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Fermata Podcast

(Formerly The Weapon of Self-Distraction Podcast) Conversations about various distractions in life, including people, pop culture and more.

Distraction Avenue

Passing Notes is a show about connections. Each month we find a social, news, or pop-culture connection to the past then compare the music charts of today and the music charts of yesteryear.  In between our hosts connect each week sharing the tracks that have caught their attention in the last week.

Passing Notes is a show about connections. Each month we find a social, news, or pop-culture connection to the past then compare the music charts of today and the music charts of yesteryear. In between our hosts connect each week sharing the tracks that have caught their attention in the last week.

Passing Notes: A Musical Adventure Through Time

FM-world ci racconta in 100 secondi tutte le ultime novità del mondo della radio. Il mondo della radio è in costante evoluzione e FM-world, con il suo podcast "I 100 secondi di FM-world", offre una finestra sulle ultime tendenze e novità del settore. Il podcast, presentato da Nicola Franceschini, è una risorsa settimanale per coloro che vogliono rimanere informati su ciò che accade nel mondo della radio. Diventa un supporter di questo podcast: <a href="https://www.spreaker.com/podcast/i-100-secondi-di-fm-world-con-nicola-franceschini-tutte-le-ultime-novita-del-mondo-della-radio--3552245/support?utm_source=rss&utm_medium=rss&utm_campaign=rss">https://www.spreaker.com/podcast/i-100-secondi-di-fm-world-con-nicola-franceschini-tutte-le-ultime-novita-del-mondo-della-radio--3552245/support</a>.

FM-world ci racconta in 100 secondi tutte le ultime novità del mondo della radio.Il mondo della radio è in costante evoluzione e FM-world, con il suo podcast "I 100 secondi di FM-world", offre una finestra sulle ultime tendenze e novità del settore. Il podcast, presentato da Nicola Franceschini, è una risorsa settimanale per coloro che vogliono rimanere informati su ciò che accade nel mondo della radio.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/i-100-secondi-di-fm-world-con-nicola-franceschini-tutte-le-ultime-novita-del-mondo-della-radio--3552245/support.

FM-world ci racconta in 100 secondi tutte le ultime novità del mondo della radio. Il mondo della radio è in costante evoluzione e FM-world, con il suo podcast "I 100 secondi di FM-world", offre una finestra sulle ultime tendenze e novità del settore. Il podcast, presentato da Nicola Franceschini, è una risorsa settimanale per coloro che vogliono rimanere informati su ciò che accade nel mondo della radio. Diventa un supporter di questo podcast: <a href="https://www.spreaker.com/podcast/i-100-secondi-di-fm-world-con-nicola-franceschini-tutte-le-ultime-novita-del-mondo-della-radio--3552245/support?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=rss" rel="noopener noreferrer">https://www.spreaker.com/podcast/i-100-secondi-di-fm-world-con-nicola-franceschini-tutte-le-ultime-novita-del-mondo-della-radio--3552245/support</a>.

I 100 secondi di FM-world con Nicola Franceschini tutte le ultime novità del mondo della radio.

Bolinger Super Sounds, der Podcast. Ich, Daniel Bolinger aka Dezibl und auch aka Bolinger spreche mit DJs, Produzent:innen und anderen spannenden Menschen aus dem Nachtleben, dass sich in den letzten Jahren verändert wie kaum eine andere Szene. So unterschiedlich die Biografien der einzelnen Interview Gäste auch sein mögen - so ähnlich sind die Ziele der einzelnen Protagonist:innen. Auch meine eigene Auflege-History habe ich in den allerersten Folgen beleuchtet und gebe selbstverständlich wöchentlich einen Kommentar zu meinen ganz persönlichen Nightlife Erfahrungen.

Bolinger Super Sounds

Get To The Front Radio - DM2.Live

My Podcast is Open to the Voices of the World who are into Hip hop and the actual reasons Real Hip hop is alive and well off.

OPTIONGETMONEY

FM100.7 마포에프엠에서 매주 목요일 밤 9-10시에 송출되는 라디오 방송입니다.&#xA;&#xA;변화는 위에서 일어나지만 모든 것은 아래에서 시작합니다.&#xA;변화의 중심에 서 있는 다양한 장르의 손님들을 모시고, 시와 함께 우리 삶 곳곳에서 탄생하고 변화하는 새로운 물결들을 소개합니다.&#xA;슬픔의 시대에는 낭만이, 무기력한 사회에는 시인의 목소리가 필요하기에 지금 우리가 서 있는 이 곳에서 On Air!

FM100.7 마포에프엠에서 매주 목요일 밤 9-10시에 송출되는 라디오 방송입니다.

변화는 위에서 일어나지만 모든 것은 아래에서 시작합니다.
변화의 중심에 서 있는 다양한 장르의 손님들을 모시고, 시와 함께 우리 삶 곳곳에서 탄생하고 변화하는 새로운 물결들을 소개합니다.
슬픔의 시대에는 낭만이, 무기력한 사회에는 시인의 목소리가 필요하기에 지금 우리가 서 있는 이 곳에서 On Air!

[마포FM] 진저팝의 서울언더그라운드

We talk about current invents. Hip hop, and the world we live in.Stay tune.

Talk To Me Nice.

