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Les Podcasts et bande-annonces du Théâtre du Châtelet

THEATRE DU CHATELET

Saxophonist Tim Rosenberg and composer David MacDonald chat about how hard it is to make this music stuff happen.

Music is Hard

Julie Macklemore was killed in 2013 but her body wasn't found until 2015. The reason was kept secret until now.

This is the story of Julie. This is the story of us.

Julie Macklemore was killed in 2013 but her body wasn't found until 2015. The reason was kept secret until now. This is the story of Julie. This is the story of us.

Who Killed Julie?

Alex Cubis - actor/lawyer/writer and business owner - speaks to people in the world of entertainment in LA and around the world to ascertain how we can distinguish our point of view in a world saturated with opinions.

Alex Cubis - actor/lawyer/writer and business owner - speaks to people in the world of entertainment in LA and around the world to ascertain how we can distinguish our point of view in a world saturated with opinions.

Honest Conversations with Alex Cubis

Do you like Movies. Do you like hearing random people talking about movies, well then you've come to the right place. This is Movie Emporium, a show about the Past, Present and Future workings of the Film Industry.

Movie Emporium

Wherever there's a relationship between a creator and an audience, there's a space for the artistry of the dramaturg. The Context examines these relationships, with their unique challenges, opportunities, quirkiness, and general awesomeness, whether they arise from the production of a play, the historical interpretation of a house museum, the design of a theme park, the narrative creation of a video game, the publication of a comic book, or the booking of a pro-wrestling show.

The Context

Interviews with local artists, musicians, 50's-60's music, reggae, live and local performances, jazz, South County history and politics, Chamber of Commerce events

KYXZ Excellent Radio

An intercultural, intergenerational and interdisciplinary exploration of a near-future world consisting of collaborations between robots, avatars, virtual worlds, telepresence and real-time presence within creative places, workspaces, cultural environments, interactive entertainment, and play space. In the next 30 years, we will encounter some of the greatest transitions that any generation has ever had to face. Technological disruption is affecting every part of our lives… every business, every industry, every culture.... How will the body be viewed? How will dance be impacted in the future? How can dance impact our future world for the better?  Within a Canadian context, Nina Jane Patel curates conversations between body-based artists and technology-based futurists.

An intercultural, intergenerational and interdisciplinary exploration of a near-future world consisting of collaborations between robots, avatars, virtual worlds, telepresence and real-time presence within creative places, workspaces, cultural environments, interactive entertainment, and play space. In the next 30 years, we will encounter some of the greatest transitions that any generation has ever had to face. Technological disruption is affecting every part of our lives… every business, every industry, every culture.... How will the body be viewed? How will dance be impacted in the future? How can dance impact our future world for the better? Within a Canadian context, Nina Jane Patel curates conversations between body-based artists and technology-based futurists.

Exponential Technology and The Future of Dance

Today's most intriguing singers and songwriters talk about their new releases.

Rising Star - Music That Matters

Bridging the gap between what we feel and what we say in the form of a sweet short story. Life itself is a metaphor, we keep using it to describe emotions.

Zindagi ke Metaphor

Sebuah rasa oleh Sang Gaia (bumi) yang pada awalnya hanya menuangkan rasa sakit pada benda mati, kini membaginya pada makhluk lain.

Karsa Gaia

John Castro Torres comparte el trabajo del Círculo de Investigación de la Escuela de Marinera CARAMBA SÍ a través de esta serie de podcast informativos sobre nuestro baile nacional.

CARAMBA SÍ 
Escuela de Marinera

John Castro Torres comparte el trabajo del Círculo de Investigación de la Escuela de Marinera CARAMBA SÍ a través de esta serie de podcast informativos sobre nuestro baile nacional. CARAMBA SÍ Escuela de Marinera

CARAMBA SÍ - Escuela de Marinera

Mer eller mindre k&auml;nda Svenska artister ber&auml;ttar om allt fr&aring;n v&auml;rsta giget till b&auml;sta upplevelserna i karri&auml;ren. Kreativitet, engagemang och motg&aring;ngar balanserat p&aring; eggen mellan vardag och de stora scenerna - allt p&aring; ett lagom avslappnat s&auml;tt och med en hyfsad portion G&ouml;teborgshumor inblandad.

