institute of Chicago, and the Georgia O'Keeffe Museum in Santa Fe, New Mexico. The Georgia O'Keeffe Museum, which opened in 1997, is the largest single repository of O'Keeffe's work in the world and is dedicated to preserving and promoting her legacy. Quotes and Insights Throughout her life, Georgia O'Keeffe was known for her wit, intelligence, and sharp insights into the nature of art and creativity. Here are a few of her most famous quotes: "I found I could say things with color and shapes that I couldn't say any other way - things I had no words for." "I've been absolutely terrified every moment of my life - and I've never let it keep me from doing a single thing I wanted to do." "I hate flowers - I paint them because they're cheaper than models and they don't move." "Nobody sees a flower really; it is so small. We haven't time, and to see takes time - like to have a friend takes time." "I decided that if I could paint that flower in a huge scale, you could not ignore its beauty." These quotes offer a glimpse into O'Keeffe's unique perspective on art and life and reveal the depth of her commitment to her artistic vision. Conclusion Georgia O'Keeffe was a true visionary, whose art and life continue to inspire and influence people around the world. Her paintings, with their bold colors, sensuous forms, and powerful symbolism, capture the essence of the American spirit and the beauty of the natural world. O'Keeffe's legacy extends far beyond her artistic achievements, however. She was a trailblazer and a rebel, who challenged the status quo and paved the way for generations of women artists to come. She lived life on her own terms, defying conventions and expectations at every turn, and became a cultural icon and a symbol of independence and individuality. Today, more than three decades after her death in 1986, Georgia O'Keeffe remains one of the most beloved and influential artists in American history. Her work continues to be exhibited and celebrated around the world, and her legacy as a pioneer and a visionary is secure. As we look to the future, it is clear that O'Keeffe's impact on the world of art and culture will continue to be felt for generations to come. Her paintings will always be a source of inspiration and wonder, and her life will always be a testament to the power of creativity, individuality, and the human spirit. Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcasts.