Bilikmusik Podcast adalah Medium verbal dari sebuah music/event publisher yang dirintis melalui instagram; @bilikmusik. Melalui podcast ini, segala macam subyektif kami tentang musik akan diejawantahkan secara lantang dan tanpa tendensi apapun.
Untuk bisa update seputar event musik dan rilisan terbaru dari musisi indonesia, kamu bisa mengikuti kami di instagram @bilikmusik, twitter @bilik_musik, facebook: Bilik Musik dan web kami di bilikmusic.wordpress.com

Bilikmusik Podcast adalah Medium verbal dari sebuah music/event publisher yang dirintis melalui instagram; @bilikmusik. Melalui podcast ini, segala macam subyektif kami tentang musik akan diejawantahkan secara lantang dan tanpa tendensi apapun. Untuk bisa update seputar event musik dan rilisan terbaru dari musisi indonesia, kamu bisa mengikuti kami di instagram @bilikmusik, twitter @bilik_musik, facebook: Bilik Musik dan web kami di bilikmusic.wordpress.com

Bilik Musik

Auscast Music

Revival of the Legendary 90s URN show.  A music review show with an edge - well, four edges and legs and a flat top.
Hosts Noax and John Tyndall take you on a track-by-track journey through the 90s compilation album scene with wit, whimsy and warmth.

Revival of the Legendary 90s URN show. A music review show with an edge - well, four edges and legs and a flat top. Hosts Noax and John Tyndall take you on a track-by-track journey through the 90s compilation album scene with wit, whimsy and warmth.

Oblong Desk: The Podcast

Pláticas casuales (o a veces más intensas) de amigos, principalmente de música y otros temas.

Portis&Friends

Cerita curhatan wanita 29 tahun selama hidupnya

fikajaiko

I am a fan of sidhu moosewala , please listen Punjabi song

satish Khanna

Welcome to the DLX: Pop Culture Podcast, "pop-cast" if you will ;) ! A fun space where we review new, old and upcoming music projects, and just share our opinions on everything pop music!

DLX: Pop Culture Podcast

We’re just three fools, getting together to talk about Black Canadian excellence, talk smack about life, news, pop culture and other dumb stuff, all as an excuse to hang out more. Inspired by the great podcasts, we’re out here rooting for everybody Black, here very much for Canadian brilliance and achievements but we will also call and clown any old thing and any old body at home and abroad. We’ve got opinions on everything and we embrace the shenanigans but mostly we’re just trying to create a space to have a good time, so come along for the ride; or may Deborah Cox strike you down!

Not That Sorry

An amateur music reviewer tells the audience about their opinions on the latest albums, songs, and artists.

No One Asked But I’m Telling You

“It’s Not a Phase, Mom!” Is a new podcast hosted by avid music nerds Ethan Mackowick and J.J. Young. They play a game with their guests where a series of questions are asked to determine where the guests fall on the scale of musical “coolness”. Do they own a Record player? Do they play Al Green on a date? Do they post cringey song lyrics on social media? All of these questions will be answered and a final judgement will be made by the two hosts. Will the guests be a Hipster Douche? A Basic Bitch? Or somewhere in between? Listen to the new SCDC comedy podcast to find out.

It's Not A Phase, Mom - An SCDC Podcast

This is Shart Records...
Shart Records members: PooPoo Music Squad (Lil Shart Face, Lil DooDoo, Lil Skid Mark, Lil FartFart), lil graz 9, Trap Godd, Da Fetus, The Cum Bros (Lil Cum Shot &amp; Yung Sperm Cell)

This is Shart Records... Shart Records members: PooPoo Music Squad (Lil Shart Face, Lil DooDoo, Lil Skid Mark, Lil FartFart), lil graz 9, Trap Godd, Da Fetus, The Cum Bros (Lil Cum Shot & Yung Sperm Cell)

Shart Records

Tune IN ðŸŽ™Get An Earful of Global Gossip,  World NewsðŸŒ� Pop Culture, Music and Politics!! ðŸš¨ðŸš¨ #onlyfactsnotfeelings

Tune IN ðŸŽ™Get An Earful of Global Gossip, World NewsðŸŒ� Pop Culture, Music and Politics!! ðŸš¨ðŸš¨ #onlyfactsnotfeelings

I Just Wanna Talk!

Perezzone i Patiomkin - dwójka fanów rapu od ponad dekady, zapraszają na podróż po najważniejszych wydarzeniach, singlach oraz premierach w polskim rapie.

Rap nie trap

Hello, I’m Henry and this is my music podcast where I talk about music and the story behind it.

You can visit my website at https://sites.google.com/view/musicalh/home
I know it’s long but maybe in the future I can shorten it down.

Hello, I’m Henry and this is my music podcast where I talk about music and the story behind it. You can visit my website at https://sites.google.com/view/musicalh/home I know it’s long but maybe in the future I can shorten it down.

Musical H

Chaque dimanche de 23h à minuit
Chaque semaine une sélection de nouveaux albums indie rock, pop électro avec des chroniques + une interview d&#039;un groupe ou artiste émergent. A retrouver également sur le webzine du même nom : novorama.com

Chaque dimanche de 23h à minuit Chaque semaine une sélection de nouveaux albums indie rock, pop électro avec des chroniques + une interview d'un groupe ou artiste émergent. A retrouver également sur le webzine du même nom : novorama.com

Chaque dimanche de 23h à minuit
Chaque semaine une sélection de nouveaux albums indie rock, pop électro avec des chroniques + une interview d'un groupe ou artiste émergent. A retrouver également sur le webzine du même nom : novorama.com

Novorama

Fanny Ayala

Podcast da banda Revolução Permanente. Um bate papo descontraído e profundo sobre artistas, bandas e movimentos musicais.

