Arts

Books

Fashion & Beauty

Performing Arts

Food

Visual Arts

Design

Business

Entrepreneurship

Investing

Marketing

Careers

Management

Non-Profit

Comedy

Stand-Up

Comedy Interviews

Improv

Education

Self-Improvement

How To

Courses

Language Learning

Fiction

Comedy Fiction

Drama

Science Fiction

Government

Health & Fitness

Medicine

Alternative Health

Nutrition

Mental Health

Fitness

Sexuality

History

Kids & Family

Parenting

Stories for Kids

Education for Kids

Pets & Animals

Leisure

Video Games

Games

Automotive

Animation & Manga

Hobbies

Aviation

Home & Garden

Crafts

Music

Music Commentary

Music Interviews

Music History

News

Sports News

Entertainment News

News Commentary

Politics

Daily News

Business News

Tech News

Religion & Spirituality

Christianity

Spirituality

Religion

Judaism

Islam

Buddhism

Hinduism

Science

Social Sciences

Life Sciences

Natural Sciences

Nature

Chemistry

Mathematics

Earth Sciences

Physics

Astronomy

Society & Culture

Documentary

Relationships

Philosophy

Personal Journals

Places & Travel

Sports

Golf

Soccer

Wrestling

Basketball

Football

Fantasy Sports

Baseball

Wilderness

Running

Hockey

Rugby

Cricket

Volleyball

Tennis

Swimming

Technology

True Crime

TV & Film

Film Interviews

TV Reviews

After Shows

Film Reviews

Film History

Mixed by  Mauricio Cury - Pr - Brasil www.mauriciocury.com.br  +55 42 9 8803-7370 For promotional use only. NOT FOR SALE

Mixed by Mauricio Cury - Pr - Brasil www.mauriciocury.com.br +55 42 9 8803-7370 For promotional use only. NOT FOR SALE

Mauricio Cury Podcast

Since 1993, the Hottest 100 has been the largest annual music poll in the world. Countless acts have graced the chart, from Dido to Depeche Mode. We're going to talk about all of them. Hottest 100s and 1000s is a Sydney-based podcast hosted by longtime friends Adam Buncher, Andrew McDonald, David James Young and Nathan Harrison. They look back at every Hottest 100; and every song that has been deemed hot enough to be a part of it over the course of 20+ years.

Hottest 100s and 1000s

Vi bjuder på minnen och anekdoter från vårt liv som dansbandsmusiker, blandat med lite nyheter och ett skratt i bakfickan.

Det var dans bort i vägen, med Bagatelle

Vi gör tio i topp-listor för en enklare ingång till ett band.  Med gäster och experter i vissa avsnitt och andra gissade fakta tar vi på oss att hitta en bra introduktion till ett band som du kommer ha nytta av!

Vi gör tio i topp-listor för en enklare ingång till ett band. Med gäster och experter i vissa avsnitt och andra gissade fakta tar vi på oss att hitta en bra introduktion till ett band som du kommer ha nytta av!

Bandkollen

Music podcast hosted by Sophia Cumella and Titus Oldham
 Support this podcast: <a href="https://podcasters.spotify.com/pod/show/tunesfor2/support" rel="payment">https://podcasters.spotify.com/pod/show/tunesfor2/support</a>

Music podcast hosted by Sophia Cumella and Titus Oldham Support this podcast: https://podcasters.spotify.com/pod/show/tunesfor2/support

Music podcast hosted by Sophia Cumella and Titus Oldham
 Support this podcast: <a href="https://podcasters.spotify.com/pod/show/tunesfor2/support" rel="noopener noreferrer">https://podcasters.spotify.com/pod/show/tunesfor2/support</a>

Tunes For 2

At LTM we discuss music, urban culture and social commentary. We engage in topics that are sure to spark intelligent debates. <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

At LTM we discuss music, urban culture and social commentary. We engage in topics that are sure to spark intelligent debates. Hosted on Acast. See acast.com/privacy for more information.

At LTM we discuss music, urban culture and social commentary. We engage in topics that are sure to spark intelligent debates. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

LTM Podcast

Here at Feelin' Groovy we dig the records and go deep into the wonderful world of vinyl collecting. Sharing tips and advice on all things vinyl and reviewing the albums in my collection . As well as exploring the many aspects of the record industry from its humble beginnings to the present day .

FEELIN' GROOVY

Just a podcast for aesthetically pleasing and calming versions of songs you love.
I mostly do slowed+reverbred.
For specific song requests, hit me up on Instagram-@pavniahuja and Twitter @pavnisucks.

Just a podcast for aesthetically pleasing and calming versions of songs you love. I mostly do slowed+reverbred. For specific song requests, hit me up on Instagram-@pavniahuja and Twitter @pavnisucks.

What The Pavni!?

A podcast featuring two total losers named Dianne and a couple of jokes. The Diannes dish out album reviews with a special theme every week! Tune in and enjoy the musical joyride!

Bombs & Bomb.coms

Radio Off On

A podcast hosted by the one and only Pyscn Blu. They will be discussing important albums, art, entertainment, and creatives that really spoke to them! Tune in every Friday for a honest show with a enthusiastic host!

I’m Finally Doing This

Estamos para resolver las dudas de productores musicales y Beatmakers sobre todo lo que envuelve el marketing, branding y el negocio de la música, de la mano de Youtubers, Productores, Instagramer, en fin esta "Hecho de Productores para Productores.

Academia Beatmaker Podcast

En este podcast hablamos, pensamos, comemos y respiramos música. Un podcast sobre apreciación musical, historia de la música, libros sobre música, teorías disparatadas, filosofía de la música, estética y muchas cosas más... ¡whoooo!

Contacto: https://linktr.ee/nometoqueslasbocinaspodcast

En este podcast hablamos, pensamos, comemos y respiramos música. Un podcast sobre apreciación musical, historia de la música, libros sobre música, teorías disparatadas, filosofía de la música, estética y muchas cosas más... ¡whoooo! Contacto: https://linktr.ee/nometoqueslasbocinaspodcast

¡No me toques las bocinas!

