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By Steve Spears
4.6
296296 ratings
The podcast currently has 814 episodes available.
The most played episodes among Podcast App listeners.

What if you were 16 years old in the summer of 1985, armed with little more than a Sony Walkman, a few cassette tapes and the belief that somehow — some way — you had to make it to Live Aid? That’s the idea at the heart of Live Aid Runaways, the new novel by Shane Robitaille. Shane joins the podcast along with researcher Livi Stanford to take us behind the scenes of a story that mixes fictional characters with one of the most unforgettable real-life events of the decade. The novel follows teenagers Nick Stark and Stacy Rivera as they make their way toward Philadelphia and JFK Stadium, where Live Aid would bring together some of the biggest names in music on July 13, 1985. But getting the details right required more than simply firing up an old Live Aid video. Shane and Livi talk with us about the extensive research behind the book, including conversations with fans, broadcasters, performers and others who helped recreate not only what happened onstage, but what it actually felt like to experience that remarkable day. We also talk about why Live Aid still holds such a powerful place in Gen X memory, the challenge of weaving real history into fiction, the music that helped shape the characters and the strange joy of returning to 1985 — at least for a few hundred pages. Frankly, if someone could turn Live Aid Runaways into an actual time machine, we’d happily pack a Walkman and climb aboard. COME SAIL WITH STUCK IN THE ’80s Want even more ’80s nostalgia — only this time with an ocean view? Join us aboard The 80s Cruise, the ultimate floating celebration of the decade we refuse to leave behind. Stuck in the ’80s will once again be part of the fun, with live podcasts, trivia and plenty of opportunities to celebrate the music, movies and pop culture that made the decade unforgettable. When you book, use promo code STUCK and receive $250 in onboard credit per cabin. Find out more at The80sCruise.com. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

There really was nobody else quite like Dolly Parton. In this special episode of Stuck in the ’80s, we remember Dolly — the songwriter, singer, actress, entrepreneur and wonderfully funny human being who somehow became a national treasure without ever seeming like she was trying to be one. Joining us is longtime friend of the show Annie Zaleski, music journalist and author of the new book Dolly Parton: The Stories Behind the Songs. Annie takes us inside Dolly’s extraordinary songbook, from the classics everybody knows to the deeper cuts that reveal just how gifted a songwriter she really was. Of course, we spend plenty of time in our favorite decade, when Dolly became a full-fledged pop-culture superstar thanks to 9 to 5, “Islands in the Stream,” The Best Little Whorehouse in Texas, “Real Love” and a run of music and movies that made her seemingly impossible to avoid — not that anybody particularly wanted to. But this episode is about more than the hits. It’s about what made Dolly different, why her music connected with so many people, the humor and humanity behind the rhinestones, and the enormous legacy she leaves behind. Join us as we celebrate the life, songs and stories of Dolly Parton. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Forty years ago, Paul Simon released one of the most unlikely blockbuster albums of the 1980s. Graceland arrived on Aug. 25, 1986, blending Simon’s unmistakable songwriting with South African rhythms, zydeco, gospel harmonies and a completely new way of building songs. The result was an album that sounded unlike almost anything else on the radio — and somehow became one of the defining records of the decade. In this episode of Stuck in the ’80s, we go track by track through Graceland, from “The Boy in the Bubble” and “Diamonds on the Soles of Her Shoes” to “You Can Call Me Al” and the title track. We also look at the album’s controversial origins during apartheid, the musicians who helped shape its sound, its Grammy-winning success and why it still feels so timeless 40 years later. Plus, we ask the bigger question: Where does Paul Simon rank among the greatest songwriters of our lifetime? And don’t forget: Stuck in the ’80s is sailing again with The ’80s Cruise. Join us at sea with some of the biggest stars of the decade, live music, trivia and plenty of ’80s insanity. Use promo code STUCK when booking to receive $250 in onboard cabin credit. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