Música de Classe

Passage en Force, c’est ton rendez-vous NBA sur les ondes de Prun’.
Chaque lundi à partir de 20h, le 5 Majeur de Prun’ t'accueille pour une heure de débats autour de toute l’actu NBA.
Debriefs et analyses des matchs, le point sur les rumeurs de trade, des focus sur les meilleur·es joueur·euses de la semaine, ainsi que sur la ligue féminine. Et pour agrémenter tout ça, l’équipe te parle aussi de thune, de sapes, et te passe du bon son.
Rejoins l'équipe, tous les lundis soirs de 20h à 21h !

Passage en Force, c’est ton rendez-vous NBA sur les ondes de Prun’. Chaque lundi à partir de 20h, le 5 Majeur de Prun’ t'accueille pour une heure de débats autour de toute l’actu NBA. Debriefs et analyses des matchs, le point sur les rumeurs de trade, des focus sur les meilleur·es joueur·euses de la semaine, ainsi que sur la ligue féminine. Et pour agrémenter tout ça, l’équipe te parle aussi de thune, de sapes, et te passe du bon son. Rejoins l'équipe, tous les lundis soirs de 20h à 21h !

Passage en Force - Radio Prun

Curiocité, c'est la (presque) quotidienne d’actus locales de Prun’.
Chaque semaine, les équipes décryptent l’actu de la région, avec un focus sur la scène musicale locale le mercredi dans Curiocité - L'interlude, qui invite un groupe à jouer en live depuis les studios, une semaine sur deux.
De 17h30 à 18h30, du lundi au jeudi, les journalistes de la rédaction tendent leurs micros aux acteurices de la culture, engagé·es dans la vie associative ou lié·es aux questions sociales et politiques actuelles.
Interviews en tête à tête, grands entretiens, portraits sonores, reportages, chroniques... autant de temps forts proposés (presque) chaque jour en direct sur le 92fm et en DAB+ sur Nantes et Saint-Nazaire.

Curiocité, c'est la (presque) quotidienne d’actus locales de Prun’. Chaque semaine, les équipes décryptent l’actu de la région, avec un focus sur la scène musicale locale le mercredi dans Curiocité - L'interlude, qui invite un groupe à jouer en live depuis les studios, une semaine sur deux. De 17h30 à 18h30, du lundi au jeudi, les journalistes de la rédaction tendent leurs micros aux acteurices de la culture, engagé·es dans la vie associative ou lié·es aux questions sociales et politiques actuelles. Interviews en tête à tête, grands entretiens, portraits sonores, reportages, chroniques... autant de temps forts proposés (presque) chaque jour en direct sur le 92fm et en DAB+ sur Nantes et Saint-Nazaire.

Curiocité - Radio Prun

I love the 4/4 rhythm, in fact, like Grace Jones, I think I am a slave to it. It forms the basis for all my mixes yet the style is wide ranging. House, deep, tech, funky, progressive, hard, techno, nu-disco, trance, psy - it's all here. I just try to find the best examples of each genre and put them together in one neat package.

Jonnix

A discussion and dissection of the top 500 albums according to NME magazine (list from 2013)

We offer a history of the album and the time it was recorded, a look into the artists, interviews with musicians, critics and writers
We are quite fond of following the rabbit down the hole and recording off shoot episodes to learn more about a topic we are fascinated with.

A discussion and dissection of the top 500 albums according to NME magazine (list from 2013) We offer a history of the album and the time it was recorded, a look into the artists, interviews with musicians, critics and writers We are quite fond of following the rabbit down the hole and recording off shoot episodes to learn more about a topic we are fascinated with.

The Indie 500 Podcast

SUP Radio este podcastul tău preferat care îți aduce cele mai tari discuții din muzică, cultură și viața urbană! Cu emisiuni diverse, SUP Radio te poartă prin:<ul><li>Sup with this Song: analizăm artiștii tăi favoriți, explorăm mesajele din spatele pieselor, povestim despre producție și dezbatem controversele din industrie.</li><li>Sup Insights: discutăm subiecte diverse din domenii precum artă, business, sport sau educație, alături de invitați speciali.</li><li>Sup in the Underground: aducem știrile fierbinți din cultura urbană, cu debate-uri și discuții captivante între cei doi moderatori.</li></ul>Dă play și intră în vibe-ul SUP!

SUP Radio este podcastul tău preferat care îți aduce cele mai tari discuții din muzică, cultură și viața urbană! Cu emisiuni diverse, SUP Radio te poartă prin:Sup with this Song: analizăm artiștii tăi favoriți, explorăm mesajele din spatele pieselor, povestim despre producție și dezbatem controversele din industrie.Sup Insights: discutăm subiecte diverse din domenii precum artă, business, sport sau educație, alături de invitați speciali.Sup in the Underground: aducem știrile fierbinți din cultura urbană, cu debate-uri și discuții captivante între cei doi moderatori.Dă play și intră în vibe-ul SUP!

Sup Radio

Music the Podcast is a comedy show that focuses on music and music news. Two episodes a week until you gotta pay the troll toll. <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Music the Podcast is a comedy show that focuses on music and music news. Two episodes a week until you gotta pay the troll toll. Hosted on Acast. See acast.com/privacy for more information.

