Arts

Books

Fashion & Beauty

Performing Arts

Food

Visual Arts

Design

Business

Entrepreneurship

Investing

Marketing

Careers

Management

Non-Profit

Comedy

Stand-Up

Comedy Interviews

Improv

Education

Self-Improvement

How To

Courses

Language Learning

Fiction

Comedy Fiction

Drama

Science Fiction

Government

Health & Fitness

Medicine

Alternative Health

Nutrition

Mental Health

Fitness

Sexuality

History

Kids & Family

Parenting

Stories for Kids

Education for Kids

Pets & Animals

Leisure

Video Games

Games

Automotive

Animation & Manga

Hobbies

Aviation

Home & Garden

Crafts

Music

Music Commentary

Music Interviews

Music History

News

Sports News

Entertainment News

News Commentary

Politics

Daily News

Business News

Tech News

Religion & Spirituality

Christianity

Spirituality

Religion

Judaism

Islam

Buddhism

Hinduism

Science

Social Sciences

Life Sciences

Natural Sciences

Nature

Chemistry

Mathematics

Earth Sciences

Physics

Astronomy

Society & Culture

Documentary

Relationships

Philosophy

Personal Journals

Places & Travel

Sports

Golf

Soccer

Wrestling

Basketball

Football

Fantasy Sports

Baseball

Wilderness

Running

Hockey

Rugby

Cricket

Volleyball

Tennis

Swimming

Technology

True Crime

TV & Film

Film Interviews

TV Reviews

After Shows

Film Reviews

Film History

Talking about Dance in Montreal on your Computer and Mobile Device

Movement Museum

audio drama, comics and film for the 21st century

Circus-13 Productions

KMUZ Community Radio for the Mid-Willamette Valley

Contemporary Healthcare

Weekly podcast hosted by filmmakers Justin Pierre, Justin Staggs & Shane Nelson. We love movies! We love watching movies, talking movies and making movies.

Each episode features a different cinema based topic, movie reviews and filmmaking discussion.

Many episodes will feature a guest discussing their favorite films and what’s new with them and their world.

Weekly podcast hosted by filmmakers Justin Pierre, Justin Staggs & Shane Nelson. We love movies! We love watching movies, talking movies and making movies. Each episode features a different cinema based topic, movie reviews and filmmaking discussion. Many episodes will feature a guest discussing their favorite films and what’s new with them and their world.

Weekly podcast hosted by filmmakers Justin Pierre, Justin Staggs &amp; Shane Nelson. We love movies! We love watching movies, talking movies and making movies.

Each episode features a different cinema based topic, movie reviews and filmmaking discussion.

Many episodes will feature a guest discussing their favorite films and what’s new with them and their world.

Junkshow Cinema Podcast

Matt Bailey hosts one of the top entertainment online talk shows, featuring guests from all areas of show business

Talk For Two - The Number 1 Performing Arts Podcast

Teater Katapult Podcast: Tag teaterforestillinger og StorySlam med på farten! Hør spændende ekstrahistorier om forestillingerne … og hør StorySlams levende historier fortalt af almindelige danskere. Sjovt. Rørende. Alvorligt. Og ægte!

StorySlam

We Are All Storytellers presents original stories by writers and creatives from all backgrounds…in five minutes.

We Are All Storytellers

Creative strategy and production for video marketing. Hear from people and businesses who have utilized the massive power and creative potential of online video to add some serious rocket sauce to their marketing strategy. Hosted by Michael Chwastiak & Adam Liefl of Boots on the Moon Media.

Creative strategy and production for video marketing. Hear from people and businesses who have utilized the massive power and creative potential of online video to add some serious rocket sauce to their marketing strategy. Hosted by Michael Chwastiak &amp; Adam Liefl of Boots on the Moon Media.

Tell Don't Sell | Video Marketing

Welcome to "Dude, Check This Out!" A podcast where we talk about music from the past and present with artists of the future. Rob Tait and Mark Brown of the Philadelphia-based band Hambone Relay give you an in-depth and informal look at the the local and regional music scene.  Each week we feature a new up and coming artist as our guest.

Welcome to "Dude, Check This Out!" A podcast where we talk about music from the past and present with artists of the future. Rob Tait and Mark Brown of the Philadelphia-based band Hambone Relay give you an in-depth and informal look at the the local and regional music scene. Each week we feature a new up and coming artist as our guest.

Hambone Relay Presents: Dude Check This Out!

Our News. Our Voice. Our Community. Weekly Podcast hosted By Author Michael D. Beckford. We cover some of the most ground breaking and controversial material that affects our community. The black community. It is all done within the boundaries of 5 minutes.

5 Minutes With Mike

A rude and lewd 5e D&D actual play podcast. Listen as my friends and I go on ridiculous adventures punctuated with poorly timed jokes, and fairly offensive behavior. We are Crude Characters... Enjoy.

*R Rated D&D Podcast*

A rude and lewd 5e D&D actual play podcast. Listen as my friends and I go on ridiculous adventures punctuated with poorly timed jokes, and fairly offensive behavior. We are Crude Characters... Enjoy. *R Rated D&D Podcast*

A rude and lewd 5e D&amp;D actual play podcast. Listen as my friends and I go on ridiculous adventures punctuated with poorly timed jokes, and fairly offensive behavior. We are Crude Characters... Enjoy.

*R Rated D&amp;D Podcast*

Crude Characters DnD Podcast

a series of stories about, or inspired by, fictional cities, written, presented and with music by Jack Dean.

Fake Town Fables

Welcome to 'Return of the Polymath' hosted by entrepreneur, voice coach, hypnotherapist, actor, and singer Darren McStay.
On this podcast, you'll find a mix of ideas and opinions dedicated to self-improvement in the areas of voice, confidence and on the power of perception.
Darren quit his old job which he describes as "fuelled by anger, drink, and anxiety", to become an actor where he has performed to over a million people live on stage and reached over half a million views through his youtube channel 'Improve your voice'. 
This podcast is a chance for Darren to muse on the themes of self-improvement, which have been of great advantage in his own life.

