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From The City that Never Sleeps, dance music’s freshest face Wendy Escobar presents Mood Swing, a new radio show that sheds light on the sounds shaping New York’s underground.

Wendy Escobar Presents: Mood Swing

Philadelphia Orchestra member, Richard Amoroso, 1st Violin debriefs about The Orchestra post-concert with behind the scenes stories. Other Orchestra members as well as other prominent musicians are regularly interviewed.

The Philly Sound Off

O PodReplay é um podcast pensado como qualquer outro que comenta música, com a diferença de que, aqui, ninguém é profissional ou especialista.

Esporadicamente Ewerton e Luís se encontram para comentar sobre um álbum de dentro ou fora do mundo pop, compartilhando suas primeiras impressões e como esse disco ficou na memória depois de um tempo.

Curtiu o programa? Para sugestões, críticas e elogios, escreva para: podreplay.podcast@gmail.com

O PodReplay é um podcast pensado como qualquer outro que comenta música, com a diferença de que, aqui, ninguém é profissional ou especialista. Esporadicamente Ewerton e Luís se encontram para comentar sobre um álbum de dentro ou fora do mundo pop, compartilhando suas primeiras impressões e como esse disco ficou na memória depois de um tempo. Curtiu o programa? Para sugestões, críticas e elogios, escreva para: podreplay.podcast@gmail.com

PodReplay

Hottest independent artist interviews, music news and music reviews...maybe ;}

J-NUTT MEDIA

Dans cette série d'émissions, nous allons parler de tout l'univers musical. 
A chaque épisode un nouvel invité, il peut être manager, ingénieur son, producteur ou encore artiste.
L'objectif: en connaitre à chaque épisode un petit peu plus sur "Les Coulisses" de la musique.

Dans cette série d'émissions, nous allons parler de tout l'univers musical. A chaque épisode un nouvel invité, il peut être manager, ingénieur son, producteur ou encore artiste. L'objectif: en connaitre à chaque épisode un petit peu plus sur "Les Coulisses" de la musique.

Dans cette série d'émissions, nous allons parler de tout l'univers musical.&nbsp;
A chaque épisode un nouvel invité, il peut être manager, ingénieur son, producteur ou encore artiste.
L'objectif: en connaitre à chaque épisode un petit peu plus sur "Les Coulisses" de la musique.

Les Coulisses by Mute Radio

Dylan, Jeff, Albert, and Kiren, friends since high school, share their group chat regarding sports and entertainment with the world.

Pod Ties

Podcast periodico di cultura afro-americana a base di basket NBA formato storytelling, musica soul, hiphop, jazz e funk direttamente dai solchi dei vinili originali.

Better Go Soul

Ricardo Roa es experto en nada, es un simple repostero amante de la música que quiere compartirte lo poco o mucho que sabe sobre estas dos industrias. Novedades, recomendaciones, risas y harto chisme en este chiquero.

Pasémosla Ricardo

مشاهير وإعلاميّين بيرِدّوا على أسئلة عن الماضي، الطريق نحو الشهرة، الحاضر، المستقبل القريب وغيرها، بالإضافة لأسئلة سريعة أو لعبة زغيرة... تابعونا.

Na3ref 3annak • About You

Dj, sound producer
DAR | TRONIC | ILLUZIA

Dj, sound producer DAR | TRONIC | ILLUZIA

ANTIDJ

¡RUIDO! Terroríficamente vibrante: con una propuesta de música diferente sólo para ti. Espera noticias, recomendaciones, curiosidades, programas temáticos y una que otra entrevista sobre temas geniales. Le pondremos el soundtrack a tu vida, día a día.

¡Ruido!

With the changing world we feel it is more fitting to call this Podcast ‘The Rhino in The room".

"The elephant in the room" is a problem that everyone knows is there but no one wants to acknowledge.

We are in challenging times, and there’s a lot to be addressed. Sadly the elephant cannot remain sitting in the corner of the room anymore. Communication requires a different approach.