Music the Podcast is a comedy show that focuses on music and music news. Two episodes a week until you gotta pay the troll toll. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Music the Podcast

All the girls are girling girlingcredits: seulgis_weave

All the girls are girling girling credits: seulgis_weave

CRAZY (ft. xcx)

My new podcast is finally live. Hit that play button and join me for a fun ride

Unownboy’s First Podcast

I was three when I start singing and in to then Now when I grow up I just want to be Famous and I hop people Treat me the respect at I need because I am a nice guy Never miss another Bruce singer Podcast on spotify https://open.spotify.com/show/4qxbzBzeTZuwnOIdQjCLqjhttps://brucesinger1.komi.io

I was three when I start singing and in to then Now when I grow up I just want to be Famous and I hop people Treat me the respect at I need because I am a nice guy Never miss another Bruce singer Podcast on spotify https://open.spotify.com/show/4qxbzBzeTZuwnOIdQjCLqjhttps://brucesinger1.komi.io

Bruce singer

DRUHÝ ČESKÝ EUROVIZNÍ PODCAST
Máte rádi Eurovizi a nemáte si o tom s kým popovídat? Nebo si nemáte o čem povídat se svými kamarády, protože nesledujete Eurovizi? V každém případě je tu pro vás náš podcast, ve kterém dva dlouholetí fanoušci Eurovision Song Contestu rozebírají aktuální i neaktuální dění okolo Eurovize a přidávají spoustu svých nevyžádaných názorů a komentářů. 

@escapady_podcast

DRUHÝ ČESKÝ EUROVIZNÍ PODCAST Máte rádi Eurovizi a nemáte si o tom s kým popovídat? Nebo si nemáte o čem povídat se svými kamarády, protože nesledujete Eurovizi? V každém případě je tu pro vás náš podcast, ve kterém dva dlouholetí fanoušci Eurovision Song Contestu rozebírají aktuální i neaktuální dění okolo Eurovize a přidávají spoustu svých nevyžádaných názorů a komentářů. @escapady_podcast

