Dear Snoozecast listener—hi, it’s Vee.

I wanted to speak directly to you, because many of you have reached out over the past few weeks—some checking in, some offering kind words, and some understandably worried that something was wrong. First, I want to say: we’re okay. And second: we’re so sorry that we haven’t communicated anything sooner.

When N and I slipped into this pause a little over a month ago, it wasn’t planned. Life simply caught up with us, and we thought we’d be able to jump right back in. Instead, we realized that—for the first time in nearly seven years of Snoozecast—we needed a real break to reset ourselves and catch up behind the scenes.

Now that we’ve stepped back, it’s clear that the best thing for the show, and for us, is to continue this pause through the end of December. We’ll be using this time to get organized so that when we return in January, we’ll be in a healthier rhythm to keep Snoozecast going strong.

We also want to briefly address our Snoozecast+ and Snoozecast+ Deluxe subscribers.

First, thank you—for your support, your patience, and your understanding during this unexpected pause. Premium has never been about profit; it simply helps us cover the costs of providing an ad-free version of the show.

During this break, we realized that having two different premium tiers has made production more complicated than it needs to be. So beginning in January, we’ll be moving to one unified premium option: Snoozecast+.

Here’s the short version:

All current Plus and Deluxe subscribers will automatically transition into the new Snoozecast+.

Prices are not increasing—and Deluxe pricing will be coming down to match Snoozecast+.

No action is required on your part for this transition.

Previous Deluxe-only episodes will still be available, although we won’t be producing new monthly Deluxe episodes moving forward.

And for any questions about billing—especially for annual Deluxe subscribers—we’ll send a detailed email once we finalize the technical steps with our premium subscription vendor, Supporting Cast. That email should arrive by early January.

And finally: if you choose to cancel your Snoozecast+ subscription—we completely understand. We’ll always be here for you on our freely available public feed.

We started Snoozecast in 2019 with a single microphone in our closet and no idea whether anyone would listen. Seven years and a thousand episodes later, we’re still here because of you—your messages, your stories, your kindness, and the trust you place in us every night.

This pause is our chance to make sure the show can continue into the future without burning out behind the scenes. And we’re genuinely excited to return refreshed, steady, and ready to bring you more stories in the new year.

Thank you—truly—for your patience, your support, and your understanding. We’ll talk again in January.

Until then, we wish you rest, comfort, and warmth through the end of the year.

—Vee

and all of us at Snoozecast

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Tonight, we’ll continue with The Petit Trianon, adapted from An Adventure by Charlotte Anne Moberly and Eleanor Jourdain, first published in 1911. This episode is part of our Spooky Sleep Story series, where we share classic tales of the strange and mysterious. In Part One, the two English academics described an uncanny afternoon walk through the gardens of Versailles in 1901—an experience they could neither explain nor forget.

In this second part, Miss Morison and Miss Lamont revisit the scene and begin to investigate what happened. Their return visits bring no repetition of the strange events, yet each discovery only adds to the puzzle. The vanished paths, missing buildings, and contradictions in the landscape leave them wondering whether they had truly stepped into another century.

What began as a curious outing gradually turns into a quiet obsession. Tonight’s reading follows their continued search for reason amid the unaccountable, and the lingering question of what, exactly, they had walked into that August day.

— read by 'V' —

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Tonight, we’ll read the first half of The Petit Trianon, adapted from An Adventure by Charlotte Anne Moberly and Eleanor Jourdain, first published in 1911. This episode is part of Snoozecast’s 7th annual Spooky Sleep Story series, where we share true and imagined encounters with the strange and unexplained every October. The two English women, both Oxford academics, recorded their uncanny experience while visiting the gardens of Versailles in 1901. What began as an ordinary afternoon outing soon became one of the most famous “time-slip” mysteries in modern folklore.

Their book recounts the event through two separate testimonies, each written without the other’s influence: first that of Miss Morison (Moberly), then Miss Lamont (Jourdain). The pair describe wandering from the lively palace grounds into an oddly still corner of the estate—the Petit Trianon—where they encountered figures, fashions, and a mood belonging to another century. Later, their impressions would be linked to the last days of Queen Marie Antoinette, whose private retreat once stood on the same path.

This episode presents the first half of their written accounts. Next week, in Part Two, we’ll continue with the remainder of their story—and the discoveries that followed, as they began to investigate what truly happened that August afternoon.

— read by 'V' —

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Tonight, at long last, we’ll read the final chapter of “Good Wives” written by Louisa May Alcott titled “Harvest Time”. It’s hard to believe, but we have been reading this book for the first time as we’ve read it to you, and that first chapter was started back in December 2019, when Snoozecast was less than 1 year old.

We took a break after part one concluded in June 2022 to explore other books. By popular request, we reopened the story in 2023, beginning the second part of Little Women—originally published separately as Good Wives.

In our last chapter, “Under the Umbrella,” Jo, busy but lonely, had often thought of Professor Bhaer and regretted their stiff parting. On a rainy errand she met him beneath an umbrella; as they walked, he gently explained why he had stopped reading her sensational tales, and Jo told him she had left that work behind for truer writing—bringing them closer. In the rain he confessed his love, and Jo happily returned it. They reached the March home soaked but radiant, where Marmee quickly understood, and the chapter closed on Jo’s quiet, genuine happiness and the promise of a life with Bhaer.

