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Featuring leading practitioners of the art, craft, and business of entertainment lighting, we serve the need for user-driven information in the hope of creating a forum for sincere, unscripted community interaction.

Casting Light Podcast

MASASHI OSAKU provides DJ mixes of Progressive,Electro,Tech House on the Podcast for the world directly.As picking up latest tracks,he's gonna take you up through your ears at any place.

----> Introduction about "MASASHI OSAKU" ---->
Masashi Osaku is a DJ specializing in Electro/Progressive/Tech/Acid House and is a master of the decks delivering fabulous mixes with the highest level of quality and class. He is constantly learning, improving and searching the world for the newest, hippest tunes to bring to his mixes. He has dedicated himself to pushing, experimenting, and developing the House scene in Japan hoping to give the Japanese audience, the ever popular UK/IBIZA experiences.
In 2008, Masashi started to provide his own podcast on iTunes Store. It contains full of newest and finest House Music, people in the world began to know his name soon. And he got many internationnal GIGs after starting podcast. He has performed at just in the last few years seems endless: asides from countless events in Japan, has also enjoyed an invitation tour of Thailand in July 2008, and playing at Zurich, Switzerland in 2009, WMC Maimi in March 2009, Pacha London, UK in October 2009 with TRAFIK (Global Underground), and more recently, December 2009 in South Africa Tour. In January 2010, He performed in Ulaanbaatar, Mongolia and WMC Miami in March 2010. His journey still goes on.

Booking/Contact --> mail@masashiosaku.com

MASASHI OSAKU provides DJ mixes of Progressive,Electro,Tech House on the Podcast for the world directly.As picking up latest tracks,he's gonna take you up through your ears at any place. ----> Introduction about "MASASHI OSAKU" ----> Masashi Osaku is a DJ specializing in Electro/Progressive/Tech/Acid House and is a master of the decks delivering fabulous mixes with the highest level of quality and class. He is constantly learning, improving and searching the world for the newest, hippest tunes to bring to his mixes. He has dedicated himself to pushing, experimenting, and developing the House scene in Japan hoping to give the Japanese audience, the ever popular UK/IBIZA experiences. In 2008, Masashi started to provide his own podcast on iTunes Store. It contains full of newest and finest House Music, people in the world began to know his name soon. And he got many internationnal GIGs after starting podcast. He has performed at just in the last few years seems endless: asides from countless events in Japan, has also enjoyed an invitation tour of Thailand in July 2008, and playing at Zurich, Switzerland in 2009, WMC Maimi in March 2009, Pacha London, UK in October 2009 with TRAFIK (Global Underground), and more recently, December 2009 in South Africa Tour. In January 2010, He performed in Ulaanbaatar, Mongolia and WMC Miami in March 2010. His journey still goes on. Booking/Contact --> mail@masashiosaku.com

MASASHI OSAKU provides DJ mixes of Progressive,Electro,Tech House on the Podcast for the world directly.As picking up latest tracks,he's gonna take you up through your ears at any place.

----&gt; Introduction about "MASASHI OSAKU" ----&gt;
Masashi Osaku is a DJ specializing in Electro/Progressive/Tech/Acid House and is a master of the decks delivering fabulous mixes with the highest level of quality and class. He is constantly learning, improving and searching the world for the newest, hippest tunes to bring to his mixes. He has dedicated himself to pushing, experimenting, and developing the House scene in Japan hoping to give the Japanese audience, the ever popular UK/IBIZA experiences.
In 2008, Masashi started to provide his own podcast on iTunes Store. It contains full of newest and finest House Music, people in the world began to know his name soon. And he got many internationnal GIGs after starting podcast. He has performed at just in the last few years seems endless: asides from countless events in Japan, has also enjoyed an invitation tour of Thailand in July 2008, and playing at Zurich, Switzerland in 2009, WMC Maimi in March 2009, Pacha London, UK in October 2009 with TRAFIK (Global Underground), and more recently, December 2009 in South Africa Tour. In January 2010, He performed in Ulaanbaatar, Mongolia and WMC Miami in March 2010. His journey still goes on.