Het Beethoven-Haus in Bonn, het Casa Puccini te Lucca: ruimten waar het hart sneller gaat kloppen, omdat de componist er zijn werken schreef. De een in bittere armoede, de ander in redelijke weelde maar allemaal worstelend, hevig verliefd of ten onrechte verlaten, rokend, drinkend, met ambitie en soms lijdend aan syfilis. Dat was toen! Melchior Huurdeman (VPRO Vrije Geluiden) onderzoekt in de NPO Klassiek-podcastserie De componistenkamer hoe de componist anno nu zijn werk doet.

Hoe ligt de componistenkamer er tegenwoordig bij? En wat speelt zich daar allemaal af? Hoe inspirerend moet en mag de ruimte zijn? Moet het potlood altijd op dezelfde plaats liggen? En waarom haalt de ene componist zoveel inspiratie uit een bak met stenen en verheerlijkt de ander het uitzicht? Die laatste mijmert wat en zet zo het creatieve proces in gang.

Met oa. componisten Jacob ter Veldhuis, Joep Franssens, Anthony Fiumara en Peter-Jan Wagemans.

Het Beethoven-Haus in Bonn, het Casa Puccini te Lucca: ruimten waar het hart sneller gaat kloppen, omdat de componist er zijn werken schreef. De een in bittere armoede, de ander in redelijke weelde maar allemaal worstelend, hevig verliefd of ten onrechte verlaten, rokend, drinkend, met ambitie en soms lijdend aan syfilis. Dat was toen! Melchior Huurdeman (VPRO Vrije Geluiden) onderzoekt in de NPO Klassiek-podcastserie De componistenkamer hoe de componist anno nu zijn werk doet. Hoe ligt de componistenkamer er tegenwoordig bij? En wat speelt zich daar allemaal af? Hoe inspirerend moet en mag de ruimte zijn? Moet het potlood altijd op dezelfde plaats liggen? En waarom haalt de ene componist zoveel inspiratie uit een bak met stenen en verheerlijkt de ander het uitzicht? Die laatste mijmert wat en zet zo het creatieve proces in gang. Met oa. componisten Jacob ter Veldhuis, Joep Franssens, Anthony Fiumara en Peter-Jan Wagemans.

De componistenkamer

En este podcast les estaremos hablando de sus bandas y artistas favoritos de la industria de la música, contándoles sobre sus escándalos e historia, todo esto en una platica entre amigos.

Leyendas de la Música

Entertaining rock music news and facts and other stuff6

@lbertovich Recordando Al RocknRoll

You’re Not On The List is a music podcast, curated for Rewind That Track. We interview, showcase and dive deep into the early life, rise and careers of those in the music industry. 
From artists to event organisers, and promoters to label owners, we take a look at the early life and careers of those in the scene. 
Discussing origins, early raves, the highs, the lows, how to break into the music industry, mental health, what people have witnessed backstage, on-stage and everything in-between. 

Produced, edited and hosted by Connor McLoone.
Instagram: @c.mcloone /@rewindthattrack

You’re Not On The List is a music podcast, curated for Rewind That Track. We interview, showcase and dive deep into the early life, rise and careers of those in the music industry. From artists to event organisers, and promoters to label owners, we take a look at the early life and careers of those in the scene. Discussing origins, early raves, the highs, the lows, how to break into the music industry, mental health, what people have witnessed backstage, on-stage and everything in-between. Produced, edited and hosted by Connor McLoone. Instagram: @c.mcloone /@rewindthattrack

You’re Not On The List

la.mama se ha arrancado por bulerías y varios palos

La.Mama Por Flamenco

Columbia Mills band members chat about how their songs came together and their experiences playing those songs live. This is Columbia Mills || Song Cast. <a target='_blank' rel='noopener noreferrer' href="https://open.acast.com/public/patreon/fanSubscribe/4605226">Get bonus content on Patreon</a> <hr> See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for privacy and opt-out information.

Columbia Mills band members chat about how their songs came together and their experiences playing those songs live. This is Columbia Mills || Song Cast. Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.

Columbia Mills band members chat about how their songs came together and their experiences playing those songs live. This is Columbia Mills || Song Cast. <a href="https://open.acast.com/public/patreon/fanSubscribe/4605226" rel="noopener noreferrer">Get bonus content on Patreon</a> See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for privacy and opt-out information.

