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<a href="https://www.radiotoday.com.au/">Radio Today</a> brings you the top radio, audio and podcast industry headlines every fortnight.
Radio Today Tonight&nbsp;arrives on Thursdays, mixing news and analysis, along with a discussion of all the personalities, politics and pressures involved in the audio industry.
Radio Today is the Australian audio media and marketing industry's go-to source for breaking news, analysis, ratings and jobs.

Radio Today brings you the top radio, audio and podcast industry headlines every fortnight. Radio Today Tonight arrives on Thursdays, mixing news and analysis, along with a discussion of all the personalities, politics and pressures involved in the audio industry. Radio Today is the Australian audio media and marketing industry's go-to source for breaking news, analysis, ratings and jobs.

<a href="https://www.radiotoday.com.au/" rel="noopener noreferrer">Radio Today</a> brings you the top radio, audio and podcast industry headlines every fortnight.
Radio Today Tonight&nbsp;arrives on Thursdays, mixing news and analysis, along with a discussion of all the personalities, politics and pressures involved in the audio industry.
Radio Today is the Australian audio media and marketing industry's go-to source for breaking news, analysis, ratings and jobs.

Radio Today Tonight

To voksne menn som elsker å snakke om heavy prøver å gå grundig til verks for å finne ut: Er Judas Priest bedre enn Iron Maiden, eller omvendt? Gjennom samtaler med mer eller mindre objektive gjester prøver de å gå i dybden på ulike aspekter av bandene, samtidig som de også prøver å gå i litt i dybden på seg seg, og kanskje til om med i sjelen på det store men fredelige dyret heavyrockeren. <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

To voksne menn som elsker å snakke om heavy prøver å gå grundig til verks for å finne ut: Er Judas Priest bedre enn Iron Maiden, eller omvendt? Gjennom samtaler med mer eller mindre objektive gjester prøver de å gå i dybden på ulike aspekter av bandene, samtidig som de også prøver å gå i litt i dybden på seg seg, og kanskje til om med i sjelen på det store men fredelige dyret heavyrockeren. Hosted on Acast. See acast.com/privacy for more information.

To voksne menn som elsker å snakke om heavy prøver å gå grundig til verks for å finne ut: Er Judas Priest bedre enn Iron Maiden, eller omvendt? Gjennom samtaler med mer eller mindre objektive gjester prøver de å gå i dybden på ulike aspekter av bandene, samtidig som de også prøver å gå i litt i dybden på seg seg, og kanskje til om med i sjelen på det store men fredelige dyret heavyrockeren. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Priest VS Maiden

Breaking Down DESDIBUJADO is the debut podcast by Argentinian singer/songwriter Lucas Altuzarra, in which he discusses the creation of the 11-track LP, now available on Spotify.

Breaking Down DESDIBUJADO

Music Exchange (MEX) founder Martin Myers and music writer Jason Curtis host a candid weekly chat. Each session shares lived experiences, and all promote vital conversations regarding the state of the entertainment economy, local and international, current, and future.

On the Couch with MEX

Watch the live broadcast from KEVL studios Friday nights at 8:30 PM CST on Twitch or watch the show anytime on YouTube.

True Metal Radio Show

Podcast without boarders or filters that provides the truth with bold takes and humor 😈

Ignorant Geniuses

Coletivo de Músicos da Baixada Fluminense e a música produzida nessa região periférica do Rio de Janeiro

Baixada Nunca Se Rende

DJ RoniがラジオDJ視点で、さまざまジャンル・年代の音楽を語りつくす番組。

DJ RoniがラジオDJ視点で、さまざまジャンル・年代の音楽を語りつくす番組。

Roniのおんがく放浪記

Welcome to The Man Overboard Podcast. Mainly, but not exclusively music. From artist interviews through to the latest news from the music world.

Man Overboard Podcast

Unravelling Soundwaves è un podcast di storie nascoste dietro le canzoni. Qui ogni playlist racconta un segreto: dietro ogni testo, ogni nota, c’è un filo invisibile che lega artisti, vite, ricordi e confessioni. Io sono Donatella, batterista, bassista e voce narrante. Ti accompagno dentro la musica per farti ascoltare quello che di solito nessuno dice: le verità sussurrate tra le righe di un brano, le cicatrici che diventano poesia, le stanze segrete dove i suoni si trasformano in storie. 🎧 Ogni episodio è una porta aperta: entra e scopri quello che una canzone può farti sentire. Ogni canzone ha un segreto. Io lo racconto.

Unravelling Soundwaves è un podcast di storie nascoste dietro le canzoni.Qui ogni playlist racconta un segreto: dietro ogni testo, ogni nota, c’è un filo invisibile che lega artisti, vite, ricordi e confessioni.Io sono Donatella, batterista, bassista e voce narrante.Ti accompagno dentro la musica per farti ascoltare quello che di solito nessuno dice: le verità sussurrate tra le righe di un brano, le cicatrici che diventano poesia, le stanze segrete dove i suoni si trasformano in storie.🎧 Ogni episodio è una porta aperta: entra e scopri quello che una canzone può farti sentire.Ogni canzone ha un segreto. Io lo racconto.

Unravelling Soundwaves è un podcast di storie nascoste dietro le canzoni. Qui ogni playlist racconta un segreto: dietro ogni testo, ogni nota, c’è un filo invisibile che lega artisti, vite, ricordi e confessioni. Io sono Donatella, batterista, bassista e voce narrante. Ti accompagno dentro la musica per farti ascoltare quello che di solito nessuno dice: le verità sussurrate tra le righe di un brano, le cicatrici che diventano poesia, le stanze segrete dove i suoni si trasformano in storie. 🎧 Ogni episodio è una porta aperta: entra e scopri quello che una canzone può farti sentire. Ogni canzone ha un segreto. Io lo racconto.

