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Nobody is more skeptical of a new Soulslike on the block than me. Too often, Soulslikes build around the superficial qualities of FromSoftware's hits and neglect the secret sauce (or miss it entirely). Luckily for me and those who feel the same way, Round8 Studio and Neowiz knocked it out of the park with their Pinocchio-inspired Soulslike, Lies of P. I felt right at home playing through this, and it turned into a really fun conversation.

Guest info: Rob Garcia (he/him) and Kelvin Rolon (he/him)

TIMESTAMPS

Music used in the episode is from the Lies of P OST. Tracks used:

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As I said way back in The Outer Wilds episode, I respect the hell out of that game and think it's a miracle, but I didn't love it as much as others, and I kind of wish I could Eternal Sunshine that game out of my mind and try again. But as it turns out, the Echoes of the Eye expansion gave me just that chance. Did lightning strike twice? Did the game that "you can only truly play once" work again? Listen in and find out.

Guest info: Rick Firestone (he/him)

TIMESTAMPS

Music used in the episode is credited to Andrew Prahlow. Tracks used: The River, River's End, Elegy for the Rings, Echoes of the Eye, Departure

Check out Dave on Retro Hangover's King of Games '99 series: https://linktr.ee/retrohangover

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Sometimes a game's reputation precedes it in a way that makes you question whether you want to play it at all, and Fear & Hunger (Miro Haverinen, 2018) certainly fits that bill. Punishing difficulty, harsh teaching, extreme content warnings and more put me off from playing the game for a while, but I'm glad to have played it now, and all of that made for a great conversation.

Content warnings for Fear & Hunger: https://www.doesthedogdie.com/media/17804

Guest info: Adam Bucceri (he/him)

TIMESTAMPS

Music used in the episode is credited to Miro Haverinen. Tracks used: Fear & Hunger, The Four Apostles, Pulse & Anxiety, Ancient City, Tomb of the Gods, Everyday Schoolday

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It's been a real joy working my way through the Silent Hill series alongside doing this show, starting all the way back in episode 10(!) with Silent Hill 2. Today, I'm playing the sequel to Silent Hill 1, which is NOT Silent Hill 2...it's Silent Hill 3, and I've brought on the perfect guest to discuss what many fans to agree to be the last truly good Silent Hill game for many years.

Guest info: Kaye Ross (she/her)

TIMESTAMPS

Music used in the episode is credited to Akira Yamaoka. Tracks used: You're Not Here, End of Small Sanctuary, Breeze- In Monochrome Night, Something Long Forgotten, Sickness Unto Foolish Death, Hometown

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This year, we're kicking off horror month with a first- a visual novel! It's the first one I've covered on the show, though I enjoy them from time to time, and Slay the Princess (Black Tabby Games, 2023) is certainly an interesting one. It's a choose your adventure visual novel with memorable visuals and a very interesting opening choice- you were sent here to slay the princess, so...do you? Listen in to find out how we felt about it!

Guest info: Matt aka Stormageddon (they/them)

TIMESTAMPS

Music used in the episode is credited to Brandon Boone. Tracks used: The Princess, The World-Ender, Fragmentation, Reality Unwound, The Shifting Mound

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Sometimes, all it takes to grab your attention is a single screenshot, and Ultros (Hadoque, Kepler Interactive, 2024) is definitely one of those games. Every screenshot drips with color and is so rich with detail, it beckons you to come see what's going on. And once you're in, a beautiful soundtrack, lush soundscape and layered story grabs hold, but that's not all that's waiting for you. Ultros is a singular type of game, the type of game that I'm always thrilled to discuss on the podcast.

Guest info: John Rogers (he/they)

TIMESTAMPS

Music used in the episode is credited to Ratvader. Tracks used: Ouji Saint, Dark Sleep, Gärdner’s Pilgrimage, Dream Lament, But This Time It's Something Different, Ultros Ahimsa

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There are more than enough sports games to go around out there, but the culture of sports does not begin and end on the field of play. There is an entire culture surrounding sports, and I've never played a game that tackles that culture quite like Despelote (Julián Cordero and Sebastián Valbuena, 2025) does. It also takes you back to a slice of childhood in a way that no other game can really claim- it's really something else. Tune in for the discussion!

Guest info: Moises Taveras (he/him)

TIMESTAMPS

Music and game ambiance used in the episode is credited to Sebastián Valbuena

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Sometimes a game you'd never heard of will break out with a 90+ on the review aggregator websites and immediately turn heads, and that's exactly what happened to me with Bionic Bay (Mureena Oy, Psychoflow Studio, 2025). One screenshot was all it took to make me want to check it out, and then a patron vote sealed the deal. Bionic Bay- cool game!

Guest info: Harry Loizides (he/him)

TIMESTAMPS

Music used in the episode is credited to Francisco Javier Pérez. Tracks used: Polarity, The Grand Egg, Swap, Polarity (Reprise), Bionic Bay

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Everybody has that game they played a hundred times as a kid and therefore can't be objective about anymore, and for us, The Legend of Zelda: A Link to the Past is NOT one of those! Both my guest Ty and I both tried the game at various points, but never quite got on with it. The podcast has now given us a chance to revisit Nintendo's landmark title and give it the deep dive treatment- so listen in to find out how we felt this time!

Guest info: Ty Schalter (he/him)

TIMESTAMPS

Music used in the episode: Title, File Select, Opening Demo, Hyrule Castle, Dark World, Kakariko Village, Ending

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Banishers: Ghosts of New Eden (Don't Nod, 2023) represents a different type of game that Don't Nod has been making alongside their popular choice-based narrative games like Life is Strange and Lost Records: Bloom and Rage. With 2018's Vampyr, Don't Nod took a swing a narrative, decisions-matter action RPG, and while I liked Vampyr a lot, the decisions-matter part of it left a lot to be desired. Five years later, they took another swing at that type of game with Banishers, and really righted that specific area. Decisions matter in Banishers in a way they don't matter in most games, and it led to one of the most effective stories I've played in a while.

Guest info: Erik (he/him)

TIMESTAMPS

Music used in the episode is credited to Trevor Morris. Tracks used: Main Menu, The Harrows, Intimate Moment- Harmony

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