Booking/Contact --&gt; mail@masashiosaku.com

MASASHI OSAKU Podcast

On And Off The Record

Modern Stories Mix is a podcast that focuses on one story (and one storyteller) at a time. It's produced by Julie Threlkeld.

Modern Stories Mix

Role-playing adventures recorded on audio.

The Gaming Grunts

This is a resource for Audio Producers and Voice Over artists. We cover Radio Imaging Production, Voiceover of all kinds (including TV Promo, Imaging, Commercial, Trailer, Industrial, Online, Social), Audio Technology, industry trends past present and future and anything related to audio and visual media. It is an interview format and there is a sizable effort put into the quality of guests selected to be interviewed. It doesn't matter how long they have been working or what they do. Guests will be widely respected, fierce competitors, highly skilled and unwaveringly hard workers.

The Producers Podcast - Voiceover and Audio Production

<a href="http://privateear.org/">Private Ear Audio Theatre</a> (PEAT) presents live performances of classic and original works of audio drama in Brooklyn, New York. These productions are recorded so listeners may view them as intended in the Theatre of the Mind, bringing the sensibilities of the Golden Age of Radio to the modern era. PEAT champions the power of the audience’s imagination.

Private Ear Audio Theatre (PEAT) presents live performances of classic and original works of audio drama in Brooklyn, New York. These productions are recorded so listeners may view them as intended in the Theatre of the Mind, bringing the sensibilities of the Golden Age of Radio to the modern era. PEAT champions the power of the audience’s imagination.

<a href="http://privateear.org/" rel="noopener noreferrer">Private Ear Audio Theatre</a> (PEAT) presents live performances of classic and original works of audio drama in Brooklyn, New York. These productions are recorded so listeners may view them as intended in the Theatre of the Mind, bringing the sensibilities of the Golden Age of Radio to the modern era. PEAT champions the power of the audience’s imagination.

Private Ear Audio Theatre

Each week Editor-In-Chief, Matt Kleinschmidt and co-hosts discuss comedy news, pop culture events, and have conversations with some the most interesting people in the entertainment industry. Providing an in-depth look at the comedy community and its cast of characters.
We wanna make the podcast even better, help us learn how we can:&nbsp;https://bit.ly/2EcYbu4&nbsp;
For advertising opportunities please email&nbsp;PodcastPartnerships@Studio71us.com&nbsp;&nbsp;&nbsp;
Privacy Policy:&nbsp;https://www.studio71.com/us/terms-and-conditions-use/#Privacy%20Policy

Each week Editor-In-Chief, Matt Kleinschmidt and co-hosts discuss comedy news, pop culture events, and have conversations with some the most interesting people in the entertainment industry. Providing an in-depth look at the comedy community and its cast of characters. We wanna make the podcast even better, help us learn how we can: https://bit.ly/2EcYbu4  For advertising opportunities please email PodcastPartnerships@Studio71us.com    Privacy Policy: https://www.studio71.com/us/terms-and-conditions-use/#Privacy%20Policy

