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The plot is hatched, the trap is set and Tani-san walks right into it.
In which it is finally decided that something must be done about Tani-san. This, it turns out, involves spiders although it's difficult to take them seriously when they have forty-eight knees.
To be confused with a story by H.P. Lovecraft, TANI-SAN takes on a monster of the deep and in so doing fulfils the catering requirements for TANI-SAN INDUSTRIES' tenth anniversary celebrations.
In which a tiny misunderstanding leads to the most offensive Christmas commercial ever made and TANI-SAN is forced to face up to her gnomophobia.
When you have eliminated the impossible, whatever remains, however improbable, must be the truth.
Except in this case.
Why do the innocent suffer? You're unlikely to find the answers here as Tani-san's new fun park opens its door to customers.
The toilet humour continues when TANI-SAN takes inspiration not from Greatest or even the Smallest but certainly the Crappest Show on Earth.
In which Tani-san adopts a comedy wig and dentures to blend in with the workforce at Tani-san Industries.
When TANI-SAN reports herself as missing, no amount of thinking outside the box can pinpoint her whereabouts.
Two Tani-sans may be regarded as unfortunate. Three looks like recklessness. And so it proves when Tani-san sides with her ghostly grandma.
From the publisher's feed