Welcome to 'Return of the Polymath' hosted by entrepreneur, voice coach, hypnotherapist, actor, and singer Darren McStay. On this podcast, you'll find a mix of ideas and opinions dedicated to self-improvement in the areas of voice, confidence and on the power of perception. Darren quit his old job which he describes as "fuelled by anger, drink, and anxiety", to become an actor where he has performed to over a million people live on stage and reached over half a million views through his youtube channel 'Improve your voice'. This podcast is a chance for Darren to muse on the themes of self-improvement, which have been of great advantage in his own life.

Return of the Polymath

Louis Tillett is a "Dark Giant" - according to Rolling Stone UK 2000. Not only is he an imposing figure of a man, albeit quietly spoken, but his music is also dark, and Epic. He has been largely enigmatic until recent years. Now you will find him on Facebook, Twitter, Instagram, Spotify, iTunes and of course at www.louistillettmusic.com and www.louistillett.com.This podcast is yet another attempt to bring his fans into his personal world after many years in between gigs, where he was seemingly in the wilderness.In 2015 he launched his eleven-piece band "The Art of Darkness" by way of a thank you to his many fans who saved him from being left homeless and worse due to extenuating circumstances...by getting behind him with an overwhelmingly successful crowd funding campaign. Thanks to his thousands of fans coming out of the woodwork, he has gone from strength to strength...which is why he has made a point of sharing more of himself with them.This podcast is the first-hand account of Louis' life as a Musician and Composer, while walking along a very rocky road, on a "Dead End Street in the Lucky Country" that is Australia. However, his life as an Underground Recording Artist has introduced many interesting people and places to his life. This is HIS story. No pitch. No pretense. And some cold, hard truths and dark secrets that will shock many of his fans, and even friends. We begin with 11 low key interviews conducted in 2009, while Louis was living in a hut in the Mountains of the mid-North Coastal hinterlands of Australia. If you would like more insights into Louis and his music, you can visit either of his websites or follow and support him on Patreon. See the donation box here...with the heart on it. Or subscribe here&nbsp;<a href="https://www.buzzsprout.com/539803/support">https://www.buzzsprout.com/539803/support</a>

Louis Tillett is a "Dark Giant" - according to Rolling Stone UK 2000. Not only is he an imposing figure of a man, albeit quietly spoken, but his music is also dark, and Epic. He has been largely enigmatic until recent years. Now you will find him on Facebook, Twitter, Instagram, Spotify, iTunes and of course at www.louistillettmusic.com and www.louistillett.com.This podcast is yet another attempt to bring his fans into his personal world after many years in between gigs, where he was seemingly in the wilderness.In 2015 he launched his eleven-piece band "The Art of Darkness" by way of a thank you to his many fans who saved him from being left homeless and worse due to extenuating circumstances...by getting behind him with an overwhelmingly successful crowd funding campaign. Thanks to his thousands of fans coming out of the woodwork, he has gone from strength to strength...which is why he has made a point of sharing more of himself with them.This podcast is the first-hand account of Louis' life as a Musician and Composer, while walking along a very rocky road, on a "Dead End Street in the Lucky Country" that is Australia. However, his life as an Underground Recording Artist has introduced many interesting people and places to his life. This is HIS story. No pitch. No pretense. And some cold, hard truths and dark secrets that will shock many of his fans, and even friends. We begin with 11 low key interviews conducted in 2009, while Louis was living in a hut in the Mountains of the mid-North Coastal hinterlands of Australia. If you would like more insights into Louis and his music, you can visit either of his websites or follow and support him on Patreon. See the donation box here...with the heart on it. Or subscribe here https://www.buzzsprout.com/539803/support

Louis Tillett is a "Dark Giant" - according to Rolling Stone UK 2000. Not only is he an imposing figure of a man, albeit quietly spoken, but his music is also dark, and Epic. He has been largely enigmatic until recent years. Now you will find him on Facebook, Twitter, Instagram, Spotify, iTunes and of course at www.louistillettmusic.com and www.louistillett.com.This podcast is yet another attempt to bring his fans into his personal world after many years in between gigs, where he was seemingly in the wilderness.In 2015 he launched his eleven-piece band "The Art of Darkness" by way of a thank you to his many fans who saved him from being left homeless and worse due to extenuating circumstances...by getting behind him with an overwhelmingly successful crowd funding campaign. Thanks to his thousands of fans coming out of the woodwork, he has gone from strength to strength...which is why he has made a point of sharing more of himself with them.This podcast is the first-hand account of Louis' life as a Musician and Composer, while walking along a very rocky road, on a "Dead End Street in the Lucky Country" that is Australia. However, his life as an Underground Recording Artist has introduced many interesting people and places to his life. This is HIS story. No pitch. No pretense. And some cold, hard truths and dark secrets that will shock many of his fans, and even friends. We begin with 11 low key interviews conducted in 2009, while Louis was living in a hut in the Mountains of the mid-North Coastal hinterlands of Australia. If you would like more insights into Louis and his music, you can visit either of his websites or follow and support him on Patreon. See the donation box here...with the heart on it. Or subscribe here&nbsp;<a href="https://www.buzzsprout.com/539803/support" rel="noopener noreferrer">https://www.buzzsprout.com/539803/support</a>

Louis Tillett

John Allen continues his argument with what is.

My Life In Showbusiness

Umar faruq Alamsyah

Spine chilling tales from around the world.

Tales from a Campfire

Literasi isi hati
Follow instagram @renungansblmtdr

Literasi isi hati Follow instagram @renungansblmtdr

Podcast Renungan sebelum tidur

Tento podcast ti prináša @Tanecnascena. Je to podcast Otca Mirca o tanci a o všetkom, čo s tancom súvisí. Pohyb, vzdelanie, výživa, psychika, duševno, fyzično, priestor, hudba, telesná anatómia atď. Bez časových a obsahových obmedzení. Hlavnou myšlienkou je šírenie informácií a prepájanie tanečných svetov. Nech sa ti dobre počúva.

