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I had been aware of Raftopoulos’ work for some time but it wasn’t until I started following him on Instagram that I really got a sense of what his art was about. His prolific output, imagination, humour and bold aesthetic were something I used to look forward to on my feed. Then suddenly one day he deleted it all! I thought – what is going on? Well, I found out in this interview.
We talk about his early years when his was the only Greek family in the small NSW town of Grenfell, the moment in his teenage years which defined which direction his life would take, his process, inspiration, purpose and the effect of the internet on the art world.
Scroll down to see a short video made in 2018 of Raftopoulos passing on his thoughts on painting and creativity to art students in Sydney.
https://www.youtube.com/watch?v=eNCf5h8NXB8
George Raftopoulos in front of his recent work ‘The Raw RΩAR’
‘Aeschylus of the Underworld’ 150 x 180cm, oil on polyester (2010)
‘The ROSE of no mans LAND’, 2017, mixed media on Japanese linen, 183cm x 183cm
‘BANGAREE’
‘ProtoTYPOS’
‘GRECCO corroborree’
She also won the prestigious Doug Moran National portrait prize in 2014 and has been the winner of several other art prizes. She is well known for her enigmatic and, at times, eerie portrayal of people and landscapes.
She has had 12 solos shows and has been involved in many more group exhibitions.
In this interview Hearman talks about how, even as a small child, her drawings contained elements of the work she would later create. She also explains why her works are predominantly untitled and what she initially intended to enter into the 2014 Doug Moran prize. She also tells why she likes working on masonite and what it is she calls ‘bungle bungles’ (and when to retire them).
Show Notes (links to people and things we talk about in the show)
https://www.youtube.com/watch?v=6J-BYZAgXpM
‘Barry’ (2016) oil on masonite 69.5cm x 100cm
‘Bill-1383/Bill-1384’ – Hearman’s dyptich which won the 2014 Doug Moran National portrait Prize
‘Untitled 1283’ oil on masonite, 61cm x 61cm
She has exhibited in over 20 solo shows and many more group shows and has won numerous art prizes including the Banyule and Robert Jacks drawing prizes.
In this conversation, Hattam begins by talking about the experience of growing up as the daughter of Melbourne art collectors and modern art patrons Hal and Kate Hattam. Hal Hattam was a gynaecologist and later a successful painter in his own right and Kate Hattam was once reported to be the ‘highest paid woman in Australia’ in her job as the advertising manager of the upmarket Melbourne department store Georges.
They held an extensive art collection of works of their artist friends which included Arthur Boyd, Fred Williams, John Brack, Clifton Pugh, Charles Blackman and Jan Senbergs. Portraits of her parents painted by Clifton Pugh and John Brack can be found in the National Portrait Gallery.
Hattam’s career initially focussed on drawing but her work eventually turned to painting and mixed media. In this interview she also talks about her techniques and preferred mediums, balancing motherhood and her art career and themes which arise in her paintings.
See below for a list of current and upcoming exhibitions and scroll down further for links to people and things we talked about in the show.
A video taken after this interview in March 2020 at Katherine’s exhibition at Sydney’s Arthouse Gallery can also be seen below.
Current and upcoming exhibitions:
Show notes: (links to people and things we talked about in the show)
https://www.youtube.com/watch?v=QJqZoskqNws&t=10s
The Integrity of the Personality, mixed media, (2014) Art Gallery of New South Wales
‘Today’ Mixed media on linen 198 x 110cm
‘Double Helix’ 120 x 240cm
‘Yellow Chair’ Lithograph, 73 x 50cm
‘Love On’ 2006, oil paint, pencil and collage on linen, 50 x 60cm
Francis is a contemporary realist painter and lives in Sydney. He has won and judged numerous art competitions. In 2014 he won the prestigious Percival Prize for Portraiture with his portrait of Charles Blackman. He has had many solo shows in Sydney, Melbourne and Brisbane and his work was selected to appear in the ABC production of Rake.
In this interview, Francis talks about his childhood influences, travels overseas, teaching at Julian Ashton Art school, his art process, people he has met along the way and how his painting was eerily affected just prior to his diagnosis with lymphoma five years ago.
‘Homage to John Reichard’ (1994) oil on marine ply 202cm x 188cm
‘Sunset Siesta’ (2015)
‘Charles Blackman’ 2010
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