Mer eller mindre kända Svenska artister berättar om allt från värsta giget till bästa upplevelserna i karriären. Kreativitet, engagemang och motgångar balanserat på eggen mellan vardag och de stora scenerna - allt på ett lagom avslappnat sätt och med en hyfsad portion Göteborgshumor inblandad.

Mer eller mindre kända Svenska artister berättar om allt från värsta giget till bästa upplevelserna i karriären. Kreativitet, engagemang och motgångar balanserat på eggen mellan vardag och de stora scenerna - allt på ett lagom avslappnat sätt och med en hyfsad portion Göteborgshumor inblandad.

Nöjespodden

Pause Before life happens .

Let my voice to be heard... 
May pa gay'on din naman 😄

Let my voice to be heard... May pa gay'on din naman 😄

BOSES NI ALENG BELEN

Arts and entertainment multimedia producer, motivational speaker and special events director ROBIN RICHIE presents entertainment industry leaders, legends and legacy makers on the IMAGINE THAT! With Robin Richie Podcast platform.

The IMAGINE THAT! With Robin Richie Podcast

Automated text-to-speech of ETE21 updates.

We apologise for any strange pronunciations, and recommend turning off after the English is complete. Unless you want to hear some REALLY badly pronounced German (it's worth sticking around for).
+ For the full experience, check the updates at EuroTaikoExpo.com/News

Automated text-to-speech of ETE21 updates. We apologise for any strange pronunciations, and recommend turning off after the English is complete. Unless you want to hear some REALLY badly pronounced German (it's worth sticking around for). + For the full experience, check the updates at EuroTaikoExpo.com/News

Euro Taiko Expo Updates

Laberinto es una obra de teatro y un podcast: un material que se adapta a los tiempos y procesos de la actualidad. Un triángulo amoroso narrado desde la polifonía de pensamientos, imágenes y recuerdos de sus protagonistas.

Si te gustó, podes colaborar con nosotrxs: https://cafecito.app/laberintoobrapodcast

Laberinto es una obra de teatro y un podcast: un material que se adapta a los tiempos y procesos de la actualidad. Un triángulo amoroso narrado desde la polifonía de pensamientos, imágenes y recuerdos de sus protagonistas. Si te gustó, podes colaborar con nosotrxs: https://cafecito.app/laberintoobrapodcast

Laberinto

Interviews about the York Mystery Plays - the history, future performances and the Supporters Trust (YMPST)

York Mystery Plays Supporters Trust

Konsep bahagia itu sederhana, mulai dari ucapkan tolong dan terima kasih pada dirimu sendiri :)

Sajak Asal

This first episode on this podcast is about the introduction to my podcast channel.

Shan's Talk Radio

Dans sa toute nouvelle série de balados, le FTUL part à la rencontre d'artistes des arts vivants pour découvrir un peu plus le Québec dans son art et à travers ses artistes. On en apprend un peu plus sur des disciplines plus ou moins connus du grand public et on apprend à connaître des personnes passionnés par leur art et leur métier.

LEVER DE RIDEAU

I have finished almost all my life span, never getting over basic existential questions of purpose, meaning, ethics - what could "good" mean?
I(We) chat with other common everyday people. The underline is on "common", we want to learn from the actors in the normal curve.
Some pods are solo (usually short), some are long-form chats. In either journey, lets have a pleasant ride together. Write in at amitabh.mwrh@gmail.com
Twitter @ManWalksRH
Image by Yuval Zukerman
Theme Music by Matt LeGroulX from freemusicarchive.org
We dont have any copyright here (on this podcast), use, steal - do whatever. 
We are on Spotify, Google Podcasts, Deezer, Stitcher, Apple Podcasts, Gaana, JioSaavn.....Search for MWRH......

I have finished almost all my life span, never getting over basic existential questions of purpose, meaning, ethics - what could "good" mean? I(We) chat with other common everyday people. The underline is on "common", we want to learn from the actors in the normal curve. Some pods are solo (usually short), some are long-form chats. In either journey, lets have a pleasant ride together. Write in at amitabh.mwrh@gmail.com Twitter @ManWalksRH Image by Yuval Zukerman Theme Music by Matt LeGroulX from freemusicarchive.org We dont have any copyright here (on this podcast), use, steal - do whatever. We are on Spotify, Google Podcasts, Deezer, Stitcher, Apple Podcasts, Gaana, JioSaavn.....Search for MWRH......

