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Re-launch of my old podcast....First episode in this new form...."Is my tree gone?" ....and RIP Jeff Beck!

A little ramble on darker, sadder life moments, community and good clean breaks

The Ramble Transmissions Podcast, Episode 009A

It's Punk Rock Bowling time again and that can only mean one thing for me....FOMO!

The Ramble Transmissions Podcast with Kevin Seconds, Episode 008A

That time when I was the opening act on Rancid and Dropkick Murphys' From Boston To Berkeley tour, Part 2

The Ramble Transmissions Podcast with Kevin Seconds, Episode 007A, Pt 2

That time when I was the opening act on Rancid and Dropkick Murphys' From Boston To Berkeley tour, Part 1

The Ramble Transmissions Podcast with Kevin Seconds, Episode 007A, Pt. 1

The Ramble Transmissions Podcast with Kevin Seconds, Episode 006A

The Ramble Transmissions Podcast with Kevin Seconds

Quarta Onda é uma plataforma para viabilizar, discutir e divulgar a música produzida por artistas LGBTQIA+. Quer produzir com a gente? canalquartaonda@gmail.com ;) Somos uma onda sonora que visa ampliar os espaços e os palcos para que eles fiquem mais abertos a artistas lésbicas, bissexuais, transex...

Music Commentary

Somos uma onda sonora que visa ampliar os espaços e os palcos para que eles fiquem mais abertos a artistas lésbicas, bissexuais, transexuais, travestis, homossexuais, assexuais, queers, intersexuais, etc.

3 dicas pra se lançar na música | QO

De Artista Pra Artista

Un espacio creado y conducido por artistas y para artistas dedicado a talentos del género úrbano.

Music Interviews

Daniel Bautista, Mau Corona y Rodrigo Jim platican junto al primer invitado Yung Dupe. Esperamos que te guste mucho este episodio, compartelo con tus amigos. No olvides seguirnos en nuestras redes @METAMORFO51S

#001 - YUNG DUPE

Metamorfo51s

This is the Da Mid East Podcast hosted by @Super_Ethereal, @RoyDaRuler and @ErrolHouser. Three guys from Pg county MD giving you their take on the world.

Follow Us On Twitter & Instagram
- @DaMidEast
- @RoyDaRuler
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Parlays

Business Pod

0:00 - Tory Lanes
27:45 - Friendships While In A Relationship 
43:29 - Significant Other Working For Their EX
45:22 - Cheating
49:00 - Dealing With “lifers”
53:39 - Single Behavior Vs Relationship Behavior
56:40 - Dating
01:07:30 - Bad Date Stories
01:16:23 - 2 Man Moves Gone Wrong
01:30:34 - Outro

You Almost Home

Go Getta

Future Vs Everybody

Da Mid East

Sound Mind is an original podcast produced by One Voice Mixed Chorus where Queer voices in Minnesota explore mental health through art. Each episode features a different LGBTQ artist sharing their deeply personal and inspiring stories and takes listeners on a journey through the intersections of ide...

Health & Fitness

Mental Health

Meet Kymani Kahlil. A talented instrumentalist, designer, composer, choreographer, and singer: when Kymani walks into a room, people notice. Born in in Minneapolis, Kymani was a singer in One Voice in the early 90s, and currently lives in Crystal, MN.  In this episode, Kymani discusses childhood sports, romance at raves, how cadence helps her navigate the world, and how she found her voice in music. Kymani weaves a darn good story and has an infectious laugh that will keep you smiling all day.
To learn more about Sound Mind and the featured artists, listen to music from the episode, and find mental health resources, visit www.OneVoiceMN.org/Sound-Mind.

Music in Me Singing | Kymani Kahlil

Meet Sara Thomsen and Paula Pedersen. Sara is a singer songwriter who performs across the Midwest and beyond. Paula is an educator, psychologist, and interculturalist. Living on a farm in the woods north of the Twin Ports of Duluth and Superior, the two discuss the role of artists as first responders to a country having crisis of the soul.
To learn more about Sound Mind and the featured artists, listen to music from the episode, and find mental health resources, visit www.OneVoiceMN.org/Sound-Mind.

Too Many Roosters | Sara Thomsen and Paula Pedersen

Meet Victoria Evens. A distinguished graduate of the University of Minnesota Morris, Victoria completed her Music degree and senior recital in a sudden virtual world last spring. Now she is carving out her own career as a small business owner and a queer musician in Cold Spring, MN. 
To learn more about Sound Mind and the featured artists, listen to music from the episode, and find mental health resources, visit www.OneVoiceMN.org/Sound-Mind.