ESCapády

Robert Hall Weir, better known as Bob or Bobby Weir, was born on October 16, 1947, in San Francisco, California. He is an American singer, songwriter, and guitarist, best known as a founding member of the legendary rock band, the Grateful Dead. Weir's contributions to the band, as well as his solo work and collaborations with other artists, have solidified his place as an iconic figure in the world of rock music. Early Life and Introduction to Music Bobby Weir was born into a family with deep roots in music. His parents, John (Jack) Parber and a fellow college student named Phyllis, gave him up for adoption due to their young age and inability to care for a child. Weir was adopted by a wealthy couple, Frederic Utter and Eleanor Cramer Weir, who lived in the San Francisco suburb of Atherton. Weir's adoptive parents recognized his musical talents early on and encouraged his artistic pursuits. At the age of 12, he received his first guitar as a Christmas gift from his grandparents. Weir quickly developed a passion for the instrument and began taking lessons, drawing inspiration from the likes of Doc Watson, Josh White, and Joan Baez. As a teenager, Weir attended Menlo-Atherton High School, where he met future Grateful Dead bassist Phil Lesh. The two bonded over their shared love of music and began playing together in various folk and bluegrass bands. It was during this time that Weir also met Jerry Garcia, who would become his lifelong friend and musical collaborator. Formation of the Grateful Dead In 1964, Weir, along with Garcia, Lesh, Ron "Pigpen" McKernan, and Bill Kreutzmann, formed a band called Mother McCree's Uptown Jug Champions. The group played a mix of folk, bluegrass, and blues music, with Weir contributing rhythm guitar and vocals. As the band evolved and electric instruments were incorporated, they changed their name to The Warlocks. However, upon discovering that another band had already claimed the name "The Warlocks," the group ultimately settled on the name "Grateful Dead," which was suggested by Garcia after he stumbled upon the phrase in a dictionary. The newly christened Grateful Dead began performing at local venues and quickly gained a dedicated following in the San Francisco Bay Area. Weir's Role in the Grateful Dead As a member of the Grateful Dead, Bobby Weir played a crucial role in shaping the band's sound and style. His rhythm guitar work provided a solid foundation for Garcia's lead playing, and his vocal harmonies added depth and texture to the band's songs. Weir also contributed a number of original compositions to the band's repertoire, including classics like "The Other One," "Sugar Magnolia," and "Cassidy." Weir's songwriting often explored themes of Americana, counterculture, and spirituality, reflecting the values and interests of the band and their fans. His compositions showcased his versatility as a musician, with songs ranging from the psychedelic rock of "Playing in the Band" to the country-tinged "Mexicali Blues." In addition to his musical contributions, Weir played a key role in the Grateful Dead's business dealings and decision-making processes. He was known for his pragmatic approach and his ability to balance the band's artistic vision with the realities of the music industry. Evolution of Sound and Style Throughout the Grateful Dead's 30-year career, Weir's playing style and musical interests evolved alongside the band's ever-changing sound. In the early years, he drew heavily from his folk and bluegrass roots, incorporating fingerpicking techniques and acoustic textures into his playing. As the band delved deeper into psychedelic rock and improvisational jamming, Weir's guitar work became more electric and experimental. Weir was known for his use of unique chord voicings and unconventional song structures, which added an element of unpredictability to the band's live performances. He was also an early adopter of the MIDI (Musical Instrument Digital Interface) technology, using it to control various effects and synthesizers in his guitar rig. In the 1970s, Weir began to incorporate elements of jazz and fusion into his playing, reflecting his growing interest in more complex and improvisational forms of music. This influence can be heard on songs like "Eyes of the World" and "The Music Never Stopped," which showcase Weir's ability to weave intricate melodic lines and rhythmic patterns into the band's sound. Solo Projects and Collaborations While Bobby Weir is best known for his work with the Grateful Dead, he has also pursued a successful solo career and collaborated with a wide range of artists throughout his life. His solo discography includes albums like "Ace" (1972), "Heaven Help the Fool" (1978), and "Weir Here" (2004), each showcasing different facets of his musical personality. One of Weir's most notable solo projects is the band Bobby and the