Megan fills Dave in on WICKED: FOR GOOD (4:07), the conclusion of the film adapation of the Broadway musical which is an adaptation of the novel Wicked: The Life and Times of the Wicked Witch of the West by Gregory Maguire. Verdict: Megan liked it, but didn't love it the way she loves WICKED (click here for a reminder). Then Dave and Megan talk about TRAIN DREAMS (20:34), director and co-screenwriter Clint Bentley's adaptation of the Denis Johnson novella. With gorgeous cinematography, a quietly deft screenplay, and a beautiful central performance from Joel Edgerton, Megan and Dave both see TRAIN DREAMS ending up on their year-end best-of lists. Over on Patreon, we watch the 2015 psychological horror film THE INVITATION, directed by Karyn Kusama and starring Logan Marshall-Green and Tammy Blanchard.

The Megan-Dave dynamic duo returns with two new movies, Edgar Wright's THE RUNNING MAN (2:15) and Richard Linklater's NOUVELLE VAGUE (25:41). Dave didn't see THE RUNNING MAN but he was able to fill Megan in on the difference between Stephen King's novel and the 1987 Arnold Schwarzenegger film. But how did Megan like Wright's version? Eh...she didn't love it. (But she did love Colman Domingo, so there's that.) As for NOUVELLE VAGUE, Megan and Dave return to the age-old question: Who is this movie for? Aside from a Linklater fan or someone steeped in French New Wave cinema, does anyone really want to see a cutesy black and white take on the making of Jean-Luc Godard's BREATHLESS? Over on Patreon, we discuss the 1991 romantic drama MISSISSIPPI MASALA, which was directed by New York City mayor-elect Zohran Mamdani's mother, Mira Nair.

Dave and Megan are a duo again this week, and they get down to it on PREDATOR: BADLANDS (3:29), the latest, and, in their estimation, largely successful attempt to prolong the life of the PREDATOR franchise. P:B is kind of silly and even cute in places, but the dynamic duo are largely here for it. (Megan is super here for it!) Then they get into DIE, MY LOVE (28:34), director and co-writer Lynne Ramsay's latest. Featuring strong performances from Jennifer Lawrence and Robert Pattinson, Megan and Dave dive deep to dissect just what's going on in this movie. And they also try to figure out just what's going on in this movie, in which Lawrence plays a young mother seemingly falling apart at the seams - but there's a lot of imagery in here that's dreamlike, and...eh, you tell us: What happened? (Dave here: Pretty sure Megan followed this picture better than I did.) Over on Patreon, we talk about Clint Eastwood's 1973 revenge western HIGH PLAINS DRIFTER.

Evan is off this week so Megan and Dave dig into BALLAD OF A SMALL PLAYER (2:17) and HEDDA (22:31). Dave only got through 40 minutes of BOFSP because he hated it, and Megan takes the reins. Then they both discuss HEDDA, Nia DaCosta's latest as writer-director, which Megan loooooooooooved and Dave...didn't. Over on Patreon, the October poll winner is Wes Craven's 1981 film DEADLY BLESSING, and it is a HOOT.

Dave is back this week but, bum that he is, didn't get a chance to watch either film this week. So that leaves Megan flying solo on FRANKENSTEIN (3:00), writer-director Guillermo del Toro's take on Mary Shelley's classic novel. Short version: Megan loooooooved it and particularly enjoyed that this version portrays Victor Frankenstein (Oscar Isaac) as a complete bastard, and it gives the Creature (Jacob Elordi) a humanity and depth that other versions don't. Then Evan joins Megan for THE MASTERMIND (17:04), writer-director Kelly Reichardt's latest, about an art heist gone wrong - largely because its planner (or mastermind, ha) is a terrible planner. Over on Patreon, Dave, Megan, and Evan talk about the 1977 film LOOKING FOR MR. GOODBAR in honor of the late Diane Keaton.