Paul McKenzie, Public Speaker, and Public Correspondent will host an array of podcasts discussing everything from social issues to light hearted banter. The shows will invite guests to share their views and challenge the norms.

With the changing world we feel it is more fitting to call this Podcast ‘The Rhino in The room". "The elephant in the room" is a problem that everyone knows is there but no one wants to acknowledge. We are in challenging times, and there’s a lot to be addressed. Sadly the elephant cannot remain sitting in the corner of the room anymore. Communication requires a different approach. Paul McKenzie, Public Speaker, and Public Correspondent will host an array of podcasts discussing everything from social issues to light hearted banter. The shows will invite guests to share their views and challenge the norms.

With the changing world we feel it is more fitting to call this Podcast ‘The Rhino in The room".

"The elephant in the room" is a problem that everyone knows is there but no one wants to acknowledge.

We are in challenging times, and there’s a lot to be addressed. Sadly the elephant cannot remain sitting in the corner of the room anymore. Communication requires a different approach.

Paul McKenzie, Public Speaker, and Public Correspondent will host an array of podcasts discussing everything from social issues to light hearted banter. The shows will invite guests to share their views and challenge the norms.

"RHINO IN THE ROOM" with Paul McKenzie on FOAM20

Magyar zenészek érvényesülése a nemzetközi piacon – beszélgetések életutakról, stratégiákról a külföldön sikeres zenészekkel. A külföldi siker útja és ára. A hosszú zenei, rádiós, újságírói és zeneipari karrierje során megismert zenei pályákat, életutakat szeretné bemutatni Biljarszki Emil ebben a podcast sorozatban, hangsúlyt fektetve a külföldi érvényesülésen.

Jaj, a világ!

trabajo tic

Tous les jeudis de 16h à 18 h sur SUN FM MAYOTTE et SUNFM.YTNouveautés et classiques  Reggae, Dancehall, Shatta, Afrobeat.Une émission par semaine en podcast.Par DJ STICKEE, WICKED VIBES SOUND

Tous les jeudis de 16h à 18 h sur SUN FM MAYOTTE et SUNFM.YT Nouveautés et classiques Reggae, Dancehall, Shatta, Afrobeat. Une émission par semaine en podcast. Par DJ STICKEE, WICKED VIBES SOUND

Tous les jeudis de 16h à 18 h sur SUN FM MAYOTTE et SUNFM.YTNouveautés et classiques &nbsp;Reggae, Dancehall, Shatta, Afrobeat.Une émission par semaine en podcast.Par DJ STICKEE, WICKED VIBES SOUND&nbsp;&nbsp;&nbsp;&nbsp;

"Sunshine Radio Show" DJ Stickee, SUN FM Mayotte

ここは、野良の音楽オタクがどこでしゃべったらいいか分からない話をするために作られた
ポッドキャスト番組です。
大体週1回、ラジオを口実にいろいろ喋ってます。


・X（Twitter ）
 火星人（@KxxxxJxx）
https://twitter.com/KxxxxJxx

・ハッシュタグ
#ラジオを口実に

・メールフォーム
「火星人のラジオを口実に・・・」メールフォーム 
https://docs.google.com/forms/d/e/1FAIpQLSeKYVlDYzH0EjPBQJ_IXnFyseH_hOYu6dmzKqebarCV_oxftQ/viewform

ここは、野良の音楽オタクがどこでしゃべったらいいか分からない話をするために作られた ポッドキャスト番組です。 大体週1回、ラジオを口実にいろいろ喋ってます。 ・X（Twitter ） 火星人（@KxxxxJxx） https://twitter.com/KxxxxJxx ・ハッシュタグ #ラジオを口実に ・メールフォーム 「火星人のラジオを口実に・・・」メールフォーム https://docs.google.com/forms/d/e/1FAIpQLSeKYVlDYzH0EjPBQJ_IXnFyseH_hOYu6dmzKqebarCV_oxftQ/viewform

ラジオを口実に・・・

Travis Marc hosts conversations with working musicians, producers, songwriters and composers covering topics not commonly spoken about within the music business- including networking, band break ups, touring nightmares, songwriting splits and loads of other, 'overcoming the struggle' type stories from the creatives perspective. 