VERBÁLNY TANEC

Parmish Verma

Every week (mostly) you will be able to join your new friends Lois and Grace on their journey to writing a play. Listen in and experience their ups and downs in real time.

Scripted

En Baggårds Ulv på Tynd Is.  En julekalender i 24 afsnit fortalt af Carsten Islington

En Baggårds Ulv på Tynd Is. En julekalender i 24 afsnit fortalt af Carsten Islington

En Baggårds Ulv på Tynd Is.

A Podcast where I talk about how much I love Willy. I hope if you listen you will love Willy too. No, Please get your mind out of the gutter, I mean William Shakespeare. So put the kettle on, grab yourself a cuppa and get your Willy out with me.

Willy Shakers

Hier erzähl ich über Onlyfans, was ist das? Welche Erfahrungen hab ich gemacht und wie wichtig ist guter Content?

My Onlyfans

Plongez au c&oelig;ur de la rel&egrave;ve humoristique avec &laquo; L&rsquo;Open Mic des Comiques &raquo;, une production originale de CKOI et de Debout Les Comiques. Anim&eacute; par Martin Cloutier, ce concours radiophonique met en lumi&egrave;re les talents &eacute;mergents du Qu&eacute;bec.
Sur deux saisons de cinq &eacute;pisodes chacune, chaque humoriste dispose de trois minutes chrono pour d&eacute;crocher les rires des auditeurs. Les votes du public, cumul&eacute;s aux notes de Martin Cloutier et de ses complices Val&eacute;rie Roberts, Danick Martineau et &Eacute;tienne Marcoux, d&eacute;signent d&rsquo;abord cinq demi-finalistes, puis trois finalistes, avant de couronner le grand gagnant.
Avec 10 000 $ &agrave; la cl&eacute; et la promesse d&rsquo;une visibilit&eacute; in&eacute;dite sur les ondes de CKOI, la comp&eacute;tition s&rsquo;annonce f&eacute;roce : qui parviendra &agrave; s&eacute;duire l&rsquo;auditoire et remporter la victoire ? Branchez-vous sans faute sur &laquo; L&rsquo;Open Mic des Comiques &raquo; !

Plongez au cœur de la relève humoristique avec « L’Open Mic des Comiques », une production originale de CKOI et de Debout Les Comiques. Animé par Martin Cloutier, ce concours radiophonique met en lumière les talents émergents du Québec. Sur deux saisons de cinq épisodes chacune, chaque humoriste dispose de trois minutes chrono pour décrocher les rires des auditeurs. Les votes du public, cumulés aux notes de Martin Cloutier et de ses complices Valérie Roberts, Danick Martineau et Étienne Marcoux, désignent d’abord cinq demi-finalistes, puis trois finalistes, avant de couronner le grand gagnant. Avec 10 000 $ à la clé et la promesse d’une visibilité inédite sur les ondes de CKOI, la compétition s’annonce féroce : qui parviendra à séduire l’auditoire et remporter la victoire ? Branchez-vous sans faute sur « L’Open Mic des Comiques » !

Plongez au cœur de la relève humoristique avec « L’Open Mic des Comiques », une production originale de CKOI et de Debout Les Comiques. Animé par Martin Cloutier, ce concours radiophonique met en lumière les talents émergents du Québec.
Sur deux saisons de cinq épisodes chacune, chaque humoriste dispose de trois minutes chrono pour décrocher les rires des auditeurs. Les votes du public, cumulés aux notes de Martin Cloutier et de ses complices Valérie Roberts, Danick Martineau et Étienne Marcoux, désignent d’abord cinq demi-finalistes, puis trois finalistes, avant de couronner le grand gagnant.
Avec 10 000 $ à la clé et la promesse d’une visibilité inédite sur les ondes de CKOI, la compétition s’annonce féroce : qui parviendra à séduire l’auditoire et remporter la victoire ? Branchez-vous sans faute sur « L’Open Mic des Comiques » !

L'Open Mic des Comiques

WWE. AEW. this Life. this Friendship.

hosted by Juv &amp; My Cousin Jordan.

IG/Twitter:
- thehardcamera
- jayelthegod
- juvidesayuno

WWE. AEW. this Life. this Friendship. hosted by Juv & My Cousin Jordan. IG/Twitter: - thehardcamera - jayelthegod - juvidesayuno

The Hard Camera

Follows a lawyer who returns to his hometown to seek justice for his father's murder, leading him to become a frontier attorney. The series blends legal drama with Western themes.

Frontier Town - Sleepy Radio

Шоу, где каждый может поделиться тем, что ему важно и интересно. Узнать о нас больше можно по ссылке: https://vk.cc/9NN5GP

Шоу коротких историй

"W antrakcie" to audycja poświęcona teatrowi w Programie 3 Polskiego Radia. Jej autorki Malwina Kiepiel i Magda Kuydowicz zachęcają słuchaczy do chodzenia do teatru.   W swoim programie te dwie pasjonatki sztuki scenicznej, teatrolożki opowiadają o spektaklach, festiwalach, wydarzeniach i imprezach związanych z teatrem, które odbywają się w całej Polsce i nie tylko. Zapraszają także twórców — aktorów, reżyserów, kompozytorów i dramatopisarzy. Ludzi teatru.   Przybliżają także postaci niezwykle ważne dla polskiej kultury, przygotowując specjalne odcinki monograficzne z wykorzystaniem zasobów archiwalnych Polskiego Radia.   Czasami piętnują także zachowania niegodne widza. Złe zachowanie, nieodpowiedni ubiór czy niestosowne komentarze wynikają bowiem nie z braku kultury, lecz z braku wiedzy.

