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Song-A-Day is a creative event that happens every February where artists write, record, 	and share a new song on http://songaday.netscrap.com. Tune in to find new music and 	artists. 	Back in the old days, when I was motivated, somewhat creative, and had gobs of 	freetime I decided I'd challenge myself by writing and recording a song every day 	for a month. I chose February, the shortest month because I'm not an 	overachiever. I want to try it again this year. 	Clicking around the net, it turns out that my '29 songs in February' 	idea isn't too original. <a href="http://www.rpmchallenge.com/">The RPM 	challenge</a> is slightly different in that it's more about delivering a full 	album at the end of the month. 	Sure I did this back in 1996 (or was it '95?). The one thing that pleases me is 	learning that there's something universally musicianly about choosing the shortest 	month in the year for this kind of effort. 
Here's the goal: <ul> <li>write and record 1 (or more) song(s) every day for a month. <li>upload our work in some place <li>share & listen with each other at the end <li>put together a best-of for others </ul> 
Fine print: <ul> <li>fragments, grooves, hooks, choruses... it's all good. Just record it. <li>starting early, ending late.... it's all good. Let your guilt be your guide. <li>taking 2 days to finish recording a song... great. Just end up with 29 at the end of the month. <li>ending up with 28 songs at the end of the month... great. Just end up with as many as you can. They don't necessarily have to be good. You might not know they're good until a few months later. </ul> 
 	This seems like an unlikely time to get involved with an activity like this: <a 	href="http://www.blert.com">blert</a> is in deep hibernation, <a 	href="http://www.cranemountain.com/cm/band_detail.cfm?band_id=1">Little john</a> is all but buried, 	we're up to eyeballs in work and family. 
Why: 
<ul> <li>it's a way of getting the cobwebs out <li>time pressure will force you to stay out of creative rat-holes <li>it's good practice to let go. good enough is ok, move on. <li>because then you have 11 months to revise, refine, and record a pile of work (and think like a producer). <li>it's good practice of your engineering skills: get your workflow in shape. <li>it's a good excuse to fly mics in your livingroom (or at the breakfast table) <li>does this really need more elaboration? </ul> 
 	Drop a note if you're interested in doing this too or if you're mucking with the rpm challenge.

Song-A-Day is a creative event that happens every February where artists write, record, and share a new song on http://songaday.netscrap.com. Tune in to find new music and artists. Back in the old days, when I was motivated, somewhat creative, and had gobs of freetime I decided I'd challenge myself by writing and recording a song every day for a month. I chose February, the shortest month because I'm not an overachiever. I want to try it again this year. Clicking around the net, it turns out that my '29 songs in February' idea isn't too original. The RPM challenge is slightly different in that it's more about delivering a full album at the end of the month. Sure I did this back in 1996 (or was it '95?). The one thing that pleases me is learning that there's something universally musicianly about choosing the shortest month in the year for this kind of effort. Here's the goal: write and record 1 (or more) song(s) every day for a month. upload our work in some place share & listen with each other at the end put together a best-of for others Fine print: fragments, grooves, hooks, choruses... it's all good. Just record it. starting early, ending late.... it's all good. Let your guilt be your guide. taking 2 days to finish recording a song... great. Just end up with 29 at the end of the month. ending up with 28 songs at the end of the month... great. Just end up with as many as you can. They don't necessarily have to be good. You might not know they're good until a few months later. This seems like an unlikely time to get involved with an activity like this: blert is in deep hibernation, Little john is all but buried, we're up to eyeballs in work and family. Why: it's a way of getting the cobwebs out time pressure will force you to stay out of creative rat-holes it's good practice to let go. good enough is ok, move on. because then you have 11 months to revise, refine, and record a pile of work (and think like a producer). it's good practice of your engineering skills: get your workflow in shape. it's a good excuse to fly mics in your livingroom (or at the breakfast table) does this really need more elaboration? Drop a note if you're interested in doing this too or if you're mucking with the rpm challenge.