Georgia O'Keeffe, one of the most influential and iconic artists of the 20th century, left an indelible mark on the world of art with her unique vision and style. Born on November 15, 1887, in Sun Prairie, Wisconsin, O'Keeffe's journey as an artist was marked by a deep connection to nature, a bold approach to form and color, and a fearless commitment to her artistic vision. Her paintings, which ranged from intimate flower studies to sweeping landscapes of the American Southwest, challenged traditional notions of art and paved the way for generations of artists to come. Early Life and Education Growing up on a farm in Wisconsin, Georgia O'Keeffe developed a deep appreciation for nature at a young age. She was encouraged by her parents to pursue her artistic inclinations and took private art lessons as a child. In 1905, she enrolled at the School of the Art Institute of Chicago, where she studied under John Vanderpoel and learned the techniques of traditional realist painting. After a year in Chicago, O'Keeffe moved to New York City to continue her education at the Art Students League. There, she studied under William Merritt Chase, a renowned impressionist painter, and was introduced to the latest developments in European modernism. However, O'Keeffe found herself increasingly dissatisfied with the traditional approach to art education and began to seek out new ways of expressing her artistic vision. In 1912, O'Keeffe attended a summer art school in Virginia, where she was introduced to the ideas of Arthur Wesley Dow, a influential art educator who emphasized the importance of personal expression and design in art. Dow's teachings had a profound impact on O'Keeffe, and she began to experiment with abstraction and simplification in her work. Breakthrough and Recognition O'Keeffe's artistic breakthrough came in 1915 when she created a series of abstract charcoal drawings that caught the attention of Alfred Stieglitz, a prominent photographer and art dealer in New York City. Stieglitz was impressed by the originality and power of O'Keeffe's work and offered to exhibit her drawings at his gallery, 291. The exhibition, which opened in 1916, was a critical and commercial success and established O'Keeffe as a rising star in the art world. Stieglitz became O'Keeffe's champion and mentor, and the two developed a close personal and professional relationship that would last for decades. In the years that followed, O'Keeffe continued to develop her unique style, which combined elements of abstraction, symbolism, and realism. She became known for her paintings of flowers, which she often depicted in close-ups, filling the canvas with their sensuous forms and colors. These paintings, which included works like "Black Iris" (1926) and "Oriental Poppies" (1928), were seen as bold and daring and challenged traditional notions of femininity and sexuality in art. The New Mexico Years In 1929, O'Keeffe made her first trip to New Mexico, a place that would become a major source of inspiration for her work. She was immediately drawn to the stark, rugged beauty of the landscape, with its vast expanses of desert, towering mesas, and endless sky. Over the next two decades, O'Keeffe would spend increasing amounts of time in New Mexico, eventually making it her permanent home in 1949. During this period, O'Keeffe's art underwent a significant transformation. She began to focus more on the landscape, capturing the essence of the Southwest in her paintings. Works like "Red Hills and Bones" (1941) and "Pelvis with Blue" (1944) depicted the stark, sun-bleached bones and rocks of the desert, while paintings like "Black Place III" (1944) and "Sky Above Clouds IV" (1965) captured the vastness and mystery of the New Mexico sky. O'Keeffe's New Mexico paintings were a revelation and established her as one of the most important artists of her generation. They were seen as a powerful expression of the American spirit and helped to define the cultural identity of the Southwest. Legacy and Influence Throughout her long and prolific career, Georgia O'Keeffe remained committed to her artistic vision, never compromising her integrity or bowing to the demands of the art market. She was a trailblazer and a rebel, who challenged the status quo and paved the way for generations of women artists to come. O'Keeffe's influence can be seen in the work of countless artists who followed in her footsteps, from the abstract expressionists of the 1950s to the feminist artists of the 1970s and beyond. Her paintings continue to inspire and captivate audiences around the world, and her legacy as one of the greatest American artists of the 20th century is secure. In addition to her artistic achievements, O'Keeffe was also a cultural icon and a symbol of independence and individuality. She lived life on her own terms, defying conventions and expectations at every turn. Her personal style, which often included black and white clothing and a distinctive hat, became as famous as her art and helped to establish her as a fashion icon as well. O'Keeffe's legacy extends beyond the art world as well. She was a passionate advocate for the environment and a lover of the natural world, and her paintings helped to raise awareness about the beauty and fragility of the American landscape. Today, her former home and studio in Abiquiu, New Mexico, is a national historic landmark and a popular destination for art lovers and nature enthusiasts alike. Exhibitions and Collections Throughout her career, Georgia O'Keeffe's work was exhibited widely in the United States and abroad. Her first solo exhibition was held at Alfred Stieglitz's Gallery, 291, in 1917, and she continued to exhibit regularly at major museums and galleries throughout her life. In 1946, the Museum of Modern Art in New York City held a retrospective exhibition of O'Keeffe's work, which was the first retrospective of a woman artist ever held at the museum. The exhibition was a critical and popular success and helped to cement O'Keeffe's reputation as one of the most important artists of her generation. Today, O'Keeffe's work is held in major collections around the world, including the Metropolitan Museum of Art in New York, the Art Institute of Chicago, and the Georgia O'Keeffe Museum in Santa Fe, New Mexico. The Georgia O'Keeffe Museum, which opened in 1997, is the largest single repository of O'Keeffe's work in the world and is dedicated to preserving and promoting her legacy. Quotes and Insights Throughout her life, Georgia O'Keeffe was known for her wit, intelligence, and sharp insights into the nature of art and creativity. Here are a few of her most famous quotes: "I found I could say things with color and shapes that I couldn't say any other way - things I had no words for." "I've been absolutely terrified every moment of my life - and I've never let it keep me from doing a single thing I wanted to do." "I hate flowers - I paint them because they're cheaper than models and they don't move." "Nobody sees a flower really; it is so small. We haven't time, and to see takes time - like to have a friend takes time." "I decided that if I could paint that flower in a huge scale, you could not ignore its beauty." These quotes offer a glimpse into O'Keeffe's unique perspective on art and life and reveal the depth of her commitment to her artistic vision. Conclusion Georgia O'Keeffe was a true visionary, whose art and life continue to inspire and influence people around the world. Her paintings, with their bold colors, sensuous forms, and powerful symbolism, capture the essence of the American spirit and the beauty of the natural world. O'Keeffe's legacy extends far beyond her artistic achievements, however. She was a trailblazer and a rebel, who challenged the status quo and paved the way for generations of women artists to come. She lived life on her own terms, defying conventions and expectations at every turn, and became a cultural icon and a symbol of independence and individuality. Today, more than three decades after her death in 1986, Georgia O'Keeffe remains one of the most beloved and influential artists in American history. Her work continues to be exhibited and celebrated around the world, and her legacy as a pioneer and a visionary is secure. As we look to the future, it is clear that O'Keeffe's impact on the world of art and culture will continue to be felt for generations to come. Her paintings will always be a source of inspiration and wonder, and her life will always be a testament to the power of creativity, individuality, and the human spirit. Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcasts.