MWRH - Man walks into a rabbit hole

兩隻老虎頻道由兩個年紀差一輪的工作夥伴共同創立，屬於官駐藝術創意工作室旗下頻道。 大官家鄉在嘉義縣阿里山鄉豐山村，從小生活在山上；小雯來自台南安南，在夜市跟車廠長大，我們會輕鬆聊聊不同世代對同時期或議題的看法，對藝術、歷史、地理、生活經驗、旅遊、性別、職人與各類社會議題非常感興趣，不定期也會邀請來賓訪談。 官駐藝術創意工作室本身為影像與行銷工作室，從事影像工作接觸各行各業，不定期也會分享影像工作接案的有趣故事，歡迎大家一起來聽我們聊天。 官駐藝術創意工作室｜www.kuanjhu.com 合作聯絡方式｜aod@kuanjhu.com | mp@kuanjhu.com FB、IG｜兩隻老虎、twotigers12 歡迎留言與我們互動 ◡̈ https://open.firstory.me/user/cl1gmlu3f05jd0hzyedzv64k5/comments Powered by <a href="https://firstory.me/zh">Firstory Hosting</a>

兩隻老虎頻道由兩個年紀差一輪的工作夥伴共同創立，屬於官駐藝術創意工作室旗下頻道。 大官家鄉在嘉義縣阿里山鄉豐山村，從小生活在山上；小雯來自台南安南，在夜市跟車廠長大，我們會輕鬆聊聊不同世代對同時期或議題的看法，對藝術、歷史、地理、生活經驗、旅遊、性別、職人與各類社會議題非常感興趣，不定期也會邀請來賓訪談。 官駐藝術創意工作室本身為影像與行銷工作室，從事影像工作接觸各行各業，不定期也會分享影像工作接案的有趣故事，歡迎大家一起來聽我們聊天。 官駐藝術創意工作室｜www.kuanjhu.com 合作聯絡方式｜aod@kuanjhu.com | mp@kuanjhu.com FB、IG｜兩隻老虎、twotigers12 歡迎留言與我們互動 ◡̈ https://open.firstory.me/user/cl1gmlu3f05jd0hzyedzv64k5/comments Powered by Firstory Hosting

兩隻老虎頻道由兩個年紀差一輪的工作夥伴共同創立，屬於官駐藝術創意工作室旗下頻道。 大官家鄉在嘉義縣阿里山鄉豐山村，從小生活在山上；小雯來自台南安南，在夜市跟車廠長大，我們會輕鬆聊聊不同世代對同時期或議題的看法，對藝術、歷史、地理、生活經驗、旅遊、性別、職人與各類社會議題非常感興趣，不定期也會邀請來賓訪談。 官駐藝術創意工作室本身為影像與行銷工作室，從事影像工作接觸各行各業，不定期也會分享影像工作接案的有趣故事，歡迎大家一起來聽我們聊天。 官駐藝術創意工作室｜www.kuanjhu.com 合作聯絡方式｜aod@kuanjhu.com | mp@kuanjhu.com FB、IG｜兩隻老虎、twotigers12 歡迎留言與我們互動 ◡̈ https://open.firstory.me/user/cl1gmlu3f05jd0hzyedzv64k5/comments Powered by <a href="https://firstory.me/zh" rel="noopener noreferrer">Firstory Hosting</a>

兩隻老虎

"Gangbusters" was an influential and highly popular American radio crime drama series that aired from 1936 to 1957. It was created by Phillips H. Lord, who sought to capitalize on the public's fascination with crime stories and the efforts of law enforcement to combat criminal activity. The show was known for its intense, realistic sound effects, fast-paced narratives, and a distinctive auditory style that had a significant impact on the radio and later on television crime genres.