The Laugh Button Podcast

With the smash success of<a href="https://www.spreaker.com/podcast/the-great-detectives-present-dragnet-old-time-radio--5362464" target="_blank" rel="noreferrer noopener"> Dragne</a>t, many networks and producers began to play follow the leader. On NBC, Dragnet was followed up with<a href="https://www.spreaker.com/podcast/the-great-detectives-present-tales-of-the-texas-rangers-old-time-radio--5362473" target="_blank" rel="noreferrer noopener"> Tales of the Texas Rangers</a> which dramatized real-life tales from the Texas Rangers. CBS countered with The Line Up and later 21st Precinct,  and then Nightwatch which while following an actual policeman in the field was as realistic as it got in a show that was pre-cursor to modern police reality dramas like Cops. The Line Up was a hard-boiled drama of police action. Like Dragnet, it realistically showed police doing their jobs. Unlike Dragnet, it was not based on “cases taken from police files.” Rather The Line Up made its fictional cases seem realistic, from kidnappings and murders to thefts and obscene phone calls.  The Line Up radio show was not set in any particular city. However, when the series moved to television, it was set in San Francisco. The series starred William Johnston as Lieutenant Ben Guthrie and began with Wally Maher playing the role of Sergeant Matt Grebb. After Maher's passing in 1951,  Jack Moyles took over the supporting role as Sergeant Pete Karger. The Line Up, as the title indicates, centered around the police line up. The show always began with one. The Sergeant in charge of line would say, “May I have your attention please? You people  on the other side of the wire in the audience room, may I have your attention please.” He would then give his name and say, “I’ll explain the line up to you. Each of the suspects you will see will be numbered.  I’ll call out their number, their name, and charge.  If you have any questions or identifications, please remember the number assigned to the prisoner as I call his name. At the end of each line when I ask for questions or identifications, call out the number.  If you’re sure or not too sure of the suspect, have him held.   The officers who took your name will assist you, they’re seated among you. Please be prompt with your questions or identifications. When the prisoners leave here,  they are sent to the washroom and dressed back into their jail clothes. It makes it quite difficult to bring them back after they leave here. The questions I ask these suspects are merely to get a natural tone of voice so do not pay too much attention to their answers as they often lie. Bring on the line. ”While the line up was rarely the key to solving the case, it did give the show a rhythm and it also allowed for humor in the interrogation of the suspects by the sergeant. The series began as a Summer Replacement for The FBI in Peace and War in 1950, but quickly got its own time slot and would remain on radio until the Spring of 1953 before becoming TV only.

With the smash success of Dragnet, many networks and producers began to play follow the leader. On NBC, Dragnet was followed up with Tales of the Texas Rangers which dramatized real-life tales from the Texas Rangers. CBS countered with The Line Up and later 21st Precinct, and then Nightwatch which while following an actual policeman in the field was as realistic as it got in a show that was pre-cursor to modern police reality dramas like Cops.The Line Up was a hard-boiled drama of police action. Like Dragnet, it realistically showed police doing their jobs. Unlike Dragnet, it was not based on “cases taken from police files.” Rather The Line Up made its fictional cases seem realistic, from kidnappings and murders to thefts and obscene phone calls. The Line Up radio show was not set in any particular city. However, when the series moved to television, it was set in San Francisco.The series starred William Johnston as Lieutenant Ben Guthrie and began with Wally Maher playing the role of Sergeant Matt Grebb. After Maher's passing in 1951, Jack Moyles took over the supporting role as Sergeant Pete Karger.The Line Up, as the title indicates, centered around the police line up. The show always began with one. The Sergeant in charge of line would say, “May I have your attention please? You people on the other side of the wire in the audience room, may I have your attention please.” He would then give his name and say, “I’ll explain the line up to you. Each of the suspects you will see will be numbered. I’ll call out their number, their name, and charge. If you have any questions or identifications, please remember the number assigned to the prisoner as I call his name. At the end of each line when I ask for questions or identifications, call out the number. If you’re sure or not too sure of the suspect, have him held. The officers who took your name will assist you, they’re seated among you. Please be prompt with your questions or identifications. When the prisoners leave here, they are sent to the washroom and dressed back into their jail clothes. It makes it quite difficult to bring them back after they leave here. The questions I ask these suspects are merely to get a natural tone of voice so do not pay too much attention to their answers as they often lie. Bring on the line.”While the line up was rarely the key to solving the case, it did give the show a rhythm and it also allowed for humor in the interrogation of the suspects by the sergeant. The series began as a Summer Replacement for The FBI in Peace and War in 1950, but quickly got its own time slot and would remain on radio until the Spring of 1953 before becoming TV only.