Leave Your Baggage at the Door| Victoria Evens

Meet Andrew Gonzales. Andrew is a gay, Puerto Rican music teacher currently living in Chicago, Illinois. In this episode Andrew, a recent graduate from St. Olaf college, opens up about his intersectional identities and how they shaped his past and are guiding his future.
To learn more about Sound Mind and the featured artists, listen to music from the episode, and find mental health resources, visit www.OneVoiceMN.org/Sound-Mind.

Coming Out in Minnesota | Andrew Gonzales

Meet Kandace Creel Falcon from Otter Tail County, Minnesota. In this episode Kandace brings listeners along dual journeys of self-actualization--as both an artist and a Xicanx queer femme. Kandace lives on a farm and retreat space designed to support BIPOC artists and activists. 
To learn more about Sound Mind and the featured artists, listen to music from the episode, and find mental health resources, visit www.OneVoiceMN.org/Sound-Mind.

Academic Gone Rogue | Kandace Creel Falcón

Sound Mind

Spinning tunes and partying all night long, the years soon went by.
Mixes were mixed, tracks were cut, records released and new friends were made. This was all centered around number 87, the Jacuzzi Boys HQ. With the friends they made and their creative influences the outcome was 87 records, a group...

Spinning tunes and partying all night long, the years soon went by.
Mixes were mixed, tracks were cut, records released and new friends were made. This was all centered around number 87, the Jacuzzi Boys HQ. With the friends they made and their creative influences the outcome was 87 records, a group of like minded people all hailing from Frankfurt am Main.
The "87 Mixes" bring you a fine selection of the favorite tracks mixed by the 87 artists.

87 Mixes #1 2013 Jacuzzi Boys

87 Mixes

Istanbul Based Engineer, DJ / Producer
Boğaziçi University / İstanbul
Techno / House Music

​MajesteX plays freshest and hottest tracks. Apart from DJing career, he is also engineer (M. Sc.) graduated from Boğaziçi University.

His  podcasts, "Hype Sensation", "Deep Sensations" and "Majestic Beatz b...

⚠️If you have any problem with copyright issues or question, please feel free to contact me via DM, instagram or mail. Will answer you within 48h.


Hype Sensation #03 - MajesteX (Techno Set)

✈ Booking: djmajestex@gmail.com
↪︎ Follow MajesteX :
☑️ Instagram : instagram.com/majestex

⚠️If you have any problem with copyright issues or question, please feel free to contact me via DM, instagram or mail. Will answer you within 48h.


Deep Sensations #13 (Progressive House & Melodic Techno & Deep House)

Deep Sensations #10 (Progressive House & Melodic Techno & Deep House)

Deep Sensations #09 by MajesteX (Progressive House & Melodic Techno)

Deep Sensations #08 by MajesteX (Progressive House & Melodic Techno)

Majestic Beatz by DJ MajesteX

Hi,and welcome to my Podcast I am a little kid who lives to sing I hope you like my singing enjoy

Welcome To Chiaki Nanami (Trailer)

Welcome To Chiaki Nanami

VOTE NOW TOP 100 DJANE :
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Welcome on the monthly radio show 
Original, featuring, remixe and bootleg music 
Have a good listening

Inferno Radio #1

Welcome on the monthly radio show 
Original, featuring, remixe and bootleg music 

Have a good listening !

Switch Off #18

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Meylips - Switch'N'B

Meylips

Listen to Marta Innocenti to find out how songs are created and which stories they tell. * Learn how to get over your BLANK PAGE syndrome and write your own songs!

Try and write A SHORT STORY,  AS IF YOUR SONG WAS A 3 MINUTE MOVIE.
As a writer,  you can convey whatever message you want by PICTURING A SPECIFIC CHARACTER IN SOME SPECIFIC ENVIRONMENT.  The listener will follow your story and in the end your message will be clear and much more interesting.

When you write a “short story kind of song”  people will remember it easily.
So if I mention “Don't stand so close to me” by The Police you will immediately say : “Oh, yeah, that song about the young teacher and the student with a crush on him?”  Do you get what I mean? 
By the way, my favorite line of that song is: “wet bus stop, she's waiting, his car is warm and dry”.
That's phenomenal songwriting in my opinion, just a few words and you get the whole idea: the difference of age, the attraction, the doubt.  Sting could have written something like “hey, folks, sometimes you just can't help falling in love with the wrong person, even if you know from the beginning that it's not gonna work”.  Instead, he turned this general statement into a short story and , yep!, there you are: at the bus stop under the rain, close to the teacher and his student, feeling sorry about their impossible love.  Sting gotcha,  you're hooked.