Columbia Mills || Song Cast

Lowell George, the legendary singer, songwriter, and guitarist, left an indelible mark on the world of rock music before his untimely death in 1979 at the age of 34. As the founder and driving force behind the band Little Feat, George's unique blend of rock, funk, blues, and country influenced countless musicians and helped to define the sound of American rock in the 1970s. Early Life and Musical Beginnings Lowell Thomas George was born on April 13, 1945, in Hollywood, California. His father, Willard George, was a furrier to the stars, and his mother, Lucille, was a housewife. Growing up in the heart of the entertainment industry, George was exposed to music from an early age. He began playing guitar at the age of 11 and quickly developed a passion for blues and R&amp;B. As a teenager, George attended Hollywood High School, where he met future bandmate Roy Estrada. Together, they formed a band called The Factory, which played a mix of blues and soul covers. George's talent as a guitarist and singer quickly earned him a reputation on the local music scene, and he began playing with other bands, including The Standells and The Mothers of Invention. In 1966, George joined Frank Zappa's band, The Mothers of Invention, as a guitarist and vocalist. He appeared on several of the band's early albums, including "Freak Out!" and "Absolutely Free," and his distinctive slide guitar playing became a key element of the band's sound. However, George's time with The Mothers was short-lived, as he left the band in 1969 to pursue his own musical vision. Formation of Little Feat After leaving The Mothers of Invention, George formed his own band, Little Feat, with keyboardist Bill Payne, bassist Roy Estrada, and drummer Richie Hayward. The band's name was a reference to George's unusually small feet, which he often joked about in interviews. Little Feat's self-titled debut album, released in 1971, showcased George's songwriting talents and the band's eclectic musical style. The album featured a mix of rock, blues, country, and R&amp;B, with George's slide guitar and distinctive vocals at the forefront. Although the album was not a commercial success, it established Little Feat as a band to watch and earned them a dedicated following among music critics and fellow musicians. Over the next several years, Little Feat released a series of critically acclaimed albums, including "Sailin' Shoes" (1972), "Dixie Chicken" (1973), and "Feats Don't Fail Me Now" (1974). These albums further refined the band's sound, blending elements of rock, funk, and New Orleans-style R&amp;B into a unique and infectious mix. George's songwriting during this period was particularly strong, with tracks like "Willin'," "Fat Man in the Bathtub," and "Rock and Roll Doctor" becoming fan favorites and staples of the band's live shows. His lyrics often dealt with themes of love, loss, and the struggles of everyday life, delivered with a wry sense of humor and a keen eye for detail. In addition to his work with Little Feat, George also collaborated with other musicians during this period. He produced albums for artists like Robert Palmer and Valerie Carter, and he played guitar on recordings by the likes of John Cale, Harry Nilsson, and Bonnie Raitt. Challenges and Struggles Despite Little Feat's critical acclaim and dedicated fanbase, the band faced numerous challenges throughout the 1970s. George's drug use, particularly his addiction to heroin, began to take a toll on his health and his ability to perform. The band's lineup also underwent several changes, with Roy Estrada leaving the band in 1972 and being replaced by a series of bassists, including Kenny Gradney and Paul Barrere. In 1975, Little Feat took a hiatus as George sought treatment for his drug addiction. When the band returned to the studio in 1977 to record their sixth album, "Time Loves a Hero," tensions were high, and the recording process was fraught with difficulties. The resulting album was a departure from the band's earlier sound, incorporating more jazz and fusion elements, and was met with mixed reviews from fans and critics alike. Despite these challenges, Little Feat continued to tour extensively throughout the late 1970s, building a reputation as one of the most dynamic and exciting live bands of their era. George's slide guitar playing and soulful vocals remained the centerpiece of the band's sound, and his onstage persona, complete with his trademark top hat and funky dance moves, made him a beloved figure among fans. Tragic End and Legacy Tragically, Lowell George's life and career were cut short on June 29, 1979, when he suffered a fatal heart attack in his hotel room in Arlington, Virginia. He had been on tour with Little Feat at the time, and the band had been scheduled to play a show that evening. George's death sent shockwaves through the music community, and tributes poured in from fellow musicians and fans alike. Little Feat disbanded shortly after George's death, with the surviving members pursuing other projects and collaborations. In the decades since his passing, Lowell George's legacy has only grown, with new generations of musicians discovering his music and citing him as an influence. His unique blend of rock, funk, and blues, combined with his poetic lyrics and distinctive vocals, helped to define the sound of 1970s American rock and paved the way for countless artists who followed in his footsteps. George's influence can be heard in the work of artists like Bonnie Raitt, who covered his song "Dixie Chicken" and has cited him as a major influence on her own slide guitar playing. The Allman Brothers Band, another seminal 1970s rock band, also drew inspiration from George's music, with Gregg Allman once stating that "Lowell George was one of the greatest singers and songwriters of all time." In addition to his musical legacy, George is also remembered for his larger-than-life personality and his wry sense of humor. He was known for his love of practical jokes and his ability to light up a room with his infectious laughter and quick wit. His bandmates and friends remember him as a kind and generous soul, always willing to lend a helping hand or offer words of encouragement to those around him. Little Feat's Reformation and Continuation Although Little Feat disbanded following Lowell George's death, the surviving members of the band eventually reformed in 1987, with Fred Tackett taking over guitar duties and Craig Fuller handling vocals. The reformed band released several albums over the next several decades, including "Let It Roll" (1988) and "Representing the Mambo" (1990), and continued to tour extensively. While the reformed Little Feat never quite captured the same magic as the original lineup, they remained a beloved and respected presence on the rock scene, known for their tight musicianship and eclectic blend of styles. The band also helped to keep Lowell George's music alive, frequently performing his songs in their live shows and introducing new generations of fans to his work. In 2020, Little Feat celebrated their 50th anniversary with a series of special concerts and releases, including a deluxe edition of their live album "Waiting for Columbus." The band also announced plans for a documentary film about their history and legacy, with a particular focus on the life and music of Lowell George. Remembering Lowell George More than four decades after his untimely death, Lowell George's music and spirit continue to inspire and influence musicians and music lovers around the world. His unique blend of rock, funk, blues, and country, combined with his poetic lyrics and distinctive vocals, helped to define the sound of 1970s American rock and paved the way for countless artists who followed in his footsteps. George's legacy is also a testament to the power of perseverance and the pursuit of one's artistic vision. Despite facing numerous challenges and setbacks throughout his career, including struggles with drug addiction and personal demons, George never lost sight of his love for music and his desire to create something unique and meaningful. His bandmates and friends remember him as a kind and generous soul, always willing to lend a helping hand or offer words of encouragement to those around him. His larger-than-life personality and wry sense of humor also made him a beloved figure among fans and fellow musicians alike. Today, Lowell George's music continues to be celebrated and rediscovered by new generations of fans, thanks in part to the efforts of his surviving bandmates and the enduring appeal of his songwriting and musicianship. From the funky grooves of "Fat Man in the Bathtub" to the haunting beauty of "Willin'," George's songs remain timeless classics that continue to resonate with listeners of all ages and backgrounds. As we look back on the life and legacy of Lowell George, it's clear that his impact on the world of rock music cannot be overstated. He was a true original, a visionary artist who helped to push the boundaries of what was possible in rock and roll and inspire countless others to follow in his footsteps. While his life may have been cut tragically short, the music he created and the spirit he embodied continue to live on, a testament to the enduring power of art and the human spirit. As long as there are those who love rock and roll and appreciate the unique blend of styles and influences that made Little Feat so special, Lowell George's legacy will continue to shine bright, a guiding light for generations of musicians and music lovers to come. Lowell George's Enduring Musical Influence The influence of Lowell George's music can be heard in the work of countless artists across a wide range of genres, from rock and blues to funk and country. His un