With the smash success of<a href="https://www.spreaker.com/podcast/the-great-detectives-present-dragnet-old-time-radio--5362464" rel="noopener noreferrer"> Dragne</a>t, many networks and producers began to play follow the leader. On NBC, Dragnet was followed up with<a href="https://www.spreaker.com/podcast/the-great-detectives-present-tales-of-the-texas-rangers-old-time-radio--5362473" rel="noopener noreferrer">&nbsp;Tales of the Texas Rangers</a> which dramatized real-life tales from the Texas Rangers. CBS countered with&nbsp;The Line Up&nbsp;and later&nbsp;21st Precinct,&nbsp;&nbsp;and then&nbsp;Nightwatch&nbsp;which while following an actual policeman in the field was as realistic as it got in a show that was pre-cursor to modern police reality dramas like&nbsp;Cops. The Line Up was a hard-boiled drama of police action. Like Dragnet, it realistically showed police doing their jobs. Unlike Dragnet, it was not based on “cases taken from police files.” Rather The Line Up made its fictional cases seem realistic, from kidnappings and murders to thefts and obscene phone calls.&nbsp; The Line Up radio show was not set in any particular city. However, when the series moved to television, it was set in San Francisco. The series starred William Johnston as Lieutenant Ben Guthrie and began with Wally Maher playing the role of Sergeant Matt Grebb. After Maher's passing in 1951,&nbsp; Jack Moyles took over the supporting role as Sergeant Pete Karger. The Line Up, as the title indicates, centered around the police line up. The show always began with one. The Sergeant in charge of line would say, “May I have your attention please? You people &nbsp;on the other side of the wire in the audience room, may I have your attention please.” He would then give his name and say, “I’ll explain the line up to you. Each of the suspects you will see will be numbered. &nbsp;I’ll call out their number, their name, and charge. &nbsp;If you have any questions or identifications, please remember the number assigned to the prisoner as I call his name. At the end of each line when I ask for questions or identifications, call out the number. &nbsp;If you’re sure or not too sure of the suspect, have him held. &nbsp; The officers who took your name will assist you, they’re seated among you. Please be prompt with your questions or identifications. When the prisoners leave here, &nbsp;they are sent to the washroom and dressed back into their jail clothes. It makes it quite difficult to bring them back after they leave here. The questions I ask these suspects are merely to get a natural tone of voice so do not pay too much attention to their answers as they often lie. Bring on the line. ”While the line up was rarely the key to solving the case, it did give the show a rhythm and it also allowed for humor in the interrogation of the suspects by the sergeant. The series began as a Summer Replacement for The FBI in Peace and War in 1950, but quickly got its own time slot and would remain on radio until the Spring of 1953 before becoming TV only.

The Line Up Presented by the Great Detectives of Old Time Radio|Police Radio Drama

Serjey Andre Kul , Brad Baldwin, Nicolás Villa , & Eric Weber presents. Our Passion is Trance...

Serjey Andre Kul , Brad Baldwin, Nicolás Villa , &amp; Eric Weber presents. Our Passion is Trance...

Our Passion is Music & Friends Official

A first of its kind podcast from Cigar City Management, recorded live in Tampa, FL. Featuring conversations with independent musicians, touring bands, and music industry insiders.

Cigar City Radio

Thanks for Glistening! is your home for hilarity, celebrity gossip, news, ridiculousness, and malarkey. Each week your hosts, Sloane Steel and Juan Torres-Falcon talk at you until they get too tired.

Thanks for Glistening!

Marcella Riley takes her white friends to black events. <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Marcella Riley takes her white friends to black events. Hosted on Acast. See acast.com/privacy for more information.

Marcella Riley takes her white friends to black events. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

White People Do Black Things

Monsters Out of the Closet is a horror fiction podcast dedicated to proudly featuring spooky, suspenseful, and strange stories, poetry, songs, and other creative content from diverse LGBTQ+ voices.

Monsters Out of the Closet

Recorded in their dressing rooms at the Garrick Theatre, comic Ross Noble and actor Hadley Fraser chat musicals, audience members, and give the inside scoop on the current production of Mel Brooks’ Young Frankenstein.


Produced by Seamus Murphy-Mitchell &amp; Owen Donovan for Burning Bright Productions. Illustration by Ollie Mann.

Recorded in their dressing rooms at the Garrick Theatre, comic Ross Noble and actor Hadley Fraser chat musicals, audience members, and give the inside scoop on the current production of Mel Brooks’ Young Frankenstein. Produced by Seamus Murphy-Mitchell & Owen Donovan for Burning Bright Productions. Illustration by Ollie Mann.