When you write a “short story kind of song” MAKE SURE THAT YOU CAN SUM UP THE PLOT AND DEFINE THE SONG WITH A SINGLE SENTENCE.   For example : do you know that song by Tom Waits called “Martha” ? 
-”Operator, number please, it's been so many years....”-
Yeah, that's it, Martha,  “h” apart, that's my name, and I'm so happy that Tom chose my name for that beautiful song. So, can you sum up the plot in a sentence?  Tom calls Martha on the phone  40 years after their love story has ended, regretting the time when they were young and happy and -most important- together.  That's a short story, because specific characters are involved and it's a real phone call, you kinda feel you're listening in on some private conversation, it's much more intimate this way.
-”Those were days of roses, poetry and proses, Martha, all I had was you and all you had was me....”

Ok, as usual I'm going to make an example of a song that I wrote.   I was looking back at my youth, thinking about high school, about how incredibly important that age is,  when you live intense emotions, you know,  all the drama about your first impulsive experiences of friendship and love...yeah, you know, the need to escape from your parents and what they want you to be.  
So I wrote about two teen-agers, Kim and John, running away for a weekend: he steals his father's car on a Friday night,  they live their romance pretending to be free and independent, making blood promises they knew they couldn't keep,  and then on Monday morning they have to go back to reality.  The song is called “Two days and three nights”.
 
Now it's your turn,  try and write a “short story kind of song”.
SPECIFIC CHARACTERS, SPECIFIC SITUATION AND ENVIRONMENT,  AS IF YOUR SONG WAS A 3 MINUTE MOVIE.
Ok, that's it for now. Thanks for listening to this 5th episode of Blank Page – Songwriting.  Come visit my website  www.martainnocenti.com  and now, enjoy my song.  I'll talk to you soon! Bye Bye!

****

The lyrics:
“TWO DAYS AND THREE NIGHTS”  (performed by 12n -twelveNotes- acoustic duo  www.12n.biz )
music by Marta Innocenti & G.Masino – lyrics by Marta Innocenti

John stole his father's car   that Friday night
He took his new guitar
Kim closed her parents' door   behind her back    she looked just beautiful
looking for something to regret
Kim and John  were headed off  to Never-land

Two days and three nights, escape for two days and three nights!
On a one way ride,  on a one way ride.
Two days and three nights, escape for two days and three nights!
The one page of life  they could rewrite
escaping  for two days and three nights

His face was covered with   her lipstick stains
that Monday would erase
They made blood promises  they couldn't keep    (continued)

5 SHORT STORY **  Blank Page - Songwriting

Today I'm going to help you SAVE YOUR PRECIOUS TIME. You know, it may take a long time to write a good song.  So, my advice to you is this : don't waste your time overproducing a lame song in order to make it sound good, it's not worth it.  FIRST OFF FOCUS ON THE MAIN STRUCTURE OF THE SONG AND THE MELODY AND KEEP FIXING IT UNTIL IT REALLY WORKS,  forget about the rest.

Now think of the magic of the unplugged concerts,  it's taking the songs back to their true nature, that way the songwriting is naked -so to say-, and you can tell if it's a great song or not.
Do you remember when Richie Sambora and Jon Bon Jovi performed “Livin' on a prayer” and “Wanted Dead or Alive” with acoustic guitars only at the VMA's in 1989 ?  it was a sort of slap in the face to decades of electric bass and guitars and powerful drums and multi million dollar productions.   
If the song is written well enough,  you can take all the other instruments away,  perform it with acoustic guitar only and it will stand alone.  Otherwise it means something is wrong.

That's it:  when you write a song,  put it immediately to the test by playing it with acoustic guitar only,  or with keyboard only.  DON'T WASTE TOO MUCH TIME ON THE LYRICS UNTIL THE MELODY IS FIXED. FAKE ENGLISH WILL DO.   KEEP ADJUSTING THE SONG STRUCTURE, CHORDS AND MELODY UNTIL IT REALLY WORKS.  
A song works when teenagers can play it on the beach with their friends, or everybody sings it loud while driving.  When people hum your song under the shower it has to make sense. 
What is more : if you write a song this way, well, the sound or the production of your song can become old-fashioned in time,  but the core of it, the melody, probably won't.  Just like people are still humming “Living on a prayer” when taking a shower nowadays.
Do you know what I mean?

So, be honest with yourself :  focus on the core of your song until it really works.
FAKE ENGLISH AND ACOUSTIC GUITARS WILL SAVE YOU A LOT OF TIME!  ALWAYS!
After that, only after that,  get into a recording studio and produce your song,  adding all the instruments and backing vocals that you need.   