Midnites, which he formed in 1978. The group featured a rotating cast of musicians, including jazz keyboardist Dave Garland and drummer Billy Cobham, and explored a more jazz-influenced sound than the Grateful Dead. Bobby and the Midnites released two albums, "Bobby and the Midnites" (1981) and "Where the Beat Meets the Street" (1984), and toured extensively throughout the early 1980s. Weir has also collaborated with a number of other musicians throughout his career, both within and outside the Grateful Dead family. In 1994, he joined forces with Rob Wasserman to form the duo Weir/Wasserman, which released the album "Live at Sweetwater" (1994). He has also performed and recorded with artists like Bruce Hornsby, Bob Dylan, and Warren Haynes. Furthur and Dead &amp; Company Following the death of Jerry Garcia in 1995 and the subsequent disbanding of the Grateful Dead, Bobby Weir remained active in the music scene, participating in various reunions and spin-off projects with his former bandmates. In 2009, he formed the band Furthur with Phil Lesh, which aimed to carry on the musical legacy of the Grateful Dead. Furthur toured extensively from 2009 to 2014, playing a mix of Grateful Dead classics and original material. In 2015, Weir joined forces with John Mayer, Oteil Burbridge, and Jeff Chimenti to form Dead &amp; Company, a new iteration of the Grateful Dead. The band, which also includes former Dead members Mickey Hart and Bill Kreutzmann, has toured regularly since its formation and has introduced the music of the Grateful Dead to a new generation of fans. Weir's involvement in Furthur and Dead &amp; Company highlights his ongoing commitment to keeping the spirit and music of the Grateful Dead alive, even as he continues to explore new creative avenues and collaborations. RatDog and Other Projects Another of Bobby Weir's notable post-Grateful Dead projects is the band RatDog, which he formed in 1995. RatDog began as a more informal collective of musicians, with Weir and bassist Rob Wasserman at its core. Over time, the band evolved into a more structured unit, incorporating elements of rock, blues, and jazz into its sound. RatDog toured extensively throughout the late 1990s and early 2000s, serving as a vehicle for Weir's ongoing musical exploration and creativity. The band released several live albums, including "Live at Roseland" (2001) and "Evening Moods" (2000), which showcase the group's improvisational prowess and Weir's growth as a bandleader. In addition to his work with RatDog, Weir has been involved in various other musical projects and collaborations. He has performed as a solo acoustic artist, showcasing his fingerpicking skills and the more intimate side of his musical personality. Weir has also lent his talents to a number of charitable causes and benefit concerts, using his music as a platform for social and political activism. TRI Studios and "The Other One" In 2011, Bobby Weir founded TRI Studios, a state-of-the-art recording facility and live streaming venue located in San Rafael, California. TRI (which stands for Tamalpais Research Institute) has served as a hub for Weir's various musical projects and collaborations, as well as a platform for live broadcasts and experimental performances. Through TRI Studios, Weir has continued to push the boundaries of live music and digital streaming, hosting a variety of intimate concerts and events that showcase his ongoing commitment to musical innovation and exploration. The studio has also served as a creative space for other artists, fostering collaboration and experimentation across genres and generations. In 2014, Weir released the documentary "The Other One: The Long, Strange Trip of Bob Weir," which offers an intimate portrait of his life and career. Directed by Mike Fleiss, the film explores Weir's personal journey and his role as a key figure in the Grateful Dead and the broader counterculture movement. "The Other One" provides a revealing glimpse into Weir's creative process, his relationships with his bandmates, and his enduring influence on the world of rock music. Influence and Legacy Bobby Weir's contributions to the Grateful Dead and the broader landscape of American music cannot be overstated. As a guitarist, songwriter, and vocalist, he helped shape the band's unique sound and style, infusing elements of rock, folk, jazz, and psychedelia into their music. Weir's compositions, such as "Playing in the Band," "The Music Never Stopped," and "Cassidy," have become staples of the Grateful Dead's repertoire and continue to be performed and celebrated by fans around the world. Beyond his musical contributions, Weir has also been a cultural icon and a voice for his generation. Through his involvement in the counterculture movement of the 1960s and his ongoing advocacy for various social and political causes, Weir has used his platform to promote values