Lowell George, the legendary singer, songwriter, and guitarist, left an indelible mark on the world of rock music before his untimely death in 1979 at the age of 34. As the founder and driving force behind the band Little Feat, George's unique blend of rock, funk, blues, and country influenced countless musicians and helped to define the sound of American rock in the 1970s. Early Life and Musical Beginnings Lowell Thomas George was born on April 13, 1945, in Hollywood, California. His father, Willard George, was a furrier to the stars, and his mother, Lucille, was a housewife. Growing up in the heart of the entertainment industry, George was exposed to music from an early age. He began playing guitar at the age of 11 and quickly developed a passion for blues and R&B. As a teenager, George attended Hollywood High School, where he met future bandmate Roy Estrada. Together, they formed a band called The Factory, which played a mix of blues and soul covers. George's talent as a guitarist and singer quickly earned him a reputation on the local music scene, and he began playing with other bands, including The Standells and The Mothers of Invention. In 1966, George joined Frank Zappa's band, The Mothers of Invention, as a guitarist and vocalist. He appeared on several of the band's early albums, including "Freak Out!" and "Absolutely Free," and his distinctive slide guitar playing became a key element of the band's sound. However, George's time with The Mothers was short-lived, as he left the band in 1969 to pursue his own musical vision. Formation of Little Feat After leaving The Mothers of Invention, George formed his own band, Little Feat, with keyboardist Bill Payne, bassist Roy Estrada, and drummer Richie Hayward. The band's name was a reference to George's unusually small feet, which he often joked about in interviews. Little Feat's self-titled debut album, released in 1971, showcased George's songwriting talents and the band's eclectic musical style. The album featured a mix of rock, blues, country, and R&B, with George's slide guitar and distinctive vocals at the forefront. Although the album was not a commercial success, it established Little Feat as a band to watch and earned them a dedicated following among music critics and fellow musicians. Over the next several years, Little Feat released a series of critically acclaimed albums, including "Sailin' Shoes" (1972), "Dixie Chicken" (1973), and "Feats Don't Fail Me Now" (1974). These albums further refined the band's sound, blending elements of rock, funk, and New Orleans-style R&B into a unique and infectious mix. George's songwriting during this period was particularly strong, with tracks like "Willin'," "Fat Man in the Bathtub," and "Rock and Roll Doctor" becoming fan favorites and staples of the band's live shows. His lyrics often dealt with themes of love, loss, and the struggles of everyday life, delivered with a wry sense of humor and a keen eye for detail. In addition to his work with Little Feat, George also collaborated with other musicians during this period. He produced albums for artists like Robert Palmer and Valerie Carter, and he played guitar on recordings by the likes of John Cale, Harry Nilsson, and Bonnie Raitt. Challenges and Struggles Despite Little Feat's critical acclaim and dedicated fanbase, the band faced numerous challenges throughout the 1970s. George's drug use, particularly his addiction to heroin, began to take a toll on his health and his ability to perform. The band's lineup also underwent several changes, with Roy Estrada leaving the band in 1972 and being replaced by a series of bassists, including Kenny Gradney and Paul Barrere. In 1975, Little Feat took a hiatus as George sought treatment for his drug addiction. When the band returned to the studio in 1977 to record their sixth album, "Time Loves a Hero," tensions were high, and the recording process was fraught with difficulties. The resulting album was a departure from the band's earlier sound, incorporating more jazz and fusion elements, and was met with mixed reviews from fans and critics alike. Despite these challenges, Little Feat continued to tour extensively throughout the late 1970s, building a reputation as one of the most dynamic and exciting live bands of their era. George's slide guitar playing and soulful vocals remained the centerpiece of the band's sound, and his onstage persona, complete with his trademark top hat and funky dance moves, made him a beloved figure among fans. Tragic End and Legacy Tragically, Lowell George's life and career were cut short on June 29, 1979, when he suffered a fatal heart attack in his hotel room in Arlington, Virginia. He had been on tour with Little Feat at the time, and the band had been scheduled to play a show that evening. George's death sent shockwaves through the music community, and tributes poured in from fellow musicians and fans alike. Little Feat disbanded shortly after George's death, with the surviving members pursuing other projects and collaborations. In the decades since his passing, Lowell George's legacy has only grown, with new generations of musicians discovering his music and citing him as an influence. His unique blend of rock, funk, and blues, combined with his poetic lyrics and distinctive vocals, helped to define the sound of 1970s American rock and paved the way for countless artists who followed in his footsteps. George's influence can be heard in the work of artists like Bonnie Raitt, who covered his song "Dixie Chicken" and has cited him as a major influence on her own slide guitar playing. The Allman Brothers Band, another seminal 1970s rock band, also drew inspiration from George's music, with Gregg Allman once stating that "Lowell George was one of the greatest singers and songwriters of all time." In addition to his musical legacy, George is also remembered for his larger-than-life personality and his wry sense of humor. He was known for his love of practical jokes and his ability to light up a room with his infectious laughter and quick wit. His bandmates and friends remember him as a kind and generous soul, always willing to lend a helping hand or offer words of encouragement to those around him. Little Feat's Reformation and Continuation Although Little Feat disbanded following Lowell George's death, the surviving members of the band eventually reformed in 1987, with Fred Tackett taking over guitar duties and Craig Fuller handling vocals. The reformed band released several albums over the next several decades, including "Let It Roll" (1988) and "Representing the Mambo" (1990), and continued to tour extensively. While the reformed Little Feat never quite captured the same magic as the original lineup, they remained a beloved and respected presence on the rock scene, known for their tight musicianship and eclectic blend of styles. The band also helped to keep Lowell George's music alive, frequently performing his songs in their live shows and introducing new generations of fans to his work. In 2020, Little Feat celebrated their 50th anniversary with a series of special concerts and releases, including a deluxe edition of their live album "Waiting for Columbus." The band also announced plans for a documentary film about their history and legacy, with a particular focus on the life and music of Lowell George. Remembering Lowell George More than four decades after his untimely death, Lowell George's music and spirit continue to inspire and influence musicians and music lovers around the world. His unique blend of rock, funk, blues, and country, combined with his poetic lyrics and distinctive vocals, helped to define the sound of 1970s American rock and paved the way for countless artists who followed in his footsteps. George's legacy is also a testament to the power of perseverance and the pursuit of one's artistic vision. Despite facing numerous challenges and setbacks throughout his career, including struggles with drug addiction and personal demons, George never lost sight of his love for music and his desire to create something unique and meaningful. His bandmates and friends remember him as a kind and generous soul, always willing to lend a helping hand or offer words of encouragement to those around him. His larger-than-life personality and wry sense of humor also made him a beloved figure among fans and fellow musicians alike. Today, Lowell George's music continues to be celebrated and rediscovered by new generations of fans, thanks in part to the efforts of his surviving bandmates and the enduring appeal of his songwriting and musicianship. From the funky grooves of "Fat Man in the Bathtub" to the haunting beauty of "Willin'," George's songs remain timeless classics that continue to resonate with listeners of all ages and backgrounds. As we look back on the life and legacy of Lowell George, it's clear that his impact on the world of rock music cannot be overstated. He was a true original, a visionary artist who helped to push the boundaries of what was possible in rock and roll and inspire countless others to follow in his footsteps. While his life may have been cut tragically short, the music he created and the spirit he embodied continue to live on, a testament to the enduring power of art and the human spirit. As long as there are those who love rock and roll and appreciate the unique blend of styles and influences that made Little Feat so special, Lowell George's legacy will continue to shine bright, a guiding light for generations of musicians and music lovers to come. Lowell George's Enduring Musical Influence The influence of Lowell George's music can be heard in the work of countless artists across a wide range of genres, from rock and blues to funk and country. His un