Song-A-Day is a creative event that happens every February where artists write, record, 	and share a new song on http://songaday.netscrap.com. Tune in to find new music and 	artists. 	Back in the old days, when I was motivated, somewhat creative, and had gobs of 	freetime I decided I'd challenge myself by writing and recording a song every day 	for a month. I chose February, the shortest month because I'm not an 	overachiever. I want to try it again this year. 	Clicking around the net, it turns out that my '29 songs in February' 	idea isn't too original. <a href="http://www.rpmchallenge.com/" rel="noopener noreferrer">The RPM 	challenge</a> is slightly different in that it's more about delivering a full 	album at the end of the month. 	Sure I did this back in 1996 (or was it '95?). The one thing that pleases me is 	learning that there's something universally musicianly about choosing the shortest 	month in the year for this kind of effort. 
Here's the goal: <ul> <li>write and record 1 (or more) song(s) every day for a month. </li><li>upload our work in some place </li><li>share &amp; listen with each other at the end </li><li>put together a best-of for others </li></ul> 
Fine print: <ul> <li>fragments, grooves, hooks, choruses... it's all good. Just record it. </li><li>starting early, ending late.... it's all good. Let your guilt be your guide. </li><li>taking 2 days to finish recording a song... great. Just end up with 29 at the end of the month. </li><li>ending up with 28 songs at the end of the month... great. Just end up with as many as you can. They don't necessarily have to be good. You might not know they're good until a few months later. </li></ul> 
 	This seems like an unlikely time to get involved with an activity like this: <a href="http://www.blert.com" rel="noopener noreferrer">blert</a> is in deep hibernation, <a href="http://www.cranemountain.com/cm/band_detail.cfm?band_id=1" rel="noopener noreferrer">Little john</a> is all but buried, 	we're up to eyeballs in work and family. 
Why: 
<ul> <li>it's a way of getting the cobwebs out </li><li>time pressure will force you to stay out of creative rat-holes </li><li>it's good practice to let go. good enough is ok, move on. </li><li>because then you have 11 months to revise, refine, and record a pile of work (and think like a producer). </li><li>it's good practice of your engineering skills: get your workflow in shape. </li><li>it's a good excuse to fly mics in your livingroom (or at the breakfast table) </li><li>does this really need more elaboration? </li></ul> 
 	Drop a note if you're interested in doing this too or if you're mucking with the rpm challenge.

Song-A-Day

Considered to be one of Shakespeare's greatest plays, the tragedy King Lear portrays some of the darkest aspects of human nature that can be found in literature. The helplessness of the human condition, as we fall prey to our destinies, the injustice and random cruelties practiced by people, suffering and humiliation, the lust for power and the greed for wealth are all depicted in this magnificent play. And through it all, runs the golden thread of love and sacrifice, daughterly affection and the true nature of our relationship with our parents. 

Little is known about the writing of the play. It is thought to have been drafted some time in 1603 but the authorship of Shakespeare was finally attributed to it only in the 1623 First Folio. Early 17th century audiences disliked the gloomy aspects of the play and it was given a happy ending. However, in the 19th century, the original was brought back and with it, Shakespeare's unerring grasp of human nature, love and family values.

The almost fairytale quality of the opening scene can beguile the reader into a sense of familiarity. However, this is literally the lull before the storm! King Lear of Britain is aging and he wishes to divide his inheritance and the kingdom among his three daughters. However, he devises a strange test for each, based on which he will give the largest share to the winner. The daughters have to describe how much they love him. The elder two, Goneril and Regan heap praise on their father, layering their speech with fulsome compliments designed to please and flatter the old man. However the youngest, his favorite daughter, Cordelia remains silent, saying she has no words to express her love. Enraged and disappointed, the old king disinherits Cordelia and gives her share to her two sisters. Her lover, the Duke of Kent, objects, but he is banished. Lear then declares that he will spend the rest of his life with his two faithful elder daughters and here begins the kernel of the play. 

Said to be based on a legendary ruler of ancient Britain, Shakespeare's brilliance turns the bland myth into a towering narrative, filled with wonderful quotations and dramatic elements, creating an immortal portrait of the human condition. Lear's descent into madness and the final tragic aspects of the play make it an unforgettable read.