Georgia O'Keefe - Audio Biography

My notes on finance, economy, and history.

My notes on finance, economy, and history.

Hadrian's 10-minute Empire

Von Spendenaffären, legendären Fußballtoren bis hin zu Einblicken in die Zeiten der Mauer.

In Stories of History liefern wir spannende Einblicke in Momente, die in die Geschichte eingingen. Erstmalig stellen wir unseren Hörer*innen so interessante Reportagen und fesselnde Dokumentationen zu geschichtlichen Ereignissen zur Verfügung.

Veröffentlicht: Oktoberfest 80
Ab dem 17.11.2023 Affäre Deutschland Teil 1

Alle Informationen zu den Formaten findet ihr im Trailer oder in der ersten Folge des jeweiligen Formats!

Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Von Spendenaffären, legendären Fußballtoren bis hin zu Einblicken in die Zeiten der Mauer. In Stories of History liefern wir spannende Einblicke in Momente, die in die Geschichte eingingen. Erstmalig stellen wir unseren Hörer*innen so interessante Reportagen und fesselnde Dokumentationen zu geschichtlichen Ereignissen zur Verfügung. Veröffentlicht: Oktoberfest 80 Ab dem 17.11.2023 Affäre Deutschland Teil 1 Alle Informationen zu den Formaten findet ihr im Trailer oder in der ersten Folge des jeweiligen Formats! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Stories of History

Welcome to Are We Witches? A podcast for the witch-curious and the skeptical, hosted by two witches-in-training, Lisa Marmur and Sarah Drummond. We’re two friends diving headfirst into the enchanting world of modern witchcraft for the very first time. Together, we’ll explore magical realms, learn how to charge crystals, brew a little mischief, and maybe even tell the future. We have no idea what we’re doing (yet), but we’re here to document the journey—warts and all.&nbsp; Our quest will take us through the history of witchcraft, unpacking its feminist, divine, beautiful, and problematic aspects. By understanding how magic shaped the world, we hope to uncover where magic still thrives today. If magic is real, we’re here to find it. So, are we witches? Are you? Join us every second Tuesday by the cauldron as we brew up some tea and see where the magic takes us. We couldn’t do it without you. Because, after all, it takes a village to raise a witch.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Welcome to Are We Witches? A podcast for the witch-curious and the skeptical, hosted by two witches-in-training, Lisa Marmur and Sarah Drummond. We’re two friends diving headfirst into the enchanting world of modern witchcraft for the very first time. Together, we’ll explore magical realms, learn how to charge crystals, brew a little mischief, and maybe even tell the future. We have no idea what we’re doing (yet), but we’re here to document the journey—warts and all.  Our quest will take us through the history of witchcraft, unpacking its feminist, divine, beautiful, and problematic aspects. By understanding how magic shaped the world, we hope to uncover where magic still thrives today. If magic is real, we’re here to find it. So, are we witches? Are you? Join us every second Tuesday by the cauldron as we brew up some tea and see where the magic takes us. We couldn’t do it without you. Because, after all, it takes a village to raise a witch. Hosted on Acast. See acast.com/privacy for more information.

Welcome to Are We Witches? A podcast for the witch-curious and the skeptical, hosted by two witches-in-training, Lisa Marmur and Sarah Drummond. We’re two friends diving headfirst into the enchanting world of modern witchcraft for the very first time. Together, we’ll explore magical realms, learn how to charge crystals, brew a little mischief, and maybe even tell the future. We have no idea what we’re doing (yet), but we’re here to document the journey—warts and all.&nbsp; Our quest will take us through the history of witchcraft, unpacking its feminist, divine, beautiful, and problematic aspects. By understanding how magic shaped the world, we hope to uncover where magic still thrives today. If magic is real, we’re here to find it. So, are we witches? Are you? Join us every second Tuesday by the cauldron as we brew up some tea and see where the magic takes us. We couldn’t do it without you. Because, after all, it takes a village to raise a witch. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Are We Witches?