Concept and FeaturesGangbusters was unique in its format and presentation. Each episode featured a dramatization of a real-life criminal case from the files of police and federal law enforcement, ranging from robberies and murders to racketeering and drug trafficking. The aim was to show the methods and processes used by the police to solve crimes and capture the criminals.
Notable Aspects of the Show

- Introduction: The show is famous for its dramatic opening, which included blaring sirens, machine gun fire, and screeching tires. This opening was meant to immediately capture the listener's attention.
- Narration and Structure: Episodes were often narrated by authoritative figures, including colonels from state police or other law enforcement officials, which lent an air of authenticity to the stories. The narratives were straightforward, focusing on the buildup to the crime, the commission of the crime, and its aftermath, culminating in the law enforcement investigation and the eventual apprehension of the criminals.
- Sound Effects: "Gangbusters" used elaborate sound effects to heighten the realism of the police action and maintain a high level of suspense and excitement, setting a standard for audio effects in radio dramas.
- The "Gangbusters' March": The program's theme music, known as the "Gangbusters' March," became instantly recognizable and is still associated with crime-fighting action.
Influence and Legacy"Gangbusters" was instrumental in shaping public perceptions of the police and the criminal justice system. Its approach influenced numerous other crime shows on both radio and television. The term "gangbusters" itself entered the American lexicon, popularly used to describe something that comes on with explosive force or that is exceptionally successful and fast-paced.
Cultural ImpactThe show's realistic portrayal of crime and law enforcement work helped to educate the public about the dangers of crime and the complexity of police work. It also played a role in building support for law enforcement agencies across the United States.

Running for over two decades, "Gangbusters" remains a significant part of the golden age of radio. Its legacy persists in the crime genre, influencing how crime stories are presented in media and remembered for its dynamic storytelling and dramatic flair.

for more info https://www.quietperiodplease.com/

This content was created in partnership and with the help of Artificial Intelligence AI.

"Gangbusters" was an influential and highly popular American radio crime drama series that aired from 1936 to 1957. It was created by Phillips H. Lord, who sought to capitalize on the public's fascination with crime stories and the efforts of law enforcement to combat criminal activity. The show was known for its intense, realistic sound effects, fast-paced narratives, and a distinctive auditory style that had a significant impact on the radio and later on television crime genres. Concept and FeaturesGangbusters was unique in its format and presentation. Each episode featured a dramatization of a real-life criminal case from the files of police and federal law enforcement, ranging from robberies and murders to racketeering and drug trafficking. The aim was to show the methods and processes used by the police to solve crimes and capture the criminals. Notable Aspects of the Show - Introduction: The show is famous for its dramatic opening, which included blaring sirens, machine gun fire, and screeching tires. This opening was meant to immediately capture the listener's attention. - Narration and Structure: Episodes were often narrated by authoritative figures, including colonels from state police or other law enforcement officials, which lent an air of authenticity to the stories. The narratives were straightforward, focusing on the buildup to the crime, the commission of the crime, and its aftermath, culminating in the law enforcement investigation and the eventual apprehension of the criminals. - Sound Effects: "Gangbusters" used elaborate sound effects to heighten the realism of the police action and maintain a high level of suspense and excitement, setting a standard for audio effects in radio dramas. - The "Gangbusters' March": The program's theme music, known as the "Gangbusters' March," became instantly recognizable and is still associated with crime-fighting action. Influence and Legacy"Gangbusters" was instrumental in shaping public perceptions of the police and the criminal justice system. Its approach influenced numerous other crime shows on both radio and television. The term "gangbusters" itself entered the American lexicon, popularly used to describe something that comes on with explosive force or that is exceptionally successful and fast-paced. Cultural ImpactThe show's realistic portrayal of crime and law enforcement work helped to educate the public about the dangers of crime and the complexity of police work. It also played a role in building support for law enforcement agencies across the United States. Running for over two decades, "Gangbusters" remains a significant part of the golden age of radio. Its legacy persists in the crime genre, influencing how crime stories are presented in media and remembered for its dynamic storytelling and dramatic flair. for more info https://www.quietperiodplease.com/ This content was created in partnership and with the help of Artificial Intelligence AI.

Gangbusters - Radio Show OTR

Podcast interviews with jazz muscians on what scares them.

Tales from the Jazz Side Podcast

All Elite Conversation Club

あなたの席の隣に座っているのは、演劇ユニット・S³機関の3人。
何気なく耳をそばだててみると、著しく散漫な雑談が繰り広げられている…。

演劇ユニット・S³機関による”雑談盗み聞き疑似体験”Podcastプログラムです！

あなたの席の隣に座っているのは、演劇ユニット・S³機関の3人。 何気なく耳をそばだててみると、著しく散漫な雑談が繰り広げられている…。 演劇ユニット・S³機関による”雑談盗み聞き疑似体験”Podcastプログラムです！

S³機関の隣かい…

The East Midlands’ largest entertainment venue turns 25 years old in 2025.
This brand new podcast will feature some of the people who had the vision for the Arena and National Ice Centre; you’ll find out how the venue came to life-what were the main challenges to overcome and what have been the biggest moments over the last 25 years?
Meet some of the stars who have performed there and also, some people who normally work behind the scenes.
We also want to feature you and your story-what’s your biggest memory of a concert, event or ice hockey game at the Nottingham Arena? Get in touch!