Unravelling SoundWaves (ITA)

South African multi-instrumentalist Adam Stanley interviews major names from the 90s and 00s South African music scene and beyond. Caught in Time is just that - a time capsule of great music and incredible people from a totally unique rock scene in what was one of the less likely places on Earth! In these conversations, Adam tries to bottle a little bit of what made that time so special.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

South African multi-instrumentalist Adam Stanley interviews major names from the 90s and 00s South African music scene and beyond. Caught in Time is just that - a time capsule of great music and incredible people from a totally unique rock scene in what was one of the less likely places on Earth! In these conversations, Adam tries to bottle a little bit of what made that time so special. Hosted on Acast. See acast.com/privacy for more information.

South African multi-instrumentalist Adam Stanley interviews major names from the 90s and 00s South African music scene and beyond. Caught in Time is just that - a time capsule of great music and incredible people from a totally unique rock scene in what was one of the less likely places on Earth! In these conversations, Adam tries to bottle a little bit of what made that time so special. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Caught in Time

Hosted by Jake &amp; Khalil. A pop culture, entertainment, and sports podcast from All My Friends, featuring guest appearances and weekly Formula 1 conversation 🏁 Email us at creative@allmyfriendsent.com; @amftrackclub

Hosted by Jake & Khalil. A pop culture, entertainment, and sports podcast from All My Friends, featuring guest appearances and weekly Formula 1 conversation 🏁 Email us at creative@allmyfriendsent.com; @amftrackclub

Track Club: an AMF Podcast

Laneway Music's podcast series featuring casual conversations with Vince (Laneway Music) and Rob (PhD in Music, Adelaide University)<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Laneway Music's podcast series featuring casual conversations with Vince (Laneway Music) and Rob (PhD in Music, Adelaide University) Hosted on Acast. See acast.com/privacy for more information.

Laneway Music's podcast series featuring casual conversations with Vince (Laneway Music) and Rob (PhD in Music, Adelaide University) Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Laneway Talks with Vince & Rob

"Oltre le sei corde" è il podcast dedicato a tutti gli amanti della chitarra classica, dai principianti agli appassionati esperti.🎙 Esploriamo  insieme il mondo della chitarra classica attraverso curiosità storiche su compositori e brani famosi, tecniche di esecuzione, segreti ed emozioni legate ad essa.🎶 Questo podcast è un progetto che ho voluto iniziare e portare avanti nella speranza che possa incuriosire, aiutare e ispirare persone come me, appassionate alla chitarra classica.  Se ti piace il mio lavoro non dimenticare di seguire il podcast per non perdere i nuovi episodi e di seguirmi sui social.🩷 <a href="https://www.instagram.com/giulia.guitar/" target="_blank" rel="noreferrer noopener">instagram</a>

"Oltre le sei corde" è il podcast dedicato a tutti gli amanti della chitarra classica, dai principianti agli appassionati esperti.🎙Esploriamo insieme il mondo della chitarra classica attraverso curiosità storiche su compositori e brani famosi, tecniche di esecuzione, segreti ed emozioni legate ad essa.🎶Questo podcast è un progetto che ho voluto iniziare e portare avanti nella speranza che possa incuriosire, aiutare e ispirare persone come me, appassionate alla chitarra classica. Se ti piace il mio lavoro non dimenticare di seguire il podcast per non perdere i nuovi episodi e di seguirmi sui social.🩷instagram

"Oltre le sei corde" è il podcast dedicato a tutti gli amanti della chitarra classica, dai principianti agli appassionati esperti.🎙 Esploriamo &nbsp;insieme il mondo della chitarra classica attraverso curiosità storiche su compositori e brani famosi, tecniche di esecuzione, segreti ed emozioni legate ad essa.🎶 Questo podcast è un progetto che ho voluto iniziare e portare avanti nella speranza che possa incuriosire, aiutare e ispirare persone come me, appassionate alla chitarra classica.&nbsp; Se ti piace il mio lavoro non dimenticare di seguire il podcast per non perdere i nuovi episodi e di seguirmi sui social.🩷 <a href="https://www.instagram.com/giulia.guitar/" rel="noopener noreferrer">instagram</a>

oltre le sei corde

Dougy and Daniel, internet friends, one located in Seattle the other in Otavalo join forces, memories, knowledge and passion for divas to deliver a very heart touching dscussion on why these divas matter to them and pop music as a whole.

Dougy and Daniel, internet friends, one located in Seattle the other in Otavalo join forces, memories, knowledge and passion for divas to deliver a very heart touching dscussion on why these divas matter to them and pop music as a whole.

D&D Diva Talk

Espaço musical do rock brasileiro de todas as épocas, destacando histórias e detalhes a respeito de cada artista, sempre com um olhar bem humorado e esclarecedor.

Rock Brazuca - USP

Hello Everyone this Echo Vibez You need to sit back and listen to our music and enjoy the bodcast with

Hello Everyone this Echo Vibez You need to sit back and listen to our music and enjoy the bodcast with

Echo Vibez Radio

"Hoje a Madalena Costa disse uma coisa mesmo interessante!", "Eish! Não consegui apanhar a Catarina Maia no Drive In", "Ah! Não acredito que a Maria teve coragem para dizer aquilo!" Se são tudo expressões que te saíram da boca, nada temas, de segunda a sexta, tens um recap do Drive In, aqui, só para ti.

Mega Hits - DRIVE IN PODCAST

山梨県出身のラッパー「PONEY」によるHIP HOP PROGRAM。
最近では、2023年4.22-4.24までの48時間連続フリースタイルRAPの「世界記録挑戦」が成功し、 ギネス世界記録を保持していることでも知られ、ギネス記録更新ドキュメンタリー映画“48Hours of LIFE”も製作中。

そんなPONEYがHIPHOPをより身近にしていくプログラムです！

山梨県出身のラッパー「PONEY」によるHIP HOP PROGRAM。 最近では、2023年4.22-4.24までの48時間連続フリースタイルRAPの「世界記録挑戦」が成功し、 ギネス世界記録を保持していることでも知られ、ギネス記録更新ドキュメンタリー映画“48Hours of LIFE”も製作中。 そんなPONEYがHIPHOPをより身近にしていくプログラムです！