Bilginin kaynağı ne olursa olsun, önemli olan onu edinmek ve paylaşabilmektir. Bu podcast'te kimi zaman tarihten, kimi zaman sanattan, kimi zaman ise bambaşka alanlardan öğrendiğim ilginç bilgileri sizlerle buluşturuyorum. Amacım, her bölümde sizlere hem keyifli hem de düşündürücü bir deneyim sunmak. Eğer keşfetmeyi ve öğrenmeyi seviyorsanız, doğru yerdesiniz! Umarım hepiniz için keyifli bir deneyim sunabilirim.

Reklam, İşbirliği Ve İletişim İçin: ortayakarisikbilgilerpodcast@gmail.com

Bilginin kaynağı ne olursa olsun, önemli olan onu edinmek ve paylaşabilmektir. Bu podcast'te kimi zaman tarihten, kimi zaman sanattan, kimi zaman ise bambaşka alanlardan öğrendiğim ilginç bilgileri sizlerle buluşturuyorum. Amacım, her bölümde sizlere hem keyifli hem de düşündürücü bir deneyim sunmak. Eğer keşfetmeyi ve öğrenmeyi seviyorsanız, doğru yerdesiniz! Umarım hepiniz için keyifli bir deneyim sunabilirim. Reklam, İşbirliği Ve İletişim İçin: ortayakarisikbilgilerpodcast@gmail.com

Ortaya Karışık Bilgiler

Cykl “Pomerania incognita. Spotkania z pomorską przeszłością” poświęcony historii Pomorza. Organizowany przez Miejską Bibliotekę Publiczną w Szczecinie, Instytut Historyczny Uniwersytetu Szczecińskiego, Instytut Archeologii i Etnologii PAN oraz Fundację Ścieżkami Pomorza.

Pomerania incognita

This podcast offers short, engaging overviews of major historical eras and civilizations, aligned with the Students of History curriculum. From Prehistory and Ancient River Valley Civilizations through to the modern world, each episode breaks down key events, influential figures, and important themes to help students better understand each unit of their World History curriculum. 

The episodes are all based on the resources and lesson plans developed by Students of History. We then organize these lessons, projects, and learning standards with A.I. to create short, engaging episodes for this podcast. 

It is perfect for middle and high school students, teachers, homeschoolers, or history enthusiasts looking for a quick yet comprehensive guide to the important eras in World History.

This podcast offers short, engaging overviews of major historical eras and civilizations, aligned with the Students of History curriculum. From Prehistory and Ancient River Valley Civilizations through to the modern world, each episode breaks down key events, influential figures, and important themes to help students better understand each unit of their World History curriculum. The episodes are all based on the resources and lesson plans developed by Students of History. We then organize these lessons, projects, and learning standards with A.I. to create short, engaging episodes for this podcast. It is perfect for middle and high school students, teachers, homeschoolers, or history enthusiasts looking for a quick yet comprehensive guide to the important eras in World History.

World History Curriculum Companion

Záznamy pravidelných seminařů Ústavu pro soudobé dějiny AV ČR, kde se věnujeme především základnímu výzkumu československých a českých dějin po roce 1938 v tuzemském, mezinárodním a interdisciplinárním kontextu.