For example,  I wrote the lyrics for the song “Women on the edge” included in the second record of   (available on iTunes). 
There's a great emotional impact due to the topic and to how the song is beautifully sung and it's far from being performed with acoustic guitars only here.  But, it could be performed with acoustic guitars only. And it would stand alone.  So, now listen to it once or twice and wait for the next time you take a shower.  I'm sure you will be humming along...!
Ok, that's it for now. Thanks for listening to this 4th episode of Blank Page - SONGWRITING,  come visit my website  www.martainnocenti.com  and now, enjoy my song.  I'll talk to you soon! Bye bye!

****

The lyrics:
WOMEN ON THE EDGE  - by Rezophonic ( www.rezophonic.com )
music by O.Riva/M.Zanotti/M.Riso – lyrics by Marta Innocenti

I'm working twice as hard as any man that I have met
and the beating of my heart is an earthquake in my chest
I got children to protect it's a never ending task
walking to the moon and back every time they cry for help

love can transform lonely drops into waterfalls
oh Women on the edge  for love   oh Women on the edge  for love

I'm no fairy, I'm no saint, Just a mother, just a wife
but it's miracles I make in my ordinary life
all the magic that I need is in Mother Nature's hands
hiding aces up my sleeve   every time I cry for help

love can transform lonely drops into waterfalls
oh Women on the edge for love   oh Women on the edge for love

far from the spotlight,   women accomplish on time     the “mission impossible” of life
far from the spotlight,    women can always provide    gallons of water under a desert sky
oh Women on the edge for love    oh Women on the edge for love
just because of love.

4 Save your time (fake English and acoustic guitars)

Today I want you to focus on this :  try to DEVELOP ANY ABSTRACT CONCEPT INTO SPECIFIC IMAGES that convey your idea.   Use words and sentences that appeal to the 5 SENSES AND ACTIONS. 

For example stop rambling on about the general concept of pain, unhappiness, sorrow, sadness,  but find an image that your listeners will remember,  just like this verse of “I'll be there for you”, Bon Jovi.
“You say you've cried a thousand rivers and now you're swimming for the shore
You left me drowning in my tears  and you won't save me anymore.”
 
When describing efforts and struggle, you need to make the idea concrete by using verbs of action.
Check out this song by U2 (I still haven't found what I'm looking for):
I have run, I have crawled, I have scaled these city walls,  only to be with you”.

If you need another example, just listen to “Blowing in the wind”,  in every single sentence Bob Dylan gives you a clear image to remember (a man walking a road, a white dove sailing the sea, the cannon balls flying, and so on).  No wonder this song is a classic. 

So, whenever you write a song,  turn the general abstract concept into a clear picture.  Search for words related to actions and the 5 senses .  

Check the lyrics that I wrote for this song called “Madama Butterfly” (it's by the rock band The Fire and you can find it on iTunes).
It's about a naive young girl,  that's the reason for the reference to Puccini's Madama Butterfly. 
The singer tries to warn this girl about the danger and the evil of the world that she's not able to see, she's still too young and pure.   So I wondered : how can I turn this concept into a clear image?
Here's some of the sentences I used:
“you're a stranger to this world, living safe in your snowball,  even snow will make you drown, when melting on the ground”
“you're surrounded by the wolves, you see only unicorns”

So, now, do you get what I mean?   Pictures, images, actions, 5 senses.   Always.  
Ok, that's it for now.  Thanks for listening to this third episode of Blank Page - Songwriting,  come visit my website :   www.martainnocenti.com   and now, enjoy my song.  I'll talk to you soon! Bye bye!

****

The lyrics:
MADAMA BUTTERFLY   (by The Fire -  www.thefiremusic.com)
music by O.Riva – lyrics by Marta Innocenti

Yeah, all right , yeah, all right, Don't give up the fight Madama Butterfly *

You're a bubble made of soap *
And this world will make you burst *
You're surrounded by the wolves *
You see only unicorns *
You'll get hurt, my little girl *   Watch out ! Watch out ! *
When you find out *  Will you break down ? *  My Madam Butterfly * My Madam Butterfly *
*
You're a stranger to this world *
Living safe in your snowball *
Even snow will make you drown *
When melting on the ground *
You'll get hurt, my little girl *  Watch out ! Watch out ! * 
When you find out * Will you break down ? *  My Madam Butterfly * My Madam Butterfly *
They'll break your heart * They'll let you down *  My Madam Butterfly * My Madam Butterfly*
*
Bloody flower bloody flower... *
Yeah, all right , yeah, all right, Don't give up the fight Madama Butterfly *
Yeah, all right , yeah, all right  Don't give up the fight Madama Butterfly *  Butterfly *  Butterfly *

3 - five senses and actions

My first piece of advice is very simple:  always TELL THE TRUTH, your personal truth.  When you write a song, TALK ABOUT SOMETHING THAT MEANS A LOT TO YOU AND SAY SOMETHING YOU TRULY MEAN.