Considered to be one of Shakespeare's greatest plays, the tragedy King Lear portrays some of the darkest aspects of human nature that can be found in literature. The helplessness of the human condition, as we fall prey to our destinies, the injustice and random cruelties practiced by people, suffering and humiliation, the lust for power and the greed for wealth are all depicted in this magnificent play. And through it all, runs the golden thread of love and sacrifice, daughterly affection and the true nature of our relationship with our parents. Little is known about the writing of the play. It is thought to have been drafted some time in 1603 but the authorship of Shakespeare was finally attributed to it only in the 1623 First Folio. Early 17th century audiences disliked the gloomy aspects of the play and it was given a happy ending. However, in the 19th century, the original was brought back and with it, Shakespeare's unerring grasp of human nature, love and family values. The almost fairytale quality of the opening scene can beguile the reader into a sense of familiarity. However, this is literally the lull before the storm! King Lear of Britain is aging and he wishes to divide his inheritance and the kingdom among his three daughters. However, he devises a strange test for each, based on which he will give the largest share to the winner. The daughters have to describe how much they love him. The elder two, Goneril and Regan heap praise on their father, layering their speech with fulsome compliments designed to please and flatter the old man. However the youngest, his favorite daughter, Cordelia remains silent, saying she has no words to express her love. Enraged and disappointed, the old king disinherits Cordelia and gives her share to her two sisters. Her lover, the Duke of Kent, objects, but he is banished. Lear then declares that he will spend the rest of his life with his two faithful elder daughters and here begins the kernel of the play. Said to be based on a legendary ruler of ancient Britain, Shakespeare's brilliance turns the bland myth into a towering narrative, filled with wonderful quotations and dramatic elements, creating an immortal portrait of the human condition. Lear's descent into madness and the final tragic aspects of the play make it an unforgettable read.

King Lear by William Shakespeare

Luis Aquino, uno de los trompetistas más influyentes de Latinoamérica presenta su Podcast : La Mejor Trompeta. En este Podcast, Luis habla de temas relacionados a la música desde el punto de vista de un músico profesional. También habla acerca de cómo mejorar la técnica en la trompeta, cómo tocar notas agudas en la trompeta, cómo mejorar la flexibilidad, la realidad del negocio de la música, musicalidad, vivencias profesionales y de vida, su lucha con el Asma y el Síndrome de Asperger y muchas cosas más.

Podcast La Mejor Trompeta

A monthly podcast featuring three stories chosen from live story slams in York, PA. Learn more at yorkstoryslam.com.

York Story Slam

Human conversations with Marco DiGeorge and Natalie Bulajic

Truthful Talk

Club Disco Dynamite brings the disco dancefloor to you. Live recorded DJ sets by  Valentino Rose and DJ Forplay of Las Vegas made available for streaming and download. This disco music podcast will transport you back to the golden age of dance.  For Booking inquiries call (702) 608-8445

Club Disco Dynamite brings the disco dancefloor to you. Live recorded DJ sets by Valentino Rose and DJ Forplay of Las Vegas made available for streaming and download. This disco music podcast will transport you back to the golden age of dance. For Booking inquiries call (702) 608-8445

Club Disco Dynamite

This is Monica the Podcast, a 12 part deep dive into a private joke taken way too far, when two old friends -- Dan and Tracie -- wrote a musical based on the Bill Clinton/Monica Lewinsky scandal, conned Dan's composer brother into writing the score, got their Broadway level friends to perform it over and over in New York in the early 2000s, and accidentally ended up working on it for 5 years.

Monica! The Podcast

The podcast often featuring interviews with music  industry insiders who would never take your call!

The podcast often featuring interviews with music industry insiders who would never take your call!

Mentoring for the Modern Musician

Not Your Mother's Storytime

Our perspectives, experiences, and insights in the entertainment industry, performing arts and the culture. Strictly 4 My Neighbas, Drinks with Friends, and more!

The Finesse Media

The indie spotlight examines today's world of indie music and brings to you some great music often being overlooked by the music industry

Indie Spotlight

Talking wrestling when the mood strikes. Classics, Joshi, NJPW, Independents, Filsinger Games & much more.

Talking wrestling when the mood strikes. Classics, Joshi, NJPW, Independents, Filsinger Games &amp; much more.