The goal of this podcast is simple - to help musicians increase their overall sense of self worth, both mentally and financially within the music industry. 

For more information. Please visit www.musicians-mentor.com

Travis Marc hosts conversations with working musicians, producers, songwriters and composers covering topics not commonly spoken about within the music business- including networking, band break ups, touring nightmares, songwriting splits and loads of other, 'overcoming the struggle' type stories from the creatives perspective. The goal of this podcast is simple - to help musicians increase their overall sense of self worth, both mentally and financially within the music industry. For more information. Please visit www.musicians-mentor.com

The Musicians Mentor

永不停歇的夏天，定期释放的乡愁。
以东南亚文化为起点的东南亚发烧友闲聊，分享东南亚宝藏音乐与影视、旅行与修行、生活与生意。
2025年雨水节气，第一期发布，隔周二更新。春雨润心，草木萌动，万物复苏，希望在2025送出更多自由、快乐和阳光。一起回你的电子快乐老家！

永不停歇的夏天，定期释放的乡愁。 以东南亚文化为起点的东南亚发烧友闲聊，分享东南亚宝藏音乐与影视、旅行与修行、生活与生意。 2025年雨水节气，第一期发布，隔周二更新。春雨润心，草木萌动，万物复苏，希望在2025送出更多自由、快乐和阳光。一起回你的电子快乐老家！

快乐老家东南亚

Podcast dedicado a la vida y obra del músico Mike Oldfield.

Tertulias Oldfield

Keep on Trying

Crossroads Blues Radio &eacute;s un Programa de Blues, de tots els seus estils i deribats, s'emet per "El Prat R&agrave;dio", emissora local del Prat de Llobregat, Barcelona. Programa presentat i dirigit per Salva Mart&iacute;nez, &agrave;lies Salva "PotablavaBlues". El Programa s'emet, tots els divendres, de 22 a 24 hores, per "El Prat R&agrave;dio" (91.6 de la FM), i, al mateix temps, per internet, en directe per: https:/elprat.digital/radio.

Crossroads Blues Radio es un Programa de Blues, de todos sus estilos y deribados, se emite por "El Prat R&agrave;dio", emisora local del Prat de Llobregat, Barcelona. Programa presentado y dirigido por Salva Mart&iacute;nez, &aacute;lias Salva "PotablavaBlues". El Programa se emite, todos los viernes, de 22 a 24 horas, por "El Prat R&agrave;dio" (91.6 de la FM), y, al mismo ti&eacute;mpo, por internet, en directo por: https:/elprat.digital/radio.

Crossroads Blues Radio is a Blues Program, of all its styles and derivatives, broadcast by "El Prat R&agrave;dio", a local station in Prat de Llobregat, Barcelona. Program presented and directed by Salva Mart&iacute;nez aka Salva "PotablavaBlues". The program is broadcast every Friday, from 10 p.m. to midnight, on "El Prat R&agrave;dio" (91.6 FM), and, at the same time, online, live at: https:/elprat.digital/radio.

Crossroads Blues Radio és un Programa de Blues, de tots els seus estils i deribats, s'emet per "El Prat Ràdio", emissora local del Prat de Llobregat, Barcelona. Programa presentat i dirigit per Salva Martínez, àlies Salva "PotablavaBlues". El Programa s'emet, tots els divendres, de 22 a 24 hores, per "El Prat Ràdio" (91.6 de la FM), i, al mateix temps, per internet, en directe per: https:/elprat.digital/radio. Crossroads Blues Radio es un Programa de Blues, de todos sus estilos y deribados, se emite por "El Prat Ràdio", emisora local del Prat de Llobregat, Barcelona. Programa presentado y dirigido por Salva Martínez, álias Salva "PotablavaBlues". El Programa se emite, todos los viernes, de 22 a 24 horas, por "El Prat Ràdio" (91.6 de la FM), y, al mismo tiémpo, por internet, en directo por: https:/elprat.digital/radio. Crossroads Blues Radio is a Blues Program, of all its styles and derivatives, broadcast by "El Prat Ràdio", a local station in Prat de Llobregat, Barcelona. Program presented and directed by Salva Martínez aka Salva "PotablavaBlues". The program is broadcast every Friday, from 10 p.m. to midnight, on "El Prat Ràdio" (91.6 FM), and, at the same time, online, live at: https:/elprat.digital/radio.