サタデイナイスパニック

Hosted by photojournalist, pop culture reporter, and digital creative Jessica Norton. By Her Side is podcast and <a href="https://open.acast.com/networks/67100859b1e7b0e7e51e1973/shows/671009464872694417f4c573/episodes/www.camerabyherside.com" rel="noopener noreferrer" target="_blank">Camera By Her Side</a> listening experience allowing users to enjoy the audio of both old throwback interviews as well as new conversations.&nbsp;Camera By Her Side video interviews can be viewed by <a href="YouTube.com/CameraByHerSide" rel="noopener noreferrer" target="_blank">clicking here</a> or by visiting <a href="YouTube.com/CameraByHerSide" rel="noopener noreferrer" target="_blank">YouTube.com/CameraByHerSide</a>.&nbsp; Host + Creator: Jessica Norton<ul><li><a href="https://open.acast.com/networks/67100859b1e7b0e7e51e1973/shows/671009464872694417f4c573/episodes/www.camerabyherside.com" rel="noopener noreferrer" target="_blank">www.camerabyherside.com</a></li><li>Follow Jess on Instagram: <a href="https://www.instagram.com/jessnort/" rel="noopener noreferrer" target="_blank">@jessnort</a> | <a href="https://www.instagram.com/camerabyherside/" rel="noopener noreferrer" target="_blank">@camerabyherside</a></li></ul> For business + interview inquiries please email <a href="mailto:camerabyherside@gmail.com" rel="noopener noreferrer" target="_blank">camerabyherside@gmail.com</a>&nbsp; <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Hosted by photojournalist, pop culture reporter, and digital creative Jessica Norton. By Her Side is podcast and Camera By Her Side listening experience allowing users to enjoy the audio of both old throwback interviews as well as new conversations. Camera By Her Side video interviews can be viewed by clicking here or by visiting YouTube.com/CameraByHerSide.  Host + Creator: Jessica Nortonwww.camerabyherside.comFollow Jess on Instagram: @jessnort | @camerabyherside For business + interview inquiries please email camerabyherside@gmail.com  Hosted on Acast. See acast.com/privacy for more information.

Hosted by photojournalist, pop culture reporter, and digital creative Jessica Norton. By Her Side is podcast and <a href="https://open.acast.com/networks/67100859b1e7b0e7e51e1973/shows/671009464872694417f4c573/episodes/www.camerabyherside.com" rel="noopener noreferrer">Camera By Her Side</a> listening experience allowing users to enjoy the audio of both old throwback interviews as well as new conversations.&nbsp;Camera By Her Side video interviews can be viewed by <a href="YouTube.com/CameraByHerSide" rel="noopener noreferrer">clicking here</a> or by visiting <a href="YouTube.com/CameraByHerSide" rel="noopener noreferrer">YouTube.com/CameraByHerSide</a>.&nbsp; Host + Creator: Jessica Norton<ul><li><a href="https://open.acast.com/networks/67100859b1e7b0e7e51e1973/shows/671009464872694417f4c573/episodes/www.camerabyherside.com" rel="noopener noreferrer">www.camerabyherside.com</a></li><li>Follow Jess on Instagram: <a href="https://www.instagram.com/jessnort/" rel="noopener noreferrer">@jessnort</a> | <a href="https://www.instagram.com/camerabyherside/" rel="noopener noreferrer">@camerabyherside</a></li></ul> For business + interview inquiries please email <a href="mailto:camerabyherside@gmail.com" rel="noopener noreferrer">camerabyherside@gmail.com</a>&nbsp; Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

By Her Side

talk about the best band in the world with me

talk about the best band in the world with me

unreleased units

Околокультурологический подкаст Мосты Безумия, где Фил, Дима и Артём разбирают клипы больших режиссеров Голливуда с точки зрения визуальной культуры. В меру заумно и периодически с юмором.

Мосты Безумия

Go Hard or Go Home

4oepackmobb

What is a Juggalo? There's a lot of different answers to that question as it turns out, and most of them have the word "fuck" in them. The short answer is a hardcore fan of the Detroit Wicked Shit Rap duo the Insane Clown Posse, or as they are more colloquially known, ICP. The full answer, however, may surprise you.
People have always assumed that Juggalos are mostly just a bunch of white trash losers who constantly act a fool and do tons of drugs at concerts and their annual festival, The Gathering of the Juggalos. Those people are correct. If you can get past the grit and grime though, you'll be made privy to a world you might have never though possible. Juggalo Culture is a very real and deeply hallowed thing to hundreds of thousands of American men, women and children, if not millions of people the world over. We're looked at as outcasts, and that might be true, but for all of our obsession with Axes, facepaint, and cheap soda pop there is a tangible and powerful energy at the core of this following.
Join two long time adherents of Juggalo Culture, Madd Maxxx and Reverend Television, as they take you on a journey through the smoke and carnival rides of the Juggalo Worldwith a look at Juggalo Culture that very few others could give you. Maxxx, a self proclaimed Juggalo Rapper of nearly 20 years, got his start in 2004 when Violent J flew him to Detroit to see if he wanted to work with him after hearing one of his songs online. Spoiler alert, he didn't. With that said, he has lived, eaten, slept, and breathed Juggalo culture since many years before that moment and every single moment since. The same could be said of Reverend Television, a longtime Juggalo who has been making independent art, music, and movies since the early 2000's. His work is gritty and subversive, and he credits Juggalo Culture as one of his most influential inspirations. This isn't just a couple of dimwits getting stoned and talking about a bunch of stupid shit. Well, it is that, but it's much more than that. This is a much more educated, even academic look at the works of not only just the Insane Clown Posse, but the multitude of other artists and musicians who have at one time or another entered the sphere of Juggalo Culture. Artists like Ice T, Snoop Dog, Eminem, the Beastie Boys, and that's just the famous ones. That doesn't include the dozens if not hundreds of artists out there who work with ICP or have been directly influenced by their work. There is much, much more through the gates on The Carnival Grounds than you could have ever imagined, so step right up and buy your tickets. There'll thrills, chills, and at least a few spills, though they wont be spills you want to be anywhere near. Unless it's some Faygo, of course.