"W antrakcie" to audycja poświęcona teatrowi w Programie 3 Polskiego Radia. Jej autorki Malwina Kiepiel i Magda Kuydowicz zachęcają słuchaczy do chodzenia do teatru. W swoim programie te dwie pasjonatki sztuki scenicznej, teatrolożki opowiadają o spektaklach, festiwalach, wydarzeniach i imprezach związanych z teatrem, które odbywają się w całej Polsce i nie tylko. Zapraszają także twórców — aktorów, reżyserów, kompozytorów i dramatopisarzy. Ludzi teatru. Przybliżają także postaci niezwykle ważne dla polskiej kultury, przygotowując specjalne odcinki monograficzne z wykorzystaniem zasobów archiwalnych Polskiego Radia. Czasami piętnują także zachowania niegodne widza. Złe zachowanie, nieodpowiedni ubiór czy niestosowne komentarze wynikają bowiem nie z braku kultury, lecz z braku wiedzy.

W antrakcie

Follows the exploits of a superhero as he battles evil and upholds justice, using his extraordinary powers to protect the innocent. The series combines action with moral lessons.

Superman - Moonlight Radio

An anthology series presenting original radio plays, showcasing a variety of genres and storytelling styles. Each episode offers a unique narrative experience.

Radio City Playhouse - Moonlight Radio

Celia Archive

Привет - я Арина!
Я до сих пор не знаю как жить эту жизнь. 
мой подкаст - это поиск, желание найти собственное я, признать свои неудачи, а главное - это  стремление перестать бояться ошибаться.
Хочу составить вам компанию и показать, что никто не идеален, не знать себя - это нормально. Невзгоды случаются, а жизнь продолжает идти, пойдемте вперед вместе, чтоб не было страшно.

instagram - @riold.arina /
почта для ваших вопросов - mksvopros@gmail.com /
telegram - @mksvopros

Привет - я Арина! Я до сих пор не знаю как жить эту жизнь. мой подкаст - это поиск, желание найти собственное я, признать свои неудачи, а главное - это стремление перестать бояться ошибаться. Хочу составить вам компанию и показать, что никто не идеален, не знать себя - это нормально. Невзгоды случаются, а жизнь продолжает идти, пойдемте вперед вместе, чтоб не было страшно. instagram - @riold.arina / почта для ваших вопросов - mksvopros@gmail.com / telegram - @mksvopros

Мой к себе вопрос

Before beloved singer and actor Burl Icle Ivanhoe Ives enchanted audiences worldwide with his warm, gritty voice, he traveled a long road that seemed unlikely to lead to stardom. Born in rural Hunt City, Illinois in 1909, Ives entered the world in humble circumstances that offered little hint of the prestigious performing career to come. As a member of a poor farming family, young Burl grew up toiling away on grueling tasks meant to supplement the meager family income. This arduous manual labor constituted his childhood education more than any formal schooling. However, Ives blossomed into a spirited boy whose jovial personality and musical inclination distinguished him. Music and Storytelling – A Childhood Passion From a young age, Ives found solace and escape in old folk ballads and country singalongs. He would listen intently to tunes floating from front porches in his traveling youth, fascinated by the way melodies preserved people’s stories. By age 14, Ives had picked up the banjo and guitar, demonstrating prodigal talent. As a wandering teenager searching for work during the Depression era, he discovered public performance to be a potent panacea for the bitterness of poverty and grueling physical jobs. When not toiling away on farms or in factories, Ives immersed himself in the rhythms and narratives of traditional American folk music. He realized such culturally rich songs granted him access to a heritage that stretched long before him. Ives also relished opportunities to inject humor or personalized flourishes into well-known standards for live audiences. Playing songs in his soulful, resonant baritone for spare change or passing trains helped Ives endure an often lonely, transient young adulthood. Big Breaks in New York City Theater By the late 1930s, the 20-something Ives had decided to pursue music professionally rather than as a hobby during seasonal employment. He moved to New York City and quickly earned notice in Greenwich Village folk circles, getting pegged as a rising “young balladeer.” This reputation scored him an invite to perform on WNYC radio in 1937. His rich voice and emotional delivery dazzled sophisticated city audiences, with one New York Times writer declaring him “the best ballad singer in America.” Ives soon found his breakout opportunity on the Great White Way itself when he was cast as a lead in the smash 1940 Broadway musical The Boys From Syracuse. His theater debut landed with resounding success, showcasing abilities to impart warmth and humanity through song. Rave reviews specifically cited Ives’ uncommon talents at story-song interpretation as something new and wonderful. Such acclaim earned him both a largerg platform for concerts and radio work, plus more Broadway productions thirsty for his magnetic, singular presence. By 1945, Ives had starred in productions like Sing Out, Sweet Land! and appeared on NBC radio programs that introduced him to millions of Americans. That year also marked his first studio album, The Wayfaring Stranger, considered a seminal entry in popularizing traditional folk for wider audiences. As Ives’ star rose in theater and music fame spread nationally, it became clear a barnstorming style crystallized in ragged 1930s living conditioned him uniquely to convey the simplest hopes and sorrows within America’s heritage. Scene-Stealing Film Roles Parallel to conquering Broadway stages with uncommon authenticity and earning a recording contract, Ives also contributed memorable early supporting appearances in Hollywood movies. Directors recognized his weathered voice, towering frame and sly charisma made him ideal for sage cowboys, no-nonsense cops or eccentric country bumpkins. In films spanning the 1940s like Smoky(1946) and Alias Jesse James (1959), Ives crafted scene-stealing moments around refrains of iconic songs like “Blue Tail Fly.” Yet Ives’ most legendary Hollywood hour came when he brought Southern patriarch Big Daddy Pollitt's bristling, tragicomic life opposite Paul Newman in 1958 Best Picture winner Cat on a Hot Tin Roof. As the tough, dying plantation owner Big Daddy, Ives earned effusive raves, an Academy Award for Best Supporting Actor, and saturation in the public imagination. In the years following, Ives rounded out his triple-threat entertainer status as a reliable film character actor by releasing hit records like “A Little Bitty Tear” and “Funny Way of Laughin’” which consolidated his radio fame into top chart visibility. Reinventing with the Times As the 1960s unfolded with flashier rock, Motown and British pop trends shoveling folk aside in mainstream music consciousness, Ives adeptly refined his sound and performance outlets to avoid fading away. He translated signature tunes into gently modernized arrangements while dabbling in spoken word story-songs like the smash “A Holly Jolly Christmas.” Simultaneously, Ives prioritized connecting with young audiences by acting in Disney films and network TV. Though Ives presented a non-controversial image publicly, he also aligned himself with the era’s counter-cultural impulse for personal expression in more subtle ways. His records would mix traditional with modern message tunes like “In the Summer of His Years,” released after Martin Luther King Jr’s assassination. And Ives lent narration to a classic counterculture film, 1962’s Monterey Pop Festival documentary. As the 1960s closed out, Ives gracefully transitioned into an elder statesman role that balanced mainstream TV appearances and even product endorsements with bold touches of social commentary. Later Life in Film and Music As he entered his 60s and 70s, Ives chiefly committed his talents to the mediums that initially popularized him - film, theater, and story-song records. He earned recognition for induction into the Country Music Hall of Fame and starred in carried Broadway revivals of allegorical plays like Knickerbocker Holiday. Meanwhile, on screens, Ives transitioned fluidly into heartwarming character roles as grandfatherly doctors, judges or wizened mentors in wholesome comedies. By his late years, Ives had accumulated an astonishing 300+ acting credits. Even amidst his final decade working constantly in network TV and family films, Ives also periodically revisited musical projects that highlighted underrated aspects of his legacy. In key albums from the 1970s and 80s like America Sings of Heroes &amp; Home, he got to further showcase himself as not just an interpreter carrying centuries of ballads forward, but also a distinctive songwriter penning poetic originals about the nation he crisscrossed. Just weeks before his death in 1995 at age 85, Ives even recorded what became a posthumous Grammy-winning gospel album called The Lord is My Shepherd, reaffirming his love of spiritual hymns. Across an incredible six-decade career traversing every facet of entertainment during periods of immense cultural change, Ives ultimately poured the hard-won wisdom of a transient early life spent connecting America’s communities into a matchless creative legacy spanning from Tony Awards to beloved film roles to classical records keeping folk traditions alive. While granted less flashy fame compared to musical contemporaries like Frank Sinatra and Elvis Presley, Ives earned arguably peerless admiration as a masterful vessel through which diverse generations experienced the profound weight of history within humble, uplifting American songcraft. Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcasts.