— read by 'V' —

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Tonight, for this month’s Snoozecast+ Deluxe bonus episode, and in the vein of our Spooky Sleep Stories series, we’ll read the opening to “Dead Souls”. It was written by Nikolai Gogol and first published in 1842. It is known as a ghost story with no ghosts—unless you count the living.

The novel follows the mysterious Pavel Chichikov as he travels through provincial Russia buying the legal rights to deceased serfs—“dead souls”—to use in a scheme for social advancement.

Though often grimly comic rather than overtly supernatural, Dead Souls captures a kind of haunting unique to Gogol’s world: one of moral decay, vanity, and the hollow pursuit of status.

Our monthly bonus episodes—like this one—are made especially for Snoozecast+ Deluxe subscribers. If you’re not a Deluxe listener, you’ll hear a shortened cut of tonight’s story; to get the full episode and more, visit snoozecast.com/plus.

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Tonight, for the next in our October spooky sleep story series, we’ll read an excerpt from “The Castle of Otranto”, a novel by Horace Walpole. First published in 1764, it is generally regarded as the first gothic novel. Set in a haunted castle, the novel produced a new style that has endured ever since, and has shaped the modern-day aesthetic of the goth subculture.

Walpole wrote it at Strawberry Hill, his fanciful neo-Gothic villa, and pitched it as a “Gothic story” that fused chivalric romance with novelistic realism. Its startling images—a colossal helmet from the sky, moving portraits, doors that yield on their own—fixed the template later taken up by Clara Reeve, Ann Radcliffe, and beyond.

The first edition masqueraded as a Crusades-era manuscript “translated” by Walpole, a playful hoax that lent the tale mock-antique authority. Manfred’s name nods to Manfred of Sicily, a learned, charismatic king repeatedly excommunicated—apt echoes for a plot of usurpation and prophecy. In tonight’s excerpt, Princess Isabella flees the tyrant after he demands her hand on the very night his own son—her betrothed—dies beneath that impossible, fallen helmet.

— read by 'N' —

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Tonight, as part of our annual Spooky Sleep Stories series, we’ll read the opening to the novella “The Willows”. It was written by Algernon Blackwood, and first published in 1907.

Two friends drift down the Danube by canoe, threading a maze of shifting channels, sandbanks, and low islands crowded with willow scrub. The river’s moods—eddies, gusts, glittering sun—seem to lean in and watch them, and the thickets along the banks gather like a listening crowd. As night closes, the landscape feels less like scenery and more like a presence with its own designs—most vividly in the willows, which “moved of their own will as though alive.”

Blackwood was a devoted outdoorsman and a writer fascinated by the numinous in nature; he often suggested that the wilderness is not merely backdrop but a more-than-human realm. “The Willows” helped define early modern weird fiction by trading blood and monsters for unease and awe, its influence echoed by later authors across the genre. H.P. Lovecraft praised it as the finest supernatural tale in English, and readers still come to it for that distinctive sensation of the world turning subtly, inexorably, strange.

— read by 'V' —

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Tonight, for our next Spooky Sleep Story, we’ll read Phantasmagoria, a narrative poem by Lewis Carroll first published in 1869. A polite Ghost drops in after midnight and proceeds to instruct his puzzled host in the finer points of spectral etiquette.

Each October we bring back Snoozecast’s Spooky Stories Series—now in its seventh year—our annual run of classics with a candlelit vibe: ghostly, atmospheric, and cozy rather than truly scary. Think creaking floorboards and wry smiles, not jump scares.

Best known for Alice’s Adventures in Wonderland, Carroll turns domestic life into mock-epic ritual here, mixing puns with parody of Victorian manners. In seven cantos, the Ghost explains everything from haunt-house “housekeeping” to courtly forms of address—an odd, amiable manual for the afterlife delivered with Carroll’s playful logic.

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Tonight, as part of Snoozecast's seventh annual spooky sleep story series, we’ll read “The Haunted Orchard” written by British author Richard Le Gallienne and published in 1912.

Each October, our Spooky Stories Series features classic tales that are more atmosphere than fright, all candlelight and creaking floorboards. In this one, a quiet country house and its untended orchard hold a lingering presence; whispers of a young woman seen among the trees and a tune that seems to rise with the wind give the story its soft, ghostly pulse.

Born Richard Thomas Gallienne, the author adopted “Le Gallienne” after college, and—captivated by a lecture from Oscar Wilde—left office work to write poetry and prose. He and Wilde later struck up a brief affair and lasting friendship. Le Gallienne married three times and fathered Eva Le Gallienne, the celebrated actor–director. After settling in the United States and later on the French Riviera, he refused to write wartime propaganda and nonetheless kept publishing well into his seventies.

— read by 'V' —

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Tonight, we shall read the next part to Persuasion, the last novel fully completed by Jane Austen, and published in 1817. The story concerns Anne Elliot, an Englishwoman whose family moves in order to lower their expenses, by renting their home to an Admiral and his wife.
In the last episode, Anne visits her old school friend Mrs. Smith in Westgate-buildings. Though Mrs. Smith lives in poverty and poor health, she is cheerful, resourceful, and glad for Anne’s company.
As their conversation turns to acquaintances, Mrs. Smith seems unusually hesitant when Mr. Elliot’s name arises. At first, she holds back, saying little. But upon realizing how closely Anne is now connected to Mr. Elliot, she finally decides it is her duty as a friend to speak. We will pick up at this point in their conversation.

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