Ross Noble: Poddin' On The Ritz

Shazia and Tarun talk about all things Hollywood

Shazia and Tarun do a Podcast

K-Earth 101's very own Rent-A-Yenta Lisa Stanley chats with her famous and not so famous friends to find out ‘What Goes On Around Here?‘ and in the process if there are any conflicts Lisa will find a resolution in her no-nonsense style.

What Goes On Around Here? with Lisa Stanley

Such Stuff goes behind the scenes at Shakespeare's Globe, sharing the incredible stories and experiences that come through our doors every day. We'll be exploring the big themes behind all of the work that we do here and asking: what is Shakespeare's transformative impact on the world?

Such Stuff goes behind the scenes at Shakespeare's Globe, sharing the incredible stories and experiences that come through our doors every day. We'll be exploring the big themes behind all of the work that we do here and asking: what is Shakespeare's transformative impact on the world?

Such Stuff: The Shakespeare's Globe Podcast

In this five-episode podcast from Berklee Online, the online school of Berklee College of Music, we examine four very different musical acts, and track their progress across various crowdfunding platforms, including Kickstarter, PledgeMusic, and Indiegogo. We look at all the pertinent points of launching a successful crowdfunding campaign, and touch upon the history and the future of online music crowdfunding, through interviews with famous musicians, platform heads, and teachers from Berklee Online's esteemed Music Business department.

The Roaring Crowdfund

Creative Outlet is a podcast where we, Chris Kimball and Samantha Gordon, discuss our journeys as individuals, creatives, and actors as well as our journey together as a couple. We'll discuss our successes, learning experiences, and trials and tribulations that we go through in this crazy world while constantly seeking personal growth and betterment. Each week we'll choose a topic  to talk about, shedding our own knowledge on it and learning a thing or two about ourselves and each other in the process. We'll also be joined by some very creative guests; Artists, Actors, Writers, Producers, Directors and yes, even a Drag Queen or two. So sit back, relax and plug in to the Creative Outlet.

Creative Outlet is a podcast where we, Chris Kimball and Samantha Gordon, discuss our journeys as individuals, creatives, and actors as well as our journey together as a couple. We'll discuss our successes, learning experiences, and trials and tribulations that we go through in this crazy world while constantly seeking personal growth and betterment. Each week we'll choose a topic to talk about, shedding our own knowledge on it and learning a thing or two about ourselves and each other in the process. We'll also be joined by some very creative guests; Artists, Actors, Writers, Producers, Directors and yes, even a Drag Queen or two. So sit back, relax and plug in to the Creative Outlet.

Creative Outlet with Chris & Sam

Meaningful, in-depth and fun interviews with Hollywood’s most interesting people.

Hollywood and Beyond

”The Twelve Songs of Christmas” tries to sort out the place of Christmas music in our culture by talking to the people who make it.

Twelve Songs of Christmas

Inside the Notes is a classical music podcast by musicians, for musicians.  Here we talk shop, and recall vivid memories of our journey in music.  We strive to maintain the rich heritage of storytelling, and continue to keep ourselves connected to the incredible artists who came before us.

Inside the Notes is a classical music podcast by musicians, for musicians. Here we talk shop, and recall vivid memories of our journey in music. We strive to maintain the rich heritage of storytelling, and continue to keep ourselves connected to the incredible artists who came before us.

Inside the Notes

Köklü TRT Arşivinin en nadide eserlerinden biri, Radyo Tiyatroları artık sizlerle. Zeki Alasya, Tuncel Kurtiz, Kenan Işık ve daha birçok eşsiz sanatçının rol aldığı sayısız yerli ve yabancı yapım ile masalsı bir serüvene yol alacaksınız. Yeni bölümlerden anında haberdar olmak için lütfen abone olmayı unutmayın!