When I first listened to “The show must go on” by Queen I was moved by it,  the song is so deep and meaningful.  The lyrics, the music and Freddy's voice combine perfectly to convey that message.

Or think of “Marry me” by Train,  no wonder that song is the soundtrack of every wedding now,  and it's not just because of the title. When he sings: “I promise to sing to you when all the music dies” you can tell he really means to be by her side forever.

Or do you remember “18 till I die” ?  Bryan Adams could sing that because he's actually looked 18 his whole life, but, what I mean is that the song is simple, genuine, 100% fun. 

So, whenever you write a song, put your personal truth into it.  Your own experience, your ideas, your true feelings. When people listen to your song,  it will take them a second to realize if what you say is fake or trivial.  On the contrary,  if your song is truthful,  people can agree with it or not,  but they will not skip it or forget it that easily.

Check this song that I wrote for my Acoustic Duo  TwelveNotes (www.12n.biz) : the title is “Partner in Crime”.
“We’re the king and the queen of the view we can see from the balcony...”
The main idea for this song is the word girlfriend, “GirlFRIEND”.  Thinking about my husband, I realized that he's my best friend and I'm his best friend,  we have been sharing our passions (such as music, of course) and we have dealt with big problems side by side.   Friendship is the core of every long lasting love story in my opinion.  This is my personal truth.  Every time I sing this song I can feel the same happiness I felt writing it, 'cause I kinda...you know, see the movie of the life we have lived together so far.   Everything I say is true: for example:  the amazing sunsets on the hills from our balcony,  our motorbike,  and the black and white keys of the keyboard are the reason for the name of our duo (twelveNotes).  And, well, yes, I also mention the hard times we went through when my husband was fighting leukaemia.  I included the sentence “omnia vincit amor”, that is latin,  it means Love Conquers All,  that was the sentence I kept repeating myself to find the strength to carry on until my husband finally recovered.   
So, now, do you get what I mean?   Talk about something really meaningful to you and tell the truth.  Always.  

Ok, that's it for now. Thanks for listening to this second episode of Blank Page - Songwriting,  come visit my website www.martainnocenti.com   and now, enjoy my song.  I'll talk to you soon! Bye bye!

****

The lyrics:
PARTNER IN CRIME  (by 12N – twelveNotes-)
music and lyrics by Marta Innocenti

We’re the king and the queen of the view we can see from the balcony
of the sunset on the hills,  of a milky way ceiling
we’ve been feeding a dream
and we know what it means  to sweat for each step   
well we made it happen  in the end    oh yeah!

Yes Man!  I’m your Girlfriend,    I’m the Best Friend  that you ever had
Yes Man,  that’s right,  I’m your Partner in Crime

I’m the mirror you need  to remind you the warrior you can be
I’m the music that you hear  with a speedy heartbeat
And the road’s getting clearer   riding together    the same motorbike
We keep playing all the keys,  both black and white   oh yeah!

Yes     I will never forget  the whisper of death   In that room of the hospital
But we painted the walls  with the colours of love
Cause we knew : 'OMNIA VINCIT AMOR'
and bad weather may come  and  the angels may fall
we got each other !

2 Tell The Truth

Hello! This is Marta Innocenti, welcome to BLANK PAGE – SONGWRITING.
Let's talk about how to... “Write the lyrics of your song”.

1 - Point number ONE   :  first of all you need to decide the main TOPIC.
What will your song be about? Love?  friendship?  family?  politics?  having a dream? Choose any subject you’re interested in and let’s get started!

2 - Point number TWO  :  decide the main  IDEA regarding the topic you chose.
If the subject is Love,  which particular aspect of Love are you going to describe in your song ? It could be : the joy for a new love?  how love changes people?  Or the end of a love story. Well, the main idea is the core of your song,  so define it clearly in your mind and focus on that.
Attention:  you’re gonna need a title,  connected to this main idea.     So, start thinking about what the title could be while working on the following points. And let's go on!

3 - Point number THREE  : choose  the  KEY WORDS  
Write down some key words, strictly connected to the main idea,  its environment,  its development.  Write as many words as you can,  even though they don’t make any sense to you now,  they will surely feed your creativity.
Notice how many words connected to the main idea you can hear in “Thriller” by Michael Jackson :  midnight, dark, scream, killer, horror, night creatures, demons…
Try and find catchy key words.   For instance,  Paul McCartney and Steve Wonder...they talk about “Ebony and Ivory”, concerning black and white keys of a piano in order to convey the message of tolerance between black and white people.   Striking, isn’t it ?  
Another catchy key word is Umbrella, in the famous song by Rihanna.   The main idea is  -you can count on me-  and that’s how it is conveyed:  “you can stand under my umbrella”.