King's Road Pro Wrestling Podcast

1 Gay. 1 Girl. 2 Bad B*tches. Lots of Pop Culture.

Bad Bitches

The latest Beatles news and thought-provoking discussion from veteran pioneer Beatles reporter Steve Marinucci, who established Abbeyrd’s Beatles Page, 
the first true Beatles news website online. Our contributing editor is Candy Leonard, the author of "Beatleness", an acclaimed book on Beatle fandom, . Send us your comments and questions at beatlesnewsdesk@gmail.com.

The latest Beatles news and thought-provoking discussion from veteran pioneer Beatles reporter Steve Marinucci, who established Abbeyrd’s Beatles Page, the first true Beatles news website online. Our contributing editor is Candy Leonard, the author of "Beatleness", an acclaimed book on Beatle fandom, . Send us your comments and questions at beatlesnewsdesk@gmail.com.

Beatles News Briefs

Listen for fictionalized short stories that bring magic into your everyday life. We tell stories of things truthful yet unreal, transcendent yet simple...stories of broken bones and growing up, of sticky candy and new worlds, flash floods and mermaids, lost coins and the first step of a journey.

Penny Magic

Klasiklerin vazgeçilmez adresi TRT Radyo - Arkası Yarın kuşağı, Podcast ile artık cebinizde! Birçok değerli edebiyat eserinden uyarlamalar ve radyo için özel olarak yazılmış oyunlarla sizlerleyiz. Her bölümünü iple çekeceğiniz Arkası Yarın’a şimdi abone olun, hikayenin devamını kaçırmayın!

Arkası Yarın

We Are Crayons - The Podcast features extraordinary conversations with Trinidad and Tobago’s creative thinkers and makers. We delve into their processes, their struggles and what drives them to execute continually as creative individuals.

We Are Crayons - The Podcast features extraordinary conversations with Trinidad and Tobago’s creative thinkers and makers. We delve into their processes, their struggles and what drives them to execute continually as creative individuals.

We Are Crayons - The Podcast

A weekly interview podcast dedicated to theatre professionals whose stories aren't told as often as the stars. From artistic directors, playwrights, and producers to scenic designers, stage managers, and box office managers, the hope is that we all learn something new from each, unique perspective.

The Ghost Light: A Theatre Interview Podcast

The Hexagon Podcast is about six aspects of being a singer-songwriter.  You can learn more about the podcast and host by listening Episode 0, or visiting hexagonpodcast.com.

You can learn more about Jesse at his website, jessecorrell.com.

Each episode, Jesse will meet with a fellow singer-songwriter to discuss the Six Aspects of Being a Singer-Songwriter...so we may discuss things like:

Writing
What is your process?
How do you stay organized?
Do you immediately copyright everything?
Do you co-write?
Do you write out lead sheets for your songs?
 
Performance
Solo shows versus band gigs
Performance tech--loop pedals, tracks, gear, etc.
How do you book your shows?
How do you find the right venues?
Have you done any regional/national tours?
Describe your most difficult show?
What is your anxiety level before a typical show?
What is your best strategy for merch after the show?

Recording
Record yourself or go to the studio?
Do you try to capture your raw sound, or perfect it with studio techniques?
Do you record a demo for every song?
What can you do for yourself...and when is it time to hire someone else for the rest?
Do you release physical recordings (i.e. CDs or vinyl) or just digital?

Business
Are you a member of a Performing Rights Organization (PRO, i.e. ASCAP, BMI, SESAC)?
Do you know who your audience is?  How did you develop that awareness?
How do you know what to demand regarding pay when you play shows?
How do you keep your audience engaged?
Do you file taxes as a musician?
How do you know where to put your energy when it comes to social media?
How do you find new streams of income?

Growth
How do you stay informed about musical trends?
How do you find new gear?
Where do you find new music?
How do you learn new covers?
Are there techniques you've learned that took your playing, singing, or writing to a new level?

Life
How do you do all of the above and still have energy left over?
What kind of toll does that take on your relationships?
How do you define success?
How long have you given yourself to "make it"?
If you weren't a singer-songwriter, what else would you be pursuing?