Semináře Ústavu pro soudobé dějiny AV ČR

Roosevelt also made extensive use of radio. She was not the first first lady to broadcast—her predecessor, <a href="https://en.wikipedia.org/wiki/Lou_Henry_Hoover" target="_blank" rel="noreferrer noopener">Lou Henry Hoover</a>, had done that already. But Hoover did not have a regular radio program, whereas Roosevelt did. She first broadcast her own programs of radio commentary beginning on July 9, 1934. On that first show, she talked about the effect of movies on children, the need for a censor who could make sure movies did not glorify crime and violence, and her opinion about the recent <a href="https://en.wikipedia.org/wiki/1934_Major_League_Baseball_All-Star_Game" target="_blank" rel="noreferrer noopener">All-Star baseball game</a>. She also read a commercial from a mattress company, which sponsored the broadcast. She said she would not accept any salary for being on the air, and that she would donate the amount ($3,000) to charity. Later that year, in November 1934, she broadcast a series of programs about children's education; it was heard on the <a href="https://en.wikipedia.org/wiki/CBS_Radio_Network" target="_blank" rel="noreferrer noopener">CBS Radio Network</a>. Sponsored by a typewriter company, Roosevelt once again donated the money, giving it to the <a href="https://en.wikipedia.org/wiki/American_Friends_Service_Committee" target="_blank" rel="noreferrer noopener">American Friends Service Committee</a>, to help with a school it operated.  During 1934, Roosevelt set a record for the most times a first lady had spoken on radio: she spoke as a guest on other people's programs, as well as the host of her own, for a total of 28 times that year. In 1935, Roosevelt continued to host programs aimed at the female audience, including one called "It's A Woman's World." Each time, she donated the money she earned to charity.  The association of a sponsor with the popular first lady resulted in increases in sales for that company: when the Selby Shoe Company sponsored a series of Roosevelt's programs, sales increased by 200%. The fact that her programs were sponsored created controversy, with her husband's political enemies expressing skepticism about whether she really did donate her salary to charity; they accused her of "profiteering." But her radio programs proved to be so popular with listeners that the criticisms had little effect.  She continued to broadcast throughout the 1930s, sometimes on CBS and sometimes on <a href="https://en.wikipedia.org/wiki/NBC" target="_blank" rel="noreferrer noopener">NBC</a>.

Roosevelt also made extensive use of radio. She was not the first first lady to broadcast—her predecessor, Lou Henry Hoover, had done that already. But Hoover did not have a regular radio program, whereas Roosevelt did. She first broadcast her own programs of radio commentary beginning on July 9, 1934. On that first show, she talked about the effect of movies on children, the need for a censor who could make sure movies did not glorify crime and violence, and her opinion about the recent All-Star baseball game. She also read a commercial from a mattress company, which sponsored the broadcast. She said she would not accept any salary for being on the air, and that she would donate the amount ($3,000) to charity. Later that year, in November 1934, she broadcast a series of programs about children's education; it was heard on the CBS Radio Network. Sponsored by a typewriter company, Roosevelt once again donated the money, giving it to the American Friends Service Committee, to help with a school it operated. During 1934, Roosevelt set a record for the most times a first lady had spoken on radio: she spoke as a guest on other people's programs, as well as the host of her own, for a total of 28 times that year. In 1935, Roosevelt continued to host programs aimed at the female audience, including one called "It's A Woman's World." Each time, she donated the money she earned to charity. The association of a sponsor with the popular first lady resulted in increases in sales for that company: when the Selby Shoe Company sponsored a series of Roosevelt's programs, sales increased by 200%. The fact that her programs were sponsored created controversy, with her husband's political enemies expressing skepticism about whether she really did donate her salary to charity; they accused her of "profiteering." But her radio programs proved to be so popular with listeners that the criticisms had little effect. She continued to broadcast throughout the 1930s, sometimes on CBS and sometimes on NBC.

Roosevelt also made extensive use of radio. She was not the first first lady to broadcast—her predecessor,&nbsp;<a href="https://en.wikipedia.org/wiki/Lou_Henry_Hoover" rel="noopener noreferrer">Lou Henry Hoover</a>, had done that already. But Hoover did not have a regular radio program, whereas Roosevelt did. She first broadcast her own programs of radio commentary beginning on July 9, 1934. On that first show, she talked about the effect of movies on children, the need for a censor who could make sure movies did not glorify crime and violence, and her opinion about the recent&nbsp;<a href="https://en.wikipedia.org/wiki/1934_Major_League_Baseball_All-Star_Game" rel="noopener noreferrer">All-Star baseball game</a>. She also read a commercial from a mattress company, which sponsored the broadcast. She said she would not accept any salary for being on the air, and that she would donate the amount ($3,000) to charity. Later that year, in November 1934, she broadcast a series of programs about children's education; it was heard on the&nbsp;<a href="https://en.wikipedia.org/wiki/CBS_Radio_Network" rel="noopener noreferrer">CBS Radio Network</a>. Sponsored by a typewriter company, Roosevelt once again donated the money, giving it to the&nbsp;<a href="https://en.wikipedia.org/wiki/American_Friends_Service_Committee" rel="noopener noreferrer">American Friends Service Committee</a>, to help with a school it operated. &nbsp;During 1934, Roosevelt set a record for the most times a first lady had spoken on radio: she spoke as a guest on other people's programs, as well as the host of her own, for a total of 28 times that year. In 1935, Roosevelt continued to host programs aimed at the female audience, including one called "It's A Woman's World." Each time, she donated the money she earned to charity. &nbsp;The association of a sponsor with the popular first lady resulted in increases in sales for that company: when the Selby Shoe Company sponsored a series of Roosevelt's programs, sales increased by 200%. The fact that her programs were sponsored created controversy, with her husband's political enemies expressing skepticism about whether she really did donate her salary to charity; they accused her of "profiteering." But her radio programs proved to be so popular with listeners that the criticisms had little effect.&nbsp; She continued to broadcast throughout the 1930s, sometimes on CBS and sometimes on <a href="https://en.wikipedia.org/wiki/NBC" rel="noopener noreferrer">NBC</a>.