Lowell George, the legendary singer, songwriter, and guitarist, left an indelible mark on the world of rock music before his untimely death in 1979 at the age of 34. As the founder and driving force behind the band Little Feat, George's unique blend of rock, funk, blues, and country influenced countless musicians and helped to define the sound of American rock in the 1970s. Early Life and Musical Beginnings Lowell Thomas George was born on April 13, 1945, in Hollywood, California. His father, Willard George, was a furrier to the stars, and his mother, Lucille, was a housewife. Growing up in the heart of the entertainment industry, George was exposed to music from an early age. He began playing guitar at the age of 11 and quickly developed a passion for blues and R&amp;B. As a teenager, George attended Hollywood High School, where he met future bandmate Roy Estrada. Together, they formed a band called The Factory, which played a mix of blues and soul covers. George's talent as a guitarist and singer quickly earned him a reputation on the local music scene, and he began playing with other bands, including The Standells and The Mothers of Invention. In 1966, George joined Frank Zappa's band, The Mothers of Invention, as a guitarist and vocalist. He appeared on several of the band's early albums, including "Freak Out!" and "Absolutely Free," and his distinctive slide guitar playing became a key element of the band's sound. However, George's time with The Mothers was short-lived, as he left the band in 1969 to pursue his own musical vision. Formation of Little Feat After leaving The Mothers of Invention, George formed his own band, Little Feat, with keyboardist Bill Payne, bassist Roy Estrada, and drummer Richie Hayward. The band's name was a reference to George's unusually small feet, which he often joked about in interviews. Little Feat's self-titled debut album, released in 1971, showcased George's songwriting talents and the band's eclectic musical style. The album featured a mix of rock, blues, country, and R&amp;B, with George's slide guitar and distinctive vocals at the forefront. Although the album was not a commercial success, it established Little Feat as a band to watch and earned them a dedicated following among music critics and fellow musicians. Over the next several years, Little Feat released a series of critically acclaimed albums, including "Sailin' Shoes" (1972), "Dixie Chicken" (1973), and "Feats Don't Fail Me Now" (1974). These albums further refined the band's sound, blending elements of rock, funk, and New Orleans-style R&amp;B into a unique and infectious mix. George's songwriting during this period was particularly strong, with tracks like "Willin'," "Fat Man in the Bathtub," and "Rock and Roll Doctor" becoming fan favorites and staples of the band's live shows. His lyrics often dealt with themes of love, loss, and the struggles of everyday life, delivered with a wry sense of humor and a keen eye for detail. In addition to his work with Little Feat, George also collaborated with other musicians during this period. He produced albums for artists like Robert Palmer and Valerie Carter, and he played guitar on recordings by the likes of John Cale, Harry Nilsson, and Bonnie Raitt. Challenges and Struggles Despite Little Feat's critical acclaim and dedicated fanbase, the band faced numerous challenges throughout the 1970s. George's drug use, particularly his addiction to heroin, began to take a toll on his health and his ability to perform. The band's lineup also underwent several changes, with Roy Estrada leaving the band in 1972 and being replaced by a series of bassists, including Kenny Gradney and Paul Barrere. In 1975, Little Feat took a hiatus as George sought treatment for his drug addiction. When the band returned to the studio in 1977 to record their sixth album, "Time Loves a Hero," tensions were high, and the recording process was fraught with difficulties. The resulting album was a departure from the band's earlier sound, incorporating more jazz and fusion elements, and was met with mixed reviews from fans and critics alike. Despite these challenges, Little Feat continued to tour extensively throughout the late 1970s, building a reputation as one of the most dynamic and exciting live bands of their era. George's slide guitar playing and soulful vocals remained the centerpiece of the band's sound, and his onstage persona, complete with his trademark top hat and funky dance moves, made him a beloved figure among fans. Tragic End and Legacy Tragically, Lowell George's life and career were cut short on June 29, 1979, when he suffered a fatal heart attack in his hotel room in Arlington, Virginia. He had been on tour with Little Feat at the time, and the band had been scheduled to play a show that evening. George's death sent shockwaves through the music community, and tributes poured in from fellow musicians and fans alike. Little Feat disbanded shortly after George's death, with the surviving members pursuing other projects and collaborations. In the decades since his passing, Lowell George's legacy has only grown, with new generations of musicians discovering his music and citing him as an influence. His unique blend of rock, funk, and blues, combined with his poetic lyrics and distinctive vocals, helped to define the sound of 1970s American rock and paved the way for countless artists who followed in his footsteps. George's influence can be heard in the work of artists like Bonnie Raitt, who covered his song "Dixie Chicken" and has cited him as a major influence on her own slide guitar playing. The Allman Brothers Band, another seminal 1970s rock band, also drew inspiration from George's music, with Gregg Allman once stating that "Lowell George was one of the greatest singers and songwriters of all time." In addition to his musical legacy, George is also remembered for his larger-than-life personality and his wry sense of humor. He was known for his love of practical jokes and his ability to light up a room with his infectious laughter and quick wit. His bandmates and friends remember him as a kind and generous soul, always willing to lend a helping hand or offer words of encouragement to those around him. Little Feat's Reformation and Continuation Although Little Feat disbanded following Lowell George's death, the surviving members of the band eventually reformed in 1987, with Fred Tackett taking over guitar duties and Craig Fuller handling vocals. The reformed band released several albums over the next several decades, including "Let It Roll" (1988) and "Representing the Mambo" (1990), and continued to tour extensively. While the reformed Little Feat never quite captured the same magic as the original lineup, they remained a beloved and respected presence on the rock scene, known for their tight musicianship and eclectic blend of styles. The band also helped to keep Lowell George's music alive, frequently performing his songs in their live shows and introducing new generations of fans to his work. In 2020, Little Feat celebrated their 50th anniversary with a series of special concerts and releases, including a deluxe edition of their live album "Waiting for Columbus." The band also announced plans for a documentary film about their history and legacy, with a particular focus on the life and music of Lowell George. Remembering Lowell George More than four decades after his untimely death, Lowell George's music and spirit continue to inspire and influence musicians and music lovers around the world. His unique blend of rock, funk, blues, and country, combined with his poetic lyrics and distinctive vocals, helped to define the sound of 1970s American rock and paved the way for countless artists who followed in his footsteps. George's legacy is also a testament to the power of perseverance and the pursuit of one's artistic vision. Despite facing numerous challenges and setbacks throughout his career, including struggles with drug addiction and personal demons, George never lost sight of his love for music and his desire to create something unique and meaningful. His bandmates and friends remember him as a kind and generous soul, always willing to lend a helping hand or offer words of encouragement to those around him. His larger-than-life personality and wry sense of humor also made him a beloved figure among fans and fellow musicians alike. Today, Lowell George's music continues to be celebrated and rediscovered by new generations of fans, thanks in part to the efforts of his surviving bandmates and the enduring appeal of his songwriting and musicianship. From the funky grooves of "Fat Man in the Bathtub" to the haunting beauty of "Willin'," George's songs remain timeless classics that continue to resonate with listeners of all ages and backgrounds. As we look back on the life and legacy of Lowell George, it's clear that his impact on the world of rock music cannot be overstated. He was a true original, a visionary artist who helped to push the boundaries of what was possible in rock and roll and inspire countless others to follow in his footsteps. While his life may have been cut tragically short, the music he created and the spirit he embodied continue to live on, a testament to the enduring power of art and the human spirit. As long as there are those who love rock and roll and appreciate the unique blend of styles and influences that made Little Feat so special, Lowell George's legacy will continue to shine bright, a guiding light for generations of musicians and music lovers to come. Lowell George's Enduring Musical Influence The influence of Lowell George's music can be heard in the work of countless artists across a wide range of genres, from rock and blues to funk and country. His un