Crossroads Blues Radio és un Programa de Blues, de tots els seus estils i deribats, s'emet per "El Prat Ràdio", emissora local del Prat de Llobregat, Barcelona. Programa presentat i dirigit per Salva Martínez, àlies Salva "PotablavaBlues". El Programa s'emet, tots els divendres, de 22 a 24 hores, per "El Prat Ràdio" (91.6 de la FM), i, al mateix temps, per internet, en directe per: https:/elprat.digital/radio.

Crossroads Blues Radio es un Programa de Blues, de todos sus estilos y deribados, se emite por "El Prat Ràdio", emisora local del Prat de Llobregat, Barcelona. Programa presentado y dirigido por Salva Martínez, álias Salva "PotablavaBlues". El Programa se emite, todos los viernes, de 22 a 24 horas, por "El Prat Ràdio" (91.6 de la FM), y, al mismo tiémpo, por internet, en directo por: https:/elprat.digital/radio.

Crossroads Blues Radio is a Blues Program, of all its styles and derivatives, broadcast by "El Prat Ràdio", a local station in Prat de Llobregat, Barcelona. Program presented and directed by Salva Martínez aka Salva "PotablavaBlues". The program is broadcast every Friday, from 10 p.m. to midnight, on "El Prat Ràdio" (91.6 FM), and, at the same time, online, live at: https:/elprat.digital/radio.

Crossroads Blues RADIO

Sound Revolution dives into the deep ends of music we love and know.

Sound Revolution dives into the deep ends of music we love and know.

Sound Revolution

Jules (co-conspirator and cackle chorus on YouTube channel, Nat’s What I Reckon) is obsessed with Malta's 2025 Eurovision entry - Miriana Conte’s ‘Serving’. Knowing nothing else about Eurovision and armed with her love of fabulous camp nonsense, her genuine curiosity and her hearty laugh, Jules has enlisted the help of her friend Gen (fellow cackler, culture writer and Eurovision Tragic) to brave the majestic and unforgiving Eurovision landscape together. In the lead up to the 2025 Eurovision Song Contest, Jules and Gen will explore the best, not-so-best and downright unhinged moments from Eurovision history. Sanity will be questioned. Laughs will be had. Tears will be shed. Friendships will be tested. And ultimately, the two will get to the bottom of how to score the all-important Douze Points and walk away with the big glass microphone.&nbsp; <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Jules (co-conspirator and cackle chorus on YouTube channel, Nat’s What I Reckon) is obsessed with Malta's 2025 Eurovision entry - Miriana Conte’s ‘Serving’. Knowing nothing else about Eurovision and armed with her love of fabulous camp nonsense, her genuine curiosity and her hearty laugh, Jules has enlisted the help of her friend Gen (fellow cackler, culture writer and Eurovision Tragic) to brave the majestic and unforgiving Eurovision landscape together. In the lead up to the 2025 Eurovision Song Contest, Jules and Gen will explore the best, not-so-best and downright unhinged moments from Eurovision history. Sanity will be questioned. Laughs will be had. Tears will be shed. Friendships will be tested. And ultimately, the two will get to the bottom of how to score the all-important Douze Points and walk away with the big glass microphone.  Hosted on Acast. See acast.com/privacy for more information.