If you could go back and spend four years at any fictional high school from the ’80s, where would you enroll? Would you hang out with Spicoli at Ridgemont High? Serve Saturday detention with the Breakfast Club at Shermer High? Shoot hoops for Hickory? Learn the African Anteater Ritual at Crandall High? Or maybe you'd choose a school where there's absolutely no chance of being murdered by your classmates or attacked in your dreams. This week on Stuck in the ’80s, Steve and Brad are going back to school as we pick the fictional high schools of the 1980s we'd most like to attend — and the ones we'd avoid at all costs. There are plenty of tempting choices. There's Weemawee High from Square Pegs, where being popular might be difficult but there's always the possibility you'll score an invitation to Buffy's bar mitzvah and see Devo perform. There's Ridgemont High from Fast Times at Ridgemont High, which was also the overwhelming favorite among our listeners. Sure, you might have to survive Mr. Hand's history class, but apparently you can have pizza delivered to class, visit a morgue on a field trip and spend the rest of your free time hanging around the mall. Then there's Hickory High from Hoosiers, where school spirit is off the charts and the enrollment is small enough that we might actually have a chance of making the basketball team. We also consider Rydell High from Grease 2, Crandall High from Can't Buy Me Love, Edwina Pearl High from Just One of the Guys and, of course, Shermer High, the center of the John Hughes universe. Shermer seems pretty appealing. Affluent Chicago suburb. Good education. Great house parties. Interesting classmates. Just don't get Saturday detention. Of course, not every fictional ’80s high school belongs on the recruiting brochure. We'd probably skip Ampipe High from All the Right Moves unless we're particularly excited about a future at the local steel mill. We're definitely staying away from Beaumont High from Footloose, where dancing is illegal and nearly every adult seems determined to make teenagers miserable. Then there's Westerburg High from Heathers, where the murder rate alone should probably affect its U.S. News ranking. And we're absolutely not enrolling at Springwood High from A Nightmare on Elm Street. Any school where falling asleep during algebra can result in your gruesome death is an immediate dealbreaker. Bunker Hill Military Academy from Taps isn't looking much better. It's about to close, the townies hate you and there's a reasonable chance Timothy Hutton is going to get everyone killed. Otherwise, lovely campus. We also share your picks, including votes for the schools from Square Pegs, Better Off Dead, Summer School, Three O'Clock High and the John Hughes movies. But Ridgemont? Ridgemont wins by a landslide. The High School Class We Wish We'd Had We also have a special interview this week with Todd Shriver and Shawn Curtis, two Indiana high school teachers who have somehow managed to create what might be our dream job. They teach a class about the 1980s. Todd and Shawn tell us how the class came about, what parts of the decade they cover and what today's high school students think about the music, movies, history and pop culture their parents grew up with. Even better, they've managed to bring the decade to life through an impressive collection of interviews with ’80s celebrities. Which leaves Steve with only one question: Where does he submit his résumé? Why We Never Really Forget High School There's a reason high school remains such a powerful setting for the movies and TV shows we grew up with. Those four years are when many of us first started dreaming about who we might someday become. It's where we found our people. Where many of us fell in love for the first time — and discovered heartbreak for the first time, too. It's where we were challenged academically, personally and sometimes morally. We made good decisions. We made terrible decisions. And somehow all of those experiences became little pieces of the adults we eventually turned into. And then there's the soundtrack. The songs and movies we discovered during high school never really leave us. Forty years later, one song can come on and suddenly you're not sitting in traffic anymore. You're 17 again. You're driving somebody's terrible first car. You're thinking about someone you had a crush on. You're remembering some completely ordinary Friday night that you had no idea you'd still be thinking about decades later. For four years, we were becoming ourselves. We just didn't know it yet. And if you were lucky enough to go to high school in the ’80s, at least you had one hell of a soundtrack while you figured it out. Join Us on The ’80s Cruise! Want to take your love of the ’80s out of the classroom and onto the high seas? Join Stuck in the ’80s on The ’80s Cruise, where we'll once again be sailing with an incredible lineup of ’80s artists and thousands of fellow fans of the decade. We'll be there hosting trivia, recording podcasts and enjoying a week when it's perfectly acceptable to dress like it's still 1985. When you book, use promo code STUCK and you'll receive $250 in onboard cabin credit. Class dismissed. See you at sea. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Some ’80s bands sold millions of records. Some filled arenas. Some became so permanently embedded in pop culture that you can’t walk through a grocery store without hearing them over the frozen peas. And then there are the bands that somehow found us anyway. This week on Stuck in the ’80s, we’re celebrating Book of Love and a handful of other synth-pop bands that deserved a little more attention the first time around — and whose music might sound even better today. Our centerpiece is a conversation with Book of Love singer Susan Ottaviano. Book of Love arrived in the mid-’80s with a sound that never fit comfortably into one box. Were they synth-pop? New wave? Alternative? Dance? College rock? Maybe the fact that nobody could quite figure that out is one reason the music has aged so well. Susan talks with Spearsy about the band’s beginnings, the influence of groups such as The Cure and The Slits, the importance of New York’s music and art scene, and what Book of Love learned when they suddenly found themselves touring with Depeche Mode. There’s also a fascinating discussion about what happens to music decades after its original release. Songs get rediscovered. Movies and streaming introduce bands to people who weren’t alive the first time around. Music that once sounded like it belonged to a very specific moment can suddenly sound contemporary again. And then comes our favorite question: the Podcast Time Machine. If Susan could go back and change one moment in Book of Love history, what would she do? Her answer: Get a better lawyer. Ouch. She also considers another tantalizing bit of alternate ’80s history: What might have happened if Book of Love had ended up on Mute Records, the label famously associated with Depeche Mode? Susan also gives us an update on Book of Love’s future. This could be the band’s final full tour, although she says the group still plans to make more music. After the interview, Brad and Spearsy keep the synthesizers plugged in for five more bands from the second half of the ’80s that they wish more people had discovered. There’s Canada’s Kon Kan, whose “I Beg Your Pardon” brilliantly repurposed Lynn Anderson’s “Rose Garden” for the dance floor. Germany gives us Cetu Javu and Camouflage, two bands that inevitably drew comparisons to Depeche Mode. Australia contributes Boxcar, who had the unenviable task of bringing electronic music into a guitar-heavy pub-rock scene. And finally there’s Red Flag, whose story begins with brothers Chris and Mark Reynolds and takes a much sadder turn in the years that followed. Maybe that’s part of the fun of being Stuck in the ’80s after all these years. There are still bands to rediscover, songs that deserve another spin and stories we somehow missed the first time around. So dust off the synthesizer, apply an unreasonable amount of reverb and join us for Book of Love — and five more synth-pop bands we wish we’d heard more from. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
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