Lowell George - Audio Biography

*Agenda Chilango* es un espacio dinámico y divertido sobre los mejores planes que hay en CDMX. Aquí hablaremos de *entretenimiento,* lo que está sonando fuerte en México y el mundo: *¿Qué hacer en CDMX?,* las mejores alternativas para los próximos días. *Actividades para toda la familia.Cultura,* recomendaciones de artes escénicas y visuales. *Cine y TV* ; *Música,* con los mejores conciertos y recomendaciones. *¿Qué comer?,* porque a todxs lxs chilangxs nos encanta la gastronomía —y una que otra copita—. *Lo curioso,* con grandes datos de CDMX para romper el hielo en cualquier conversación.Conducido por *Liz Basaldúa, Karla Peckerman* y *Pam Escamilla.* Escucha *Agenda Chilango* en vivo todos los *miércoles de 3:00 p.m. a 4:00 p.m.* por el *105.3 FM.* Una producción de *Radio Chilango.*

Agenda Chilango

淮海戏是江苏省主要的地方戏曲剧种之一，流行于连云港市、淮安市、宿迁市及徐州市、盐城市部分县区，至2019年已有两百多年的历史。沭阳是淮海戏的发源地。 [1] 淮海戏唱腔音乐丰富多彩，有男腔和女腔的区别。淮海戏唱腔的特点是乐句结尾突然翻高八度耍腔，具有拉人魂魄的艺术魅力，故有“拉魂腔”之称。淮海戏的一些表演身段明显脱胎于苏北农村生活，带有浓郁的乡土气息。

淮海戏是江苏省主要的地方戏曲剧种之一，流行于连云港市、淮安市、宿迁市及徐州市、盐城市部分县区，至2019年已有两百多年的历史。沭阳是淮海戏的发源地。 [1] 淮海戏唱腔音乐丰富多彩，有男腔和女腔的区别。淮海戏唱腔的特点是乐句结尾突然翻高八度耍腔，具有拉人魂魄的艺术魅力，故有“拉魂腔”之称。淮海戏的一些表演身段明显脱胎于苏北农村生活，带有浓郁的乡土气息。

