We’re in the fourth summer of hot warfare between Russia and Ukraine. It’s a cruel and deadly war that doesn’t know how to stop.

Anatol Lieven.

Our guest to offer a helping hand is the journalist and analyst that I’ve leaned on heavily, Anatol Lievin, an esteemed correspondent for the Financial Times in London, now at the Quincy Institute for Responsible Statecraft in Washington, with his eyes on Eurasia in general.

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We’re grappling with the prize historian Greg Grandin’s take on the making of the modern world. There’s a 600-page version in hard covers, but also a two-word version in his title, America, América, code for his main point: that the story of global USA today has Latin America woven all through it.

Greg Grandin.

It’s a history of brutal conquest, some discovered ideals and values through five centuries, and maybe an exceptional all-American hybrid, after all, into today. In the roots, of course, were two colonial empires, Spanish and British, rivals and partners, reenacting over the decades their past far into the future.

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We’re retracing our steps out of the last bad-dream era in American life. Michael Ansara was in the thick of that struggle too, around war and justice. The Hard Work of Hope is his memoir of many losses and his own big mistakes that come back, 50 years later, as lessons and blight.

Michael Ansara.

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We’re in Saratoga, New York, with the soulful American believer Marilynne Robinson, prize novelist and teacher of novelists. She’s known over the decades as the storyteller we trust to observe the troubled heart of our country—our own troubled hearts. She’s been a voice of encouragement—somebody said: a voice that has been overheard by more readers than any other living American writer.

Marilynne Robinson with Chris.

This summer, she crossed a line, relabelling the American condition in Trump time. Our politics and our culture, she writes, are “under occupation” by a faction of our fellow citizens. And it’s quite unlike your normal, ordinary right-to-left or left-to right political shift. It is not what people mean by polarization. It’s something quite different.

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We’re in the Orwellian aftermath of what President Trump has called his 12-day war in the Middle East. It’s over, he proclaimed on Monday. “Congratulations world,” he said on his Truth Social site, “it’s time for peace.”

Huss Banai.

Our guest to watch a mystery unfolding is the Iranian-American scholar at Indiana University in Bloomington, Hussein Banai, known as Huss. He’s been my refuge and resource for 20 years and some on not just venomous politics, but high-tech warfare and now tentative, sudden peace, it appears, between two governments.

The post Trump at War appeared first on Open Source with Christopher Lydon.

This week, it’s a conversation on the democracy question and the embattled fate of our own, beset as it is from within. Philosopher-historian Danielle Allen is our guest examiner of the cranky American condition. It feels to me shaken, defensive, divided, embarrassed—as I don’t remember ever before—around questions that go to our character as a country, questions about democracies morphing, sometimes disappearing, even dying.

Danielle Allen.

In all the talk we’re hearing, what’s different about Danielle Allen is her timeline. Her eye goes back to ancient days in Athens and Rome, especially to her friend Aristotle, who wrote the book on democracy and its corruptions—in oligarchy and other ways.

The post Divided, Defensive Democracy appeared first on Open Source with Christopher Lydon.

We’re with the writer Paul Elie, recalling the moment when popular culture came to sound like public prayer. There was Madonna in 1989, singing her number one hit “Like a Prayer.” The song is a marker for what Paul Elie calls crypto-religion. Let’s call it the artistic underground where unlabeled church themes took root in our lifetimes. It’s where religious mystery went, but not to die—almost the opposite. Crypto-zone is where pop culture stars found a space for moods and visions they had known growing up.

Paul Elie and Chris.

Think Leonard Cohen and his all-time hit with “Hallelujah.” Think Prince singing “I Would Die For You.” Think Bob Dylan and his gospel period with “Gotta Serve Somebody.” And it’s not just songs. Crypto-religion is the zone where the filmmaker, Martin Scorsese, imagined The Last Temptation of Christ. It’s where the pop artist Andy Warhol, himself a Catholic, made endless versions of Leonardo da Vinci’s masterpiece of Jesus at the Last Supper with his disciples.

The post The Last Supper appeared first on Open Source with Christopher Lydon.

We’re staring down the several crises in our economy—and recalling the grand old joke that it’s easier to imagine the end of the world than the end of capitalism.

John Cassidy.

John Cassidy of The New Yorker magazine has written a sprightly catalog of capitalism’s critics over the centuries: who got it right, for example, about today’s inequality crisis, or the climate damage, or the threat to democracy, or the alternatives to capitalism that might still work better, or even rescue it.

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We’re staring down the global trade war with Mark Blyth at Brown University. He is the People’s Economist from Scotland, who takes us home to his village pub in Dundee every once in a while to tell all of us what the powers that be are up to.

Penguins on an uninhabited island that’s been hit with a 10% tariff.

We’ve been bracing for a universal trade war, not just China, but Canada, France, Mexico, you name it—uninhabited islands (where only penguins and seals live) will be touched. President Trump’s ultimate weapon of choice in such a war is a 125% tariff, on most of what comes from China, raising prices, of course, but the Trump line also says the flood of new tariff income could pay for what he calls his big, beautiful tax cut.

The post Trade, Trumped appeared first on Open Source with Christopher Lydon.

We have a key, finally, to the mystery of Donald Trump and where he came from. He was born almost exactly 100 years ago in the imagination of the novelist F. Scott Fitzgerald. What he stands for by now is a sort of MAGA question: can Donald Trump make America Gatsby’s again? As in: The Great Gatsby, published in 1925.

Sarah Churchwell.

The book makes every list of great American novels, but it’s more than that. It’s a high-style satire and prophetic tragedy about a dreamer who invented not just a fake self, but a whole cast of rich, mostly repellent characters and wannabes all around him—those famously careless people who smash things up for as long as they can and then let other people clean up their messes. Our guest, Sarah Churchwell, is not the first to make the Gatsby-Trump connection, but nobody has mapped it as broadly as she has.

The post Gatsby at 100: Fitzgerald’s Warning about Trumpism appeared first on Open Source with Christopher Lydon.