The East Midlands’ largest entertainment venue turns 25 years old in 2025. This brand new podcast will feature some of the people who had the vision for the Arena and National Ice Centre; you’ll find out how the venue came to life-what were the main challenges to overcome and what have been the biggest moments over the last 25 years? Meet some of the stars who have performed there and also, some people who normally work behind the scenes. We also want to feature you and your story-what’s your biggest memory of a concert, event or ice hockey game at the Nottingham Arena? Get in touch!

Nottingham Arena @ 25

FIESEMADÄNDE On Air – Puppentratsch für Anfänger!

Wir nehmen euch mit hinter die Kulissen der Puppenspiel-Kunst und verschaffen euch ganz neue Einblicke in diese faszinierende Welt. 

Ob kompletter "Neuling" auf diesem Gebiet oder schon Puppenspiel-Kunst-Erfahrene: bei FIESEMADÄNDE On Air ist garantiert für jeden etwas Neues dabei. 

Wir sprechen mit KünstlerInnen, Schauspielenden, PuppenbauerInnen und auch mitwirkenden Regisseuren und zeigen euch, was die täglich Arbeit rund um ein Puppenspiel-Theater ausmacht. 

Carsten Dittrich, Gründer des Podcasts, ist künstlerischer Leiter und kreativer Kopf des THEATER FIESEMADÄNDE und hat dieses nach Beendigung seines Studiums  an der Hochschule für Schauspielkunst ERNST BUSCH, Abteilung Puppenspielkunst/Berlin, 2003 gegründet. Mittlerweile ist FIESEMADÄNDE in ganz Deutschland unterwegs. Aber auch Österreich, die Schweiz und Frankreich gehören immer wieder zu beliebten Gastspielorten. 
Seine vielfältigen Tätigkeiten liegen in den Bereichen Figurenspiel, Schauspiel, Regie (Amateur- und Profitheater), Stückeautor, Workshop-Leitung (BDAT, LDAT, Einrichtungen für Erzieher/innen), Bühnenkampf- und Fechtchoreographie, Synchronsprechen, Hörspiel, Lesungen.

Seit Sommer 2018 konzentriert sich FIESEMADÄNDE in erster Linie auf Stücke für Kinder im Grundschulalter, Jugendliche und Abendstücke. Immer wieder werden dazu Kooperationen mit anderen Künstlern und anderen Kunstformen gesucht (und gefunden). 

Adrian Hoffmann, Moderator und Podcaster, führt euch, zusammen mit Carsten Dittrich, durch die Gespräche und nimmt euch mit auf eine spannende Reise mit beeindruckenden Themen und Persönlichkeiten rund um die Kunst des Puppenspiels.

Eine Produktion von: Theater Fiesemadände im Figurentheater Mottenkäfig in Pforzheim.

Viel Spaß!

