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Today I’m going to talk about the importance of planning where to use your out-of-key materials, in this case, harmonic materials.
Find me on:
Supporting Links:
📚 - https://www.beyondmusictheory.org/secondary-dominants/
📚 - https://www.beyondmusictheory.org/chromatic-harmony/
📚 - https://www.beyondmusictheory.org/chromatic-approach-chords/
📚 - https://www.beyondmusictheory.org/8-practical-ways-of-using-parallel-chord-motion-in-your-music/
📚 - https://www.beyondmusictheory.org/harmonic-ambiguity-and-the-flexibility-of-suspended-chords/
📚 - https://www.beyondmusictheory.org/harmonic-creativity-the-role-of-bass-in-voice-leading-exploration/
📚 - https://www.beyondmusictheory.org/how-to-harmonize-a-melody/
4.5
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Today I’m going to talk about the importance of planning where to use your out-of-key materials, in this case, harmonic materials.
Find me on:
Supporting Links:
📚 - https://www.beyondmusictheory.org/secondary-dominants/
📚 - https://www.beyondmusictheory.org/chromatic-harmony/
📚 - https://www.beyondmusictheory.org/chromatic-approach-chords/
📚 - https://www.beyondmusictheory.org/8-practical-ways-of-using-parallel-chord-motion-in-your-music/
📚 - https://www.beyondmusictheory.org/harmonic-ambiguity-and-the-flexibility-of-suspended-chords/
📚 - https://www.beyondmusictheory.org/harmonic-creativity-the-role-of-bass-in-voice-leading-exploration/
📚 - https://www.beyondmusictheory.org/how-to-harmonize-a-melody/
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