What is a Juggalo? There's a lot of different answers to that question as it turns out, and most of them have the word "fuck" in them. The short answer is a hardcore fan of the Detroit Wicked Shit Rap duo the Insane Clown Posse, or as they are more colloquially known, ICP. The full answer, however, may surprise you. People have always assumed that Juggalos are mostly just a bunch of white trash losers who constantly act a fool and do tons of drugs at concerts and their annual festival, The Gathering of the Juggalos. Those people are correct. If you can get past the grit and grime though, you'll be made privy to a world you might have never though possible. Juggalo Culture is a very real and deeply hallowed thing to hundreds of thousands of American men, women and children, if not millions of people the world over. We're looked at as outcasts, and that might be true, but for all of our obsession with Axes, facepaint, and cheap soda pop there is a tangible and powerful energy at the core of this following. Join two long time adherents of Juggalo Culture, Madd Maxxx and Reverend Television, as they take you on a journey through the smoke and carnival rides of the Juggalo Worldwith a look at Juggalo Culture that very few others could give you. Maxxx, a self proclaimed Juggalo Rapper of nearly 20 years, got his start in 2004 when Violent J flew him to Detroit to see if he wanted to work with him after hearing one of his songs online. Spoiler alert, he didn't. With that said, he has lived, eaten, slept, and breathed Juggalo culture since many years before that moment and every single moment since. The same could be said of Reverend Television, a longtime Juggalo who has been making independent art, music, and movies since the early 2000's. His work is gritty and subversive, and he credits Juggalo Culture as one of his most influential inspirations. This isn't just a couple of dimwits getting stoned and talking about a bunch of stupid shit. Well, it is that, but it's much more than that. This is a much more educated, even academic look at the works of not only just the Insane Clown Posse, but the multitude of other artists and musicians who have at one time or another entered the sphere of Juggalo Culture. Artists like Ice T, Snoop Dog, Eminem, the Beastie Boys, and that's just the famous ones. That doesn't include the dozens if not hundreds of artists out there who work with ICP or have been directly influenced by their work. There is much, much more through the gates on The Carnival Grounds than you could have ever imagined, so step right up and buy your tickets. There'll thrills, chills, and at least a few spills, though they wont be spills you want to be anywhere near. Unless it's some Faygo, of course.

Juggalo News Presents: The Carnival Grounds with Madd Maxxx and Reverend Television

This podcast series, produced by Byta/ byta.com, is based on our monthly online, live and free event of the same name. This series of interviews is designed to deliver the knowledge to enable tomorrow’s artists, their teams and industry leaders to better manoeuvre their way through the music ecosystem. Each episode features an in-depth one-on-one conversation with someone with extensive experience with the business of music.  
#HowWeListen Live: In Conversation is hosted by Byta’s founder, Marc Brown, whose deep music business background and digital audio knowledge have helped him deliver unique insights to audiences from Tallinn to Toronto. Marc is a former label owner, manager and radio plugger.

This podcast series, produced by Byta/ byta.com, is based on our monthly online, live and free event of the same name. This series of interviews is designed to deliver the knowledge to enable tomorrow’s artists, their teams and industry leaders to better manoeuvre their way through the music ecosystem. Each episode features an in-depth one-on-one conversation with someone with extensive experience with the business of music. #HowWeListen Live: In Conversation is hosted by Byta’s founder, Marc Brown, whose deep music business background and digital audio knowledge have helped him deliver unique insights to audiences from Tallinn to Toronto. Marc is a former label owner, manager and radio plugger.

#HowWeListen Live: In Conversation Podcast

Long Live (Taylor's Version) sped up

Apostolic MezmurApostolic Songs One God

Apostolic Songs

Backing Tracks: Where musical dreams and sardonic comedy collide in a spectacular 20-minute weekly train wreck Meet Tam and Jim—the dynamic duo who missed the fame train but caught the express line to comedic obscurity. With their mix of semi-tuned melodies, unfiltered banter, and interviews that often ask, "Why?", they're proving that you don’t need talent to entertain—just a good sense of humour and a tolerance for each other. For those who enjoy music, mockery, and a dose of reality, here's your weekly reminder that not all stars are meant to shine. But boy, do they flicker. Tune in, if only to feel better about your own missed notes.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Backing Tracks: Where musical dreams and sardonic comedy collide in a spectacular 20-minute weekly train wreck Meet Tam and Jim—the dynamic duo who missed the fame train but caught the express line to comedic obscurity. With their mix of semi-tuned melodies, unfiltered banter, and interviews that often ask, "Why?", they're proving that you don’t need talent to entertain—just a good sense of humour and a tolerance for each other. For those who enjoy music, mockery, and a dose of reality, here's your weekly reminder that not all stars are meant to shine. But boy, do they flicker. Tune in, if only to feel better about your own missed notes. Hosted on Acast. See acast.com/privacy for more information.

Backing Tracks: Where musical dreams and sardonic comedy collide in a spectacular 20-minute weekly train wreck Meet Tam and Jim—the dynamic duo who missed the fame train but caught the express line to comedic obscurity. With their mix of semi-tuned melodies, unfiltered banter, and interviews that often ask, "Why?", they're proving that you don’t need talent to entertain—just a good sense of humour and a tolerance for each other. For those who enjoy music, mockery, and a dose of reality, here's your weekly reminder that not all stars are meant to shine. But boy, do they flicker. Tune in, if only to feel better about your own missed notes. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Backing Tracks

Join Andrew, Nate, and Sebastian as they delve into the topic of music. More specifically, they touch on their favorite artists while diving into their history and the personal impact that their music has had on them. Listen as they discuss artists from multiple different genres including hip-hop, pop, R&amp;B, alternative rock, and folktronica. Explore diverse music tastes with them as they share personal stories and memories about how this music has shaped them as people.

Join Andrew, Nate, and Sebastian as they delve into the topic of music. More specifically, they touch on their favorite artists while diving into their history and the personal impact that their music has had on them. Listen as they discuss artists from multiple different genres including hip-hop, pop, R&B, alternative rock, and folktronica. Explore diverse music tastes with them as they share personal stories and memories about how this music has shaped them as people.