FIESEMADÄNDE On Air – Puppentratsch für Anfänger! Wir nehmen euch mit hinter die Kulissen der Puppenspiel-Kunst und verschaffen euch ganz neue Einblicke in diese faszinierende Welt. Ob kompletter "Neuling" auf diesem Gebiet oder schon Puppenspiel-Kunst-Erfahrene: bei FIESEMADÄNDE On Air ist garantiert für jeden etwas Neues dabei. Wir sprechen mit KünstlerInnen, Schauspielenden, PuppenbauerInnen und auch mitwirkenden Regisseuren und zeigen euch, was die täglich Arbeit rund um ein Puppenspiel-Theater ausmacht. Carsten Dittrich, Gründer des Podcasts, ist künstlerischer Leiter und kreativer Kopf des THEATER FIESEMADÄNDE und hat dieses nach Beendigung seines Studiums an der Hochschule für Schauspielkunst ERNST BUSCH, Abteilung Puppenspielkunst/Berlin, 2003 gegründet. Mittlerweile ist FIESEMADÄNDE in ganz Deutschland unterwegs. Aber auch Österreich, die Schweiz und Frankreich gehören immer wieder zu beliebten Gastspielorten. Seine vielfältigen Tätigkeiten liegen in den Bereichen Figurenspiel, Schauspiel, Regie (Amateur- und Profitheater), Stückeautor, Workshop-Leitung (BDAT, LDAT, Einrichtungen für Erzieher/innen), Bühnenkampf- und Fechtchoreographie, Synchronsprechen, Hörspiel, Lesungen. Seit Sommer 2018 konzentriert sich FIESEMADÄNDE in erster Linie auf Stücke für Kinder im Grundschulalter, Jugendliche und Abendstücke. Immer wieder werden dazu Kooperationen mit anderen Künstlern und anderen Kunstformen gesucht (und gefunden). Adrian Hoffmann, Moderator und Podcaster, führt euch, zusammen mit Carsten Dittrich, durch die Gespräche und nimmt euch mit auf eine spannende Reise mit beeindruckenden Themen und Persönlichkeiten rund um die Kunst des Puppenspiels. Eine Produktion von: Theater Fiesemadände im Figurentheater Mottenkäfig in Pforzheim. Viel Spaß!

FIESEMADÄNDE On Air

A quiz show parody filled with absurd answers and hilarious panelists who comically misunderstand basic questions. Its satire of intellectual game shows made it a fan favorite.

It Pays To Be Ignorant - Nighttime Radio

Original and guest-produced music featured on Mutual Broadcasting System broadcasts and podcasts.

Mutual Tunes

"My Friend Irma" was a popular American radio sitcom that aired from April 11, 1947, to August 23, 1954. Created by Cy Howard, the show starred Marie Wilson as Irma Peterson, a lovable but slightly ditzy young woman, and Cathy Lewis as her sensible roommate and best friend Jane Stacy. The show revolved around the comedic misadventures of Irma, who often found herself in absurd situations due to her lack of intelligence and naive nature. Jane, along with Irma's wise-cracking boyfriend Al, played by John Brown, would frequently try to help her navigate through life.
"My Friend Irma" was known for its humor, witty dialogue, and the chemistry between the main characters. The show was praised for its light-hearted and entertaining approach to comedy, making it a favorite among listeners during its broadcast. In addition to the radio show, "My Friend Irma" was also adapted into a successful film series and a television show.
Overall, "My Friend Irma" was a beloved classic radio sitcom that captured the hearts of audiences with its charming characters and hilarious storylines, leaving a lasting legacy in the world of entertainment.

for more https://www.quietperiodplease.com/

This content was created in partnership and with the help of Artificial Intelligence AI.

"My Friend Irma" was a popular American radio sitcom that aired from April 11, 1947, to August 23, 1954. Created by Cy Howard, the show starred Marie Wilson as Irma Peterson, a lovable but slightly ditzy young woman, and Cathy Lewis as her sensible roommate and best friend Jane Stacy. The show revolved around the comedic misadventures of Irma, who often found herself in absurd situations due to her lack of intelligence and naive nature. Jane, along with Irma's wise-cracking boyfriend Al, played by John Brown, would frequently try to help her navigate through life. "My Friend Irma" was known for its humor, witty dialogue, and the chemistry between the main characters. The show was praised for its light-hearted and entertaining approach to comedy, making it a favorite among listeners during its broadcast. In addition to the radio show, "My Friend Irma" was also adapted into a successful film series and a television show. Overall, "My Friend Irma" was a beloved classic radio sitcom that captured the hearts of audiences with its charming characters and hilarious storylines, leaving a lasting legacy in the world of entertainment. for more https://www.quietperiodplease.com/ This content was created in partnership and with the help of Artificial Intelligence AI.