4 - Point number FOUR :  choose the POINT OF VIEW
If you want the listener to be really involved, use the first and second person, I and You:   “it’s MY life, and it’s now or never, I ain’t gonna live forever…”  Bon Jovi  -   “I’m a creep…”  Radiohead    -  “I will try to fix you…”   Coldplay
If you prefer the listener to be an observer of someone else’s reality, you can use the third person:   “Ricky was a young boy, he had a heart of stone, lived 9 to 5 and he worked his fingers to the bone” - “18&life” Skid Row.
You can also mention the names of the characters of your song :
“Michelle, ma belle…”   Beatles   -  “Gina dreams of running away, when she cries in the night Tommy whispers baby it's ok...”  “Living on a prayer”  by Bon Jovi.   -   “Roxanne,  you don’t have to put on the red light...”  Police 
In order to make the audience recognize into a common message, or feel part of a group, you’d better use WE :   “We are the champions, we are the champions…”  Queen  -   “We are the world,  we are the children, we are the ones …”  USA for Africa

5 - point number FIVE : select  words  connected to the five SENSES  and to  ACTIONS
Find adjectives, nouns, verbs, adverbs connected to sight, hearing, touch, smell and taste  or to actions.    The audience must feel what you’re saying and actually see it as if it was a movie.
For instance:  “BLEEDING LOVE” by Leona Lewis.   The pain she feels is described as a physical wound :  “I keep bleeding, keep keep bleeding love,  you cut me open”.
Notice this verse of  “YOU GOT A FRIEND” by James Taylor.   Every word recalls an image you can see or something you can hear or feel :   “If the sky above you should turn dark and full of clouds and that old north wind should begin to blow”           

6 - point number SIX  :  pay attention to the SOUND  of the words.
You have to adjust everything you’ve been writing so far according to the melody,  searching for the best solutions about rhyming too.  Make your song catchy by using assonance or consonance or alliteration whenever you can.  It’s difficult but absolutely necessary.
Think of “FAME” soundtrack. Check how rhyming is important to make this chorus mor(continued)

1 WRITE THE LYRICS OF YOUR SONG - blank page songwriting #1

Blank Page - SONGWRITING

Bookings :
sylvio.bouvar@gmail.com

Although having grown up in greater Paris, it is in Germany that everything began for Sylvio B. Adopted by the queer community of Hamburg and notably Saeleen Bouvar who will teach him the "herstorical way of djing", Sylvio B (originally Sylvio Bouvar as a tribute ...

Here is the recording of my dj set for MESS @ Virage (Paris, France). 
It was an honour for me to play alongside @Byronyeates @Djsweet6teen and @lawrencelee, i am happy to share with you a glimpse of this magical night.
Enjoy

Live @ Mess 26/08/2023 (Paris, France)

Here is my herstorical dj set played last friday at MUSTANG (Paris,France) alongside @Cormac, @Chriscruse and @fdjaaleb !

Enjoy <3

Sylvio B live @ Mustang 17.02.2023

Here is a piece of the set that I have played last thursday (05/01/2023)at Suicide club for Chantal's House of shame. Enjoy !

Sylvio B live @ Suicide club / Chantal's House of shame (Berlin, Germany)

What a night last friday at the Mustang party (Paris,France) alongside @boris, @Cormac, @metro_bln and @fdjaaleb !
I hope you will enjoy my dj set which was opening for @boris

Sylvio B live @ Mustang 26.08.2022

For those who couldn't make it, and those who want to live the magic one more time, here is a recording of my set played live from Fusion festival.
Enjoy !

Sylvio B live @ Fusion festival 2022 (Germany)

Sylvio B

This is our podcast final on Pumped Up Kicks by Paige and Caleb!

Pumped Up Kicks Podcast Final

Music History

Ibland har man tur. Eller plus på karmakontot? Nadja von Bahr, yé-yé-fantast och fotograf, fyndade fem riktiga toppenplattor i sitt soprum – och du hör dem här i DJ 50 Spänn.

Sensationella soprumsfynd med Nadja von Bahr

Lasse Ermalm har gjort 2 500 skivomslag, till nästan alla svenska artister. Du har flera av dem i din samling. I DJ 50 Spänn gräver Lasse upp loppisvinyl och vi snackar om musikens visuella kraft. 

Lasse Ermalms egenart






”Jag tog hem en Wizex-skiva och sandpapprade den. Och på den vägen är det!”



Noise-turntablisten David Bremer gräver alltid djupt i skivbacken. Plattorna använder han dels som råmaterial för att skapa radikal oljudsmusik. Men också för att vidga hörselgångarna och medvetandet med hjälp gnisslig cajun, råbarkad blues, modernistiska orkesterverk och andra häftiga tonkluster. 