Music Geek Trio Podcast

Here is a 3,004 word essay analyzing Taylor Swift's "Blank Space" and its cultural impact: Taylor Swift Weaponizes Her Reputation in Smartest Song Ever Written - “Blank Space” Among Taylor Swift’s trove of multi-platinum hits, few generate the sheer glee of 2014’s “Blank Space” upon first hearing its opening lounge piano kicking off Swift’s tongue-in-cheek takedown of her public villainization. Coming on the heels of months enduring slut-shaming tabloid character assassination and an endlessly dissected pseudo-scandalized dating history, Swift unleashed her frustration on “Blank Space” by finally embracing an exaggerated man-eater identity foisted upon her. But beneath glittering pop production winking at her critics’ misogyny, Swift debuted her most brilliant songwriting yet, cementing her icon status through savvy media manipulation. Indeed, “Blank Space’s” genius lies in Swift hijacking her detractors’ narrative to reclaim agency on her own terms. After years weathering labels like serial dater, crazy girlfriend, clingy Taylor Swift finally snapped - anticipating being damned regardless, she cheekily owns her assigned role while calling out the hypocrisy. Her tongue lodged in cheek, Swift warns potential suitors they should steer clear if believing the lies. Yet by song’s end, she emerges stronger, her playful self-awareness neutering critics’ power. With “Blank Space,” Swift executed her shrewdest chess move, weaponizing pop conventions while orthogonally redefining expectations for female artistry. To fully appreciate “Blank Space’s” cultural impact, understanding Swift’s triggering public crucifixion entering her fourth album cycle proves critical. After admirably navigating early career bumps, media initially lauded Swift as a role model - songwriting wunderkind, savvy businesswoman, and gawky teen bloomed glamorous all while avoiding typical pop trainwrecks. Behind headlines though, Swift’s experiences in her 20s becoming more defined by her dating life demonstrated the harsh scrutiny faced by young women seeking fame’s double-edged sword. Romances with high-profile boyfriends drew intense speculation whether conducting them privately or publicly. Swift increasingly found her musical output, fashion and friendships all eclipsed by relentless, often sexist coverage of her romantic partnerships by gossip bloggers. Rather than continue silently bearing this scrutiny though, Swift started pushing back more unapologetically on sexism tied to her public image - endorsing egalitarian feminism, defending her songwriting against ghostwriter conspiracy theories, calling out Nicki Minaj’s diminishment of her talent. Swift plainly stated she realized society penalized outspoken women, but resigned herself to the reality that she would be criticized regardless. So when tabloids turned on her post a minor PR misstep she apologized for, Swift chose fighting back full force. The spark igniting months of ever escalating takedowns remained petty - her perplexing disappointment when longtime collaborator Katy Perry recruited dancers who previously toured with Swift. Media predictably deemed Swift calculating and tyrannical for daring display annoyance. Next a 2014 Rolling Stone cover aiming to balance Swift’s media skewering included an apparently misinterpreted quote about Swift struggling to retain friendships that was instead breathlessly reported as her boasting about having no female allies. In this climate with gendered double standards laid bare, Swift further stoked controversy merely enjoying serial dating after her longest previous relationship ended. Media cries of maneating swiftly turned to accusations of Swift constantly playing the victim whenever she pushed back on blatant slander. Bloggers even cruelly scrutinized her romantic history assigning tawdry motives. Swift found her once sterling reputation demolished virtually overnight over negligible offenses at best. Rather than bemoan this media torpedoing however, Swift funneled her fury into reputation rehab starting with “Blank Space’s” indelible melodic hook tongue-in-cheek taunting she’s certifiably insane but irresistible so date her at your own risk. Lyrically she enjoys toying with her tabloid assigned persona as a clingy psycho stalking men. Swift mocks herself as nightmarishly needy in relationships - “Screaming, crying, perfect storms/ I can make all the tables turn” - caricaturing her media skewering. Sardonically she dares suitors to buy into that hyperbolic mythology that she could fill whole albums torching exes when in truth no one has provoked such creative vengeance yet. Swift doubles down on the mania in the song’s playful music video filled with haute couture costume changes showcasing model-esque lovers that meet darkly comedic fates from actual car crashes to being unceremoniously dumped for aggravating her. Swift embellishes her mercurial gun-toting crazy cat lady image to unhinged extremes. By gleefully inhabiting criticism, she defangs detractors’ power in imagery and lyrics alike. Media sputtered indignantly at being outpaced with some condemning Swift anyway for making light of mental health stigmas. But many fans realized Swift’s true thesis lay in exposing unfair gendered labels through funhouse mirrors - the supposedly single feminist Swift couldn’t escape no matter how skewed depictions became. Because beneath that technicolor spectacle, “Blank Space” spotlights society’s discomfort with young women frankly enjoying romantic freedom, a privilege afforded entitled men. Swift knows at every age, female artists weather character attacks for daring openly explore erotic experiences or romantic disillusionment in their art through the centuries from gifted poets ostracized as witches or hysterical gossip to pioneering female rappers critiqued today as hypersexualized. So with “Blank Space” she cunningly coopts casual misogyny, letting detractors wrongly assume her vapid or crazy. But Swift’s audacious about-face playing into pigeonholing also provides deeper moral commentary on women facing limited options to meet purity standards. She argues if the flawless wise innocent role doesn’t liberate women from criticism - she’d already tried for a decade to be America’s sweetheart - why keep limiting her identity for misogynists’ approval? Freed of pressure to constantly defend her character against relentless attacks often premised on sexism barely progressing since the 1960s, Swift finds power reclaiming flattened tropes. Because Swift understands culture rarely humanizes women reacting justifiably to antagonism, she chooses meeting unjustified critiques with mockery and willful distortions of her own through carnivalesque performance art spectacle set to glittering pop beats. In doing so, “Blank Space” becomes Swift’s most ambitious composition by integrating production and lyrics into an irresistible satirical package. Her songcraft had already proven versatile hybridizing pop and country conventions into resonant radio hits about universal experiences. But “Blank Space” revealed her blossoming into an especially shrewd artist leveraging public drama and willing misinterpretation to spotlight societal gender bias. Rather than sob externally imposed cruelties, Swift’s bon vivant convicted woman takedown winked at tired ideals. Her joined forces as both entertainer and social commentator cemented Swift as the most self-aware voice of her generation. And much like the louche temptress persona she slyly inhabits, “Blank Space” seduced all who encountered its melodic bait and switch. The track dominated airplay and sales for seven consecutive weeks. It completely redefined Swift's image from stunned victim to savvy strategist commandeering her own narrative. Most satisfyingly though, “Blank Space” managed to be both culturally attuned yet emotionally intuitive by speaking to unjust constraints all young women face. Indeed, the song’s legacy as Gen Z's undisputed karaoke classic highlighting Swift’s still blossoming ability to give resonant voice to female fans’ private indignities and dreams alike continues still nearly a decade later. For Swift keeps growing alongside supporters navigating life’s exhilarating potential and heartrending pitfalls together. Yet out of all the hard-won wisdom and solace Swift offers fellow travelers with each passing year, “Blank Space” endures as her brashest testimony yet that women need no longer politely tolerate others’ narrow judgements to participate fully in creative realms or romantic whims. Swift proved with glittering wit bent on mass seduction that righteous female freedom need not justify itself through anything but the bold chorus and playful pastiche. Rather than debate detractors on their terms, she blithely obliterates their premises in four minutes. And that is “Blank Space’s” lasting legacy as Swift’s career-redefining game change - gleefully unmasking double standards through braggadocio and irony alike with a wink toward more equitable cultural terrain ahead for young women. The track shone a light on the uneasy realization that whoever dared claim the mantle of America’s sweetheart also deserved room to channel her inner court jester or siren whenever the spirit moved without losing society’s respect. By redefining pop music preconceptions and her own creative bounds through layered lyrical provocation, Swift demonstrated women could weaponize even misog