Robert Hall Weir, better known as Bob or Bobby Weir, was born on October 16, 1947, in San Francisco, California. He is an American singer, songwriter, and guitarist, best known as a founding member of the legendary rock band, the Grateful Dead. Weir's contributions to the band, as well as his solo work and collaborations with other artists, have solidified his place as an iconic figure in the world of rock music. Early Life and Introduction to Music Bobby Weir was born into a family with deep roots in music. His parents, John (Jack) Parber and a fellow college student named Phyllis, gave him up for adoption due to their young age and inability to care for a child. Weir was adopted by a wealthy couple, Frederic Utter and Eleanor Cramer Weir, who lived in the San Francisco suburb of Atherton. Weir's adoptive parents recognized his musical talents early on and encouraged his artistic pursuits. At the age of 12, he received his first guitar as a Christmas gift from his grandparents. Weir quickly developed a passion for the instrument and began taking lessons, drawing inspiration from the likes of Doc Watson, Josh White, and Joan Baez. As a teenager, Weir attended Menlo-Atherton High School, where he met future Grateful Dead bassist Phil Lesh. The two bonded over their shared love of music and began playing together in various folk and bluegrass bands. It was during this time that Weir also met Jerry Garcia, who would become his lifelong friend and musical collaborator. Formation of the Grateful Dead In 1964, Weir, along with Garcia, Lesh, Ron "Pigpen" McKernan, and Bill Kreutzmann, formed a band called Mother McCree's Uptown Jug Champions. The group played a mix of folk, bluegrass, and blues music, with Weir contributing rhythm guitar and vocals. As the band evolved and electric instruments were incorporated, they changed their name to The Warlocks. However, upon discovering that another band had already claimed the name "The Warlocks," the group ultimately settled on the name "Grateful Dead," which was suggested by Garcia after he stumbled upon the phrase in a dictionary. The newly christened Grateful Dead began performing at local venues and quickly gained a dedicated following in the San Francisco Bay Area. Weir's Role in the Grateful Dead As a member of the Grateful Dead, Bobby Weir played a crucial role in shaping the band's sound and style. His rhythm guitar work provided a solid foundation for Garcia's lead playing, and his vocal harmonies added depth and texture to the band's songs. Weir also contributed a number of original compositions to the band's repertoire, including classics like "The Other One," "Sugar Magnolia," and "Cassidy." Weir's songwriting often explored themes of Americana, counterculture, and spirituality, reflecting the values and interests of the band and their fans. His compositions showcased his versatility as a musician, with songs ranging from the psychedelic rock of "Playing in the Band" to the country-tinged "Mexicali Blues." In addition to his musical contributions, Weir played a key role in the Grateful Dead's business dealings and decision-making processes. He was known for his pragmatic approach and his ability to balance the band's artistic vision with the realities of the music industry. Evolution of Sound and Style Throughout the Grateful Dead's 30-year career, Weir's playing style and musical interests evolved alongside the band's ever-changing sound. In the early years, he drew heavily from his folk and bluegrass roots, incorporating fingerpicking techniques and acoustic textures into his playing. As the band delved deeper into psychedelic rock and improvisational jamming, Weir's guitar work became more electric and experimental. Weir was known for his use of unique chord voicings and unconventional song structures, which added an element of unpredictability to the band's live performances. He was also an early adopter of the MIDI (Musical Instrument Digital Interface) technology, using it to control various effects and synthesizers in his guitar rig. In the 1970s, Weir began to incorporate elements of jazz and fusion into his playing, reflecting his growing interest in more complex and improvisational forms of music. This influence can be heard on songs like "Eyes of the World" and "The Music Never Stopped," which showcase Weir's ability to weave intricate melodic lines and rhythmic patterns into the band's sound. Solo Projects and Collaborations While Bobby Weir is best known for his work with the Grateful Dead, he has also pursued a successful solo career and collaborated with a wide range of artists throughout his life. His solo discography includes albums like "Ace" (1972), "Heaven Help the Fool" (1978), and "Weir Here" (2004), each showcasing different facets of his musical personality. One of Weir's most notable solo projects is the band Bobby and the Midnites, which he formed in 1978. The group featured a rotating cast of musicians, including jazz keyboardist Dave Garland and drummer Billy Cobham, and explored a more jazz-influenced sound than the Grateful Dead. Bobby and the Midnites released two albums, "Bobby and the Midnites" (1981) and "Where the Beat Meets the Street" (1984), and toured extensively throughout the early 1980s. Weir has also collaborated with a number of other musicians throughout his career, both within and outside the Grateful Dead family. In 1994, he joined forces with Rob Wasserman to form the duo Weir/Wasserman, which released the album "Live at Sweetwater" (1994). He has also performed and recorded with artists like Bruce Hornsby, Bob Dylan, and Warren Haynes. Furthur and Dead & Company Following the death of Jerry Garcia in 1995 and the subsequent disbanding of the Grateful Dead, Bobby Weir remained active in the music scene, participating in various reunions and spin-off projects with his former bandmates. In 2009, he formed the band Furthur with Phil Lesh, which aimed to carry on the musical legacy of the Grateful Dead. Furthur toured extensively from 2009 to 2014, playing a mix of Grateful Dead classics and original material. In 2015, Weir joined forces with John Mayer, Oteil Burbridge, and Jeff Chimenti to form Dead & Company, a new iteration of the Grateful Dead. The band, which also includes former Dead members Mickey Hart and Bill Kreutzmann, has toured regularly since its formation and has introduced the music of the Grateful Dead to a new generation of fans. Weir's involvement in Furthur and Dead & Company highlights his ongoing commitment to keeping the spirit and music of the Grateful Dead alive, even as he continues to explore new creative avenues and collaborations. RatDog and Other Projects Another of Bobby Weir's notable post-Grateful Dead projects is the band RatDog, which he formed in 1995. RatDog began as a more informal collective of musicians, with Weir and bassist Rob Wasserman at its core. Over time, the band evolved into a more structured unit, incorporating elements of rock, blues, and jazz into its sound. RatDog toured extensively throughout the late 1990s and early 2000s, serving as a vehicle for Weir's ongoing musical exploration and creativity. The band released several live albums, including "Live at Roseland" (2001) and "Evening Moods" (2000), which showcase the group's improvisational prowess and Weir's growth as a bandleader. In addition to his work with RatDog, Weir has been involved in various other musical projects and collaborations. He has performed as a solo acoustic artist, showcasing his fingerpicking skills and the more intimate side of his musical personality. Weir has also lent his talents to a number of charitable causes and benefit concerts, using his music as a platform for social and political activism. TRI Studios and "The Other One" In 2011, Bobby Weir founded TRI Studios, a state-of-the-art recording facility and live streaming venue located in San Rafael, California. TRI (which stands for Tamalpais Research Institute) has served as a hub for Weir's various musical projects and collaborations, as well as a platform for live broadcasts and experimental performances. Through TRI Studios, Weir has continued to push the boundaries of live music and digital streaming, hosting a variety of intimate concerts and events that showcase his ongoing commitment to musical innovation and exploration. The studio has also served as a creative space for other artists, fostering collaboration and experimentation across genres and generations. In 2014, Weir released the documentary "The Other One: The Long, Strange Trip of Bob Weir," which offers an intimate portrait of his life and career. Directed by Mike Fleiss, the film explores Weir's personal journey and his role as a key figure in the Grateful Dead and the broader counterculture movement. "The Other One" provides a revealing glimpse into Weir's creative process, his relationships with his bandmates, and his enduring influence on the world of rock music. Influence and Legacy Bobby Weir's contributions to the Grateful Dead and the broader landscape of American music cannot be overstated. As a guitarist, songwriter, and vocalist, he helped shape the band's unique sound and style, infusing elements of rock, folk, jazz, and psychedelia into their music. Weir's compositions, such as "Playing in the Band," "The Music Never Stopped," and "Cassidy," have become staples of the Grateful Dead's repertoire and continue to be performed and celebrated by fans around the world. Beyond his musical contributions, Weir has also been a cultural icon and a voice for his generation. Through his involvement in the counterculture movement of the 1960s and his ongoing advocacy for various social and political causes, Weir has used his platform to promote values