Before beloved singer and actor Burl Icle Ivanhoe Ives enchanted audiences worldwide with his warm, gritty voice, he traveled a long road that seemed unlikely to lead to stardom. Born in rural Hunt City, Illinois in 1909, Ives entered the world in humble circumstances that offered little hint of the prestigious performing career to come. As a member of a poor farming family, young Burl grew up toiling away on grueling tasks meant to supplement the meager family income. This arduous manual labor constituted his childhood education more than any formal schooling. However, Ives blossomed into a spirited boy whose jovial personality and musical inclination distinguished him. Music and Storytelling – A Childhood Passion From a young age, Ives found solace and escape in old folk ballads and country singalongs. He would listen intently to tunes floating from front porches in his traveling youth, fascinated by the way melodies preserved people’s stories. By age 14, Ives had picked up the banjo and guitar, demonstrating prodigal talent. As a wandering teenager searching for work during the Depression era, he discovered public performance to be a potent panacea for the bitterness of poverty and grueling physical jobs. When not toiling away on farms or in factories, Ives immersed himself in the rhythms and narratives of traditional American folk music. He realized such culturally rich songs granted him access to a heritage that stretched long before him. Ives also relished opportunities to inject humor or personalized flourishes into well-known standards for live audiences. Playing songs in his soulful, resonant baritone for spare change or passing trains helped Ives endure an often lonely, transient young adulthood. Big Breaks in New York City Theater By the late 1930s, the 20-something Ives had decided to pursue music professionally rather than as a hobby during seasonal employment. He moved to New York City and quickly earned notice in Greenwich Village folk circles, getting pegged as a rising “young balladeer.” This reputation scored him an invite to perform on WNYC radio in 1937. His rich voice and emotional delivery dazzled sophisticated city audiences, with one New York Times writer declaring him “the best ballad singer in America.” Ives soon found his breakout opportunity on the Great White Way itself when he was cast as a lead in the smash 1940 Broadway musical The Boys From Syracuse. His theater debut landed with resounding success, showcasing abilities to impart warmth and humanity through song. Rave reviews specifically cited Ives’ uncommon talents at story-song interpretation as something new and wonderful. Such acclaim earned him both a largerg platform for concerts and radio work, plus more Broadway productions thirsty for his magnetic, singular presence. By 1945, Ives had starred in productions like Sing Out, Sweet Land! and appeared on NBC radio programs that introduced him to millions of Americans. That year also marked his first studio album, The Wayfaring Stranger, considered a seminal entry in popularizing traditional folk for wider audiences. As Ives’ star rose in theater and music fame spread nationally, it became clear a barnstorming style crystallized in ragged 1930s living conditioned him uniquely to convey the simplest hopes and sorrows within America’s heritage. Scene-Stealing Film Roles Parallel to conquering Broadway stages with uncommon authenticity and earning a recording contract, Ives also contributed memorable early supporting appearances in Hollywood movies. Directors recognized his weathered voice, towering frame and sly charisma made him ideal for sage cowboys, no-nonsense cops or eccentric country bumpkins. In films spanning the 1940s like Smoky(1946) and Alias Jesse James (1959), Ives crafted scene-stealing moments around refrains of iconic songs like “Blue Tail Fly.” Yet Ives’ most legendary Hollywood hour came when he brought Southern patriarch Big Daddy Pollitt's bristling, tragicomic life opposite Paul Newman in 1958 Best Picture winner Cat on a Hot Tin Roof. As the tough, dying plantation owner Big Daddy, Ives earned effusive raves, an Academy Award for Best Supporting Actor, and saturation in the public imagination. In the years following, Ives rounded out his triple-threat entertainer status as a reliable film character actor by releasing hit records like “A Little Bitty Tear” and “Funny Way of Laughin’” which consolidated his radio fame into top chart visibility. Reinventing with the Times As the 1960s unfolded with flashier rock, Motown and British pop trends shoveling folk aside in mainstream music consciousness, Ives adeptly refined his sound and performance outlets to avoid fading away. He translated signature tunes into gently modernized arrangements while dabbling in spoken word story-songs like the smash “A Holly Jolly Christmas.” Simultaneously, Ives prioritized connecting with young audiences by acting in Disney films and network TV. Though Ives presented a non-controversial image publicly, he also aligned himself with the era’s counter-cultural impulse for personal expression in more subtle ways. His records would mix traditional with modern message tunes like “In the Summer of His Years,” released after Martin Luther King Jr’s assassination. And Ives lent narration to a classic counterculture film, 1962’s Monterey Pop Festival documentary. As the 1960s closed out, Ives gracefully transitioned into an elder statesman role that balanced mainstream TV appearances and even product endorsements with bold touches of social commentary. Later Life in Film and Music As he entered his 60s and 70s, Ives chiefly committed his talents to the mediums that initially popularized him - film, theater, and story-song records. He earned recognition for induction into the Country Music Hall of Fame and starred in carried Broadway revivals of allegorical plays like Knickerbocker Holiday. Meanwhile, on screens, Ives transitioned fluidly into heartwarming character roles as grandfatherly doctors, judges or wizened mentors in wholesome comedies. By his late years, Ives had accumulated an astonishing 300+ acting credits. Even amidst his final decade working constantly in network TV and family films, Ives also periodically revisited musical projects that highlighted underrated aspects of his legacy. In key albums from the 1970s and 80s like America Sings of Heroes & Home, he got to further showcase himself as not just an interpreter carrying centuries of ballads forward, but also a distinctive songwriter penning poetic originals about the nation he crisscrossed. Just weeks before his death in 1995 at age 85, Ives even recorded what became a posthumous Grammy-winning gospel album called The Lord is My Shepherd, reaffirming his love of spiritual hymns. Across an incredible six-decade career traversing every facet of entertainment during periods of immense cultural change, Ives ultimately poured the hard-won wisdom of a transient early life spent connecting America’s communities into a matchless creative legacy spanning from Tony Awards to beloved film roles to classical records keeping folk traditions alive. While granted less flashy fame compared to musical contemporaries like Frank Sinatra and Elvis Presley, Ives earned arguably peerless admiration as a masterful vessel through which diverse generations experienced the profound weight of history within humble, uplifting American songcraft. Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcasts.