The Hexagon Podcast is about six aspects of being a singer-songwriter. You can learn more about the podcast and host by listening Episode 0, or visiting hexagonpodcast.com. You can learn more about Jesse at his website, jessecorrell.com. Each episode, Jesse will meet with a fellow singer-songwriter to discuss the Six Aspects of Being a Singer-Songwriter...so we may discuss things like: Writing What is your process? How do you stay organized? Do you immediately copyright everything? Do you co-write? Do you write out lead sheets for your songs? Performance Solo shows versus band gigs Performance tech--loop pedals, tracks, gear, etc. How do you book your shows? How do you find the right venues? Have you done any regional/national tours? Describe your most difficult show? What is your anxiety level before a typical show? What is your best strategy for merch after the show? Recording Record yourself or go to the studio? Do you try to capture your raw sound, or perfect it with studio techniques? Do you record a demo for every song? What can you do for yourself...and when is it time to hire someone else for the rest? Do you release physical recordings (i.e. CDs or vinyl) or just digital? Business Are you a member of a Performing Rights Organization (PRO, i.e. ASCAP, BMI, SESAC)? Do you know who your audience is? How did you develop that awareness? How do you know what to demand regarding pay when you play shows? How do you keep your audience engaged? Do you file taxes as a musician? How do you know where to put your energy when it comes to social media? How do you find new streams of income? Growth How do you stay informed about musical trends? How do you find new gear? Where do you find new music? How do you learn new covers? Are there techniques you've learned that took your playing, singing, or writing to a new level? Life How do you do all of the above and still have energy left over? What kind of toll does that take on your relationships? How do you define success? How long have you given yourself to "make it"? If you weren't a singer-songwriter, what else would you be pursuing?

The Hexagon: A Podcast For Singer-Songwriters

Shares l Skateboarding l Art New guest every Sunday. Hosted by Shannon Farrugia&nbsp;

Shares l Skateboarding l Art New guest every Sunday. Hosted by Shannon Farrugia 

Terrible. Happy

A podcast that informs, inspires, and invites men and women into the world of pole dancing. My name is MongQ and I am sitting down with pole dancers to talk about their stories, the lessons they’ve learned, and how pole dancing have impacted their lives.

Why We Pole | Pole Dance Podcast

Each episode, we invite an artist to play something new, something unreleased to the public - a new song, something different, maybe a work-in-progress - then we dive in and talk about the writing process, the story behind the piece, where it comes from, directly from the artist. Recorded live and uncut.

The Muse Podcast

Comedian Peter Kim (CBS Diversity Showcase. Oddball Fest, The Second City)&nbsp;interviews&nbsp;diverse talent he meets in Hollywood, USA.

Comedian Peter Kim (CBS Diversity Showcase. Oddball Fest, The Second City) interviews diverse talent he meets in Hollywood, USA.

The Showcase with Peter Kim

Have you ever been told you’re just not right for the part? Maybe, you’ve been on a hundred auditions and heard back from zero? Or are you merely a terrible actor searching for mediocre advice? All are welcome. Join Andrew and Catherine as they break down the day-to-day life of an early-career actor, discuss constant rejection, and provide tools that will guide you through this artistic mess. We’re new at this too, so let’s learn together.

A Streetcar Named Rejection

El Huateque presents: No Me Digas. A podcast hosted by Tor Chavarria

What’s it like being brown and queer in today’s America? Well, for me it sucks a lot, but it has its glorious moments. NBD, no big deal. To be honest, I’m still figuring stuff out, and since I’m extra #AF I decided to create a podcast so everyone can listen in while I explore what it’s like being a large, fabulous, (former) Texan, Chicano, queer, non-binary person living in a white dominated country.

El Huateque presents: No Me Digas. A podcast hosted by Tor Chavarria What’s it like being brown and queer in today’s America? Well, for me it sucks a lot, but it has its glorious moments. NBD, no big deal. To be honest, I’m still figuring stuff out, and since I’m extra #AF I decided to create a podcast so everyone can listen in while I explore what it’s like being a large, fabulous, (former) Texan, Chicano, queer, non-binary person living in a white dominated country.