Jules (co-conspirator and cackle chorus on YouTube channel, Nat’s What I Reckon) is obsessed with Malta's 2025 Eurovision entry - Miriana Conte’s ‘Serving’. Knowing nothing else about Eurovision and armed with her love of fabulous camp nonsense, her genuine curiosity and her hearty laugh, Jules has enlisted the help of her friend Gen (fellow cackler, culture writer and Eurovision Tragic) to brave the majestic and unforgiving Eurovision landscape together. In the lead up to the 2025 Eurovision Song Contest, Jules and Gen will explore the best, not-so-best and downright unhinged moments from Eurovision history. Sanity will be questioned. Laughs will be had. Tears will be shed. Friendships will be tested. And ultimately, the two will get to the bottom of how to score the all-important Douze Points and walk away with the big glass microphone.&nbsp; Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

This Is How We Douze It

La presente trasmissione radiofonica in ricordo di Marc Blitzstein nacque dal programma di ICAMus Pagine di musica americana (convegno, seminari, concerti), che nel 2005 curai per l’Università di Firenze, e particolarmente dal mio seminario Marc Blitzstein a 100 anni. Musica e controversie ideologiche negli Stati Uniti del Novecento. Ricorreva quell’anno il centenario della nascita di Marc Blitzstein (1905-1964) e la ricorrenza porse l’occasione per dedicarsi alla riscoperta di un compositore americano di grande originalità.

Fanciullo prodigio di famiglia agiata, durante gli anni Venti Blitzstein studiò a Parigi con Nadia Boulanger e a Berlino con Arnold Schönberg, per poi convertirsi al comunismo nel contesto statunitense di esaltazione idealizzante delle Masse negli Anni Trenta, allorché fu profondamente influenzato dal teatro musicale di Bertolt Brecht e Kurt Weill; si dedicò all’opera politicamente impegnata e fu legato a Orson Welles e Leonard Bernstein; venne indagato per sospetto “antiamericanismo”; tendeva a vivere pericolosamente i propri legami personali e morì di morte violenta nei Caraibi. La sua esperienza biografica e artistica accolse in sé numerosi contrasti, con sorprendenti risultati compositivi.

In Blitzstein, le scelte musicali non furono mai separabili dai contenuti ideali e ideologici; e nella sua vita spiritualmente avventurosa, alla varietà di ideologie è corrisposta una varietà di stili. È vero infatti che la produzione precedente alla fase di politicizzazione non ha quella omogeneità e quella convergenza di intenti che la sua musica raggiunse successivamente, a cominciare dall’opera (play in music) The cradle will rock (1937), su libretto, versi e musica dello stesso Blitzstein. Su un provocatorio tema politicamente e socialmente impegnato, ispirata al modello di Brecht e Weill, The cradle will rock riuscì a portare sulla scena musicale statunitense situazioni allora attuali e un distintivo idioma americano senza precedenti.

Artisticamente, Marc Blitzstein era capace di audaci gesti di contestazione. Nel 1937, in occasione del debutto di The cradle will rock a Broadway, dato il soggetto controverso e l’impiego politicizzato della musica, venne negata alla produzione la sede concordata. Senza indugio, Blitzstein sostenne allora da solo, in mancanza di un’orchestra, tutte le parti strumentali su un vecchio pianoforte verticale posto al centro del palcoscenico, assumendo inoltre il ruolo di narratore del complicato intreccio. Esistono filmati e registrazioni di questo evento memorabile e il loro potere di trascinare è ancora molto grande.

Alla critica sociale, in Blitzstein si accompagna tuttavia un altrettanto ardente spirito patriotico. Airborne Symphony (Symphony: “The Airborne”, 1943-1944) è un ampio lavoro sinfonico-corale, a denuncia di tutte le guerre eppur dedicato alla celebrazione del volo umano non disgiunta da una profetica individuazione dei pericoli insiti nell’esplorazione dei cieli. Airborne Symphony richiederebbe oggi il coraggio di eseguirla, scoprendola non datata, spoglia di retorica. Alcune sezioni (Ballad of the cities, sul tema delle città ferite, e The open sky, con Gloria e suono di campane) hanno una connotazione di Oratorio, addirittura di Passione. Airborne Symphony esprime in ogni sua parte l’anelito alla libertà.