När David dyker upp i DJ 50 Spänn-studion är skivpåsen en portal till andra världar och dimensioner. 



Vi tjusas av Fonograf, ett stötfunkigt ungerskt rockband som mest av allt låter som Canned Heats Going Up the Country, men med kortsluten metronom, sexkantiga hjul och en blåslampa i röven. 



Den stenhårde cajundragspelaren Nathan Abshire knockar oss med sina tröga, tunga riff som på både fasar in och fasar ut och samtidigt låter som Augustus Pablo. 



Vi lånar våra öron till Curt & Rolands helspejsade Nya äventyr i tidsmaskinen, en platta som verkligen inte snålar på ljudeffekterna och dessutom berättar för oss att Bibeln är sann, ner i minsta bokstav. 



Mer non-music får vi av Anderssonskans Kalle, ett barn på glid som lever i en evig och ungdomskriminell Peter Pan-tillvaro. 



Vi får också veta varför David älskar den amerikanske 1900-talskompositören Charles Ives och vad denne har gemensamt med Håkan Hellström.



De tokbilliga skivorna får oss också att prata om kristna breakbeats, ljudeffektskivor med ånglok, korvreklam med Johnny Thunders, Åge Aleksandersen, ett skjul i Louisiana som låter lika bra som Black Ark-studion, producentteamet Hans Edler & Börje Forsberg, R&B; med tvättbräda och dragspel samt en jävla massa mer. 



Detta avsnitt tillägnas alla TRVE tiokronorsvinylheads där ute. Lyssna och njut!







David Bremers skivfynd







Fonográf – Na mi újság Wágner úr? [LP, 1975]



Låt: Wágner úr











Diverse artister – Nathan Abshire And Other Cajun Gems [LP, compilation, 1972] Låt: Pinegrove Blues











Tord Tjädersten, Sickan Carlsson, Sten-Åke Cederhök – Anderssonskans Kalle [LP, 1972]











Curt & Roland – Nya äventyr i tidsmaskinen [LP, 1982]











Charles Ives, Eugene Ormandy, Philadelphia Orchestra – Symphony No. 1 / Variations On ”America” [LP, 1968] 



Spår: Symphony No. 1 In D Minor







BONUS: David Bremer har smällt ihop en loopig låt av skivorna i detta avsnitt!




https://soundcloud.com/davidbremer/dj-50-stomp




PS: Glöm inte bort att besöka David Bremers Soundcloud!



PPS: Och Davids Bandcamp hittar du här!







Relaterade avsnitt




https://dj50spann.se/133-henry-moore-selder/





https://dj50spann.se/189-fagelle/





https://dj50spann.se/167-casandra-cornelio/










Stötfunk med David Bremer (och andra häftiga ljud)






”Boogierocken är aldrig långt borta i Norrbotten”



Så säger Toni Savela, uppvuxen i Kalix men nu bosatt i Göteborg. 



Toni är också LeMarxist. 



För svenska poddlyssnare är han känd från Peter LePod, en total djupdykning i Peter LeMarcs samlade verk som han och vännen Emil Gustafsson Ryderup gjorde under pandemin (med två epiloger). Podden är beroendeframkallande och utförskar det vi idag kallar Peter LeMarc Expanded Universe.



”Jag förstår att det inte är sunt"



När Toni gästar DJ 50 Spänn pratar vi givetvis en del om LeMarcs socialrealistiska soul på svenska. Men de fem skivorna som Toni grävde upp i affären Loppis, kristaller och LP-skivor i Luleå styr oss in på många fler samtalsämnen. 



"Jag älskar rocken och hoppas att rocken älskar mig"



Vi lyssnar på Norrbottens Järn och snackar därför om luleproggen som alltid har nära till raggarrocken, eftersom Norrbotten är en plats i världen där kommunister gillar att köra stora amerikanska bilar. Givetvis namedroppas Maria Rosén, Ted Ström och actionregissören Kjell Sundvall i sammanhanget. 



"I Tornedalen står verkligheten aldrig i vägen för en bra historia"



Tonis fynd, en LP med dansorkestern och familjebandet Pajala-Hasses, skickar oss långt upp i Tornedalen. Vi avnjuter en dansbandsschlager med den oklatschiga titeln Tvekan och fröjdas över midnattssoliga försök till både samba och tijuana.



Privatpressarglädjen kommer till oss med trubaduren Ove Gerth och hans synnerligen fria översättning av Leadbellys klassiker Cottonfields. Väldigt lite är känt om Ove, men baksidestexten på det sladdriga skivomslaget skvallrar om mycket gott självförtroende och exponering i Hylands hörna.