Here is a 3,004 word essay analyzing Taylor Swift's "Blank Space" and its cultural impact: Taylor Swift Weaponizes Her Reputation in Smartest Song Ever Written - “Blank Space” Among Taylor Swift’s trove of multi-platinum hits, few generate the sheer glee of 2014’s “Blank Space” upon first hearing its opening lounge piano kicking off Swift’s tongue-in-cheek takedown of her public villainization. Coming on the heels of months enduring slut-shaming tabloid character assassination and an endlessly dissected pseudo-scandalized dating history, Swift unleashed her frustration on “Blank Space” by finally embracing an exaggerated man-eater identity foisted upon her. But beneath glittering pop production winking at her critics’ misogyny, Swift debuted her most brilliant songwriting yet, cementing her icon status through savvy media manipulation. Indeed, “Blank Space’s” genius lies in Swift hijacking her detractors’ narrative to reclaim agency on her own terms. After years weathering labels like serial dater, crazy girlfriend, clingy Taylor Swift finally snapped - anticipating being damned regardless, she cheekily owns her assigned role while calling out the hypocrisy. Her tongue lodged in cheek, Swift warns potential suitors they should steer clear if believing the lies. Yet by song’s end, she emerges stronger, her playful self-awareness neutering critics’ power. With “Blank Space,” Swift executed her shrewdest chess move, weaponizing pop conventions while orthogonally redefining expectations for female artistry. To fully appreciate “Blank Space’s” cultural impact, understanding Swift’s triggering public crucifixion entering her fourth album cycle proves critical. After admirably navigating early career bumps, media initially lauded Swift as a role model - songwriting wunderkind, savvy businesswoman, and gawky teen bloomed glamorous all while avoiding typical pop trainwrecks. Behind headlines though, Swift’s experiences in her 20s becoming more defined by her dating life demonstrated the harsh scrutiny faced by young women seeking fame’s double-edged sword. Romances with high-profile boyfriends drew intense speculation whether conducting them privately or publicly. Swift increasingly found her musical output, fashion and friendships all eclipsed by relentless, often sexist coverage of her romantic partnerships by gossip bloggers. Rather than continue silently bearing this scrutiny though, Swift started pushing back more unapologetically on sexism tied to her public image - endorsing egalitarian feminism, defending her songwriting against ghostwriter conspiracy theories, calling out Nicki Minaj’s diminishment of her talent. Swift plainly stated she realized society penalized outspoken women, but resigned herself to the reality that she would be criticized regardless. So when tabloids turned on her post a minor PR misstep she apologized for, Swift chose fighting back full force. The spark igniting months of ever escalating takedowns remained petty - her perplexing disappointment when longtime collaborator Katy Perry recruited dancers who previously toured with Swift. Media predictably deemed Swift calculating and tyrannical for daring display annoyance. Next a 2014 Rolling Stone cover aiming to balance Swift’s media skewering included an apparently misinterpreted quote about Swift struggling to retain friendships that was instead breathlessly reported as her boasting about having no female allies. In this climate with gendered double standards laid bare, Swift further stoked controversy merely enjoying serial dating after her longest previous relationship ended. Media cries of maneating swiftly turned to accusations of Swift constantly playing the victim whenever she pushed back on blatant slander. Bloggers even cruelly scrutinized her romantic history assigning tawdry motives. Swift found her once sterling reputation demolished virtually overnight over negligible offenses at best. Rather than bemoan this media torpedoing however, Swift funneled her fury into reputation rehab starting with “Blank Space’s” indelible melodic hook tongue-in-cheek taunting she’s certifiably insane but irresistible so date her at your own risk. Lyrically she enjoys toying with her tabloid assigned persona as a clingy psycho stalking men. Swift mocks herself as nightmarishly needy in relationships - “Screaming, crying, perfect storms/ I can make all the tables turn” - caricaturing her media skewering. Sardonically she dares suitors to buy into that hyperbolic mythology that she could fill whole albums torching exes when in truth no one has provoked such creative vengeance yet. Swift doubles down on the mania in the song’s playful music video filled with haute couture costume changes showcasing model-esque lovers that meet darkly comedic fates from actual car crashes to being unceremoniously dumped for aggravating her. Swift embellishes her mercurial gun-toting crazy cat lady image to unhinged extremes. By gleefully inhabiting criticism, she defangs detractors’ power in imagery and lyrics alike. Media sputtered indignantly at being outpaced with some condemning Swift anyway for making light of mental health stigmas. But many fans realized Swift’s true thesis lay in exposing unfair gendered labels through funhouse mirrors - the supposedly single feminist Swift couldn’t escape no matter how skewed depictions became. Because beneath that technicolor spectacle, “Blank Space” spotlights society’s discomfort with young women frankly enjoying romantic freedom, a privilege afforded entitled men. Swift knows at every age, female artists weather character attacks for daring openly explore erotic experiences or romantic disillusionment in their art through the centuries from gifted poets ostracized as witches or hysterical gossip to pioneering female rappers critiqued today as hypersexualized. So with “Blank Space” she cunningly coopts casual misogyny, letting detractors wrongly assume her vapid or crazy. But Swift’s audacious about-face playing into pigeonholing also provides deeper moral commentary on women facing limited options to meet purity standards. She argues if the flawless wise innocent role doesn’t liberate women from criticism - she’d already tried for a decade to be America’s sweetheart - why keep limiting her identity for misogynists’ approval? Freed of pressure to constantly defend her character against relentless attacks often premised on sexism barely progressing since the 1960s, Swift finds power reclaiming flattened tropes. Because Swift understands culture rarely humanizes women reacting justifiably to antagonism, she chooses meeting unjustified critiques with mockery and willful distortions of her own through carnivalesque performance art spectacle set to glittering pop beats. In doing so, “Blank Space” becomes Swift’s most ambitious composition by integrating production and lyrics into an irresistible satirical package. Her songcraft had already proven versatile hybridizing pop and country conventions into resonant radio hits about universal experiences. But “Blank Space” revealed her blossoming into an especially shrewd artist leveraging public drama and willing misinterpretation to spotlight societal gender bias. Rather than sob externally imposed cruelties, Swift’s bon vivant convicted woman takedown winked at tired ideals. Her joined forces as both entertainer and social commentator cemented Swift as the most self-aware voice of her generation. And much like the louche temptress persona she slyly inhabits, “Blank Space” seduced all who encountered its melodic bait and switch. The track dominated airplay and sales for seven consecutive weeks. It completely redefined Swift's image from stunned victim to savvy strategist commandeering her own narrative. Most satisfyingly though, “Blank Space” managed to be both culturally attuned yet emotionally intuitive by speaking to unjust constraints all young women face. Indeed, the song’s legacy as Gen Z's undisputed karaoke classic highlighting Swift’s still blossoming ability to give resonant voice to female fans’ private indignities and dreams alike continues still nearly a decade later. For Swift keeps growing alongside supporters navigating life’s exhilarating potential and heartrending pitfalls together. Yet out of all the hard-won wisdom and solace Swift offers fellow travelers with each passing year, “Blank Space” endures as her brashest testimony yet that women need no longer politely tolerate others’ narrow judgements to participate fully in creative realms or romantic whims. Swift proved with glittering wit bent on mass seduction that righteous female freedom need not justify itself through anything but the bold chorus and playful pastiche. Rather than debate detractors on their terms, she blithely obliterates their premises in four minutes. And that is “Blank Space’s” lasting legacy as Swift’s career-redefining game change - gleefully unmasking double standards through braggadocio and irony alike with a wink toward more equitable cultural terrain ahead for young women. The track shone a light on the uneasy realization that whoever dared claim the mantle of America’s sweetheart also deserved room to channel her inner court jester or siren whenever the spirit moved without losing society’s respect. By redefining pop music preconceptions and her own creative bounds through layered lyrical provocation, Swift demonstrated women could weaponize even misog

