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Elvia Wilk talks to artist Stephanie Dinkins about her ongoing projects involving AI, and recent text, "Afro-now-ism," published in Noema magazine.
Stephanie Dinkins is a transmedia artist and professor at Stony Brook University where she holds the Kusama Endowed Chair in Art. She creates platforms for dialog about artificial intelligence (AI) as it intersects race, gender, aging, and our future histories. She is particularly driven to work with communities of color to co-create more equitable, values grounded artificial intelligent ecosystems. Dinkins' art practice employs lens-based practices, emerging technologies, and community engagement to confront questions of bias in AI, data sovereignty and social equity. Investigations into the contradictory histories, traditions, knowledge bases, and philosophies that form/in-form society at large underpin her thought and art production.
By e-flux4.7
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Elvia Wilk talks to artist Stephanie Dinkins about her ongoing projects involving AI, and recent text, "Afro-now-ism," published in Noema magazine.
Stephanie Dinkins is a transmedia artist and professor at Stony Brook University where she holds the Kusama Endowed Chair in Art. She creates platforms for dialog about artificial intelligence (AI) as it intersects race, gender, aging, and our future histories. She is particularly driven to work with communities of color to co-create more equitable, values grounded artificial intelligent ecosystems. Dinkins' art practice employs lens-based practices, emerging technologies, and community engagement to confront questions of bias in AI, data sovereignty and social equity. Investigations into the contradictory histories, traditions, knowledge bases, and philosophies that form/in-form society at large underpin her thought and art production.

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