Låtskrivaren, rymdnörden och balladexperten Randy Vanwarmer överraskar oss med högoktanig poprock med new wave-ig hitkänsla från de smala slipsarnas tid. Tyvärr kan vi inte skriva ett tackkort till Randy, eftersom hans stoft numera befinner sig i omloppsbana runt Jorden. 



Utöver allt ovanstående, pratas det också om:



• Fyllegråtande till Kjell Höglund



• Klådda, norrbottniskt tunnbröd med sik



• Att vara en Bob Dylan-man



• Projekt som sväller



• Vad en modern man kan lära av LeMarxismen



• Kontant betalning



Samt mycket, mycket mer. Välkomna in på ett trevligt samtal över en knastrande grammofon!







Toni Savelas skivor







Norrbottens Järn – Järnet [LP, 1977] 



Låt: Gamarna











Peter LeMarc – S/T [LP, 1987] 



Låt: Hur hjärtat jämt gör som det vill











Pajala-Hasses – Längtan finns kvar [LP, 1977] 



Låt: Tvekan











Ove Gerth – Jag vill vara Dig nära [LP, 1983] 



Låt: En liten, biten kille (Cottonfields)











Randy Vanwarmer – Beat of Love [LP, 1981] 



Låt: Suzi Found A Weapon








Gillar du vad du hör?



DJ 50 Spänn är en oberoende musikpodcast som görs utan finansierin...

Toni Savela ger oss boogie från Norrbotten (och andra kristaller)






Döda eller smarta fjäderfän, Johan Bauer-målningar och sprakande vilt ljud – allt detta pratar vi om när noise- och musikskaparen Fågelle tar kommandot över skivspelaren. Fågelle, även känd som Klara Andersson i folkbokföringen, fyndade sina billiga skivor på IS Halmias loppmarknad i Halmstad. Med musikens hjälp bjuder hon med oss på en resa genom:




* Hyperamericana från 20-talet



* Italiensk stadiumrock



* Irländsk new wave som låter ihopslängd



* Halländskt gitarrgull



* Hardcore från Enköping




Vi pratar dessutom om samarbetet med Henryk Lipp, musikaliskt kvinnopynt, röstens helighet, gravskändning av Elvis med hjälp av AI, trubadurgig på Per Gessles hotell, dunkande EPA-traktorer i natten, indieband som ber om ursäkt för allvarliga låtar, behovet att experimentera, hembrända punkskivor, hardcoresångare som försöker komma ikapp bandkamraterna, pappamusik, morgondagens vintagevurm inom musikproduktion, tunnelbaneåkande duvor, bensin och elektricitet, anime-soundtracks, slaveri under solen samt mycket, mycket annat. Billig vinyl kan få oss att prata om exakt vad som helst, som bekant.



Fågelles senaste album Den svenska vreden släpptes förra året och rekommenderas varmt (innehåller till och med en duett med Thåström). Ännu mer oljudsförstärkt popmusik hittar du på Fågelles bandcamp.







Fågelles tiokronorsvinyl







Boomtown Rats – Mondo Bongo [LP, 1980] 



Låt: Hurt Hurts











Gershwin, Leonard Bernstein – Rhapsody in Blue / An American in Paris [LP, 1959] 



Låt: Rhapsody in Blue











Gianna Nannini – Maschi e Altri [LP, 1987] 



Låt: Bello e impossibile











Stefan Petzén – Halland i musikalisk dräkt [LP, 1989] 



Låt: Balladen från Grimsholmen











Yuppiecrusher – No Commercial Value [7", 1997] 



Låt: Where's the Alternative?








Gillar du vad du hör?



DJ 50 Spänn är en oberoende musikpodcast som görs utan finansiering från storkapitalet. Om du gillar podden och har en liten slant över – sponsra gärna via donationstjänsten Patreon!



Pengarna går till musiklicenser, lokalhyra, teknikkostnader och annat nödvändigt.



Ett enormt tack till alla som bidrar!




STÖD DJ 50 SPÄNN PÅ PATREON









Så här lyssnar och prenumererar du på DJ 50 Spänn:



DJ 50 Spänn hittar du i de flesta podd-appar för smartphone, surfplatta och dator. Sök bara efter ”DJ 50 Spänn” i poddappens sökfält. Glöm inte att prenumerera. Om det inte funkar, är detta RSS-feeden som gäller: https://dj50spann.se/feed/podcast/.



Fågelle – vilda ljud, döda fåglar och blandad loppisvinyl

DJ 50 Spänn

matinales.akaDJSWORK® comes from the Facebook group, DJS@WORK which was created in November 2010 by Chi "Matinales". The page is dedicated to all things house. I found that there were so many Djs out there catering for our different tastes with their individual flairs that i thought why not form a c...

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