Here is a 3,004 word essay analyzing Taylor Swift's "Blank Space" and its cultural impact: Taylor Swift Weaponizes Her Reputation in Smartest Song Ever Written - “Blank Space” Among Taylor Swift’s trove of multi-platinum hits, few generate the sheer glee of 2014’s “Blank Space” upon first hearing its opening lounge piano kicking off Swift’s tongue-in-cheek takedown of her public villainization. Coming on the heels of months enduring slut-shaming tabloid character assassination and an endlessly dissected pseudo-scandalized dating history, Swift unleashed her frustration on “Blank Space” by finally embracing an exaggerated man-eater identity foisted upon her. But beneath glittering pop production winking at her critics’ misogyny, Swift debuted her most brilliant songwriting yet, cementing her icon status through savvy media manipulation. Indeed, “Blank Space’s” genius lies in Swift hijacking her detractors’ narrative to reclaim agency on her own terms. After years weathering labels like serial dater, crazy girlfriend, clingy Taylor Swift finally snapped - anticipating being damned regardless, she cheekily owns her assigned role while calling out the hypocrisy. Her tongue lodged in cheek, Swift warns potential suitors they should steer clear if believing the lies. Yet by song’s end, she emerges stronger, her playful self-awareness neutering critics’ power. With “Blank Space,” Swift executed her shrewdest chess move, weaponizing pop conventions while orthogonally redefining expectations for female artistry. To fully appreciate “Blank Space’s” cultural impact, understanding Swift’s triggering public crucifixion entering her fourth album cycle proves critical. After admirably navigating early career bumps, media initially lauded Swift as a role model - songwriting wunderkind, savvy businesswoman, and gawky teen bloomed glamorous all while avoiding typical pop trainwrecks. Behind headlines though, Swift’s experiences in her 20s becoming more defined by her dating life demonstrated the harsh scrutiny faced by young women seeking fame’s double-edged sword. Romances with high-profile boyfriends drew intense speculation whether conducting them privately or publicly. Swift increasingly found her musical output, fashion and friendships all eclipsed by relentless, often sexist coverage of her romantic partnerships by gossip bloggers. Rather than continue silently bearing this scrutiny though, Swift started pushing back more unapologetically on sexism tied to her public image - endorsing egalitarian feminism, defending her songwriting against ghostwriter conspiracy theories, calling out Nicki Minaj’s diminishment of her talent. Swift plainly stated she realized society penalized outspoken women, but resigned herself to the reality that she would be criticized regardless. So when tabloids turned on her post a minor PR misstep she apologized for, Swift chose fighting back full force. The spark igniting months of ever escalating takedowns remained petty - her perplexing disappointment when longtime collaborator Katy Perry recruited dancers who previously toured with Swift. Media predictably deemed Swift calculating and tyrannical for daring display annoyance. Next a 2014 Rolling Stone cover aiming to balance Swift’s media skewering included an apparently misinterpreted quote about Swift struggling to retain friendships that was instead breathlessly reported as her boasting about having no female allies. In this climate with gendered double standards laid bare, Swift further stoked controversy merely enjoying serial dating after her longest previous relationship ended. Media cries of maneating swiftly turned to accusations of Swift constantly playing the victim whenever she pushed back on blatant slander. Bloggers even cruelly scrutinized her romantic history assigning tawdry motives. Swift found her once sterling reputation demolished virtually overnight over negligible offenses at best. Rather than bemoan this media torpedoing however, Swift funneled her fury into reputation rehab starting with “Blank Space’s” indelible melodic hook tongue-in-cheek taunting she’s certifiably insane but irresistible so date her at your own risk. Lyrically she enjoys toying with her tabloid assigned persona as a clingy psycho stalking men. Swift mocks herself as nightmarishly needy in relationships - “Screaming, crying, perfect storms/ I can make all the tables turn” - caricaturing her media skewering. Sardonically she dares suitors to buy into that hyperbolic mythology that she could fill whole albums torching exes when in truth no one has provoked such creative vengeance yet. Swift doubles down on the mania in the song’s playful music video filled with haute couture costume changes showcasing model-esque lovers that meet darkly comedic fates from actual car crashes to being unceremoniously dumped for aggravating her. Swift embellishes