Bob blames Miles for the terrible movies being made for the streaming services, while Miles pitches a film idea where Bob gets killed by zombies and maybe sharks.
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THE LEMENT DELUGE
A 90-Minute Action Spectacular
CHARACTERS
BOB LEMENT (50s): A former combat engineer turned survivalist.
SARAH (30s): A local hydrologist trapped at the estate.
THE HORDE: A swarm of reanimated corpses.
THE PACK: A school of 200+ aggressive bull sharks.
ACT I: THE BREACH (0:00 - 30:00)
EXT. LEMENT ESTATE - NIGHT The Lement Estate is a fortress of iron and concrete nestled against a massive, government-built flood wall. Rain lashes down.
Bob Lement patrols the perimeter. He spots the "Shamblers"—the undead—emerging from the treeline. He engages with a suppressed rifle, thinning the numbers.
INT. LEMENT ESTATE - CONTINUOUS Sarah, hiding in the basement monitoring station, screams as a tremor hits. The pressure gauges hit red.
SARAH Bob! The wall! The integrity is failing!
EXT. FLOOD WALL - MOMENTS LATER Bob races toward the wall as it buckles. The concrete shrieks. With a sound like a thunderclap, the wall shears open. A massive, high-velocity surge of river water pours through, sweeping the incoming zombies away instantly.
But as the water clears, the real terror emerges. Dark, muscular shapes launch themselves through the breach. Bulls. Dozens of them, surfing the floodwater toward the house.
ACT II: THE FEEDING FRENZY (30:00 - 75:00)
EXT. THE SUBMERGED YARD - CONTINUOUS The house is now an island in a raging, man-made river. The zombies that survived the impact are trying to wade toward the porch.
A Bull Shark breaches the surface, its massive jaws snapping a zombie in half at the waist. The water turns into a chaotic churn of grey flesh and rotting limbs.
INT. SECOND FLOOR - CONTINUOUS Bob and Sarah watch from the balcony.
BOB They’re not just eating the dead, Sarah. They’re patrolling.
SARAH They’re trapped in the estate grounds because of the sediment berms! They’re hungry and they’re confined!
ACTION SEQUENCE: Bob and Sarah must move from the house to the reinforced workshop (a detached structure) to activate the emergency pumps. To get there, they have to navigate a catwalk above the water.
Sharks jump, snapping at their boots. Zombies grab at the catwalk supports. Bob uses a high-powered spear gun—designed for shark defense—to pin sharks to the mud while Sarah uses a flare gun to ignite floating debris, creating a "fire moat" to deter the predators.
ACT III: THE FINAL FLOOD (75:00 - 90:00)
EXT. THE WORKSHOP - NIGHT They reach the workshop, soaked and exhausted. The water is rising.
BOB If I open the secondary sluice gates, we can draw the water and the predators out into the low-lying basin. But I need someone to manually crank the intake valve inside the tunnel.
SARAH That’s underwater, Bob!
BOB (A grim smile) I’m a combat engineer. I’ll make it breathe.
Bob dons a makeshift rebreather. He dives into the churning, shark-infested hell. Underwater, the scene is visceral: a strobe-light effect of lightning illuminating sharks circling, teeth flashing.
Bob reaches the valve. A massive Bull Shark, scarred and blind in one eye, charges. Bob uses his diving knife, driving it into the shark's gill slit. He turns the valve.
THE CLIMAX The suction is immense. The water—and the sharks—are dragged violently through the drainage tunnels. The zombies are swept away in the wake.
The water recedes, leaving the estate a graveyard of shark teeth and shredded remains.
EXT. LEMENT ESTATE - DAWN Bob crawls back onto the porch. Sarah pulls him up. They look out at the landscape, now quiet.
BOB Think that’s the end of it?
SARAH (Looking at the dark water) Nature has a long memory, Bob.
FADE TO BLACK.
https://youtube.com/live/gAB0ndR8_8Q
Bob blames Miles for the terrible movies being made for the streaming services, while Miles pitches a film idea where Bob gets killed by zombies and maybe sharks.
