Dimitri and Khalid discuss Busta Rhymes’s ominous 2020 album “Extinction Level Event 2: The Wrath of God”, his feelings about the plandemic and civil unrest, his apocalyptic 1990s albums that maybe prophesied 9/11, the insufferable erm-ing of music journalists, Busta’s relationship to the Five Percent Nation, the mysterious origins and disappearance of NOI founder Wallace Fard Muhammad, Clarence 13X, Jakubian tricknology, and Louis Farrakhan’s entanglements with UFOs, the assassination of Malcolm X, Muammar Qaddafi, and Dianetics.

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Dimitri and Khalid discuss the filmography of 70s New Hollywood auteur William Friedkin, various layers of subliminality in 1973’s “The Exorcist”, allusions to Polanski, the vague lurking menace of Nazis in his films, the bit player who went on to become a serial killer and inspire 1980’s “Cruising”, Friedkin’s curious adaptation of the Jim Webb-penned predictive programming fantasia “Rules of Engagement”, and the limits of the adolescent Boomer imaginary.

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Dimitri and Khalid discuss the horrific satanic crimes of knight/lord/pedophile serial killer Gilles de Rais in 15th century France, his military career with Joan of Arc, his simultaneous descent into ritual mass theatre and ritual child sacrifice, Crowley’s revisionism, attempts to interpret de Rais as either a “medieval” vs. “modern” figure, his maudlin public confession and carefully ritualized execution, and the various parallels to Epstein/Larry King/Dutroux/Savile/Nixon/Josh Harris etc.

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In their final episode of 2020, Dimitri and Khalid discuss the 2001 Dark Winter bioterrorism exercise, Joe Biden’s memeification of the term, the priestification of Tik Tok Doctors, the WHO’s overhyping of past pandemics, the bioterror ontology of 2000s pandemic exercises, COVID-19 as the new nebulous homeland security threat, the susness of WEF leader Klaus Schwab’s “Great Reset”, FACT CHECKING whether Event 201 “predicted” Covid, Bill Gates moving the goalposts, and why Davos probably isn’t a secret communist plot to destroy capitalism.

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Dimitri and Khalid discuss the 1970s books “Psychic Discoveries Behind The Iron Curtain” and “The New Soviet Psychic Discoveries”, the Stalin-tested stage magician Wolf Messing, Kirlian photography, interdimensional UFOs, ancient cosmonauts from the doomed planet Phaeton, Soviet efforts to resolve the contradictions between scientific and religious phenomenology, energetic ghosts, and whether or not we should aspire to join the sus AI God Supercivilization lurking in the heart of the Milky Way Galaxy.

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In Part II of WARLOCKS OF PALO ALTO, Dimitri and Khalid discuss the extent of Tim Leary's relationship with the CIA, stories about him getting MKed/lobotomized at Vacaville Prison in the 70s, Terence McKenna & Robert Hunter's letter correspondence about the "Klaxton Men" and Jabba The Hutt Jedi-Jinn they encountered on DMT, Bob Wier & Mickey Hart's membership in Bohemian Grove, and how the Dead served as cultural shock troops for the pernicious biopolitical neoliberalism that now dominates every aspect of US culture.

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Dimitri and Khalid discuss Patricia Goldstone's fascinating book "Interlock: Art, Conspiracy, and the Shadow Worlds of Mark Lombardi", CIA influence in the post-war American art scene, the hot money networks of George HW Bush & Co., Lombardi's personal vendetta against the Bush family, his tracing of BCCI, Nugan Hand, and the Iran-Contra Enterprise, his highly suspicious "conceptual" suicide in March 2000, and Goldstone's hypothesis that the Black Eagle Trust/Yamashita's Gold was the genesis of the interlocked shadow economy mapped out in Lombardi's work.

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Dimitri and Khalid discuss the ambiguous properties and history of the Ouija board, Dimitri’s chilling personal Ouija experience, Sylvia Plath’s Ouija-channelled poetry, Ouija-inspired satanic murders, the “Gulf Breeze Six” Army intelligence analysts who went AWOL after a Ouija board told them to, the Ouija interests of SRI/Esalen notables Andrija Puharich and R. Gordon Wasson, Aleister Crowley’s warnings that Ouija boards can be dangerous, and whether Ouija control is a better idea than gun control.

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Dimitri and Khalid launch into a kaleidoscopic, meandering, improvisational deep dive on The Grateful Dead (née The Warlocks of Palo Alto), the band's extensive links to CIA/MK-Ultra LSD research at Stanford, Ken Kesey's Acid Tests, the deep folkloric origins of the "Grateful Dead" legend, Hank Harrison's anthropological framing of The Dead amidst San Francisco's wily bohemian roots, and begin to unpack the susness of the various counterculture figures/ruling class misfits hovering around the Deadhead scene. (Part 1 of 2.)

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Dimitri and Khalid answer questions from the Grotto of Truth on their musical tastes, subliminal fascism in comic books and anime, the hidden intergenerational wealth of capitalist superelites, satanic aesthetics in rap and pop music, whether DB Cooper was actually Bill Colby, whether Ted Gunderson was an op, and the 1980 cocaine coup in Bolivia.

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