Arts

Books

Fashion & Beauty

Performing Arts

Food

Visual Arts

Design

Business

Entrepreneurship

Investing

Marketing

Careers

Management

Non-Profit

Comedy

Stand-Up

Comedy Interviews

Improv

Education

Self-Improvement

How To

Courses

Language Learning

Fiction

Comedy Fiction

Drama

Science Fiction

Government

Health & Fitness

Medicine

Alternative Health

Nutrition

Mental Health

Fitness

Sexuality

History

Kids & Family

Parenting

Stories for Kids

Education for Kids

Pets & Animals

Leisure

Video Games

Games

Automotive

Animation & Manga

Hobbies

Aviation

Home & Garden

Crafts

Music

Music Commentary

Music Interviews

Music History

News

Sports News

Entertainment News

News Commentary

Politics

Daily News

Business News

Tech News

Religion & Spirituality

Christianity

Spirituality

Religion

Judaism

Islam

Buddhism

Hinduism

Science

Social Sciences

Life Sciences

Natural Sciences

Nature

Chemistry

Mathematics

Earth Sciences

Physics

Astronomy

Society & Culture

Documentary

Relationships

Philosophy

Personal Journals

Places & Travel

Sports

Golf

Soccer

Wrestling

Basketball

Football

Fantasy Sports

Baseball

Wilderness

Running

Hockey

Rugby

Cricket

Volleyball

Tennis

Swimming

Technology

True Crime

TV & Film

Film Interviews

TV Reviews

After Shows

Film Reviews

Film History

豫剧是我国最大的地方剧种，居全国各地方戏曲之首。2006年，国家文化部门统计的国有专业豫剧团体数量为167个，是全国拥有专业戏曲团体和从业人员数量最多的剧种，成为中国戏曲三鼎甲之榜眼。 豫剧旧称“河南梆子”、“河南高调”，由于早期演员用本嗓演唱，起腔与收腔时用假声翻高尾音带“讴”，又曾叫“河南讴”。“豫剧”之名最早泛指河南各剧种。

豫剧精彩选段

Ontmoet de mensen voor en achter de schermen van de Nederlandse musical bij De Musical Podcast met Michiel Morssinkhof. Geproduceerd door Morssinkhof Terra Theaterproducties.

De Musical Podcast

The Techniquely Speaking Dance Podcast is a corner of the dance industry for Black Women dance entrepreneurs. It is for current and aspiring Black women dance entrepreneurs alike, navigating the ever so dynamic road of entrepreneurship; For those who wish to be encouraged and inspired by others’ journeys, educated about the practical aspects involved in pursuing dance entrepreneurship and everything in between.

Techniquely Speaking Dance Podcast

Comedian Laura Merli explores what it means to be awkward and attempts to improve with the help of guests, books, and even AI.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Comedian Laura Merli explores what it means to be awkward and attempts to improve with the help of guests, books, and even AI. Hosted on Acast. See acast.com/privacy for more information.

Comedian Laura Merli explores what it means to be awkward and attempts to improve with the help of guests, books, and even AI. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Being Awkward

Have you ever wondered what might be hiding between the lines of a play? Writ in the Margins investigates dramaturgical mysteries from early modern (and early modern adjacent) plays. Season 1 focused on The Witch of Edmonton, FuenteOvejuna, Convent of Pleasure, and House of Desires. In Season 2, we turn to&nbsp;El muerto disimulado or Presumed Dead by Ângela de Azevedo, The Antipodes by Richard Brome, The Island Princess by John Fletcher, Loa to the Divine Narcissus by Sor Juana Inés de La Cruz, and Life is a Dream by Pedro Calderón de la Barca. As we embark on Season 3, we're tackling Iphigenia at Aulis by Lady Jane Lumly, Tragedy of Mariam by Elizabeth Cary, The Phantom Lady by Pedro Calderón de la Barca, Tartuffe by Molière, and even Pericles by Shakespeare and George Wilkins. Using various modern theories as our lenses, we will explore these old texts and share the insights we find within-- all while drawing attention to the international canon of early modern theatre. From translations to interviews, with live music and script readings, join us to discover exactly what we have Writ in the Margins. This podcast was created by the graduate students enrolled in REN670: Dramaturgy in the Shakespeare and Performance program at Mary Baldwin University. Writ in the Margins is produced in collaboration with course convener Prof. Molly Seremet.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Have you ever wondered what might be hiding between the lines of a play? Writ in the Margins investigates dramaturgical mysteries from early modern (and early modern adjacent) plays. Season 1 focused on The Witch of Edmonton, FuenteOvejuna, Convent of Pleasure, and House of Desires. In Season 2, we turn to El muerto disimulado or Presumed Dead by Ângela de Azevedo, The Antipodes by Richard Brome, The Island Princess by John Fletcher, Loa to the Divine Narcissus by Sor Juana Inés de La Cruz, and Life is a Dream by Pedro Calderón de la Barca. As we embark on Season 3, we're tackling Iphigenia at Aulis by Lady Jane Lumly, Tragedy of Mariam by Elizabeth Cary, The Phantom Lady by Pedro Calderón de la Barca, Tartuffe by Molière, and even Pericles by Shakespeare and George Wilkins. Using various modern theories as our lenses, we will explore these old texts and share the insights we find within-- all while drawing attention to the international canon of early modern theatre. From translations to interviews, with live music and script readings, join us to discover exactly what we have Writ in the Margins. This podcast was created by the graduate students enrolled in REN670: Dramaturgy in the Shakespeare and Performance program at Mary Baldwin University. Writ in the Margins is produced in collaboration with course convener Prof. Molly Seremet. Hosted on Acast. See acast.com/privacy for more information.

Have you ever wondered what might be hiding between the lines of a play? Writ in the Margins investigates dramaturgical mysteries from early modern (and early modern adjacent) plays. Season 1 focused on The Witch of Edmonton, FuenteOvejuna, Convent of Pleasure, and House of Desires. In Season 2, we turn to&nbsp;El muerto disimulado or Presumed Dead by Ângela de Azevedo, The Antipodes by Richard Brome, The Island Princess by John Fletcher, Loa to the Divine Narcissus by Sor Juana Inés de La Cruz, and Life is a Dream by Pedro Calderón de la Barca. As we embark on Season 3, we're tackling Iphigenia at Aulis by Lady Jane Lumly, Tragedy of Mariam by Elizabeth Cary, The Phantom Lady by Pedro Calderón de la Barca, Tartuffe by Molière, and even Pericles by Shakespeare and George Wilkins. Using various modern theories as our lenses, we will explore these old texts and share the insights we find within-- all while drawing attention to the international canon of early modern theatre. From translations to interviews, with live music and script readings, join us to discover exactly what we have Writ in the Margins. This podcast was created by the graduate students enrolled in REN670: Dramaturgy in the Shakespeare and Performance program at Mary Baldwin University. Writ in the Margins is produced in collaboration with course convener Prof. Molly Seremet. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Writ in the Margins

Performing Arts Podcasts / Page 589

豫剧精彩选段

De Musical Podcast

Techniquely Speaking Dance Podcast

Being Awkward

Writ in the Margins