her mercurial gun-toting crazy cat lady image to unhinged extremes. By gleefully inhabiting criticism, she defangs detractors’ power in imagery and lyrics alike. Media sputtered indignantly at being outpaced with some condemning Swift anyway for making light of mental health stigmas. But many fans realized Swift’s true thesis lay in exposing unfair gendered labels through funhouse mirrors - the supposedly single feminist Swift couldn’t escape no matter how skewed depictions became. Because beneath that technicolor spectacle, “Blank Space” spotlights society’s discomfort with young women frankly enjoying romantic freedom, a privilege afforded entitled men. Swift knows at every age, female artists weather character attacks for daring openly explore erotic experiences or romantic disillusionment in their art through the centuries from gifted poets ostracized as witches or hysterical gossip to pioneering female rappers critiqued today as hypersexualized. So with “Blank Space” she cunningly coopts casual misogyny, letting detractors wrongly assume her vapid or crazy. But Swift’s audacious about-face playing into pigeonholing also provides deeper moral commentary on women facing limited options to meet purity standards. She argues if the flawless wise innocent role doesn’t liberate women from criticism - she’d already tried for a decade to be America’s sweetheart - why keep limiting her identity for misogynists’ approval? Freed of pressure to constantly defend her character against relentless attacks often premised on sexism barely progressing since the 1960s, Swift finds power reclaiming flattened tropes. Because Swift understands culture rarely humanizes women reacting justifiably to antagonism, she chooses meeting unjustified critiques with mockery and willful distortions of her own through carnivalesque performance art spectacle set to glittering pop beats. In doing so, “Blank Space” becomes Swift’s most ambitious composition by integrating production and lyrics into an irresistible satirical package. Her songcraft had already proven versatile hybridizing pop and country conventions into resonant radio hits about universal experiences. But “Blank Space” revealed her blossoming into an especially shrewd artist leveraging public drama and willing misinterpretation to spotlight societal gender bias. Rather than sob externally imposed cruelties, Swift’s bon vivant convicted woman takedown winked at tired ideals. Her joined forces as both entertainer and social commentator cemented Swift as the most self-aware voice of her generation. And much like the louche temptress persona she slyly inhabits, “Blank Space” seduced all who encountered its melodic bait and switch. The track dominated airplay and sales for seven consecutive weeks. It completely redefined Swift's image from stunned victim to savvy strategist commandeering her own narrative. Most satisfyingly though, “Blank Space” managed to be both culturally attuned yet emotionally intuitive by speaking to unjust constraints all young women face. Indeed, the song’s legacy as Gen Z's undisputed karaoke classic highlighting Swift’s still blossoming ability to give resonant voice to female fans’ private indignities and dreams alike continues still nearly a decade later. For Swift keeps growing alongside supporters navigating life’s exhilarating potential and heartrending pitfalls together. Yet out of all the hard-won wisdom and solace Swift offers fellow travelers with each passing year, “Blank Space” endures as her brashest testimony yet that women need no longer politely tolerate others’ narrow judgements to participate fully in creative realms or romantic whims. Swift proved with glittering wit bent on mass seduction that righteous female freedom need not justify itself through anything but the bold chorus and playful pastiche. Rather than debate detractors on their terms, she blithely obliterates their premises in four minutes. And that is “Blank Space’s” lasting legacy as Swift’s career-redefining game change - gleefully unmasking double standards through braggadocio and irony alike with a wink toward more equitable cultural terrain ahead for young women. The track shone a light on the uneasy realization that whoever dared claim the mantle of America’s sweetheart also deserved room to channel her inner court jester or siren whenever the spirit moved without losing society’s respect. By redefining pop music preconceptions and her own creative bounds through layered lyrical provocation, Swift demonstrated women could weaponize even misog

Taylor Swift - Behind The Lyrics - Blank Space

I do not own these songs all rights go to the authors

Instrumentals

This podcast is a replay of my YouTube Reaction channel!

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Music Commentary Podcasts / Page 350

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