Ma l’anelito alla libertà era sentimento contrastato, nella prima metà del Novecento, per Blitzstein artista americano ebreo, comunista e gay, che metteva in palcoscenico interpreti afroamericani, per lui che aveva attraversato la Depressione, le lotte sindacali, lo scarso successo, la guerra, il McCarthyismo, che morì di morte violenta e gratuita e sarebbe rimasto una figura di compositore troppo scarsamente conosciuta. Sono dunque grata a Rete Toscana Classica per l’invito a riproporre e rendere accessibile la trasmissione a distanza di vent’anni, sentendomi fiduciosa che il pubblico di oggi, e particolarmente gli ascoltatori più giovani, scoprano

La presente trasmissione radiofonica in ricordo di Marc Blitzstein nacque dal programma di ICAMus Pagine di musica americana (convegno, seminari, concerti), che nel 2005 curai per l’Università di Firenze, e particolarmente dal mio seminario Marc Blitzstein a 100 anni. Musica e controversie ideologiche negli Stati Uniti del Novecento. Ricorreva quell’anno il centenario della nascita di Marc Blitzstein (1905-1964) e la ricorrenza porse l’occasione per dedicarsi alla riscoperta di un compositore americano di grande originalità. Fanciullo prodigio di famiglia agiata, durante gli anni Venti Blitzstein studiò a Parigi con Nadia Boulanger e a Berlino con Arnold Schönberg, per poi convertirsi al comunismo nel contesto statunitense di esaltazione idealizzante delle Masse negli Anni Trenta, allorché fu profondamente influenzato dal teatro musicale di Bertolt Brecht e Kurt Weill; si dedicò all’opera politicamente impegnata e fu legato a Orson Welles e Leonard Bernstein; venne indagato per sospetto “antiamericanismo”; tendeva a vivere pericolosamente i propri legami personali e morì di morte violenta nei Caraibi. La sua esperienza biografica e artistica accolse in sé numerosi contrasti, con sorprendenti risultati compositivi. In Blitzstein, le scelte musicali non furono mai separabili dai contenuti ideali e ideologici; e nella sua vita spiritualmente avventurosa, alla varietà di ideologie è corrisposta una varietà di stili. È vero infatti che la produzione precedente alla fase di politicizzazione non ha quella omogeneità e quella convergenza di intenti che la sua musica raggiunse successivamente, a cominciare dall’opera (play in music) The cradle will rock (1937), su libretto, versi e musica dello stesso Blitzstein. Su un provocatorio tema politicamente e socialmente impegnato, ispirata al modello di Brecht e Weill, The cradle will rock riuscì a portare sulla scena musicale statunitense situazioni allora attuali e un distintivo idioma americano senza precedenti. Artisticamente, Marc Blitzstein era capace di audaci gesti di contestazione. Nel 1937, in occasione del debutto di The cradle will rock a Broadway, dato il soggetto controverso e l’impiego politicizzato della musica, venne negata alla produzione la sede concordata. Senza indugio, Blitzstein sostenne allora da solo, in mancanza di un’orchestra, tutte le parti strumentali su un vecchio pianoforte verticale posto al centro del palcoscenico, assumendo inoltre il ruolo di narratore del complicato intreccio. Esistono filmati e registrazioni di questo evento memorabile e il loro potere di trascinare è ancora molto grande. Alla critica sociale, in Blitzstein si accompagna tuttavia un altrettanto ardente spirito patriotico. Airborne Symphony (Symphony: “The Airborne”, 1943-1944) è un ampio lavoro sinfonico-corale, a denuncia di tutte le guerre eppur dedicato alla celebrazione del volo umano non disgiunta da una profetica individuazione dei pericoli insiti nell’esplorazione dei cieli. Airborne Symphony richiederebbe oggi il coraggio di eseguirla, scoprendola non datata, spoglia di retorica. Alcune sezioni (Ballad of the cities, sul tema delle città ferite, e The open sky, con Gloria e suono di campane) hanno una connotazione di Oratorio, addirittura di Passione. Airborne Symphony esprime in ogni sua parte l’anelito alla libertà. Ma l’anelito alla libertà era sentimento contrastato, nella prima metà del Novecento, per Blitzstein artista americano ebreo, comunista e gay, che metteva in palcoscenico interpreti afroamericani, per lui che aveva attraversato la Depressione, le lotte sindacali, lo scarso successo, la guerra, il McCarthyismo, che morì di morte violenta e gratuita e sarebbe rimasto una figura di compositore troppo scarsamente conosciuta. Sono dunque grata a Rete Toscana Classica per l’invito a riproporre e rendere accessibile la trasmissione a distanza di vent’anni, sentendomi fiduciosa che il pubblico di oggi, e particolarmente gli ascoltatori più giovani, scoprano