Before beloved singer and actor Burl Icle Ivanhoe Ives enchanted audiences worldwide with his warm, gritty voice, he traveled a long road that seemed unlikely to lead to stardom. Born in rural Hunt City, Illinois in 1909, Ives entered the world in humble circumstances that offered little hint of the prestigious performing career to come. As a member of a poor farming family, young Burl grew up toiling away on grueling tasks meant to supplement the meager family income. This arduous manual labor constituted his childhood education more than any formal schooling. However, Ives blossomed into a spirited boy whose jovial personality and musical inclination distinguished him. Music and Storytelling – A Childhood Passion From a young age, Ives found solace and escape in old folk ballads and country singalongs. He would listen intently to tunes floating from front porches in his traveling youth, fascinated by the way melodies preserved people’s stories. By age 14, Ives had picked up the banjo and guitar, demonstrating prodigal talent. As a wandering teenager searching for work during the Depression era, he discovered public performance to be a potent panacea for the bitterness of poverty and grueling physical jobs. When not toiling away on farms or in factories, Ives immersed himself in the rhythms and narratives of traditional American folk music. He realized such culturally rich songs granted him access to a heritage that stretched long before him. Ives also relished opportunities to inject humor or personalized flourishes into well-known standards for live audiences. Playing songs in his soulful, resonant baritone for spare change or passing trains helped Ives endure an often lonely, transient young adulthood. Big Breaks in New York City Theater By the late 1930s, the 20-something Ives had decided to pursue music professionally rather than as a hobby during seasonal employment. He moved to New York City and quickly earned notice in Greenwich Village folk circles, getting pegged as a rising “young balladeer.” This reputation scored him an invite to perform on WNYC radio in 1937. His rich voice and emotional delivery dazzled sophisticated city audiences, with one New York Times writer declaring him “the best ballad singer in America.” Ives soon found his breakout opportunity on the Great White Way itself when he was cast as a lead in the smash 1940 Broadway musical The Boys From Syracuse. His theater debut landed with resounding success, showcasing abilities to impart warmth and humanity through song. Rave reviews specifically cited Ives’ uncommon talents at story-song interpretation as something new and wonderful. Such acclaim earned him both a largerg platform for concerts and radio work, plus more Broadway productions thirsty for his magnetic, singular presence. By 1945, Ives had starred in productions like Sing Out, Sweet Land! and appeared on NBC radio programs that introduced him to millions of Americans. That year also marked his first studio album, The Wayfaring Stranger, considered a seminal entry in popularizing traditional folk for wider audiences. As Ives’ star rose in theater and music fame spread nationally, it became clear a barnstorming style crystallized in ragged 1930s living conditioned him uniquely to convey the simplest hopes and sorrows within America’s heritage. Scene-Stealing Film Roles Parallel to conquering Broadway stages with uncommon authenticity and earning a recording contract, Ives also contributed memorable early supporting appearances in Hollywood movies. Directors recognized his weathered voice, towering frame and sly charisma made him ideal for sage cowboys, no-nonsense cops or eccentric country bumpkins. In films spanning the 1940s like Smoky(1946) and Alias Jesse James (1959), Ives crafted scene-stealing moments around refrains of iconic songs like “Blue Tail Fly.” Yet Ives’ most legendary Hollywood hour came when he brought Southern patriarch Big Daddy Pollitt's bristling, tragicomic life opposite Paul Newman in 1958 Best Picture winner Cat on a Hot Tin Roof. As the tough, dying plantation owner Big Daddy, Ives earned effusive raves, an Academy Award for Best Supporting Actor, and saturation in the public imagination. In the years following, Ives rounded out his triple-threat entertainer status as a reliable film character actor by releasing hit records like “A Little Bitty Tear” and “Funny Way of Laughin’” which consolidated his radio fame into top chart visibility. Reinventing with the Times As the 1960s unfolded with flashier rock, Motown and British pop trends shoveling folk aside in mainstream music consciousness, Ives adeptly refined his sound and performance outlets to avoid fading away. He translated signature tunes into gently modernized arrangements while dabbling in spoken word story-songs like the smash “A Holly Jolly Christmas.” Simultaneously, Ives prioritized connecting with young audiences by acting in Disney films and network TV. Though Ives presented a non-controversial image publicly, he also aligned himself with the era’s counter-cultural impulse for personal expression in more subtle ways. His records would mix traditional with modern message tunes like “In the Summer of His Years,” released after Martin Luther King Jr’s assassination. And Ives lent narration to a classic counterculture film, 1962’s Monterey Pop Festival documentary. As the 1960s closed out, Ives gracefully transitioned into an elder statesman role that balanced mainstream TV appearances and even product endorsements with bold touches of social commentary. Later Life in Film and Music As he entered his 60s and 70s, Ives chiefly committed his talents to the mediums that initially popularized him - film, theater, and story-song records. He earned recognition for induction into the Country Music Hall of Fame and starred in carried Broadway revivals of allegorical plays like Knickerbocker Holiday. Meanwhile, on screens, Ives transitioned fluidly into heartwarming character roles as grandfatherly doctors, judges or wizened mentors in wholesome comedies. By his late years, Ives had accumulated an astonishing 300+ acting credits. Even amidst his final decade working constantly in network TV and family films, Ives also periodically revisited musical projects that highlighted underrated aspects of his legacy. In key albums from the 1970s and 80s like America Sings of Heroes &amp; Home, he got to further showcase himself as not just an interpreter carrying centuries of ballads forward, but also a distinctive songwriter penning poetic originals about the nation he crisscrossed. Just weeks before his death in 1995 at age 85, Ives even recorded what became a posthumous Grammy-winning gospel album called The Lord is My Shepherd, reaffirming his love of spiritual hymns. Across an incredible six-decade career traversing every facet of entertainment during periods of immense cultural change, Ives ultimately poured the hard-won wisdom of a transient early life spent connecting America’s communities into a matchless creative legacy spanning from Tony Awards to beloved film roles to classical records keeping folk traditions alive. While granted less flashy fame compared to musical contemporaries like Frank Sinatra and Elvis Presley, Ives earned arguably peerless admiration as a masterful vessel through which diverse generations experienced the profound weight of history within humble, uplifting American songcraft. Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcasts.