Radyo Tiyatrosu

Four friends keeping the art of the trailer in check. Join Talia, Mike, Christine & Jav as we review a movie trailer, rush out to screen the film, and see if it lived up to its preview. Catch all the Trailer Snark podcasts for our latest take on Hollywood’s fresh meat.

Four friends keeping the art of the trailer in check. Join Talia, Mike, Christine &amp; Jav as we review a movie trailer, rush out to screen the film, and see if it lived up to its preview. Catch all the Trailer Snark podcasts for our latest take on Hollywood’s fresh meat.

Trailer Snark: trailer + movie reviews

If all the world’s a stage, we’re the programme notes.
 
The National Theatre Podcast explores how theatre connects to the big issues of our time: sex, death, politics, and everything in between. We take you behind the scenes to investigate the artists and the ideas behind some of today’s most interesting productions, and go out into the world to find theatre at play in our everyday lives.
 
It’s a show about theatre, without the drama.

If all the world’s a stage, we’re the programme notes. The National Theatre Podcast explores how theatre connects to the big issues of our time: sex, death, politics, and everything in between. We take you behind the scenes to investigate the artists and the ideas behind some of today’s most interesting productions, and go out into the world to find theatre at play in our everyday lives. It’s a show about theatre, without the drama.

The National Theatre Podcast

A perplexing anthology series from the mind of Joe Wakefield and Luke William Productions. We dive into stories of fantasy, science fiction, intrigue and the discovery of brave new worlds. Come join us on this old time radio show with a brand new twist. Brought to you by SpookyCastle Productions in association with Luke Fischer. Executive Produced by Rick Lugg.

A perplexing anthology series from the mind of Joe Wakefield and Luke William Productions. We dive into stories of fantasy, science fiction, intrigue and the discovery of brave new worlds. Come join us on this old time radio show with a brand new twist. Brought to you by SpookyCastle Productions in association with Luke Fischer. Executive Produced by Rick Lugg.

Tattered Tales

A professional development network at http://musicpeacebuilding.com exploring intersections of peacebuilding, culture, sacredness, relationship, community, creativity, and imagination through research and story. Thinking deeply, we reclaim space for connection and care.

Music & Peacebuilding

On The Beat is a podcast about upcoming and undiscovered talent and small businesses all over the world trying to get their start in their industry

On The Beat

Myths and stories from around the world brought alive and singing into the here and now by storyteller, musician and poet Jay leeming.

The Crane Bag Podcast

The Sound Atlas

The Encounter is a serialized radio drama that introduces its audience to two seemingly utopian societies. However, for a few young people the search for perfection and a greater truth lies just beyond their borders.

The Encounter is a serialized radio drama that introduces its audience to two seemingly utopian societies. However, for a few young people the search for perfection and a greater truth lies just beyond their borders.

The Encounter: Season One

Conversations with theater actors, writers and directors hosted by Sam Heldt and Julia Meinwald.

The 29-Hour Podcast

We cover the rules of 5e D&amp;D and how to worldbuild with our two hosts, Nathan, creator of Riftwake, and Josh, current DM of Riftwake. This show airs every Wednesday at 8am CST.

We cover the rules of 5e D&D and how to worldbuild with our two hosts, Nathan, creator of Riftwake, and Josh, current DM of Riftwake. This show airs every Wednesday at 8am CST.

Rifts & Rules: A 5e Dungeons and Dragons Podcast

A Dungeons & Dragon Play Drama Podcast!Brought to you by Little Fella Media and the Little Fella Media Podcast Network!Check out all the other shows on the network.Sponsored by Buzzsprout!

A Dungeons &amp; Dragon Play Drama Podcast!Brought to you by Little Fella Media and the Little Fella Media Podcast Network!Check out all the other shows on the network.Sponsored by Buzzsprout!

Fellowship Of The Drinks

A PODCAST ABOUT MUSIC HOSTED BY ERICK AND ANDREW.

NOBODY IS LISTENING TO THIS MUSIC PODCAST

A comedy podcast with original sketches, satire and sound effects performed by actors who don't get paid.

A comedy podcast with original sketches, satire and sound effects performed by actors who don't get paid.

Performing Arts Podcasts / Page 49