淮海戏是江苏省主要的地方戏曲剧种之一，流行于连云港市、淮安市、宿迁市及徐州市、盐城市部分县区，至2019年已有两百多年的历史。沭阳是淮海戏的发源地。 [1] 淮海戏唱腔音乐丰富多彩，有男腔和女腔的区别。淮海戏唱腔的特点是乐句结尾突然翻高八度耍腔，具有拉人魂魄的艺术魅力，故有“拉魂腔”之称。淮海戏的一些表演身段明显脱胎于苏北农村生活，带有浓郁的乡土气息。

【淮海戏】专辑大全

山东梆子是流行于<a target="_blank" style="color:#4990E2;text-decoration:none;">山东省</a><a target="_blank" style="color:#4990E2;text-decoration:none;">鲁西南</a>及<a target="_blank" style="color:#4990E2;text-decoration:none;">鲁中</a>地区的传统地方戏曲剧种。又名“<a target="_blank" style="color:#4990E2;text-decoration:none;">高调梆子</a>”，简称“高调”或“高梆”。又因其高昂激越的特点，被人称为“舍命梆子腔”。主要流行于山东西南部的<a target="_blank" style="color:#4990E2;text-decoration:none;">菏泽</a>、<a target="_blank" style="color:#4990E2;text-decoration:none;">济宁</a>、<a target="_blank" style="color:#4990E2;text-decoration:none;">泰安</a>等地的大部分县市，以及<a target="_blank" style="color:#4990E2;text-decoration:none;">临沂</a>、聊城等地区的广大城镇乡村。因流行区域的不同，<a target="_blank" style="color:#4990E2;text-decoration:none;">群众</a>对其称呼亦有别。如以菏泽为中心的，习称“<a target="_blank" style="color:#4990E2;text-decoration:none;">曹州梆子</a>”；以济宁、汶上为中心的，称为“<a target="_blank" style="color:#4990E2;text-decoration:none;">汶上梆子</a>”或“下路调”，总称“高调”，以区别于流行在鲁西南的“大平调”。1952年，定名统称为“山东梆子”。

山东梆子是流行于山东省鲁西南及鲁中地区的传统地方戏曲剧种。又名“高调梆子”，简称“高调”或“高梆”。又因其高昂激越的特点，被人称为“舍命梆子腔”。主要流行于山东西南部的菏泽、济宁、泰安等地的大部分县市，以及临沂、聊城等地区的广大城镇乡村。因流行区域的不同，群众对其称呼亦有别。如以菏泽为中心的，习称“曹州梆子”；以济宁、汶上为中心的，称为“汶上梆子”或“下路调”，总称“高调”，以区别于流行在鲁西南的“大平调”。1952年，定名统称为“山东梆子”。

山东梆子是流行于<a rel="noopener noreferrer">山东省</a><a rel="noopener noreferrer">鲁西南</a>及<a rel="noopener noreferrer">鲁中</a>地区的传统地方戏曲剧种。又名“<a rel="noopener noreferrer">高调梆子</a>”，简称“高调”或“高梆”。又因其高昂激越的特点，被人称为“舍命梆子腔”。主要流行于山东西南部的<a rel="noopener noreferrer">菏泽</a>、<a rel="noopener noreferrer">济宁</a>、<a rel="noopener noreferrer">泰安</a>等地的大部分县市，以及<a rel="noopener noreferrer">临沂</a>、聊城等地区的广大城镇乡村。因流行区域的不同，<a rel="noopener noreferrer">群众</a>对其称呼亦有别。如以菏泽为中心的，习称“<a rel="noopener noreferrer">曹州梆子</a>”；以济宁、汶上为中心的，称为“<a rel="noopener noreferrer">汶上梆子</a>”或“下路调”，总称“高调”，以区别于流行在鲁西南的“大平调”。1952年，定名统称为“山东梆子”。

【山东梆子】专辑大全

Découvrez une nouvelle image du rap avec des analyses qui se focalisent sur les textes, grâce à des approches littéraires comme sociologiques, historiques, géographiques… Pas question pourtant de se restreindre au « rap à texte », et les autres formes de rap sont aussi étudiées lors de débats ou d’interviews.Le but : interroger voire déconstruire nos stéréotypes sur ce genre varié, démêler le vrai du faux, reconnaître ses codes et ses écueils sans l’y réduire et prendre en compte les autres morceaux qui peuvent s’apparenter au rap sans pourtant en mobiliser les clichés les plus récurrents.Et vous, quelle image avez-vous du rap ? Une émission originale Trensistor produite par Lucie Sol, à retrouver sur Trensistor dès le 13 décembre 2023. <hr> Hébergé par Acast. Visitez <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> pour plus d'informations.

Découvrez une nouvelle image du rap avec des analyses qui se focalisent sur les textes, grâce à des approches littéraires comme sociologiques, historiques, géographiques… Pas question pourtant de se restreindre au « rap à texte », et les autres formes de rap sont aussi étudiées lors de débats ou d’interviews. Le but : interroger voire déconstruire nos stéréotypes sur ce genre varié, démêler le vrai du faux, reconnaître ses codes et ses écueils sans l’y réduire et prendre en compte les autres morceaux qui peuvent s’apparenter au rap sans pourtant en mobiliser les clichés les plus récurrents. Et vous, quelle image avez-vous du rap ? Une émission originale Trensistor produite par Lucie Sol, à retrouver sur Trensistor dès le 13 décembre 2023. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Découvrez une nouvelle image du rap avec des analyses qui se focalisent sur les textes, grâce à des approches littéraires comme sociologiques, historiques, géographiques… Pas question pourtant de se restreindre au « rap à texte », et les autres formes de rap sont aussi étudiées lors de débats ou d’interviews.Le but : interroger voire déconstruire nos stéréotypes sur ce genre varié, démêler le vrai du faux, reconnaître ses codes et ses écueils sans l’y réduire et prendre en compte les autres morceaux qui peuvent s’apparenter au rap sans pourtant en mobiliser les clichés les plus récurrents.Et vous, quelle image avez-vous du rap ? Une émission originale Trensistor produite par Lucie Sol, à retrouver sur Trensistor dès le 13 décembre 2023. Hébergé par Acast. Visitez <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> pour plus d'informations.