Ricordo di Marc Blitzstein

The Twisted Critics Podcast. The biasedly unbiased boys share a Sunday conference call talking music history, their experiences in music business, urban radio song reviews, advice for indie artists, interviewing guests, debating, &amp; drinking.

The Twisted Critics Podcast. The biasedly unbiased boys share a Sunday conference call talking music history, their experiences in music business, urban radio song reviews, advice for indie artists, interviewing guests, debating, & drinking.

THE TWISTED CRITICS PODCAST

Booty Bumps is a monthly mix show presented by iQoniK.  A mix of fun electronic beats sure to pick up your spirits! With a splash of everything, iQoniK covers the spectrum of the electronic music world.  Relax, enjoy and let yourself go!

Booty Bumps is a monthly mix show presented by iQoniK. A mix of fun electronic beats sure to pick up your spirits! With a splash of everything, iQoniK covers the spectrum of the electronic music world. Relax, enjoy and let yourself go!

Booty Bumps

何気ない日常
大好きな音楽
癒し系のピアノ
…などを、ゆるりとやっています
(=^ェ^=)

何気ない日常 大好きな音楽 癒し系のピアノ …などを、ゆるりとやっています (=^ェ^=)

聞いてくれてありがとう

シンガーソングライターAyaがお届けする12分間。
１日の終わりに、一緒にほっとひといきついていただけたら💖
質問やメッセージは各種SNSやラジオトークへのDMまでお寄せください。
毎週水曜の夜に更新予定です。

シンガーソングライターAyaがお届けする12分間。 １日の終わりに、一緒にほっとひといきついていただけたら💖 質問やメッセージは各種SNSやラジオトークへのDMまでお寄せください。 毎週水曜の夜に更新予定です。

ほっとひとときラジオ

"Guin Huddle," inspired by the unyielding spirit of penguins in a storm, embodies Guin Records' supportive, family-like approach to the music industry. This podcast delves into music industry complexities, focusing on artist management, mental health, and the equilibrium between artistry and commercial success. It offers insights into artist development, the effects of personal and professional losses, and traits of successful artists, serving as a vital resource for emerging talents and industry professionals.

"Guin Huddle," inspired by the unyielding spirit of penguins in a storm, embodies Guin Records' supportive, family-like approach to the music industry. This podcast delves into music industry complexities, focusing on artist management, mental health, and the equilibrium between artistry and commercial success. It offers insights into artist development, the effects of personal and professional losses, and traits of successful artists, serving as a vital resource for emerging talents and industry professionals.

Guin Huddle

Lil yhapo Chase bayer flexing

House Dj / Producer [Hungary] 📀 Co-Founder/Owner, A&R, Ribelle Music
Info: https://linktr.ee/veecomusic
Contact & Booking: veeco.music@gmail.com

NEW RELEASE: VEECO - NEVER AGAIN
Check Now: enormousmoments.lnk.to/NeverAgain
............................................................................

Veeco, was born in 1979. He is a Hungary based DJ, producer, remixer and electronic music enthusiast.

His enthusiasm for electronic music started in 1995 when he became familiar with DJing.  Due to his passion for music he shortly realized that this is what he wanted to do.

His first public performance took place in 2000, and since then she has had several of her own events, club and radio appearances.

Since 2020, he has focused primarily on his work as a producer. Since then, he has released several of his own compositions and remixes.

