Call this Mrs. Dalloway’s podcast. We’re reading classic fiction from a century ago for light on the strangeness of the world in our day, or maybe just for relief reading a great old book. The dazzling young critic Merve Emre is our guest and our guide to Virginia Woolf’s modernist masterpiece, Mrs.Dalloway, from 1925. The novel is a day in the life, or a slideshow in the mind, of a rich, ruling class lady in London, volubly in love with life, out shopping for flowers on Bond Street on a morning in June for a party she’ll be giving at home that evening.

Merve Emre.

But Mrs. Dalloway is also a novel of ruin alongside rapture. A second major character, Septimus Smith, is a veteran of World War I. Broken by combat and shell shock, considering suicide because, in his madness, he supposes that only killing himself would allow him to honor life as it should be lived.

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We’re with the cultural historian Robin D.G. Kelly at UCLA, who has the nerve to ask: where have our thinkers gone in Trump time? Not the experts or the influencers, but the grander minds who might tell us where our country went.

James Baldwin and Noam Chomsky (by Susan Coyne).

Robin hooked us with his piece in the Boston Review on “The Responsibility of Intellectuals in the Age of Fascism and Genocide.” Whose job is it to tell us the truth in what can feel like a sort of waking nightmare or a revolution going backward? Will we ever see Benjamin Franklin’s common-sense republic again? Or put it another way: where’s Noam Chomsky, or James Baldwin for that matter? Will we ever again meet an unflinching truth-teller about our real condition in this autumn of 2025?

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We’re in the fourth summer of hot warfare between Russia and Ukraine. It’s a cruel and deadly war that doesn’t know how to stop.

Anatol Lieven.

Our guest to offer a helping hand is the journalist and analyst that I’ve leaned on heavily, Anatol Lievin, an esteemed correspondent for the Financial Times in London, now at the Quincy Institute for Responsible Statecraft in Washington, with his eyes on Eurasia in general.

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We’re grappling with the prize historian Greg Grandin’s take on the making of the modern world. There’s a 600-page version in hard covers, but also a two-word version in his title, America, América, code for his main point: that the story of global USA today has Latin America woven all through it.

Greg Grandin.

It’s a history of brutal conquest, some discovered ideals and values through five centuries, and maybe an exceptional all-American hybrid, after all, into today. In the roots, of course, were two colonial empires, Spanish and British, rivals and partners, reenacting over the decades their past far into the future.

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We’re retracing our steps out of the last bad-dream era in American life. Michael Ansara was in the thick of that struggle too, around war and justice. The Hard Work of Hope is his memoir of many losses and his own big mistakes that come back, 50 years later, as lessons and blight.

Michael Ansara.

The post The Hard Work of Organizing appeared first on Open Source with Christopher Lydon.

We’re in Saratoga, New York, with the soulful American believer Marilynne Robinson, prize novelist and teacher of novelists. She’s known over the decades as the storyteller we trust to observe the troubled heart of our country—our own troubled hearts. She’s been a voice of encouragement—somebody said: a voice that has been overheard by more readers than any other living American writer.

Marilynne Robinson with Chris.

This summer, she crossed a line, relabelling the American condition in Trump time. Our politics and our culture, she writes, are “under occupation” by a faction of our fellow citizens. And it’s quite unlike your normal, ordinary right-to-left or left-to right political shift. It is not what people mean by polarization. It’s something quite different.

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We’re in the Orwellian aftermath of what President Trump has called his 12-day war in the Middle East. It’s over, he proclaimed on Monday. “Congratulations world,” he said on his Truth Social site, “it’s time for peace.”

Huss Banai.

Our guest to watch a mystery unfolding is the Iranian-American scholar at Indiana University in Bloomington, Hussein Banai, known as Huss. He’s been my refuge and resource for 20 years and some on not just venomous politics, but high-tech warfare and now tentative, sudden peace, it appears, between two governments.

The post Trump at War appeared first on Open Source with Christopher Lydon.

This week, it’s a conversation on the democracy question and the embattled fate of our own, beset as it is from within. Philosopher-historian Danielle Allen is our guest examiner of the cranky American condition. It feels to me shaken, defensive, divided, embarrassed—as I don’t remember ever before—around questions that go to our character as a country, questions about democracies morphing, sometimes disappearing, even dying.

Danielle Allen.

In all the talk we’re hearing, what’s different about Danielle Allen is her timeline. Her eye goes back to ancient days in Athens and Rome, especially to her friend Aristotle, who wrote the book on democracy and its corruptions—in oligarchy and other ways.

The post Divided, Defensive Democracy appeared first on Open Source with Christopher Lydon.

We’re with the writer Paul Elie, recalling the moment when popular culture came to sound like public prayer. There was Madonna in 1989, singing her number one hit “Like a Prayer.” The song is a marker for what Paul Elie calls crypto-religion. Let’s call it the artistic underground where unlabeled church themes took root in our lifetimes. It’s where religious mystery went, but not to die—almost the opposite. Crypto-zone is where pop culture stars found a space for moods and visions they had known growing up.

Paul Elie and Chris.

Think Leonard Cohen and his all-time hit with “Hallelujah.” Think Prince singing “I Would Die For You.” Think Bob Dylan and his gospel period with “Gotta Serve Somebody.” And it’s not just songs. Crypto-religion is the zone where the filmmaker, Martin Scorsese, imagined The Last Temptation of Christ. It’s where the pop artist Andy Warhol, himself a Catholic, made endless versions of Leonardo da Vinci’s masterpiece of Jesus at the Last Supper with his disciples.

The post The Last Supper appeared first on Open Source with Christopher Lydon.

We’re staring down the several crises in our economy—and recalling the grand old joke that it’s easier to imagine the end of the world than the end of capitalism.

John Cassidy.

John Cassidy of The New Yorker magazine has written a sprightly catalog of capitalism’s critics over the centuries: who got it right, for example, about today’s inequality crisis, or the climate damage, or the threat to democracy, or the alternatives to capitalism that might still work better, or even rescue it.

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