The Mrs. Eleanor Roosevelt Hour

Where do ghosts dwell? It seems just about everywhere: television, film, photography, theater, video games, folk songs, and even your family vacations. Oh the humanties! Join your hosts Quest and Annabelle on cultural ghost tour in Ghosts Were People Too, a podcast that investigates ghosts through the lens of the arts &amp; humanities.

Where do ghosts dwell? It seems just about everywhere: television, film, photography, theater, video games, folk songs, and even your family vacations. Oh the humanties! Join your hosts Quest and Annabelle on cultural ghost tour in Ghosts Were People Too, a podcast that investigates ghosts through the lens of the arts & humanities.

Where do ghosts dwell? It seems just about everywhere: television, film, photography, theater, video games, folk songs, and even your family vacations. Oh the humanties! Join your hosts Quest and Annabelle on cultural ghost tour in Ghosts Were People Too, a podcast that investigates ghosts through the lens of the arts &amp; humanities.

Ghosts Were People Too

Au cœur de l’Ain, l’Abbaye d’Ambronay est bien plus qu’un monument historique : c’est un lieu vivant, façonné par les récits, les engagements et les rêves de celles et ceux qui l’ont habité, aimé et transformé. À travers le podcast Récits d'Ambronay : l'histoire racontée par ses habitants, plongez dans une série de témoignages authentiques qui explorent la mémoire collective et les dynamiques locales autour de ce patrimoine unique. De la solidarité des habitants pour restaurer l’abbaye à la vie quotidienne des familles qui ont grandi dans ses murs, chaque épisode met en lumière les liens profonds entre ce lieu d’exception et son territoire. Mais Récits d'Ambronay : l'histoire racontée par ses habitants va plus loin, en imaginant aussi les horizons futurs : comment préserver ce patrimoine tout en favorisant l’engagement des communautés et en contribuant aux dynamiques sociales, culturelles et économiques ? Conçu pour les passionnés d’histoire, les amateurs de patrimoine et tous ceux qui rêvent d’un avenir où passé et présent s’entrelacent, ce podcast est une invitation à découvrir, transmettre et réinventer ensemble. 🎧 Une production du Centre culturel de rencontre d’Ambronay, disponible sur toutes les plateformes d’écoute.Hébergé par Audiomeans. Visitez <a href="https://www.audiomeans.fr/politique-de-confidentialite">audiomeans.fr/politique-de-confidentialite</a> pour plus d'informations.