Burl Ives - Audio Biography

魔鏡萬花筒Garden Show (2022年七月22日起至今) 每週上新，每月4-6集。 這是一個帶著祝福的療癒節目，，邀請各領域貴賓分享生命故事，療癒內容從運動愛好、音樂舞蹈、到生活中美好創造的實踐等，主持人與來賓的幽默對話、魔性歡笑聲，能讓大家感受滿滿的舒適愉悅、擁有信心與快樂。 目前已製播滿50集，60%集中35歲以上女性，受眾聚焦音樂舞蹈圈，包含國標舞蹈的名媛社交圈、廣告影視與品牌客戶端聯結。 2023年三月起，，將療癒主題，定頻在「娛樂展演」、「運動生活」、「旅遊休閒」，期待更貼近大眾需求。 關於Callie 共感人體質，帶有魔性笑聲與溫暖聲音的媒體行銷人。 30年前開啟與廣播結緣的人生劇本，職涯參與台北之音、飛碟電台、中廣與國華廣告與年代電視等，擅長資源開發、整合行銷、獨具美感與營運策略佈局，2005年創業發展「飛航機場廣告與國際行銷」市場，以「化繁為簡，創意高價值」，規劃執行數百個跨界與跨國行銷案，深受客戶信賴。 2019年後因熱愛國標舞，投資經營台灣唯一的「國標教學高級練習場」，卻突遇疫情、媒體與舞蹈事業崩盤，沉潛二年後，以Podcast製播開啟重生之路，期間受貴人相助度過艱辛，因此以「療癒」主題助己助人，與來賓訪談的學習滋養「激勵或鼓勵聽眾」，一起找回對生命的熱忱與初心。 未來Callie以主持訪談性節目、活動、提供行銷內訓與顧問、行銷案規劃等服務，請大家多多指教。 節目風格明確，節目在Apple、KKbox、Spotify、Soundon、Youtube等八平台上架，並同步於臉書與社團合作官宣，擴大核心受眾，2023年四月起更將結合Youtube主題影片發展。 📧商業合作信箱－廣告託播、品牌Podcast委託製作、來賓禮贊助、其他行銷案顧問委託合作 gardenshowtw@gmail.com 👉贊助我們節目天長地久：小額贊助請進~ https://pay.firstory.me/user/gardenshowtw ❤️ 我們的官方粉絲團 https://www.facebook.com/魔鏡萬花筒-Garden-Show-108683398585984/ 💬留言告訴我們，對這一集的想法： https://open.firstory.me/user/cl5eq3a7z007a01tm54zph5xp/comments魔鏡萬花筒Gard0 Powered by <a href="https://firstory.me">Firstory Hosting</a>