Bad AI Transcript
Don't what? Don't tongue touch it. Hey everyone, this is Miles with Static Radio. I think each week you get more and more awkward. You mean in real life or on the show or? Well, yeah, all the way around. All together. Hello, everyone. This is Miles. Hi. Hi. Yes. I'm a noon teen. Yes, I'm Miles. I have candy in my pocket. Yes. Just in case anybody needs a butterscotch disc, I got you covered. Or a hat with three corners. What are you, like a reenactor or something? I'm reenacting. I like this show. You're on one tonight. Last night, we're off our usual schedule. Last night, Miles sends me a text early, which I don't check my text at night. Can you show up and feel a good guy headache? Yeah, I had a headache. Oddly enough, it was only words, text, but I could hear the voice. Can you do a good headache move? Yeah.So we're off our schedule, but that's fine. The response was weird, though. It was like, that's okay, honey. We can do it later. Yeah, I kissed you on the forehead. I know. I'm like, this is getting weird. I'm like, you know what? I'm never going to text him again. This is so uncomfortably weird. I'm like, no, I don't. I kissed you on the forehead, took your temperature. And not by mouth either. No, I just kissed you on the forehead. Yeah, okay. I'm uncomfortable. It's okay. It's okay. I said, Miles, it's all right. It's all right. You could be ill with a migraine. My doctor is Christopher Walken, I guess. That's right. That would be awkward. I have the cure. Do you have one?You take that watch. It's called gold infusion. Oh. It's like a suppository. Anyway. Yeah. I'm feeling good. I'm okay. I'll be all right. You know, I don't feel good. I just, I don't know. I got really bad bong bong in my head. It goes bong bong, you know what I mean? I just didn't have a story. I was like, fuck it. I don't have no story. Yeah, that's why I'm going to call in sick. I'm calling in. It's just like real life. I'm calling in sick. I'm calling in sick. So here we are. I did the best I could, for Christ's sakes. There we are. Here we are. So I blame you. Yeah. At this point, even though it really wasn't your fault because this happened before you canceled. Yeah. Well, it happens after you canceled, but before I knew you canceled. Right.So on Sunday night… Yeah. Now, my wife is going to be so mad when she hears me talking about this, but… There's this new Netflix show, which is like the number two Netflix movie or something called Thrash. Have you seen this? It's about sharks or something. Yes. It has Academy Award winner Damone… whatever his last name is. I can't even say it. Uh, he was an Amistad. He's been in lots of things, right? Very well trained, very good actor in this movie called thrash. Right. In which in North Carolina, I believe it is a, uh, hurricane hits ground and, but, breaks all the levees and bull sharks invade the small town on the coast and start eating people. Okay. Cause they didn't flee when they were instructed to. And so now they're stuck, you know, trying to survive the flood. Yeah. And we follow three, we have like three, four main stories, I guess. Right. Yeah.One of them is an abusive foster parent or parents. Yeah. One is the Demones. He's a shark. By the way, he is a shark researcher. Conveniently. Conveniently, yes. Well, he does have an air about him, so I would buy that. He's a very believable shark researcher. Okay. He is an Oscar winner, for Christ's sake. Yeah. And his niece is stuck. She did not leave. And so he's on his way to see her. And then we have this pregnant woman who works at a meatpacking plant. Yeah. This is important. Okay. Who has been abandoned by her loser boyfriend. And she's stuck. He used to work at the meatpacking plant as well. I bet. And so now she's stuck in this little town being the receptionist or something at the meatpacking plant. She's like fully pregnant. Yeah. Now, the reason the meatpacking plant plays into it is because a tanker full of blood isconveniently gets tipped over and all this blood's in the water. Yeah. Now, most people, I'm assuming, have never worked at a meatpacking plant. And I know you have. That's right. I have never seen a tanker A tanker, a tanker truck full of blood. Do you know how much fucking blood that is? Oh, my God. That's a lot of fucking blood, dude. I have never, ever. No, there was no blood truck. I would have remembered that. Blood truck. Blood truck, sir. Wait, did he say food? Did he say food truck or blood truck? Because I'm hungry. A tanker. A tanker. In the defense of Damone, who again is an Oscar winner, he did a really good job. And I must say that the effects in this movie were quite good. Now, is this a movie or a series? It's just a movie on Netflix. I'm assuming that Netflix…has shifted solely to the algorithm. And they're like, what do people, they type it in, you know, what do people want to see? Sharks eating Hicks. Oh, why not? Yeah. Why not? Oh my God. You know, everything was telegraphed. Um, I mean, the effects are good, but, Yeah, it just… Wasn't there something like this a few years ago, kind of the same idea, kind of, but it was like alligators or something? Yeah, it could have been, yeah. Maybe they just recycled that script. I don't know. I mean, yeah, okay. So I watched that on Sunday. I'm getting to the part where I blame you. I watched that on Sunday because my wife was like, she loves shark movies, and I go, I looked at it, I read the description, I go, this does notvery good. But it does have an oscar winner in it. And so we watched it, and it was mildly entertaining, but obviously very flawed uh this lady gives birth to a baby, and then she's surrounded in her own blood oh great god in the in the murky water that uh anyway she's wait a minute the