No Me Digas

The 54 Below Podcast takes you behind the scenes of the world-famous Broadway supper club. Known as “Broadway’s Living Room,” the club is a destination for acclaimed stars of the stage and music world and their fans. Join us as we sit down and chat with the performers who grace our stage as they inspire us with stories about their journey to Broadway, share news about their upcoming shows and projects, and make us laugh with some backstage tales that you may not have heard before!
 
Hosted and produced by 54 Below Senior Creative Marketing Manager Sir Michael Allan Galvez and Assistant Programming Director Macon Prickett with support from the 54 Below marketing staff.

The 54 Below Podcast takes you behind the scenes of the world-famous Broadway supper club. Known as “Broadway’s Living Room,” the club is a destination for acclaimed stars of the stage and music world and their fans. Join us as we sit down and chat with the performers who grace our stage as they inspire us with stories about their journey to Broadway, share news about their upcoming shows and projects, and make us laugh with some backstage tales that you may not have heard before! Hosted and produced by 54 Below Senior Creative Marketing Manager Sir Michael Allan Galvez and Assistant Programming Director Macon Prickett with support from the 54 Below marketing staff.

The 54 Below Podcast takes you behind the scenes of the world-famous Broadway supper club. Known as “Broadway’s Living Room,” the club is a destination for acclaimed stars of the stage and music world and their fans. Join us as we sit down and chat with the performers who grace our stage as they inspire us with stories about their journey to Broadway, share news about their upcoming shows and projects, and make us laugh with some backstage tales that you may not have heard before!
&nbsp;
Hosted and produced by 54 Below Senior Creative Marketing&nbsp;Manager Sir Michael Allan Galvez&nbsp;and Assistant Programming Director&nbsp;Macon Prickett with support from the 54 Below marketing staff.

The 54 Below Podcast

Welcome to the New Manifest Theatre podcast! We will take you behind- the-scenes of our upcoming production as well as highlight other theatre production in our Austin community. Instagram: @newmanifesttheatreLearn more about New Manifest Theatre at newmanifest.orgNew Manifest Theatre is dedicated to reflecting our collective human experiences through inclusive storytelling in contemporary theatre.

New Manifest Theatre Podcast

When individuals and organizations generously set out to make the world a better place, and work hard to accomplish their intended purpose, Willful Impact stands ready to report the results of those community partnerships. Our mission is to tell actual stories to inspire prolific action in all of us for an even more abundant greater good.

Willful Impact

Radio plays and discussions about theater brought to you by Peninsula Youth Theatre, Mountain View CA

Youth Theatre Podcast

Carmen Morin is an award winning concert pianist, teacher and entrepreneur. Her orchestral debut at the age of 10 sparked several guest solo performances with orchestras throughout Canada, including a performance tour for the Canadian Embassy. Following her faculty position at her city’s University Conservatory, she launched her commercial music school in 2013. Under her leadership, Morin Music has grown to a multiple 7-figure small business with a team of over 45 staff and faculty.&nbsp;Programs at Morin Music currently provide education to over 1000 students locally in Calgary, and to thousands more around the world through distance education online. As a performer, she was awarded first prize in international piano duo competition in Coimbra, Portugal (2018), and her success as an educator has earned her international recognition as the first teacher in Western Canada to be inducted into the Steinway and Sons International Teacher Hall of Fame in New York (2019).&nbsp;She was selected as one of Avenue Magazine’s Top 40 under 40 (2021) and currently serves on the board of directors of Honens, one of the world’s most prestigious international piano competitions.&nbsp; In her business consulting she focuses on performance-based education and curriculum design, helping founders and industry leaders to codify their expertise and turn it into a profitable and unparalleled educational program. Carmen has recently re-engaged with her academic pursuits and is on the cusp of completing her degree in Psychology. &nbsp; With a keen interest in Performance Psychology, Carmen plans to delve into this specialized field post-graduation in order to explore and enhance cognitive and emotional aspects of performance in various high-pressure domains such as business, sports and the performing arts.