In 2023 he became co-founder and owner of the Ribelle Music publishing group.

Discography: Enormous Moments * Stellar Fountain * Zenebona * Ribelle Music * Elephant House * Perihelion * Artessa Music * Addictive Sounds * Massive Harmony Records * Deep Tales * Old Sql Records * Big Bells Records * Deepsessions Records

House Dj / Producer [Hungary] 📀 Co-Founder/Owner, A&R, Ribelle Music Info: https://linktr.ee/veecomusic Contact & Booking: veeco.music@gmail.com NEW RELEASE: VEECO - NEVER AGAIN Check Now: enormousmoments.lnk.to/NeverAgain ............................................................................ Veeco, was born in 1979. He is a Hungary based DJ, producer, remixer and electronic music enthusiast. His enthusiasm for electronic music started in 1995 when he became familiar with DJing. Due to his passion for music he shortly realized that this is what he wanted to do. His first public performance took place in 2000, and since then she has had several of her own events, club and radio appearances. Since 2020, he has focused primarily on his work as a producer. Since then, he has released several of his own compositions and remixes. In 2023 he became co-founder and owner of the Ribelle Music publishing group. Discography: Enormous Moments * Stellar Fountain * Zenebona * Ribelle Music * Elephant House * Perihelion * Artessa Music * Addictive Sounds * Massive Harmony Records * Deep Tales * Old Sql Records * Big Bells Records * Deepsessions Records

House Dj / Producer [Hungary] 📀 Co-Founder/Owner, A&amp;R, Ribelle Music
Info: https://linktr.ee/veecomusic
Contact &amp; Booking: veeco.music@gmail.com

NEW RELEASE: VEECO - NEVER AGAIN
Check Now: enormousmoments.lnk.to/NeverAgain
............................................................................

Veeco, was born in 1979. He is a Hungary based DJ, producer, remixer and electronic music enthusiast.

His enthusiasm for electronic music started in 1995 when he became familiar with DJing.  Due to his passion for music he shortly realized that this is what he wanted to do.

His first public performance took place in 2000, and since then she has had several of her own events, club and radio appearances.

Since 2020, he has focused primarily on his work as a producer. Since then, he has released several of his own compositions and remixes.

In 2023 he became co-founder and owner of the Ribelle Music publishing group.

Discography: Enormous Moments * Stellar Fountain * Zenebona * Ribelle Music * Elephant House * Perihelion * Artessa Music * Addictive Sounds * Massive Harmony Records * Deep Tales * Old Sql Records * Big Bells Records * Deepsessions Records

veecomusic

Музыка, которая перепахала сознание целого поколения. И люди, которые хотели просто получать кайф от жизни, но стали «послами рок-н-ролла в неритмичной стране». Историю ленинградского рока рассказывают сами музыканты.

Легенды и мифы Ленинградского рок-клуба

Indie Studio is a Brisbane Australia based podcast dedicated to showcasing emerging talents and providing a platform for local independent musicians. With a commitment to authenticity and a passion for discovery, Indie Studio offers a fresh perspective on the rich landscape of Brisbane music. Enjoy interviews and in-studio live performances with our featured guests each episode.

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THE TWISTED CRITICS PODCAST

Booty Bumps

聞いてくれてありがとう

ほっとひとときラジオ

Guin Huddle

Lil yhapo Chase bayer flexing

veecomusic

Легенды и мифы Ленинградского рок-клуба

RV

Indie Studio

Shanny’s Rockin Six

Best Prayer Meeting Singer in Delhi - Call at 9871737232

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藏密传颂钵：深度疗愈 心灵净化 生命觉醒 第一辑

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【厭世，不想掩飾】 靜靜厭世十分鐘。

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passadose

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ＧｅｎｅｒｉｃＣａｔ ＲＳＳ

立刻切換心情

AQUAMARINE

Tha Juice

藏密传颂钵：深度疗愈心灵净化生命觉醒第一辑

【厭世，不想掩飾】靜靜厭世十分鐘。

ＧｅｎｅｒｉｃＣａｔ　ＲＳＳ