Megan and Evan hold down the fort again this week, while Dave's on vacation. Megan kicks things off with a review of CHAIN REACTIONS (2:25), Alexandre O. Philippe's insightful documentary about THE TEXAS CHAINSAW MASSACRE, which takes an intriguing approach: it examines the film's impact on five artists — Patton Oswalt, Takashi Miike, Alexandra Heller-Nicholas, Stephen King, and Karyn Kusama — exploring how it shaped their art and psyche from childhood trauma. Megan is a big fan and highly recommends it. Next, both of us discuss Bryan Bertino's disappointing psychological horror film Vicious (20:55), starring Dakota Fanning and Kathryn Hunter. The movie, which is streaming on Paramount+, follows a woman (Fanning) who must fight for her life after receiving a mysterious box from a late-night visitor (Hunter). It features murky visuals, plot, and ideas that failed to capture our attention. And in this week's Patreon exclusive audio, we talk about Rob Reiner's 1990 horror film MISERY, starring James Caan and Kathy Bates, in honor of its 35th anniversary!

Dave is off this week, so Megan and Evan are coming at you as a duo! Megan starts by reviewing Mary Bronstein's absorbing psychological drama IF I HAD LEGS I'D KICK YOU (1:56), starring Rose Byrne as the world's most put-upon mother sinking under the weight of many simultaneous crises. Next, Evan reviews the Colin Hanks' delightful, moving documentary JOHN CANDY: I LIKE ME (16:19), which chronicles the life of the late comedian John Candy through deep interviews with friends and family, home video footage, and clips from his most memorable performances. Lastly, Evan and Megan join forces to discuss the surprisingly effective Paul Greengrass Apple TV+ disaster film THE LOST BUS (34:19), which stars Matthew McConaughey and America Ferrera. Its harrowing plot is based on the true story chronicled in Lizzie Johnson's book "Paradise: One Town's Struggle to Survive an American Wildfire." And in this week's Patreon exclusive audio, we discuss Dan Gilroy's neo-noir thriller NIGHTCRAWLER, starring Jake Gyllenhaal.

This week, we (Dave, Evan, and Megan) discuss documentary ARE WE GOOD? (2:34), which follows comedian Marc Maron (and directed by Steven Feinartz) as he prepares for his comedy special, podcasts, and deals with grief after the death of his partner, filmmaker Lynn Shelton. We all like Maron, who's a captivating subject, and appreciate his discussion of grief. But we had issues with the chaotic editing and didn't really learn anything new about him. Then we all talk about GOOD BOY (28:22), Ben Leonburg's unique supernatural horror film told from a dog's point of view. Indy the dog accompanies his human companion to a remote house in the woods that happens to be haunted. But only Indy seems to see the danger. It's a great film that's emotional and well made, especially the sound design, cinematography, and Indy's charismatic performance. And over on our Patreon bonus episode, we cover John Carpenter's supernatural horror film, THE FOG, starring Adrienne Barbeau and Jamie Lee Curtis, for its 45th anniversary!

This week, Evan and Megan discuss ELEANOR THE GREAT (3:14), Scarlett Johansson's directorial debut starring June Squibb as a 94-year-old Jewish woman who's grieving, tells a lie that spirals beyond her control, and befriends a college student (Erin Kellyman). The great performances anchor the film. Then we all (Dave, Evan, and Megan) talk about DEAD OF WINTER (24:21), Brian Kirk's action thriller starring Emma Thompson as a woman travelling solo in the woods who discovers a kidnapped teen and must contend with the kidnappers. We had divergent opinions on the film, but we all agree Judy Greer is fantastic as a desperate and ruthless villain. And on our Patreon bonus episode, we converse about the Robert Redford movie poll winner: the 1992 comedy-caper SNEAKERS!

You know, if you're gonna call your movie A BIG, BOLD, BEAUTIFUL JOURNEY (2:42), your movie better big, bold, and motherfucking beautiful. So is Kogonada's latest big? Bold? Beautiful? Megan and Dave let you know! Does it stand up to COLUMBUS and AFTER YANG? Then Evan joins in for a discussion of NIGHT OF THE REAPER (30:20), a slasher set in the '80s with a twist. Does it work? Does it make one of us angry? And is there a great exploding head gag? Over on Patreon, we watched the 2025 comedy-thriller BORDERLINE.