Rapsodie

大阪・茶屋町にあるMBSラジオで火曜から金曜の深夜に放送している音楽番組のPodcast。放送では1アーティスト、1ジャンル、1テーマにこだわった選曲を朝までお届けしていますが、Podcastでは出演者のトーク部分のみを抜粋して配信。紹介した楽曲が気になる方はradiko（https://radiko.jp/r_seasons/10017444）をチェック!！番組HPではオンエアした楽曲も紹介しています。https://www.mbs1179.com/mt/

MラジMusicTreasures

Welcome to Colin's Music Corner, where your host Colin Bragg creates contemplative spaces with his guitar and synthesizer. Stop looking and start listening.

Colin's Music Corner

With my busy schedule during the equine breeding season the show will run from July through December with episodes every week where I, Casey Budge, discuss Rodeo, Country Music and whatever else I feel like with a rotating lineup of guests.

The Offseason Podcast

Peel It Back... A podcast interview series hosted by Jack Wrenn where the aim is to shine a light on the some of the interesting cats that make up the underground dance music scene. Far from putting these people on a pedestal, as is the norm in this format, we’ll be cutting through the BS and peeling back the layers that make up these individuals. Discussing everything from funny tour stories through to honest opinions through to mental health. These are conversations I’ve thoroughly enjoyed recording and ones I hope you enjoy too… welcome to Peel It Back.

Peel It Back... A podcast interview series hosted by Jack Wrenn where the aim is to shine a light on the some of the interesting cats that make up the underground dance music scene. Far from putting these people on a pedestal, as is the norm in this format, we’ll be cutting through the BS and peeling back the layers that make up these individuals. Discussing everything from funny tour stories through to honest opinions through to mental health. These are conversations I’ve thoroughly enjoyed recording and ones I hope you enjoy too… welcome to Peel It Back.

Peel It Back

It's simple, we find songs that have historical context within the lyrics and then dissect those lyrics on the show. Whether it's a song about a ship that sank in the Great Lakes or an ancient folk song about Mongolian sky gods, we will explore it's historical context. But more importantly, we will dig into what the songwriter was trying to communicate and why.

History in Music

It's a fun time with (a new to hosting) host!!!, Yep that's me! Lyrikk Trujay. I will be sharing some of the Greatest vocals you'll ever hear. Come and join me as we all will be blown away by great singing!

🎼🎵Something 2 Sing About🎵🎼

A Rock and Metal podcast, featuring 4 hosts from different parts of the world, talking about anything from album art, to albums, to live shows
Twitter - @BlackwaterPod_
Connor’s Twitter - @riperoo6565
Nicks Twitter - @ballfartmonkey2
B1dd0’s Twitter - @b1dd0_
Vitor’s Twitter - @BaruffiVitor

Logo Designed by @mdebyangel

A Rock and Metal podcast, featuring 4 hosts from different parts of the world, talking about anything from album art, to albums, to live shows Twitter - @BlackwaterPod_ Connor’s Twitter - @riperoo6565 Nicks Twitter - @ballfartmonkey2 B1dd0’s Twitter - @b1dd0_ Vitor’s Twitter - @BaruffiVitor Logo Designed by @mdebyangel

BlackwaterPodcast

My new podcast is finally live. Hit that play button and join me for a fun ride

Hindi Sad song RakeshAnshraj 2024

monas favs

That Vinyl Show is a monthly (usually) podcast focused on the Golden Age of Vinyl (and sometimes even the Silver and Bronze ages!) and sharing, reviewing, critiquing, and enjoying some of the greatest records you’ve never heard.

That Vinyl Show is a monthly (usually) podcast focused on the Golden Age of Vinyl (and sometimes even the Silver and Bronze ages!) and sharing, reviewing, critiquing, and enjoying some of the greatest records you’ve never heard.

That Vinyl Show

Contemporaries is a podcast about new classical music and those who make it happen. Join us, your similarly-named hosts Rob &amp; Robin, as we dive into music we love to hear.

Contemporaries is a podcast about new classical music and those who make it happen. Join us, your similarly-named hosts Rob & Robin, as we dive into music we love to hear.

Music Commentary Podcasts / Page 305

Mauricio Cury Podcast

Hottest 100s and 1000s

Det var dans bort i vägen, med Bagatelle

Bandkollen

Tunes For 2

LTM Podcast

FEELIN' GROOVY

What The Pavni!?

Bombs & Bomb.coms

Radio Off On

I’m Finally Doing This

Academia Beatmaker Podcast

¡No me toques las bocinas!

De componistenkamer

Leyendas de la Música

@lbertovich Recordando Al RocknRoll

You’re Not On The List

La.Mama Por Flamenco

Columbia Mills || Song Cast

Lowell George - Audio Biography

Agenda Chilango

【淮海戏】专辑大全

【山东梆子】专辑大全

Rapsodie

MラジMusicTreasures

Colin's Music Corner

The Offseason Podcast

Peel It Back

History in Music

🎼🎵Something 2 Sing About🎵🎼

BlackwaterPodcast

Hindi Sad song RakeshAnshraj 2024

monas favs

That Vinyl Show

Contemporaries

憨人派对-五迷快乐老家

Bruno Mars - Biography Flash

Hit Busters – copy or not?

EMINEM-Bitterphobia

Malik Montana x OLEK - Łycha na betonie

DJ AYUSH X DJ PRANIL ( AP BROTHERS )

ABUMAFIA

J-POP★じゃんけん｜勝った方だけオンエアされるJPOPプレゼンバトル

Musiq Buz

Only The Best

The Oudda Guyz Podcast

No Sound Left Behind

Luces off voces on

The Sound Seat with Audio Militia

Jjang Podcast