Au cœur de l’Ain, l’Abbaye d’Ambronay est bien plus qu’un monument historique : c’est un lieu vivant, façonné par les récits, les engagements et les rêves de celles et ceux qui l’ont habité, aimé et transformé. À travers le podcast Récits d'Ambronay : l'histoire racontée par ses habitants, plongez dans une série de témoignages authentiques qui explorent la mémoire collective et les dynamiques locales autour de ce patrimoine unique. De la solidarité des habitants pour restaurer l’abbaye à la vie quotidienne des familles qui ont grandi dans ses murs, chaque épisode met en lumière les liens profonds entre ce lieu d’exception et son territoire. Mais Récits d'Ambronay : l'histoire racontée par ses habitants va plus loin, en imaginant aussi les horizons futurs : comment préserver ce patrimoine tout en favorisant l’engagement des communautés et en contribuant aux dynamiques sociales, culturelles et économiques ? Conçu pour les passionnés d’histoire, les amateurs de patrimoine et tous ceux qui rêvent d’un avenir où passé et présent s’entrelacent, ce podcast est une invitation à découvrir, transmettre et réinventer ensemble. 🎧 Une production du Centre culturel de rencontre d’Ambronay, disponible sur toutes les plateformes d’écoute. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Au cœur de l’Ain, l’Abbaye d’Ambronay est bien plus qu’un monument historique : c’est un lieu vivant, façonné par les récits, les engagements et les rêves de celles et ceux qui l’ont habité, aimé et transformé. À travers le podcast Récits d'Ambronay : l'histoire racontée par ses habitants, plongez dans une série de témoignages authentiques qui explorent la mémoire collective et les dynamiques locales autour de ce patrimoine unique. De la solidarité des habitants pour restaurer l’abbaye à la vie quotidienne des familles qui ont grandi dans ses murs, chaque épisode met en lumière les liens profonds entre ce lieu d’exception et son territoire. Mais Récits d'Ambronay : l'histoire racontée par ses habitants va plus loin, en imaginant aussi les horizons futurs : comment préserver ce patrimoine tout en favorisant l’engagement des communautés et en contribuant aux dynamiques sociales, culturelles et économiques ? Conçu pour les passionnés d’histoire, les amateurs de patrimoine et tous ceux qui rêvent d’un avenir où passé et présent s’entrelacent, ce podcast est une invitation à découvrir, transmettre et réinventer ensemble. 🎧 Une production du Centre culturel de rencontre d’Ambronay, disponible sur toutes les plateformes d’écoute.Hébergé par Audiomeans. Visitez <a href="https://www.audiomeans.fr/politique-de-confidentialite" rel="noopener noreferrer">audiomeans.fr/politique-de-confidentialite</a> pour plus d'informations.

Récits d'Ambronay : l'histoire racontée par ses habitants

Project Babies is a podcast that delves into the personal stories of individuals who grew up in public housing projects, from the 1960s to today. Each episode features intimate interviews and narratives that uncover the evolution of these communities, highlighting both their challenges and strengths. Tune in every Friday at 3 PM with your host, JayRay, for this 12-episode series, and gain a deep understanding of the social and historical context of public housing through candid conversations and compelling personal experiences.

Project Babies

¡Bienvenidos a La Cofradía! El podcast de Periplos de la Historia donde conversamos sobre problemas del pasado y presente.

La Cofradía

A podcast for those who love history, comedy, and booze. Each week, the History Woes team tells two themed historical stories and pairs those stories with a drink.

History Woes

THE BEST TV BOOKSTORE

<div>Join us for an exciting journey as Trans World Sport presents a special podcast previewing the upcoming Olympic Games. Dive into the rich history and thrilling moments of past Olympians with exclusive archive footage. We'll revisit iconic performances, unforgettable victories, and heartwarming stories that have defined the spirit of the Games. 
 
Tune in to celebrate the legacy of the Olympics and gear up for the unforgettable moments to come. Don’t miss Rob and Rachel's Run down to the games – where history meets the future of sports!</div>

Join us for an exciting journey as Trans World Sport presents a special podcast previewing the upcoming Olympic Games. Dive into the rich history and thrilling moments of past Olympians with exclusive archive footage. We'll revisit iconic performances, unforgettable victories, and heartwarming stories that have defined the spirit of the Games. Tune in to celebrate the legacy of the Olympics and gear up for the unforgettable moments to come. Don’t miss Rob and Rachel's Run down to the games – where history meets the future of sports!

Join us for an exciting journey as Trans World Sport presents a special podcast previewing the upcoming Olympic Games. Dive into the rich history and thrilling moments of past Olympians with exclusive archive footage. We'll revisit iconic performances, unforgettable victories, and heartwarming stories that have defined the spirit of the Games. 
 
Tune in to celebrate the legacy of the Olympics and gear up for the unforgettable moments to come. Don’t miss Rob and Rachel's Run down to the games – where history meets the future of sports!

Rob and Rachel’s Run Down To The Games!

A podcast from &amp; for the human soul so we’d feel less alone. Conversations that touch the soul, reminding us we're all in this together.بودكاست عن كل ما يؤرق النفس البشرية،من الناس وللناس.Above all, this podcast and all the voices, topics and conversations on it is dedicated to our beloved wounded Arab world, sparking real, raw, vulnerable and authentic conversations about our collective human experience, in hopes that when the chance finally arises for us Arabs to fulfil our full potential after inevitably achieving liberation, we’d be ready for Arab prosperity from the Gulf to the Atlantic Ocean. From Baghdad to Al-Rabat and all that lies in between, with a liberated beloved Palestine at the core of it. Unifying all of our heartaches and yearnings for freedom, liberation, sovereignty, and love.