魔鏡萬花筒Garden Show (2022年七月22日起至今) 每週上新，每月4-6集。 這是一個帶著祝福的療癒節目，，邀請各領域貴賓分享生命故事，療癒內容從運動愛好、音樂舞蹈、到生活中美好創造的實踐等，主持人與來賓的幽默對話、魔性歡笑聲，能讓大家感受滿滿的舒適愉悅、擁有信心與快樂。 目前已製播滿50集，60%集中35歲以上女性，受眾聚焦音樂舞蹈圈，包含國標舞蹈的名媛社交圈、廣告影視與品牌客戶端聯結。 2023年三月起，，將療癒主題，定頻在「娛樂展演」、「運動生活」、「旅遊休閒」，期待更貼近大眾需求。 關於Callie 共感人體質，帶有魔性笑聲與溫暖聲音的媒體行銷人。 30年前開啟與廣播結緣的人生劇本，職涯參與台北之音、飛碟電台、中廣與國華廣告與年代電視等，擅長資源開發、整合行銷、獨具美感與營運策略佈局，2005年創業發展「飛航機場廣告與國際行銷」市場，以「化繁為簡，創意高價值」，規劃執行數百個跨界與跨國行銷案，深受客戶信賴。 2019年後因熱愛國標舞，投資經營台灣唯一的「國標教學高級練習場」，卻突遇疫情、媒體與舞蹈事業崩盤，沉潛二年後，以Podcast製播開啟重生之路，期間受貴人相助度過艱辛，因此以「療癒」主題助己助人，與來賓訪談的學習滋養「激勵或鼓勵聽眾」，一起找回對生命的熱忱與初心。 未來Callie以主持訪談性節目、活動、提供行銷內訓與顧問、行銷案規劃等服務，請大家多多指教。 節目風格明確，節目在Apple、KKbox、Spotify、Soundon、Youtube等八平台上架，並同步於臉書與社團合作官宣，擴大核心受眾，2023年四月起更將結合Youtube主題影片發展。 📧商業合作信箱－廣告託播、品牌Podcast委託製作、來賓禮贊助、其他行銷案顧問委託合作 gardenshowtw@gmail.com 👉贊助我們節目天長地久：小額贊助請進~ https://pay.firstory.me/user/gardenshowtw ❤️ 我們的官方粉絲團 https://www.facebook.com/魔鏡萬花筒-Garden-Show-108683398585984/ 💬留言告訴我們，對這一集的想法： https://open.firstory.me/user/cl5eq3a7z007a01tm54zph5xp/comments魔鏡萬花筒Gard0 Powered by Firstory Hosting

魔鏡萬花筒Garden Show (2022年七月22日起至今) 每週上新，每月4-6集。 這是一個帶著祝福的療癒節目，，邀請各領域貴賓分享生命故事，療癒內容從運動愛好、音樂舞蹈、到生活中美好創造的實踐等，主持人與來賓的幽默對話、魔性歡笑聲，能讓大家感受滿滿的舒適愉悅、擁有信心與快樂。 目前已製播滿50集，60%集中35歲以上女性，受眾聚焦音樂舞蹈圈，包含國標舞蹈的名媛社交圈、廣告影視與品牌客戶端聯結。 2023年三月起，，將療癒主題，定頻在「娛樂展演」、「運動生活」、「旅遊休閒」，期待更貼近大眾需求。 關於Callie 共感人體質，帶有魔性笑聲與溫暖聲音的媒體行銷人。 30年前開啟與廣播結緣的人生劇本，職涯參與台北之音、飛碟電台、中廣與國華廣告與年代電視等，擅長資源開發、整合行銷、獨具美感與營運策略佈局，2005年創業發展「飛航機場廣告與國際行銷」市場，以「化繁為簡，創意高價值」，規劃執行數百個跨界與跨國行銷案，深受客戶信賴。 2019年後因熱愛國標舞，投資經營台灣唯一的「國標教學高級練習場」，卻突遇疫情、媒體與舞蹈事業崩盤，沉潛二年後，以Podcast製播開啟重生之路，期間受貴人相助度過艱辛，因此以「療癒」主題助己助人，與來賓訪談的學習滋養「激勵或鼓勵聽眾」，一起找回對生命的熱忱與初心。 未來Callie以主持訪談性節目、活動、提供行銷內訓與顧問、行銷案規劃等服務，請大家多多指教。 節目風格明確，節目在Apple、KKbox、Spotify、Soundon、Youtube等八平台上架，並同步於臉書與社團合作官宣，擴大核心受眾，2023年四月起更將結合Youtube主題影片發展。 📧商業合作信箱－廣告託播、品牌Podcast委託製作、來賓禮贊助、其他行銷案顧問委託合作 gardenshowtw@gmail.com 👉贊助我們節目天長地久：小額贊助請進~ https://pay.firstory.me/user/gardenshowtw ❤️ 我們的官方粉絲團 https://www.facebook.com/魔鏡萬花筒-Garden-Show-108683398585984/ 💬留言告訴我們，對這一集的想法： https://open.firstory.me/user/cl5eq3a7z007a01tm54zph5xp/comments魔鏡萬花筒Gard0 Powered by <a href="https://firstory.me" rel="noopener noreferrer">Firstory Hosting</a>

Performing Arts Podcasts / Page 454

Movement Museum

Circus-13 Productions

Contemporary Healthcare

Junkshow Cinema Podcast

Talk For Two - The Number 1 Performing Arts Podcast

StorySlam

We Are All Storytellers

Tell Don't Sell | Video Marketing

Hambone Relay Presents: Dude Check This Out!

5 Minutes With Mike

Crude Characters DnD Podcast

Fake Town Fables

Return of the Polymath

Louis Tillett

My Life In Showbusiness

Umar faruq Alamsyah

Tales from a Campfire

Podcast Renungan sebelum tidur

VERBÁLNY TANEC

Parmish Verma

Scripted

En Baggårds Ulv på Tynd Is.

Willy Shakers

My Onlyfans

L'Open Mic des Comiques

The Hard Camera

Frontier Town - Sleepy Radio

Шоу коротких историй

W antrakcie

Superman - Moonlight Radio

Radio City Playhouse - Moonlight Radio

Celia Archive

Мой к себе вопрос

Burl Ives - Audio Biography

魔鏡萬花筒Garden Show

han seojun - starlight cover

Mosaico

The 25 Songs of Christmas : Christmas Around the World

lana unreleased

Min titel

No Fio da Palavra

Ad slot on libsyn

Socially Awkward Journalist

Dance to this Podcast

In the Waiting Room with Rashad Edwards

Kicking It Real

Radio Eska Koszalin

That Poetry Show by #KatySaidThat

Monte-Cristos Daughter

Create cool lyrics