Matthew Sweet celebrates the centenary of legendary film composer Ron Goodwin - famous for his scores for Where Eagles Dare, 633 Squadron, The Battle of Britain and the Miss Marple films. However, Goodwin's scores are far more varied than military marches, with his music for Hitchcock's Frenzy and the first-ever score for brass band, Escape from the Dark.

Matthew also speaks to Helen, the step-daughter of Ron Goodwin, who shares her memories of growing up with an in-demand composer.

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Matthew Sweet celebrates the film highlights of the year with a focus on the recently announced 2025 Bafta winners.

He speaks exclusively with the winner of the Best Original Score - composer Daniel Blumberg, for the film The Brutalist - who tells Matthew about how he travelled to an Italian quarry to record some of the music, and what it was like to actually win the Bafta itself.

There's music from Conclave, The Brutalist and The Wild Robot, plus even some Zoe Saldana and a hint of Trent Reznor's alarm clock....and even a musical jump-scare from Nosferatu....

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Matthew Sweet speaks to actor and director Jesse Eisenberg about using Chopin's music in his latest film "A Real Pain" - the story of two cousins touring Poland to honour their grandmother. Matthew also explores the wider impact Polish music and musicians have had on the world of film music - from Bronislaw Kaper's music for the 1954 monster classic "Them!" to Wojciech Kilar's award-winning scores for "The Pianist" and "Bram Stoker's Dracula".

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Matthew Sweet talks to composer Debbie Wiseman about using period music in films. For the TV series Wolf Hall, Debbie wrote original music in a period style, films like Farinelli and Death In Venice use classical music and for the series Bridgerton Kris Bowers created a hybrid of period-sounding music with hip-hop beats.

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With the Maria Callas biopic starring Angelina Jolie in cinemas, Matthew Sweet speaks to Maria director Pablo Larrain. The talk about working with Angelina Jolie, being a frustrated musician himself and how Pablo uses music in his films. Pablo also reveals the secrets of bringing Maria Callas alive through Angelina's singing.

Matthew also explores how films have turned to their natural predecessor, opera, for inspiration. Puccini's Madame Butterfly proves a Fatal Attraction for Michael Douglas, Bernard Herrmann writes his own aria for Citizen Kane, and the Habanera from Bizet's Carmen gives depth and poignancy to widower Carl's pottering in Up!

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Defying the convention of massive orchestral scores, Matthew Sweet looks at films that embrace the intimacy of chamber music including: the Syrian-inspired strings of Nainita Desai's For Sama score, The Third Man's iconic 1949 zither melody composed by Anton Karas, Clint Mansell's agonising quartet from Requiem for a Dream, and a surprising period drama score written for a trio by John Williams.

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From the driving energy of North By Northwest to the iconic string stabs of Psycho, music is an integral part of what makes Alfred Hitchcock's films stand out. Matthew Sweet finds out what makes them so good and looks at times when Hitchcock and his composers disagreed.

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As part of Radio 3's European Road Trip, Matthew Sweet explores some of the best soundtracks in German cinema.

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What is the sound of Papal Rome? Matthew Sweet explores the music of films set in and influenced by the Vatican. From Morricone's melancholy oboe in The Mission to Hans Zimmer's massed choirs and menacing strings in Angels & Demons. Nino Rota's score for The Godfather Part III exquisitely demonstrates both the pageantry of the Catholic Church and Michael Corleone's personal feelings of guilt in the film. Meanwhile, the solo guitar highlights the intimacy between the two protagonists in Bryce Dessner's score for the gripping biographical drama The Two Popes, highlighting the intimacy between the popes of the film's title.

The Vatican has even issued a list of films it deems important so we'll hear the music that they're recommending, such as On The Waterfront, The Lavender Hill Mob and The Wizard of Oz.

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Presenter Matthew Sweet cosies up with the soundtracks of films that bring comfort to those dark, wintry nights…

From the life-affirming joy of Studio Ghibli classic My Neighbour Totoro to the 80s cinema thrills of Raiders of the Lost Ark, he uncovers why film scores don't necessarily need to be twee to warm our hearts…

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