A podcast from & for the human soul so we’d feel less alone. Conversations that touch the soul, reminding us we're all in this together.بودكاست عن كل ما يؤرق النفس البشرية،من الناس وللناس. Above all, this podcast and all the voices, topics and conversations on it is dedicated to our beloved wounded Arab world, sparking real, raw, vulnerable and authentic conversations about our collective human experience, in hopes that when the chance finally arises for us Arabs to fulfil our full potential after inevitably achieving liberation, we’d be ready for Arab prosperity from the Gulf to the Atlantic Ocean. From Baghdad to Al-Rabat and all that lies in between, with a liberated beloved Palestine at the core of it. Unifying all of our heartaches and yearnings for freedom, liberation, sovereignty, and love.

The Human Experience Podcast

¿Cómo se explora la dualidad del yo en la literatura y cómo esta relación interna se refleja en los lectores a través del texto 'Borges y Yo' de Jorge Luis Borges?

¿Cómo se explora la dualidad del yo en la literatura y cómo esta relación interna se refleja en los lectores a través del texto 'Borges y Yo' de Jorge Luis Borges?

Lente Literaria

The series on 90s grunge delves into the origins, rise, and enduring legacy of this influential music genre. It begins by exploring the roots of grunge in Seattle, highlighting key bands and cultural influences that shaped its sound. The second part examines the mainstream explosion of grunge, spotlighting breakthrough albums, the role of MTV, and the distinctive grunge fashion. The series concludes with an analysis of grunge's decline, its impact on the music industry, and its lasting influence on contemporary music and culture. This series offers a comprehensive look at the phenomenon that defined a generation and left an indelible mark on music history.

90s Grunge

The main purpose of this channel is not entertain people with historic curiosities, but to make them aware why exactly we were made to believe a fairy tale to be our real history - to deprive us of the most important knowledge we may ever posses - how to consciously manipulate the reality around with the power of our thoughts and intentions. Understanding the nature of our true own inter-dimensiona Self and the true history of the human races. "We are not human beings having a spiritual experience. We are spiritual beings having a human experience."

newearth

Dive into the captivating narratives of generations past with our podcast, where cherished family histories come alive through vivid storytelling. Join us as we transform cherished memories, anecdotes, and legacies into immersive audio experiences, preserving the richness of our heritage one tale at a time. Embark on a heartfelt journey through time, exploring the triumphs, trials, and timeless wisdom of our ancestors. Tune in to ”Allen Family History Podcast Show” and let the echoes of the past illuminate your present.

History Podcasts / Page 677

L’Histoire des Juifs de Russie et de Pologne – Gérard Unger

על המלחמה

X

Prof. Udolph ohne Namen?

Ark of History

Тамагочи

Spit Sand Radio 砂を吐くラジオ[BL]

警世恒言 儒林外传

DAVI CAST

Porsi Makan Kita

Greek Podcast

It's Witchy with DMC

Fica a dica do HC!

Conversando con Los Tallanes

Georgia O'Keefe - Audio Biography

Hadrian's 10-minute Empire

Stories of History

Are We Witches?

Ortaya Karışık Bilgiler

Pomerania incognita

World History Curriculum Companion

Semináře Ústavu pro soudobé dějiny AV ČR

The Mrs. Eleanor Roosevelt Hour

Ghosts Were People Too

Récits d'Ambronay : l'histoire racontée par ses habitants

Project Babies

La Cofradía

History Woes

THE BEST TV BOOKSTORE

Rob and Rachel’s Run Down To The Games!

The Human Experience Podcast

Lente Literaria

90s Grunge

newearth

Allen Family History Podcast Show

Autentyczna Historia

Sur la vague de tes plaisirs

History On The Go

History Hermanos

Witchbusting

Kansas 1972

Les Histoires Du Soir De Valentine

Ömrümün Kitaplığı

I Am The Artisan's PEN

Spielvertiefung: Podcast (exklusiv)

Deep Wells with Michael Lusk

Dear Stardust

Zukunft von Gestern

JFK: Down the Rabbit Hole

Sur Leurs Traces

Spit Sand Radio　砂を吐くラジオ[BL]

警世恒言儒林外传