Carmen Morin is an award winning concert pianist, teacher and entrepreneur. Her orchestral debut at the age of 10 sparked several guest solo performances with orchestras throughout Canada, including a performance tour for the Canadian Embassy. Following her faculty position at her city’s University Conservatory, she launched her commercial music school in 2013. Under her leadership, Morin Music has grown to a multiple 7-figure small business with a team of over 45 staff and faculty.  Programs at Morin Music currently provide education to over 1000 students locally in Calgary, and to thousands more around the world through distance education online. As a performer, she was awarded first prize in international piano duo competition in Coimbra, Portugal (2018), and her success as an educator has earned her international recognition as the first teacher in Western Canada to be inducted into the Steinway and Sons International Teacher Hall of Fame in New York (2019).  She was selected as one of Avenue Magazine’s Top 40 under 40 (2021) and currently serves on the board of directors of Honens, one of the world’s most prestigious international piano competitions.  In her business consulting she focuses on performance-based education and curriculum design, helping founders and industry leaders to codify their expertise and turn it into a profitable and unparalleled educational program. Carmen has recently re-engaged with her academic pursuits and is on the cusp of completing her degree in Psychology.   With a keen interest in Performance Psychology, Carmen plans to delve into this specialized field post-graduation in order to explore and enhance cognitive and emotional aspects of performance in various high-pressure domains such as business, sports and the performing arts.

Music Mindset: Mastery & Growth

A podcast about everything and anything by the members of the international rock band known as Dinosaur Pile-Up...

The Cosmic Barbecue

Join us for our weekly series, The Lied Society Round Table. Hosted by Lied Society founder Abe Hunter,  each episode brings a convivial colloquy on song and opera, featuring guest panelists from around the world.

Join us for our weekly series, The Lied Society Round Table. Hosted by Lied Society founder Abe Hunter, each episode brings a convivial colloquy on song and opera, featuring guest panelists from around the world.

The Lied Society Round Table

A podcast about celebrities for kids and family! In this podcast, I share bios about amazing celebrities, show Star Wars episodes to pick who’s at the top, and so much more! Directed at tweens, kids, teens, and family. Written, directed, and voiced by a 10 year old. Co-hosted by a 7 year old,

CelebStuff

The Life and Times of Hollywood.com is based on the popular blog telling both current and classic stories from Hollywood. We will have special guests and stories about show business that will both entertain and shock the listener. We will also offer contests to win books from the host, author Richard A. Lertzman

The Life and Times of Hollywood.com

Irish drag queens Candy and Kiki take their love of pop culture legends, queer heroes and inspiring icons to glittering camp new heights as they speak to their dream list of guests and emerging LGBTQIA talent. Candid, insightful, hilarious and your new obsession. New episodes every Tuesday. Subscribe now so you don't miss a thing!

Friends Of Dorothy

A weekly block of 60s Garage, Psychedelia, 70s Prog, and beyond.

Captain-Freak-Out's Psychedelic Radio

Hosted by Robert Neumark Jones (aka Ruskin Denmark), TBOTA is unique, hilarious, off-the-wall and off the planet. It's your dose of ludicrous insanity you never knew you needed until now.. 

If you enjoyed, please consider helping to support the show so that I can keep making it 

patreon.com/theblissoftheabyss

Hosted by Robert Neumark Jones (aka Ruskin Denmark), TBOTA is unique, hilarious, off-the-wall and off the planet. It's your dose of ludicrous insanity you never knew you needed until now.. If you enjoyed, please consider helping to support the show so that I can keep making it patreon.com/theblissoftheabyss

Bliss of the Abyss

The APsolute RecAP: Music Theory Edition is a guided review through the eight units of study. New episodes are released weekly and cover topics related to: pitch, scales, rhythm, meter, chords, cadence, melodic devices, modes and form.  The podcast will also help prepare you for sight singing! Make sure to subscribe wherever you get podcasts, download the accompanying study guides for extra practice, and follow along on social media for the question of the day and course updates! The 2021 exam is on Wednesday, May 12th!

The APsolute RecAP: Music Theory Edition is a guided review through the eight units of study. New episodes are released weekly and cover topics related to: pitch, scales, rhythm, meter, chords, cadence, melodic devices, modes and form. The podcast will also help prepare you for sight singing! Make sure to subscribe wherever you get podcasts, download the accompanying study guides for extra practice, and follow along on social media for the question of the day and course updates! The 2021 exam is on Wednesday, May 12th!

Performing Arts Podcasts / Page 65