My Friend Irma - OTR Radio Show

「PUYEYノートの時間だよ！」
高野桂子（けちゃ）と五島真澄（マッスィー）がお送りする演劇的パフォーマンスユニットPUYEY（ぷいえい）https://puyeyinfo.wixsite.com/puyey が創っている作品についてやその時々興味を持ったこと、考えていることを発信しているラジオです。

「PUYEYノートの時間だよ！」 高野桂子（けちゃ）と五島真澄（マッスィー）がお送りする演劇的パフォーマンスユニットPUYEY（ぷいえい）https://puyeyinfo.wixsite.com/puyey が創っている作品についてやその時々興味を持ったこと、考えていることを発信しているラジオです。

PUYEYノート

LUCE E CONTROLUCE Dieci percorsi nella memoria di un Paese smarritoCon Andrea ZaloneIn occasione del centesimo anniversario della nascita del Luce (1924-2024), la voce narrante di Andrea Zalone ci accompagnerà in un viaggio all’interno del suo immenso Archivio, per raccontarci una storia collettiva, tra il tragico e il comico, e restituirci uno spaccato del nostro Paese nel secolo scorso facendoci ridere, e allo stesso tempo riflettere, sulla piega che ha preso il nuovo secolo in cui ci siamo, improvvisamente, ritrovati…Un itinerario unico, tra le bobine della storia e dentro il cuore del paese, per scoprirne voci e personaggi.&nbsp;Dieci appuntamenti, dieci confronti con lo specchio del passato, per comporre un formidabile “ritratto della nazione”. Per capire, nel bene e nel male, chi siamo stati e come siamo diventati, in LUCE E CONTROLUCE.Credits“Luce e controluce” è una serie podcast di Archivio Luce Cinecittà, realizzata da Chora Media&nbsp;scitta da Giorgio Serafini Prosperi e Tommaso FranchiniLa cura editoriale è di Davide Savelli con la collaborazione di Rosella BettinardiLa produzione esecutiva è di Lia ChiovariLa post-produzione è di Roberto VallicelliLa supervisione del suono è di Luca MicheliI fonici di studio sono Lucrezia Marcelli e Luca PossiPer Archivio Luce Cinecittà: supervisione editoriale Chiara Sbarigia ed Enrico Bufalini; coordinamento ricerche e materiali d’archivio: Cristiano Migliorelli e Nathalie GiacobinoVi invitiamo a visitare il sito di ArchivioLuce.com per continuare a viaggiare nel nostropassato.

LUCE E CONTROLUCE Dieci percorsi nella memoria di un Paese smarritoCon Andrea ZaloneIn occasione del centesimo anniversario della nascita del Luce (1924-2024), la voce narrante di Andrea Zalone ci accompagnerà in un viaggio all’interno del suo immenso Archivio, per raccontarci una storia collettiva, tra il tragico e il comico, e restituirci uno spaccato del nostro Paese nel secolo scorso facendoci ridere, e allo stesso tempo riflettere, sulla piega che ha preso il nuovo secolo in cui ci siamo, improvvisamente, ritrovati…Un itinerario unico, tra le bobine della storia e dentro il cuore del paese, per scoprirne voci e personaggi. Dieci appuntamenti, dieci confronti con lo specchio del passato, per comporre un formidabile “ritratto della nazione”. Per capire, nel bene e nel male, chi siamo stati e come siamo diventati, in LUCE E CONTROLUCE.Credits“Luce e controluce” è una serie podcast di Archivio Luce Cinecittà, realizzata da Chora Media scitta da Giorgio Serafini Prosperi e Tommaso FranchiniLa cura editoriale è di Davide Savelli con la collaborazione di Rosella BettinardiLa produzione esecutiva è di Lia ChiovariLa post-produzione è di Roberto VallicelliLa supervisione del suono è di Luca MicheliI fonici di studio sono Lucrezia Marcelli e Luca PossiPer Archivio Luce Cinecittà: supervisione editoriale Chiara Sbarigia ed Enrico Bufalini; coordinamento ricerche e materiali d’archivio: Cristiano Migliorelli e Nathalie GiacobinoVi invitiamo a visitare il sito di ArchivioLuce.com per continuare a viaggiare nel nostropassato.

LUCE E CONTROLUCE. Dieci percorsi nella memoria di un Paese smarrito

Grands entretiens de musiciennes, de musiciens, réalisés par les équipes de forumopera.<hr> Hébergé par Acast. Visitez <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> pour plus d'informations.

Grands entretiens de musiciennes, de musiciens, réalisés par les équipes de forumopera. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Grands entretiens de musiciennes, de musiciens, réalisés par les équipes de forumopera. Hébergé par Acast. Visitez <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> pour plus d'informations.

Performing Arts Podcasts / Page 200