Robert Hall Weir, better known as Bob or Bobby Weir, was born on October 16, 1947, in San Francisco, California. He is an American singer, songwriter, and guitarist, best known as a founding member of the legendary rock band, the Grateful Dead. Weir's contributions to the band, as well as his solo work and collaborations with other artists, have solidified his place as an iconic figure in the world of rock music. Early Life and Introduction to Music Bobby Weir was born into a family with deep roots in music. His parents, John (Jack) Parber and a fellow college student named Phyllis, gave him up for adoption due to their young age and inability to care for a child. Weir was adopted by a wealthy couple, Frederic Utter and Eleanor Cramer Weir, who lived in the San Francisco suburb of Atherton. Weir's adoptive parents recognized his musical talents early on and encouraged his artistic pursuits. At the age of 12, he received his first guitar as a Christmas gift from his grandparents. Weir quickly developed a passion for the instrument and began taking lessons, drawing inspiration from the likes of Doc Watson, Josh White, and Joan Baez. As a teenager, Weir attended Menlo-Atherton High School, where he met future Grateful Dead bassist Phil Lesh. The two bonded over their shared love of music and began playing together in various folk and bluegrass bands. It was during this time that Weir also met Jerry Garcia, who would become his lifelong friend and musical collaborator. Formation of the Grateful Dead In 1964, Weir, along with Garcia, Lesh, Ron "Pigpen" McKernan, and Bill Kreutzmann, formed a band called Mother McCree's Uptown Jug Champions. The group played a mix of folk, bluegrass, and blues music, with Weir contributing rhythm guitar and vocals. As the band evolved and electric instruments were incorporated, they changed their name to The Warlocks. However, upon discovering that another band had already claimed the name "The Warlocks," the group ultimately settled on the name "Grateful Dead," which was suggested by Garcia after he stumbled upon the phrase in a dictionary. The newly christened Grateful Dead began performing at local venues and quickly gained a dedicated following in the San Francisco Bay Area. Weir's Role in the Grateful Dead As a member of the Grateful Dead, Bobby Weir played a crucial role in shaping the band's sound and style. His rhythm guitar work provided a solid foundation for Garcia's lead playing, and his vocal harmonies added depth and texture to the band's songs. Weir also contributed a number of original compositions to the band's repertoire, including classics like "The Other One," "Sugar Magnolia," and "Cassidy." Weir's songwriting often explored themes of Americana, counterculture, and spirituality, reflecting the values and interests of the band and their fans. His compositions showcased his versatility as a musician, with songs ranging from the psychedelic rock of "Playing in the Band" to the country-tinged "Mexicali Blues." In addition to his musical contributions, Weir played a key role in the Grateful Dead's business dealings and decision-making processes. He was known for his pragmatic approach and his ability to balance the band's artistic vision with the realities of the music industry. Evolution of Sound and Style Throughout the Grateful Dead's 30-year career, Weir's playing style and musical interests evolved alongside the band's ever-changing sound. In the early years, he drew heavily from his folk and bluegrass roots, incorporating fingerpicking techniques and acoustic textures into his playing. As the band delved deeper into psychedelic rock and improvisational jamming, Weir's guitar work became more electric and experimental. Weir was known for his use of unique chord voicings and unconventional song structures, which added an element of unpredictability to the band's live performances. He was also an early adopter of the MIDI (Musical Instrument Digital Interface) technology, using it to control various effects and synthesizers in his guitar rig. In the 1970s, Weir began to incorporate elements of jazz and fusion into his playing, reflecting his growing interest in more complex and improvisational forms of music. This influence can be heard on songs like "Eyes of the World" and "The Music Never Stopped," which showcase Weir's ability to weave intricate melodic lines and rhythmic patterns into the band's sound. Solo Projects and Collaborations While Bobby Weir is best known for his work with the Grateful Dead, he has also pursued a successful solo career and collaborated with a wide range of artists throughout his life. His solo discography includes albums like "Ace" (1972), "Heaven Help the Fool" (1978), and "Weir Here" (2004), each showcasing different facets of his musical personality. One of Weir's most notable solo projects is the band Bobby and the Midnites, which he formed in 1978. The group featured a rotating cast of musicians, including jazz keyboardist Dave Garland and drummer Billy Cobham, and explored a more jazz-influenced sound than the Grateful Dead. Bobby and the Midnites released two albums, "Bobby and the Midnites" (1981) and "Where the Beat Meets the Street" (1984), and toured extensively throughout the early 1980s. Weir has also collaborated with a number of other musicians throughout his career, both within and outside the Grateful Dead family. In 1994, he joined forces with Rob Wasserman to form the duo Weir/Wasserman, which released the album "Live at Sweetwater" (1994). He has also performed and recorded with artists like Bruce Hornsby, Bob Dylan, and Warren Haynes. Furthur and Dead &amp; Company Following the death of Jerry Garcia in 1995 and the subsequent disbanding of the Grateful Dead, Bobby Weir remained active in the music scene, participating in various reunions and spin-off projects with his former bandmates. In 2009, he formed the band Furthur with Phil Lesh, which aimed to carry on the musical legacy of the Grateful Dead. Furthur toured extensively from 2009 to 2014, playing a mix of Grateful Dead classics and original material. In 2015, Weir joined forces with John Mayer, Oteil Burbridge, and Jeff Chimenti to form Dead &amp; Company, a new iteration of the Grateful Dead. The band, which also includes former Dead members Mickey Hart and Bill Kreutzmann, has toured regularly since its formation and has introduced the music of the Grateful Dead to a new generation of fans. Weir's involvement in Furthur and Dead &amp; Company highlights his ongoing commitment to keeping the spirit and music of the Grateful Dead alive, even as he continues to explore new creative avenues and collaborations. RatDog and Other Projects Another of Bobby Weir's notable post-Grateful Dead projects is the band RatDog, which he formed in 1995. RatDog began as a more informal collective of musicians, with Weir and bassist Rob Wasserman at its core. Over time, the band evolved into a more structured unit, incorporating elements of rock, blues, and jazz into its sound. RatDog toured extensively throughout the late 1990s and early 2000s, serving as a vehicle for Weir's ongoing musical exploration and creativity. The band released several live albums, including "Live at Roseland" (2001) and "Evening Moods" (2000), which showcase the group's improvisational prowess and Weir's growth as a bandleader. In addition to his work with RatDog, Weir has been involved in various other musical projects and collaborations. He has performed as a solo acoustic artist, showcasing his fingerpicking skills and the more intimate side of his musical personality. Weir has also lent his talents to a number of charitable causes and benefit concerts, using his music as a platform for social and political activism. TRI Studios and "The Other One" In 2011, Bobby Weir founded TRI Studios, a state-of-the-art recording facility and live streaming venue located in San Rafael, California. TRI (which stands for Tamalpais Research Institute) has served as a hub for Weir's various musical projects and collaborations, as well as a platform for live broadcasts and experimental performances. Through TRI Studios, Weir has continued to push the boundaries of live music and digital streaming, hosting a variety of intimate concerts and events that showcase his ongoing commitment to musical innovation and exploration. The studio has also served as a creative space for other artists, fostering collaboration and experimentation across genres and generations. In 2014, Weir released the documentary "The Other One: The Long, Strange Trip of Bob Weir," which offers an intimate portrait of his life and career. Directed by Mike Fleiss, the film explores Weir's personal journey and his role as a key figure in the Grateful Dead and the broader counterculture movement. "The Other One" provides a revealing glimpse into Weir's creative process, his relationships with his bandmates, and his enduring influence on the world of rock music. Influence and Legacy Bobby Weir's contributions to the Grateful Dead and the broader landscape of American music cannot be overstated. As a guitarist, songwriter, and vocalist, he helped shape the band's unique sound and style, infusing elements of rock, folk, jazz, and psychedelia into their music. Weir's compositions, such as "Playing in the Band," "The Music Never Stopped," and "Cassidy," have become staples of the Grateful Dead's repertoire and continue to be performed and celebrated by fans around the world. Beyond his musical contributions, Weir has also been a cultural icon and a voice for his generation. Through his involvement in the counterculture movement of the 1960s and his ongoing advocacy for various social and political causes, Weir has used his platform to promote values

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